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Results for Louis Moinet

3,202 articles · 187 videos found · page 11 of 113

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The Louis Erard x Alain Silberstein Le Régulateur Tourbillon, Now in Black Worn & Wound
Louis Erard x Alain Silberstein Le Mar 21, 2024

The Louis Erard x Alain Silberstein Le Régulateur Tourbillon, Now in Black

Years from now, someone will look back on this period and write about rise of affordable independent watchmaking. We are truly in a golden age if you happen to favor small brands who are inclined to do adventurous, experimental things. I wonder if anyone will identify Louis Erard’s collaborations with Alain Silberstein as a defining moment in this era of watch enthusiasm. From my perspective, it certainly seems like this relatively small Swiss brand and niche designer (who many thought, mistakenly, had reached a peak in terms of his popularity and influence) stand at the center of a lot of what’s happening in our world today. Limited edition collaborations, the mixing of the high and low, and a focus on accessible watches that are still undeniably special in some way are a huge focus of what’s driving interest in the hobby right now, and while Louis Erard and Alain Silberstein didn’t get there first, it’s hard to deny that their continued relationship isn’t one of the key stories of the last several years.  That relationship continues this week with the launch of the Le Régulateur Tourbillon Louis Erard x Alain Silberstein Black. This is the same tourbillon that we saw as part of a limited edition triptych back in October of last year. That watch, and the others in the set, featured an olive green dial, and it was notable that the tourbillon could only be purchased as part of the set, while the other watches were available separately. At the time, the thinkin...

Louis Erard Introduces the Affordable Tourbillon Alain Silberstein SJX Watches
Louis Erard Introduces Mar 21, 2024

Louis Erard Introduces the Affordable Tourbillon Alain Silberstein

Louis Erard returns to its flagship model, the Le Régulateur Tourbillon x Alain Silberstein, now in black. The tourbillon builds on the previous collaborations with the French designer but ups the ante on price and complexity. Louis Erard first tapped Alain Silberstein, known for his instantly recognisable Bauhaus-inspired aesthetic, in 2019 for a successful collaboration that led to a second collection in 2021. This new 78-piece limited edition is the first time Le Régulateur Tourbillon is presented in Silberstein’s typical Bauhaus colours. The model initially debuted last year as part of a three-piece set in khaki green, followed by a 10-piece limited edition made for UAE-based retailer Ahmed Seddiqi & Sons. Initial thoughts Louis Erard has created an interesting niche for itself in the world of independent watchmaking with its ongoing string of well-priced collaborations with established independent watchmakers like Konstantin Chaykin and Vianney Halter. And while the brand is arguably at its best when it challenges conventional expectations of watch design, such as its collaborations with designers from outside the industry like Oliver Mosset and atelier oï, the designs of Alain Silberstein have proven timeless in their own quirky way. Le Régulateur Tourbillon features a 40 mm titanium case that is also surprisingly slim at just 11.8 mm. That said, it’s likely to wear larger due to the hinged strap loops that extend beyond the case. With a black nylon strap and...

Hands On With The Louis Erard Excellence Collection Worn & Wound
Louis Erard Excellence Collection Louis Erard’s Mar 20, 2024

Hands On With The Louis Erard Excellence Collection

Louis Erard’s appeal is that of a legitimately independent brand mixes a taste of high horology with compelling value. Across the entire Excellence collection, we see various design elements, materials, and finishing techniques that belie the watches’ price points. A hands-on experience with the collection brings a new level of appreciation for the level of detail that each particular model boasts. Take the Louis Erard Excellence Petite Seconde, the brand’s take on an elevated everyday watch. After marveling at the striking dial colors and complementary straps, we appreciate the harmony of the various textures and dial elements. On the other hand, the Regulateur Lapis-Lazuli wows us with its ultramarine and speckled blue stone dial, which is accentuated by using an interesting and uncommon regulator format. Not to be outdone, the Excellence Guilloché Main II is a master class of high-end finishing at a more approachable price than most. The lines comprising the concentric circles and diamond are intricately etched using a rose engine lathe in a process pioneered by Abraham-Louis Breguet. We’re excited to offer the Louis Erard Excellence collection in the Windup Watch Shop because, simply put, they are special. Zach Weiss gets hands-on with the watches in our latest video here. Louis Erard’s appeal is that of a legitimately independent brand mixes a taste of high horology with compelling value. Across the entire Excellence collection, we see various design elemen...

