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Hands-On: The Patek Philippe Aquanaut Travel Time Ref. 5164R
A high-functioning do-it-all that glows in rose gold. The watch, not me.
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Hands-On: Greubel Forsey GMT Sport
Even within the rarefied realm of haute horlogerie, Greubel Forsey has taken watchmaking to a level of craft few others can match – not just in terms of finishing, but innovation in chronometry while also establishing its own inimitable, three-dimensional aesthetic. And now, the brand has combined all of that onto its first sports watch – the GMT Sport. While nearly identical to the existing GMT in terms of function, combining a world time with an inclined tourbillon, the GMT Sport looks nothing like any other Greubel Forsey. And its movement is mostly made of titanium, having been reconstructed to fit into the new ovoid case. Despite being strikingly different, the watch is tremendously impressive on many fronts, especially in its finishing and construction. The new look Depth rated to 100m, the GMT Sport is a large watch that is organic in shape, with no right angles, a handful of edges, and only few flat surfaces. But it has a mechanical-looking style, with lugs secured to the case by visible screws and prominent pushers. The construction is complex and masterful, with the most unusual feature being the crystal and bezel, which are curved on multiple planes. When viewed from the top, the case appears circular, but it is in fact, tonneau-shaped with an oval bezel that is curved vertically from 12 to six o’clock. To fit the curvature of the case, the crystal is also oval-shaped and curved, which further highlights the architectural depth of the movement. The circ...
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Hands-On: Longines Heritage Classic “Sector” Dial
Longines ended the year with two spot-on vintage remakes, the just-launched Heritage Military 1938 and the earlier Heritage Classic “sector” dial that’s just arrived in stores. The Heritage Classic is based on a 1934 Longines wristwatch with dial style known as “sector” or “scientific”. Fashionable today because of its distinctive yet retro look, the sector dial was fairly common in the early 20th century, being found on both pocket- and wristwatches made by a variety of brands, ranging from Patek Philippe to Zenith. So Longines doesn’t have any special claim to the design, but with a retail of just over US$2000, its sector-dial remake is arguably the bang for the buck. At 38.5mm in diameter the Heritage Classic is compact and wears well. It’s slightly larger than the vintage originals – typically 35mm or so, while rarely and expensively 37mm or larger – but not by much. Because the case diameter has been kept smallish by modern standards, the sub-seconds at six is correctly positioned, unlike on most remakes that match large cases with small movements. While the seconds sits closer to the centre of the dial than on the vintage original, the dial still looks correctly laid out with good balance. The remake (left), and the original from 1934 that’s in the Longines museum. Image – Longines Besides the diameter, the case profile is also well done. At 10mm, the height is proportional to the diameter, with a fairly high, single-step bezel and a slim c...
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Hands-On: Zenith El Primero Defy 21 Carbon
Zenith’s streak of high-tech watches – including this year’s Defy Inventor and El Primero Double Tourbillon – began in 2017, when it unveiled the El Primero Defy 21. The watch is a chronograph with a dual-train construction that accommodates a high-frequency chronograph with a resolution of 1/100th of a second and a lightning seconds hand that whizzes round the dial once a second. Originally offered only in ceramic, titanium or gold, the high-frequency chronograph is available in a featherweight carbon composite case – arguably best suited to its styling and complication – with the launch of the El Primero Defy 21 Carbon. A familiar style The unusual movement of the Defy 21 is inspired by the similar constructed movement in the TAG Heuer Mikrograph, one of many high-frequency chronographs devised by Guy Sémon, the resident technical guru at TAG Heuer, a sister company of Zenith. Notably, the Mikrograph and the Defy 21 are the only serially produced, 1/100th of a second chronographs on the market today. Due to the movement’s dual-train architecture – essentially two independent movements on one base plate – the case is a large 44mm in diameter and 14.4mm high. But being carbon composite, it manages to remain lightweight despite the size. At the same time, the predominantly black colour scheme across the case and dial also makes the watch look smaller than it is, especially compared with versions of the Defy 21 in gold or titanium. Visually, the case i...
