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Results for Watches and Wonders Geneva

34,686 articles · 4,090 videos found · page 1205 of 1293

Ulysse Nardin Introduces the Hourstriker Phantom SJX Watches
Ulysse Nardin Introduces Oct 15, 2019

Ulysse Nardin Introduces the Hourstriker Phantom

A simple yet unusual chiming complication, the hourstriker has been a fixture in the Ulysse Nardin line-up for almost three decades, starting with the San Marco Jacquemart developed by Christophe Claret. The hour striker complication has been paired with various automatons over the years, including tigers, horses, oil pumpjacks, and a copulating couple. Now Ulysse Nardin has stripped away the automaton, streamlined the design, and reworked the acoustics – with help from French speaker specialist Devialet – resulting in the Hourstriker Phantom. It’s the brand’s sleekest and most contemporary hour striker to date, and according to Ulysse Nardin, the loudest chiming wristwatch in the world. High-end audio help Founded in 2007 by a trio of Frenchmen, who named the company after 18th century French engineer Guillaume Vialet, Devialet is most famous for its white, egg-shaped Phantom Premier speaker that is compact, powerful and fairly expensive. Most notably, one of its founders, designers Emmanuel Nardin, is a member of the Nardin family that once owned Ulysse Nardin. The Devialet Gold Phantom Opéra de Paris speaker Devialet’s contribution to the Hourstriker Phantom was to boost its sound, accomplished in two ways. The first element being the attachment of the gongs to the movement. In an ordinary striking watch, the gongs are fixed with screws. On the other hand, the Hourstriker Phantom has its gongs secured by “torsion arms”, presumably small springs. A...

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Crazy love – Franck Muller’s Cintrée Curvex Crazy Hours in blue tones Time+Tide
Franck Muller Oct 14, 2019

Crazy love – Franck Muller’s Cintrée Curvex Crazy Hours in blue tones

Often we talk about emblematic or iconic models or shapes in a brand’s line-up, such as Franck Muller, with their distinctive Curvex line. Less often do we talk about a brand’s trademark complication, as it is much less likely that a brand has such a strong association or identity with a particular function, but again … ContinuedThe post Crazy love – Franck Muller’s Cintrée Curvex Crazy Hours in blue tones appeared first on Time+Tide Watches.

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Greubel Forsey Introduces the Entirely Hand-Made Tourbillon Watch SJX Watches
Greubel Forsey Introduces Oct 14, 2019

Greubel Forsey Introduces the Entirely Hand-Made Tourbillon Watch

The Hand Made 1 is a watch “95%” produced “using only hand-operated tools”, requiring some 6,000 hours, according to Greubel Forsey. That’s equivalent to three years of work, largely performed by a special team of watchmakers assembled by Greubel Forsey specifically for this project, along with independent specialists who produce certain components. Functionally, the Hand Made 1 is a straightforward timepiece – it shows the time, hours, minutes and seconds, and is equipped with a one-tourbillon regulator. The movement is made up of 272 parts, which is within the usual range for such a movement. The complexity of the watch comes from how it is made – by hand or by hand-operated tools – which is why only two to three examples will be produced per year. The genesis for the Hand Made 1 is the department within Greubel Forsey that produces prototypes, which are essentially one-off, hand-made watches. The same production techniques are applied to the Hand Made 1, except that they are taken to a far higher level, in order to create components that are produced with the same techniques as prototypes but to the same fit and finish as standard Greubel Forsey movements. So each screw is made on a manual lathe, and can take up to eight hours to complete. The case components are milled on a pantograph lathe, essentially a manually operated CNC machine that requires the operator to guide the cutting tool to by hand. And even the balance spring is rolled by a manua...