Up Close: Louis Vuitton Voyager Flying Tourbillon Plique-à-Jour SJX Watches
Louis Vuitton Voyager Flying Tourbillon Plique-à-Jour Mar 13, 2024

Up Close: Louis Vuitton Voyager Flying Tourbillon Plique-à-Jour

A watch that exemplifies the ambitious vertical integration of Louis Vuitton’s watch division, the Voyager Flying Tourbillon Poinçon de Genève Plique-à-Jour combines a skeleton tourbillon movement with a plique-à-jour enamel dial. Transparent and akin to stained glass, plique-à-jour enamel is rare in watchmaking, with only a handful of brands having accomplished it. But this specific form on the Voyager tourbillon, which goes without any backing under the dial, is even more uncommon. Because there is no base for the dial, the transparency of both the dial and the movement is maximised. Initial thoughts The original version of this watch, essentially identical but without the enamel dial, was launched in 2016. Louis Vuitton didn’t get much attention as a watchmaker then, though I liked the watch, particularly the slim profile and open-worked movement made by La Fabrique du Temps (LFT). The quality of the watch indicated Louis Vuitton was going places as a watch brand. Louis Vuitton has come a long way since then as a watchmaker. It now boasts several automaton wristwatches, the Rexhep Rexhepi RR01 collaboration, and its own prize for independent watchmakers. Appropriately enough, the Voyager tourbillon has been enhanced, reflecting the substantial expansion and development of LFT since 2016. The movement, dial, and case are all made in-house at LFT, reflecting Louis Vuitton’s impressive manufacture that now rivals some of the most prominent names in haute horlog...

Louis Vuitton’s High Watchmaking Novelties 2024 With Michel Navas, La Fabrique Du Temps LV Revolution
Louis Vuitton s High Watchmaking Novelties Mar 13, 2024

Louis Vuitton’s High Watchmaking Novelties 2024 With Michel Navas, La Fabrique Du Temps LV

Join Wei, Eleonor, and Michel Navas, Co-founder and Master Watchmaker of La Fabrique du Temps Louis Vuitton, as they explore the brand’s latest high watchmaking novelties of 2024. For over two decades, Louis Vuitton has been steadfast in its pursuit of excellence in watchmaking-an endeavor steeped in both tradition and innovation. With a commitment to […]

First Look – The Wondrous Beauty of the Louis Vuitton Escale Cabinet of Wonders Monochrome
Louis Vuitton Escale Cabinet Mar 6, 2024

First Look – The Wondrous Beauty of the Louis Vuitton Escale Cabinet of Wonders

Appointed director of Louis Vuitton Watches in 2021, Jean Arnault’s strategy to reposition the brand as an elite player involves a combination of technical audacity, refreshing design and an incredible devotion to traditional decorative techniques. Wielding the best tools, Arnault can count on the watchmaking wizardry of the brand’s in-house La Fabrique du Temps atelier […]

Louis Vuitton travels the world through the new Escale Cabinet of Wonders Time+Tide
Louis Vuitton travels Mar 6, 2024

Louis Vuitton travels the world through the new Escale Cabinet of Wonders

Three new limited editions are relaunching the Escale line at Louis Vuitton. Inspired by highly decorated tsubas (katana sword guards) collected by Gaston-Louis Vuitton. Utilising a plethora of métiers d’art techniques to depict three evocative creatures. Louis Vuitton continues its overhaul of its watch lines under the leadership of Jean Arnault, where the brand has … ContinuedThe post Louis Vuitton travels the world through the new Escale Cabinet of Wonders appeared first on Time+Tide Watches.