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Hands-On: F.P. Journe Octa Réserve de Marche Prototype
As has become tradition, a good part of Phillips’ upcoming New York watch auction is a memorabilia sale of sorts, including watches owned by Marlon Brando, golfer Jack Nicklaus, and astronaut John Glenn, as well as the Urwerk worn by Robert Downey Jr. while playing Iron Man in Avengers: Endgame. The auction also includes a piece of historical horological memorabilia: an F.P. Journe Octa Réserve de Marche prototype. The prototype is largely identical to the later, serially produced version of the watch – the case is platinum and the dial, yellow gold – but is marked as a prototype on the case back, and also bears the various traits unique to early watches made by Francois-Paul Journe. The cal. 1300 Launched in 2002 and discontinued in 2014, the Octa Réserve de Marche was the brand’s first entry-level wristwatch, powered by an automatic movement, the cal. 1300. Originally conceived to have an eight-day power reserve – hence “Octa” – the movement instead has a power reserve of 120 hours, or about five days. Reputedly constructed with a gear train borrowed from a robust and well-known hand-wind movement plus an extra-large mainspring, the cal. 1300 was the base calibre for the entire Octa line. Although a variety of complications were added on top, ranging from the Octa Chronograph to the annual calendar of the Octa Calendrier, all versions of the movement had identical height of 5.7mm regardless of function. The slimness and smart construction did come at th...
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Hands-On: Bell & Ross BR 01 Laughing Skull White
While skull watches are very much today’s fad, Bell & Ross’ use of the Jolly Roger started a decade ago with the BR 01 Skull, with its square watch case being a perfect frame for a bony visage. The brand’s skull watches have proliferated since then, but the evolution had been purely cosmetic, until last year when the brand unveiled a watch as elaborate mechanically as it is aesthetically – the BR 01 Laughing Skull, powered by a proprietary movement with a simple automaton of a skull that opens and closes it jaw. And this year, B&R; has introduced the BR 01 Laughing Skull White, with the skull finished in a bone-like lacquer. Distinctive face Like all BR-01 watches, the case is 46mm wide, but it is a tad thicker than the static skull watches at 13.5mm high, but that’s a functional requirement, a result of the automaton on the movement. In short, it is a large watch, but that’s exactly the point. The case is sandblasted steel and is decorated with stamped hobnails on the top surface and case back, giving it a pronounced, distinctive character. And it is worth noting the unusual finish of the skull would work quite well with a case in bronze, a material that B&R; has used liberally in the past and will probably continue to. The dial features a photo-realistic appliqué skull that’s been stamped out of brass, and then painted matte off-white with shading to create shadow and depth. The result is striking – at a distance, the skull is seemingly projecting out o...
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Hands-On: Vacheron Constantin Overseas “Everest” Dual-Time Prototype in Titanium
In early June 2019, American mountaineer Cory Richards embarked on his third attempt at scaling Mount Everest – after successfully reaching the summit twice before, including once without oxygen – but had to give up halfway due to dangerous weather. In fact, the year’s climbing season was one of the deadliest in recent years, with 11 climbers dead or missing. Prior to his valiant but unsuccessful attempt at Everest, Mr Richards worked with Vacheron Constantin to develop a watch for the occasion. He wanted something light, robust and able to track two time zones. Mr Richards at Everest base camp wearing the Overseas Dual Time prototype. Photo – Vacheron Constantin/Keith Ladzinski The beefed-up Overseas The result was the one-off Overseas Dual-Time prototype that looks a great deal more aggressive than the average Overseas. In fact, the designers at Vacheron Constantin managed to boost its presence and sportiness without bulking it up too much; the diameter remains the same. Mr Richards wore the watch up Everest, and now Vacheron Constantin has donated it to charity. Exactly as it was when Mr Richards left Mount Everest, with scratches on the case and fraying on the strap, the prototype will be sold at Phillips’ upcoming New York watch auction, with all proceeds going to the National Geographic Society. Though identical in size to the standard Overseas Dual Time – the case is 41mm in diameter – this prototype has a bulked-up case, primarily with the addition...
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Bring a Loupe: A 1972 Rolex Explorer II, An Aquastar 63, A Breguet Triple Calendar, And A JLC To Stay Far Away From
Your weekly dose of watches from around the Web.
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Hands-On: The Audemars Piguet Royal Oak Perpetual Calendar In White Ceramic
Light, white, and super bright.
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Hands-On: The Bremont H-4 Hercules Limited Edition
A loving nod to an amazing plane that barely ever took flight.