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The New Omega Museum is Open SJX Watches
Omega Museum Oct 14, 2019

The New Omega Museum is Open

Located around the corner from its old premises, the Omega Museum has just reopened within La Cité du Temps – “The City of Time” – an impressive glass and wood building designed by Japanese architect Shigeru Ban, who has worked with the brand on several projects, including its new factory. Connected to the new Swatch brand headquarters via an aerial bridge, La Cité du Temps sits just behind Omega’s main building in Biel, a city about 90 minutes from Zurich by train. Appropriately, it is on a street named after Nicolas G. Hayek, founder of the Swatch Group, the Swiss watchmaking conglomerate that’s Omega’s parent company. La Cite du Temps, the horizontal building in the middle La Cite du Temps at right While the original museum was opened in 1983, making it the oldest watch brand museum in the world, the new museum sits on the second level of the five-story La Cité du Temps, with the Swatch Museum one floor above and another floor dedicated to temporary exhibitions. The new premises give the Omega Museum an expansive space to detail the watchmaker’s long and diverse history on a scale that was impossible in the museum’s former home, which it shared with the company canteen. The 64-window display that’s built like the links of a steel watch bracelet Each of the key themes in Omega history are captured in comprehensive exhibits, including being the official timekeeper for the Olympic Games, the Speedmaster Professional and the Moon landing – ...

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HANDS-ON: Omega hit another home run with the Seamaster Diver 300M Chronograph Time+Tide
Omega hit another home run Oct 13, 2019

HANDS-ON: Omega hit another home run with the Seamaster Diver 300M Chronograph

We knew it was coming. To paraphrase former PM Paul Keating, this is the upgrade we had to have. The Omega Seamaster Diver 300M Chronograph. But before we dive into (sorry, can’t help it) what makes this watch special, a quick update for those not up to date with the news from Biel. Last year, … ContinuedThe post HANDS-ON: Omega hit another home run with the Seamaster Diver 300M Chronograph appeared first on Time+Tide Watches.

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What we’d wear if we could wear only one watch brand for the rest of our lives …  Time+Tide
Cartier Why? Cartier looks good Oct 12, 2019

What we’d wear if we could wear only one watch brand for the rest of our lives … 

I know, it’s a horrible prospect, and one that we don’t really want to seriously consider, but you know what, it makes an excellent proposition for a hypothetical, something that flies around the office a fair bit. Only this time, I took some notes … Nick’s choice – Cartier Why? Cartier looks good in any … ContinuedThe post What we’d wear if we could wear only one watch brand for the rest of our lives …  appeared first on Time+Tide Watches.

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The epitome of classic watch design – the Rolex Datejust Time+Tide
Rolex Datejust There’s Oct 10, 2019

The epitome of classic watch design – the Rolex Datejust

There’s a lot of discussion out there when it comes to the most recognisable watch design of all time. For many, that design is a Rolex (though personally I think the classic Swatch would give it a solid run for its money). The debate really starts to heat up when you ask the question of … ContinuedThe post The epitome of classic watch design – the Rolex Datejust appeared first on Time+Tide Watches.

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Introducing the Hasta la Vista Revolver 8-Day Table Clock SJX Watches
Chanel Oct 10, 2019

Introducing the Hasta la Vista Revolver 8-Day Table Clock

A recent startup dedicated to creating unusual objects, The Unnamed Society makes its debut with a table clock shaped like the Colt Bisley Model revolver of the early 20th century. The clock is produced by L’Epee 1839, the Swiss clockmaker that is responsible for practically all of the unconventional and avant-garde mechanical clocks of recent years, most famously those designed by MB&F; but also Chanel. But it’s undoubtedly the success of MB&F;’s sci-fi clocks that have compelled various brands, old and new, to develop their own L’Epee 1839 clocks. Named Hasta la Vista, “goodbye” in Spanish, the clock is the shape and size of an actual revolver, measuring 350mm or just under 14 inches long. It’s made of steel and palladium-plated brass, and can be mounted on its accompanying base either via the grip or the barrel. Pictured here with the grip made of horn from the bighorn sheep, as well as engraving on the frame Mechanically it is identical to the 8-day clocks L’Epee 1839 has produced in other shapes and sizes. The time is indicated by two revolving cylinders – one each for the hours and minutes – that take the shape of the rear section of the pistol frame. The escapement, wheel train and mainspring are where the cylinder (which contains the bullets) would be. Winding is accomplished by a key that’s inserted into the end of the barrel. Though it’s a limited edition of 50, each clock can be customised with a variety of options offered for the g...