First Look – The Louis Vuitton Voyager Flying Tourbillon “Poinçon de Genève” with a Plique-à-Jour Dial Monochrome
Louis Vuitton Voyager Flying Tourbillon “Poinçon Mar 6, 2024

First Look – The Louis Vuitton Voyager Flying Tourbillon “Poinçon de Genève” with a Plique-à-Jour Dial

In the past decade, the watch division of Louis Vuitton has been steadily expanding its foothold in haute horlogerie, a journey that commenced with acquiring movement specialist La Fabrique de Temps (LFT) about ten years ago. La Fabrique des Arts, another esteemed LV atelier within the LFT dedicated to curating metiers d’art, provided expertise and […]

Louis Vuitton Introduces Tourbillon with Plique-à-Jour Enamel Dial SJX Watches
Louis Vuitton Introduces Tourbillon Mar 6, 2024

Louis Vuitton Introduces Tourbillon with Plique-à-Jour Enamel Dial

Making full use of its recently established enamel workshop, Louis Vuitton debuts the Voyager Flying Tourbillon Poinçon de Genève Plique-à-Jour. Equipped with a skeleton tourbillon movement bearing the Geneva Seal, the new Voyager features a dial of translucent enamel in a gold lattice that is similar to stained glass. Initial thoughts The Voyager tourbillon was unveiled in its original format in 2016. I examined the watch at the time, and came away impressed by both the design and finishing, though I felt it was pricey. The case was elegantly proportioned and sat particularly well on the wrist, being just over 9 mm tall. And the movement was surprisingly airy while having a high level of decoration equivalent to that found in establishment haute horlogerie names. The plique-à-jour is essentially the same thing but with an enamel dial. The thickness of the dial adds to the case height, bringing it to over 11 mm, so the new tourbillon doesn’t have the slimness but it remains an elegant watch. The artisanal dial does add another level of appeal, particularly since this enamel technique is not often used in watches, particularly on the large surface of entire dial. Personally I would have preferred colours other than blue and grey for the enamel, but geometric, repeating “V” motif of the dial is attractive. As for the price, well, this is an expensive watch, though arguably not as much as in 2016.. Louis Vuitton has come a long way since as a watchmaker, with the br...

Buy-In Required: Non-Watch Brands That Stand Tall - Hermès, Louis Vuitton, And Chanel Fratello
Louis Vuitton Mar 5, 2024

Buy-In Required: Non-Watch Brands That Stand Tall - Hermès, Louis Vuitton, And Chanel

Some people just can’t get enough. Enough of the right logo, that is. “Logo luxury” is still very much alive, no matter the attention “quiet luxury” received recently. Logos have a hypnotic allure to some people. People under the spell of the right monogram will want to buy into the brand badly, desiring everything with […] Visit Buy-In Required: Non-Watch Brands That Stand Tall - Hermès, Louis Vuitton, And Chanel to read the full article.

Up Close: Louis Vuitton Tambour Opera Automata SJX Watches
Louis Vuitton Tambour Opera Automata Louis Mar 1, 2024

Up Close: Louis Vuitton Tambour Opera Automata

Louis Vuitton has received much press recently for the Tambour, a restrained, sleek watch with just three hands. But the brand also makes watches at the other end of the spectrum, as personified by the Tambour Opera Automata. A large watch with an even larger presence, the Opera Automata is an extremely complicated watch with a kinetic dial – that is also enamelled by Anita Porchet. The pusher at two o’clock activates the automata on the dial, which also serves to indicate the time with jumping hours and retrograde minutes. Although mechanically identical to the earlier Carpe Diem automata watch, the Opera Automata is more striking thanks to its vivid colours, and also more relatable for East Asians given the theme. Initial thoughts The Tambour Opera Automata is a statement watch that is hard to miss by virtue of its size and colour. Although the extravagant style is typical of Louis Vuitton, the details of the enamel dial are particularly fine. Moreover, the motif is more appealing to me personally compared to its predecessor, the Carpe Diem from three years ago. I was impressed by the Carpe Diem, both for its complexity and execution, particularly the delicate enamelled snake, but the skull-and-snake motif was too much for me. It was also less relatable, since it is a vanitas, a familiar concept in Western culture. With a Chinese opera motif, the Opera Automata, on the other hand, is more relatable. The Opera Automata is impressively decorated on the front – unsurp...