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Hands-On: Bell & Ross BR03-92 Full Lum
From the ultra-graphic BR-X to the newly launched, all-steel BR-05 collection, Bell & Ross’ capacity for reinterpreting its signature square-cased, aviation-inspired watches has proven rather remarkable. But its latest watch is a return to its roots, and perhaps the most extreme iteration of its foundational BR-03 model. The BR03-92 Full Lum is the visual negative of the BR 03-92 Nightlum launched a year ago. While the Nightlum had a black dial with luminous numerals and markers, the Full Lum has an entirely luminous dial with its indices printed in black – and a luminous strap to boot. Stealth dial and strap The watch features what appears to be the standard, unapologetically industrial BR 03 dial with oversized Arabic numerals at the quarters and large baton markers. However, the entire dial as well as the bottom sections of the hands are painted with Super-Luminova. Notably, even the date disc, visible through an aperture between four and five o’clock, is coated with “lume”. And not only is the dial fully luminous, it also uses the brightest Super-Luminova, specifically C3. It is the purest form of Super-Luminova with a pale-yellow appearance during the day, while emitting an intense and long-lived green glow in the dark. As a concession to daytime aesthetics, a majority of watches utilise white lume, which is fully white in daylight and emits a blue glow in the dark. This is simply because white offers a more attractive contrast against black or blue dials. ...
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Hands-On: Chanel J12 The Inseparables “Only Watch”
To mark the 20th anniversary of the J12 this year, Chanel gave its signature timepiece a microscopic yet significant makeover, both inside and out, while preserving the distinct identity that has contributed to the watch’s two-decade success. For Only Watch 2019, the brand created J12 The Inseparables – the very first examples of the new-generation J12 to roll off the line, distinguished by a unique case and bracelet finish. And the pair also happen to be one of the most affordable lots in the auction. The brand has approached these unique iterations in the same manner it approached the revamp – with subtlety and restraint. The pair of watches are both rendered in smooth, matte ceramic, with a tone-on-tone dial. And both are equipped with a special black-coated execution of the new Caliber 12.1 produced by Kenissi, the movement maker that is part owned by Chanel. Matte finish The most apparent difference between the Only Watch pair and the standard version is the matte finish of the ceramic case and bracelet; the standard models have a glossy, polished finish. While the J12 is primarily a women’s watch, especially in this smallish size, the finish of the Only Watch editions come across as more masculine – and also more refined and discreet. And as it always has been, the case measures 38mm. It is made entirely in-house by the brand, thanks to its ownership of G&F; Chatelain, a reputed case and buckle manufacture, whose clients include Richard Mille, MB&F; and Bel...
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Hands-On: Audemars Piguet Code 11.59 Tourbillon Openworked “Only Watch”
At Only Watch 2017, Audemars Piguet’s Royal Oak Perpetual Calendar in black ceramic – but with a one-off blue dial – sold for a whopping 800,000 Swiss francs, with two phone bidders driving it to nearly seven times the high estimate. It was the third most expensive watch in the sale. This year’s contribution is no Royal Oak – far from it – but it’s surprisingly worthy of a second look. In fact, it’s probably the best-looking watch to emerge from the brand’s often criticised Code 11.59 line. Amidst the flak heaped upon it, the Code 11.59 range had a couple of standouts, including the Tourbillon Openworked. And that’s where AP started for Only Watch 2019. The Tourbillon Openworked Only Watch retains the slim, beautifully finished skeleton movement, eschewing the contentious Code 11.59 dial altogether. And the movement has a two-tone finish that smartly highlights the most important mechanical components. To match the movement, the Only Watch edition features a two-tone case that does justice to the Code 11.59 construction in a way the uniform colour of the standard models simply couldn’t. Superbly constructed In terms of size, the case is identical to the standard model – 41mm by 10.7mm. Beyond immediate impressions, the case is wonderfully constructed with a subtle and intriguing mix of shapes and finishing made obvious by the two-tone materials. The octagonal case middle is pink gold, while the rest of the case, including the lugs, are white gold,...
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Hands-On: Longines Avigation Type A-7 “The Hour Glass” in Bronze
Following the launch of the Sinn 356 Pilot Chronograph limited edition to mark the 40th anniversary of The Hour Glass, the retailer has just announced yet another pilot’s chronograph, but this time, one that is more unusual and striking, the Longines Avigation Type A-7 1935 in bronze. Characterised by an askew dial and movement, the Type A-7 “The Hour Glass” is based on the second-generation, 2016 reissue of the chronograph Longines supplied to the US Army Air Corps in the 1930s that was known as the “Type A-7”. Striking colourways Though the distinctive case style is retained, the commemorative edition is made even more unusual by an attractive material and colour combination. The case is bronze and paired with either a blue or champagne dial finished with a metallic, sun ray-brushed finish. While bronze might seem a bit too fashionable, especially in this price segment, it’s surprisingly uncommon for Longines. In fact, the new Type A-7 is only the second Longines watch to have a bronze case; the first was the Heritage Military Kuwait limited edition. The case is made of phosphor bronze (CuSn8), an alloy that is 92% copper and 8% tin. In contrast to the aluminium-bronze alloys, used in watches like the Tudor Black Bay Bronze or Montblanc 1858 chronograph, which develops a brownish patina, phosphor bronze has a more reddish tone and develops a blue-green, sunken-treasure oxidisation over time. While the vintage Type A-7 was a 51mm diameter cockpit instrumen...