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Rolex Unicorns Part I – Ref. 4113 Split-Seconds Chronograph SJX Watches
Zenith Daytonas Oct 10, 2019

Rolex Unicorns Part I – Ref. 4113 Split-Seconds Chronograph

If I had a million dollars, or maybe two, to buy a Rolex chronograph, I could perhaps buy one of the five unique “Zenith” Daytonas in platinum, a Datocompax “Jean-Claude Killy” (as Davide Munari did), a “Paul Newman” Daytona (not), or a ref. 4113 split-seconds. Of the many ways to spend that much money on a Rolex chronograph – and not any other complication – the ref. 4113 is the most unusual, interesting and horologically complex. At the same time, the ref. 4113 was also a dead-end for Rolex, because it never furthered development of the split-second chronograph and instead relied on standard chronographs for all its auto-racing activities. Produced in 1942 in a run of just 12 watches – with case numbers “051’313” to “051’324” -the ref. 4113 is the only split-seconds, or rattrapante, chronograph ever made by Rolex. Phillips will soon sell ref. 4113 with case number “051’318” – the watch pictured here – at its upcoming November watch auction. Ref. 4113 with case number “051’318” The Valjoux 55 inside The racing connection Though formal documentation as to its origins no longer exist or are unknown, the story behind the ref. 4113 is by now familiar thanks to research over the years as examples emerged at auction. In 1991, a pair of these emerged at Christie’s, at its Geneva and London salerooms respectively. The first, with case number was “051’313”, was sold in May 1991 at Christie’s in Geneva for 82,500 Swiss fr...

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Is this the most accessible true worldtimer on the market right now? The Christopher Ward C1 Grand Malvern Worldtimer Time+Tide
Christopher Ward C1 Grand Malvern Worldtimer Oct 9, 2019

Is this the most accessible true worldtimer on the market right now? The Christopher Ward C1 Grand Malvern Worldtimer

Editor’s note: Christopher Ward is a name that pops up whenever someone is looking for a watch that offers a solid value proposition, and this remarkably well-priced worldtimer proves the point. Stylish times, no matter where you are in the world … Worldtimers - which allow you to, at a glance, quickly determine the time … ContinuedThe post Is this the most accessible true worldtimer on the market right now? The Christopher Ward C1 Grand Malvern Worldtimer appeared first on Time+Tide Watches.

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Business News: Rolex to Replace New York Headquarters with 25-Storey Building SJX Watches
Audemars Piguet museum according Oct 9, 2019

Business News: Rolex to Replace New York Headquarters with 25-Storey Building

A year after the opening of the Rolex Building in Dallas, designed by Japanese architect Kengo Kuma, London-based David Chipperfield Architects just announced it won an international design contest for the new Rolex skyscraper in New York City, beating out big names like Foster+Partners and Bjarke Ingels Group (which designed the new Audemars Piguet museum), according to industry publication Architects’ Journal. “Our team is committed to creating an exemplary building befitting the heritage and culture of the Rolex brand, as well as its prominent 5th Avenue location,” says Mr Chipperfield, speaking in the press announcement. Modernist and fronted entirely in glass, much like the rest of its work, the Chipperfield design will replace the watchmaker’s existing building located at 665 5th Avenue, on the corner with 53rd Street. Originally built for Danish silversmith Georg Jensen in 1924, the 12-storey building was revamped with a glass and aluminium facade when Rolex acquired it in 1977 for its American headquarters. The current Rolex Building, home to the company since the 1970s. Image – Google Maps A rendering of the new Rolex Building. Image – David Chipperfield Architects According to industry lore, the then chief executive of Rolex, Andre Heiniger, decided to buy the 5th Avenue building during a visit to the United States, closing the deal before getting the approval of the company’s board. Heiniger also led Rolex to acquire several dozen lo...

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RECOMMENDED READING: History of the Must de Cartier Tank Time+Tide
Cartier Tank Editor’s note I Oct 8, 2019

RECOMMENDED READING: History of the Must de Cartier Tank

Editor’s note: I think most people reading this fully appreciate just how dire things were in the 1970s as a result of the notorious “quartz crisis”. Myriad Swiss watchmakers seemed to just disappear overnight, succumbing to a battery-powered onslaught led by Seiko, who inundated the wristwatch market with inexpensive, accurate timepieces. It was an interesting … ContinuedThe post RECOMMENDED READING: History of the Must de Cartier Tank appeared first on Time+Tide Watches.