Louis Erard Introduces New Entries in their Excellence Petite Seconde Collection Featuring Elaborate Guilloche Dials Worn & Wound
Louis Erard Introduces New Entries Feb 27, 2024

Louis Erard Introduces New Entries in their Excellence Petite Seconde Collection Featuring Elaborate Guilloche Dials

The latest release from Louis Erard expands their Excellence Petite Seconde range, and includes another release in that collection’s 39mm case size. Louis Erard has really become a collector favorite over the last few years with their many collaborative limited editions and (relatively) affordable ways to buy into design codes that traditionally represent true high luxury watchmaking, and they’ve done it mostly on the back of a 42mm case. It’s always notable when we see them release something new in their easier to wear 39mm case size, and with the Excellence Petite Seconde Guilloche (in two sizes) we also have a watch that’s really playing into that high luxury aesthetic with an unusually complex dial. These watches are really a celebration of guilloche itself, and seek to present the decorative technique in a more classical way than something like the brand’s much more contemporary guilloche LE from a few years ago. The larger 42mm watch features gray and black tones, while the smaller 39mm watch features a rich blue and gray for contrast.  The dials are made in four parts, and highlight contrasting guilloche patterns. The central section has a traditional wave-like pattern that is meant to cast light directly from the dial’s center. An outer section, where you’ll find the hour track, features what’s known as a “panier” motif, which has the appearance of slightly staggered scales. This pattern is repeated in the small seconds subdial at the 6:00 posi...

First Look – The New Louis Erard Excellence Petite Seconde Guilloché Monochrome
Louis Erard Excellence Petite Seconde Guilloché Feb 27, 2024

First Look – The New Louis Erard Excellence Petite Seconde Guilloché

Louis Erard continues its path onwards and upwards with yet another artistic iteration of its Excellence Petite Seconde. A flagship model at Louis Erard since 2020, this model is an attractive dress watch with a small seconds counter available in 39mm and 42mm cases. The uncluttered dial of the Petite Second has been treated to […]

Raúl Pagès Wins Inaugural Louis Vuitton Watch Prize SJX Watches
Louis Vuitton Watch Prize Feb 7, 2024

Raúl Pagès Wins Inaugural Louis Vuitton Watch Prize

In its first year, the Louis Vuitton Watch Prize for Independent Creatives has been awarded to Raúl Pagès and his RP1 Régulateur à Détente. Selected by a five-person jury, the RP1 triumphed over five finalists, including Andreas Strehler with his Tischkalender Sympathique and Petermann Bedat and its Reference 2941 split-seconds chronograph. A watchmaker, restorer, and automaton maker, Mr Pagès’ winning entry is a time-only wristwatch with a regulator-style display, and more importantly, a movement of his own design with a detent escapement. Historically found in precision marine chronometers, detent escapements are highly accurate but typically not shock resistant, a problem Mr Pagès solved by taking inspiration from a 19th century escapement design. As a result, his escapement is shock resistant enough for everyday use in a wristwatch. Besides technical features, the RP1 movement also boasts a high level of decoration that is artisanal in nature and accomplished by hand. The finishing, architecture, and construction are all classical in style, reflecting Mr Pagès experience as a restorer, most notably at Parmigiani, perhaps the most respected restoration workshop in Switzerland. A drawing a traditional detent escapement (left), and the RP1 detent escapement Tearing up as he gave his acceptance speech, Mr Pagès’ win is a milestone in a career that actually started over a decade ago. His skill and dedication were recognised by the jury, made up of Carole Forest...

News – Raúl Pagès Wins the 2024 Louis Vuitton Watch Prize for Independent Creatives Monochrome
Louis Vuitton Watch Prize Feb 6, 2024

News – Raúl Pagès Wins the 2024 Louis Vuitton Watch Prize for Independent Creatives

Introduced last year as a project, the Louis Vuitton Watch Prize for Independent Creatives has to be seen as one of the most interesting recent initiatives in the field of independent and high-end watchmaking. Even though backed up by the world’s largest luxury conglomerates, the LV Watch Prize aims to become a biennial prize that […]