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Hands-On: The Patek Philippe Grandmaster Chime Ref. 6300A For Only Watch 2019
Can this steel watch dethrone the Paul Newman?
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Hands-On: George Daniels Anniversary Watch in White Gold
Though extremely rare, the George Daniels Anniversary Watch is a familiar timepiece because it has been widely covered and is arguably the signature George Daniels wristwatch. Though the Daniels Millennium was made in larger numbers, it was powered by a modified Omega (and by extension, ETA) movement. In contrast, the Anniversary relies on a proprietary movement designed by Daniels and his protege Roger W. Smith – and it’s almost a visual twin of the one-off Daniels chronograph wristwatch. But the basic architecture of the Anniversary movement comes from the movement in Series 2, the trademark Roger W. Smith timepiece, which was launched in 2006, three years before the Anniversary. The white gold Anniversary next to the owner’s other example in yellow gold The quintessential Daniels Anniversary is in yellow gold, of which 35 were made. But when first launched in 2009, the Anniversary series was also meant to encompass four box sets of four watches each, made up of one watch in each colour of gold and another in platinum. The sets were never produced, however, individual watches originally destined to be part of the sets were. Owned by a noted collector who acquired it direct from the George Daniels trust, this Anniversary in white gold is one of them. And it is the only Anniversary ever made in white gold so far. On the wrist of the owner Though identical in design to the yellow gold Anniversary, the white gold watch looks more contemporary by virtue of its colour. ...
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Hands-On: Urwerk x De Bethune Moon Satellite for Only Watch 2019
The collaboration between Urwerk and De Bethune for the upcoming Only Watch is pretty straightforward: an Urwerk wandering hours time display module mounted on a De Bethune base movement, and housed in a De Bethune case. But it works, and the Moon Satellite is one of the coolest watches of the charity auction. Conceptually the Moon Satellite is similar to the Arpal One made for the last Only Watch. Long and sleek, the Arpal One was a collaboration between Urwerk and Laurent Ferrier that looked good, but with an enormous case – it was 60.8m long – that was much too large. The Moon Satellite, on the other hand, is just right. That’s because the case is derived from De Bethune DB28, which is a large watch but one with a smallish footprint and sprung, pivoted lugs that allow it to hug the wrist. The Moon Satellite is slightly larger than a DB28, but almost the same on the wrist. Entirely in mirror polished titanium, the case looks like a helmet for a warrior robot. Its shape is asymmetric – angular on the lower half and rounded at the top – in order to accommodate the time display. It’s reminiscent of a helmet, but instantly recognisable as coming from Urwerk, having the U-shaped crystal first found on the Urwerk UR-103 and now on the UR-105. Coincidentally, both Urwerk and De Bethune position the crowns on most of their watches at 12 o’clock, and so there it is. Though it has a similar shape to the standard Urwerk crown, the Moon Satellite crown is flat, so tha...
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Hands-On: Sinn 356 Pilot Chronograph “The Hour Glass”
Continuing with its series of limited editions to mark its 40th anniversary, retailer The Hour Glass has just announced a special variant of the Sinn 356 Pilot Chronograph. A no-frills aviator’s watch, the 100-piece edition is the retailer’s most affordable commemorative model to date, priced at 3,850 Singapore dollars, or about US$2,800. In keeping with the series’ recurring theme of dial colours inspired by vintage watches – ranging from salmon on a Nomos to champagne on a Ulysse Nardin, the dial of the Sinn has a variegated, aged finish. Ideal dimensions The Sinn 356 is a simpler version of the Sinn 256 made for the Japanese market – itself the smaller version of the Sinn 156 conceived as a military chronograph for the German military. It’s a no-nonsense fliegerchronograph, or aviator’s chronograph, with just the essentials – a fixed bezel, large hour numerals, and syringe hands. It does also have the somewhat pointless date and day, but a consequence of the fact that the original 356 used the Valjoux 7750. It has the calendar as a standard feature, and was the de facto movement for most chronographs at the time. The stock 356 Dial aside, the commemorative edition is identical to the standard model. The stainless-steel case measures 38.5mm, making it one of the smallest pilot’s chronographs on the market. However, it is still considerably thick, a little bit too thick at 15.5mm, due to the height of the movement inside. As a result it sits high on th...