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VIDEO: The wearer-friendly Blancpain Villeret Quantième Complet 8 Jours Time+Tide
Blancpain Villeret Quantième Complet 8 Oct 8, 2019

VIDEO: The wearer-friendly Blancpain Villeret Quantième Complet 8 Jours

On the face of it, Blancpain’s elegant Villeret Quantième Complet 8 Jours - or, if you don’t parlez vous, Complete Calendar 8 Days - is exactly the sort of thing you’d expect from the dressier family of one of Switzerland’s old marques. But once you get past the numerous traditional points - the day/month apertures, … ContinuedThe post VIDEO: The wearer-friendly Blancpain Villeret Quantième Complet 8 Jours appeared first on Time+Tide Watches.

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Hands-On: Hermès Arceau L’Heure De La Lune SJX Watches
Hermes Chronode conceived Oct 8, 2019

Hands-On: Hermès Arceau L’Heure De La Lune

Hermès, as a brand, usually has an elegant, light and sometimes whimsical house style that makes it unique amongst luxury houses. The Arceau L’Heure De La Lune unveiled at SIHH at the start of the year exemplifies the house style, although the case is thicker than ideal. Functionally, the Arceau L’Heure De La Lune is a straightforward watch – it shows the time, date and phases of the Moon in both the Southern and Northern hemispheres. But the execution of the time and date is striking and clever. Orbital moon phases The two are essentially orbital displays, as each is on a sub-dial mounted on a rotating, central carousel. The carousel take 59 days to make one complete revolution around the dial. But each sub-dial also rotates on itself as the carousel turns. As a result, each sub-dial is always the right way up regardless of its position. Both sub-dials also double up as the moon phase indicator, with position of each sub-dial indicating the age of the Moon in each hemisphere. And in a bit of whimsy, the hemispheres have been inverted, with the Southern on top and Northern below. The Arceau L’Heure De La Lune with a meteorite dial The inventive display was built by Chronode, the complications specialist founded by Jean-Francois Mojon, which has a diverse body of work that includes Urban Jurgensen’s P4 movement, the MB&F; LM2, and the constant force tourbillon of IWC. The display module by Chronode. Photo – Hermes Chronode conceived and builds the ...

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Cartier Opens ‘Crystallisation Of Time’ Exhibition in Tokyo SJX Watches
Cartier Opens ‘Crystallisation Oct 8, 2019

Cartier Opens ‘Crystallisation Of Time’ Exhibition in Tokyo

In the tradition of its extravagant exhibitions, Cartier has recently opened Cartier, Crystallisation Of Time in Tokyo’s National Art Centre. Made up of some 300 items, ranging from jewels to clocks to objet d’art, the exhibition is the third Cartier exhibition in Japan since the 1990s (and the 34th globally). Notably, half the exhibits are on loan from private collections, with the rest being from the Cartier Collection, the jeweller’s own trove of over 3000 items spanning 1860 to the modern day. More unusually, this is the first exhibition that includes contemporary Cartier creations from the 1970s and later, in contrast to past events that only included historical objects. The exhibition explores the jeweller’s rich history by juxtaposing vintage jewels, timepieces and objects against their modern equivalents or relations. So a lavish portico mystery clock made of gold, rock crystal and onyx from 1923 sits beside a 2016 mysterious tourbillon pocket watch hanging in its rock crystal and jade stand. Large ‘Portique’ mystery clock (left); and mysterious tourbillon pocket watch with stand Desk clock, circa 1929, made of ebonite, mother-of-pearl, and coral (left); and magnetic clock from 2016, in white gold, lapis lazuli, and mother-of-pearl It’s organised into three themes, detailing the jeweller’s work in materials, design, and cultural inspiration. The two scarab motif jewels, for instance, are six decades apart, but share the same Ancient Egyptian theme...

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