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Hands-On: De Bethune DB28 Yellow Tones
Even amongst avant-garde watchmakers, De Bethune stands out for its substance – aesthetic and material innovation matched by technical ingenuity. At its core, the brand has reimagined the most fundamental aspects of mechanical timekeeping, from the barrel to the hairspring, while pushing the boundaries of traditional complications, be it the moon phase, tourbillon or chronograph. But arguably its most distinctive innovation is an aesthetic one, which has come to define the brand no less – heat-blued titanium. The brand has used the alloy for more than 15 years across various parts of the watch, even making almost a whole watch out of it. But now De Bethune has a twist on the theme, resulting in the DB28 Yellow Tones in brilliant golden titanium. Fiery yellow Though the colour of the new DB28 is striking, it is by no means loud, as the amber shade of yellow isn’t the same as yellow gold and doesn’t pass off as such. In fact, it looks more like fresh brass than gold. The colour was achieved through thermal oxidisation of the surface, essentially the same process as that used for blued titanium (and also the same for blued steel). The yellow surface, just like the blue, is the result of an oxide that forms on the surface of titanium when it is heated to a certain temperature. But amber yellow tone in this case was created by heating it at a lower temperature than used for blued titanium. Titanium undergoes different stages of oxidation when heated, and yellow is o...
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Hands-On: The Patek Philippe Henry Graves Jr. Minute Repeater
An historic watch with an extremely personal connection.
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Hands-On: anOrdain Model 2 with Hammered, Enamel Dial
Founded in Scotland five years ago by industrial designer Lewis Heath, Anordain is one of the most unusual “microbrands” as it managed to master – straight out of the gate – one of watchmaking’s most prized crafts: vitreous enamel, often known as grand feu enamel in Swiss watchmaking. As a result, the brand manages to offer some of the most affordable watches with fired enamel dials, mostly priced under US$1500. Following the success of the inaugural Model 1 last year, the brand has just unveiled the Model 2, a compact, hand-wound, two-hander with a modern, minimalist design. Most notably, two versions of the watch feature a fired, translucent enamel done over a hammered surface. Like all Anordain’s standard enamel dials, the new hammered, enamel dial is done in-house. Located in Glasgow’s East End, Anordain’s workshop includes its own three-person team of enamellers that can produce eight to nine dials a week, usually in bright, unusual colours such as pink or a translucent bottle green. Design nuances Inspired by classic field watches – the no-nonsense wristwatches made for armies in the first half of the 20th century – the Model 2 was designed entirely in-house, from the case to the typography and hands. And just like vintage field watches that are small by modern standards, the Model 2 measures a discreet 36mm in diameter and 11mm in height. Its balanced proportions are indeed reminiscent of field watches, albeit in a more refined and formal ma...
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Hands-On: The Mirco Type 02
Japan's break-out microbrand gives us something big.
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Hands-On: Bell & Ross BR 05 Skeleton
Demand for the luxury sports watches that were born in the 1970s – all with integrated bracelets and designed by Gerald Genta – is now red hot. That has fuelled the development of such watches from every corner the industry, from Chopard to Urban Jurgensen to Bell & Ross (B&R;). While many of these watches have sparked criticism for their derivative design, B&R;’s entry into the genre comes with a distinct price advantage. The BR 05 is probably the most reasonably priced watch in this design category, starting at under US$5000. No doubt it owes a great debt to Genta’s designs, but it would be futile to compare it with the alternatives given the price gulf. But the standard BR 05 is a pretty conventional watch – well done for the price but not something that jumps out at you. The BR 05 Skeleton, on the other hand, is striking, with a look and feel that is distinct – priced at about 20% more than the base model. Well dressed Like all watches in its category, the BR 05 is largely all about the case and bracelet. The BR 05 Skeleton is identical to the base model on the outside, with a rounded-square case and a bezel with visible screws at its corners. While it is appears to be a mishmash of Genta’s classics, it bears a strong enough resemblance to the brand’s signature BR 01 and BR 03 cases – which were inspired by aircraft instrument panels – that it can pass as a rather natural evolution. But in contrast to the BR 01 and BR 03, the BR 05 ha...
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Hands-On: The Omega Speedmaster X-33 'Skywalker'
Let's take a look at what happens when form really does follow function.
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Hands-On: Hermès Arceau L’Heure De La Lune
Hermès, as a brand, usually has an elegant, light and sometimes whimsical house style that makes it unique amongst luxury houses. The Arceau L’Heure De La Lune unveiled at SIHH at the start of the year exemplifies the house style, although the case is thicker than ideal. Functionally, the Arceau L’Heure De La Lune is a straightforward watch – it shows the time, date and phases of the Moon in both the Southern and Northern hemispheres. But the execution of the time and date is striking and clever. Orbital moon phases The two are essentially orbital displays, as each is on a sub-dial mounted on a rotating, central carousel. The carousel take 59 days to make one complete revolution around the dial. But each sub-dial also rotates on itself as the carousel turns. As a result, each sub-dial is always the right way up regardless of its position. Both sub-dials also double up as the moon phase indicator, with position of each sub-dial indicating the age of the Moon in each hemisphere. And in a bit of whimsy, the hemispheres have been inverted, with the Southern on top and Northern below. The Arceau L’Heure De La Lune with a meteorite dial The inventive display was built by Chronode, the complications specialist founded by Jean-Francois Mojon, which has a diverse body of work that includes Urban Jurgensen’s P4 movement, the MB&F; LM2, and the constant force tourbillon of IWC. The display module by Chronode. Photo – Hermes Chronode conceived and builds the ...
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Hands-On: The Hamilton Pilot Pioneer Mechanical
Hamilton revives a British classic, first made for the RAF.
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Hands-On: Tudor Black Bay Ceramic One “Only Watch”
Tudor is taking part in Only Watch for the third time, but the watchmaker has arguably created its most unique timepiece to date for the biennial charity auction. While Tudor’s earlier Only Watch were variants of existing models, first the Heritage Black Bay One and then the Black Bay Bronze One, the Black Bay Ceramic One is wholly different from all current (and past) watches, it is a piece unique. Announced just a few weeks before the similarly all-black Black Bay Chrono Dark limited edition, the Black Bay Ceramic One is essentially Tudor’s signature dive watch, but with a black ceramic case. Though Tudor does have ceramic watches in the line-up, namely the usually forgotten Fastrider Black Shield, the material has not been used for the bestselling Black Bay, until now. Though the watch is entirely unique, the look is a fairly common one – all-black, everywhere. That being said, it’s an attractive one, especially for a dive watch like this. The dial is done in different textures and shades of black for legibility. So the markings on the dial are printed in glossy black lacquer to distinguish them from the matte black dial surface. And the Super-Luminova is also black, or more specifically standard Super-Luminova with pigments added for colour, which diminishes the green night-time glow substantially. While that’s not a practical look for an actual dive watch, it is a cool look for a “desk diver”. The bezel continues the shades-of-black colour schem...
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Hands-On: The Carl F. Bucherer Heritage Bicompax Annual
Two useful complications in a classically handsome package.
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Hands-On: The Rado True Thinline Les Couleurs Le Corbusier
Rado's Thinline watches in a color palette by one of architecture's modern masters.
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Hands-On: A. Lange & Söhne Little Lange 1 “25th Anniversary”
A. Lange & Söhne is marking the 25th year since it first unveiled its modern line-up of wristwatches – led by the iconic Lange 1 – in 1994 with a 10-piece set of special Lange 1 models. The Little Lange 1 “25th Anniversary” is the third watch of the set, which has been progressively unveiled each month, with the last (presumably a Lange 1 Tourbillon) slated to be announced in October. The Little Lange 1 was first conceived in 1998 as a scaled down version of the Lange 1, with the case shrunk to 36mm. But it was originally a men’s watch, catered to markers like Japan and Singapore that wanted a smaller size. So the earlier versions had plain dials, essentially the same dials as found on the full-size Lange 1, but the Little Lange 1 has since evolved into a watch for ladies, so the current versions are only offered with ornate guilloche dials in purple or brown, with the option of a diamond-set bezel. But the Little Lange 1 “25th Anniversary” returns to the original concept of the model, with all frills removed and once again suitable for men. The standard Little Lange 1 with a brown guilloche dial Modern blue The “25th Anniversary” model of the Little Lange 1 pays tribute to the original design with a standard silver dial. In fact, the dial is identical to first generation Little Lange 1 dials, with the exception of the colours and printed indices; the originals had applied markers. As a recurring theme found in the other commemorative pi...