3,615 articles · 715 videos found · page 142 of 145
Monochrome
Satellite hour displays are exciting because, apart from the lyrical mood, for most brands, except Urwerk, which made it a signature feature, they are a departure from the ordinary. They stand out from the core collections, reflecting the design, engineering effort and each brand’s specific interpretation of the wandering hours indication. In 2018, when H. […]
Worn & Wound
The Bulgari Octo Finissimo Automatic first debuted at Baselworld 2017, and I remember every journalist I ran into, telling me to go check out the Bulgari booth. I met with Pascal Brandt (then marketing manager), and a genuine watch geek I had known for some time. He showed me Octo Finissimo Automatic in titanium, and it was a “Wow” moment. I felt like I was holding a future classic in my hands, comparable to someone holding the Royal Oak for the first time in Basel in 1972 (and yes, there is a Genta connection). I had a couple of initial thoughts when I first experienced the Octo – I knew Bulgari had already made two of the slimmest complication Octo Finissimo’s in 2015 and 2016, but I chalked that to a fashion brand making a high complication for their wealthiest clients. But this was different, Bulgari managed to pull off the slimmest automatic watch that is lightweight, yet durable, with a micro-rotor movement for about $12,000. The second thought was that this is something special and, for me, a must own piece. Before I get into the ownership aspect of the Octo, I will give a brief history on how Bulgari got elevated to a serious watchmaking brand. The story of Bulgari’s transformation from a luxury fashion brand to a high-end watchmaker began in the year 2000. The watch industry was struggling after the late 1990’s financial crisis. In July 2000, Bulgari paid 37.6 million Swiss francs to acquire Gerald Genta SA, Daniel Roth SA, as well as Manufacture de Ha...
Worn & Wound
Every so often, you come across new releases that feel less like a stranger and more like someone you’ve met before, but can’t quite place. This feeling cropped up more and more as the vintage revival trend took a firm grasp on the watch industry, as brands rushed to bring back “iconic” references from the obscure archives. However, from the moment the Caravelle Sea Hunter hit my hand and that feeling crept in, it probably wasn’t for the reason you might assume. To be fair and to frame this review properly for all of you, I have only spent two brief periods of romance with Sea Hunter up until now. That has been enough time for me to claim that the Caravelle by Bulova is here to fill a void left by one of, if not the, most legendary dive watches ever made for the modern audience, the Seiko SKX. However, we can circle back to that in a moment. Caravelle was launched as the more affordable younger sibling operating underneath the Bulova brand in 1962 as a direct competitor to Timex. Offering jeweled movements at a price point that others could not, Caravelle eventually grew to become the largest-selling jeweled-movement watch manufacturer in the United States by 1968. In that swath of mass-produced affordable wrist watches sat a line of diving tool watches bearing the name Sea Hunter, with the soon-to-be iconic 666 depth rating, which brought about the ‘Devil Diver’ nickname. It was one of those Devil Divers, released in 1969, that Caravelle chose to do someth...
Worn & Wound
One of the real highlights of being involved in our Windup events year to year is getting to know brand owners and founders, and periodically getting a little peek at what’s to come. More and more often, brands come to our events not just with watches in their current catalog, but with early samples of watches they’re planning for the future to show prospective customers, members of the media, and the Worn & Wound team. I won’t lie: it’s a nice perk of being on the inside. A few months ago during the Chicago show, the team at echo/neutra pulled some really exciting stuff out of a bag that was not quite ready for prying eyes. The new Averau42 collection, which at launch consists of a pair of watches combining titanium and ceramic construction, is an exciting next step for a brand that we’ve been interested in for some time. The heart of these watches is what echo/neutra calls the TiFrame construction. This is an idea we’ve seen a handful of times from other brands, usually bigger brands, in the recent past. These watches are made with an internal titanium case, or frame, that protects the movement and offers tensile strength that ceramic and other alternative materials lack. The outer layer is black ceramic, which provides a virtually scratch proof surface and a moody aesthetic vibe for these watches that fits in nicely with the design codes the brand has established over the past several years. This type of construction, in addition to making the most of the ...
SJX Watches
Casio’ latest addition to its famous, shock-resistant sports watch is the G-Shock MT-G MTG-B4000 that was designed with the aid of artificial intelligence (AI). According to Casio, the new MT-G’s design was refined by AI using factors like shock resistance and machinability, resulting in an sleeker profile that departs from the chunky and flat style of the typical G-Shock. As part of the higher-end MT-G line that combines metal with resin, the solar-powered MTG-B4000 has a stainless steel inner case along with an outer case in carbon composite. More notably, the bezel has been polished with the Sallaz flat polishing technique that’s also known as Zaratsu and more often applied to premium mechanical watches by other Japanese watchmakers. The new MT-G is made in Japan like all high-end G-Shock models Initial thoughts Casio’s first attempt at an AI-designed G-Shock was the G-D001 Dream Project #2 in solid, 18k gold made to mark the 40th anniversary of the G-Shock. It was a one-off, unlike the limited edition vintage remake that was also in 18k gold. While the Dream Project #2 was impressive in its form and heft, the open-worked design was a little weird. It looks both sci-fi and fantasy, but with the wrong proportions of each. The new MT-G, on the other hand, looks more conventional and appealing. It still looks like a G-Shock, but different enough to be distinct. In fact, AI has argued improved the MT-G style, evolving it from the robot-like form of before to somethi...
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Worn & Wound
Anoma has quickly emerged as one of our favorite small independents making truly interesting, design forward watches. Few watches point more toward the enormous pendulum swing away from straightforward vintage inspired sports watches than the brand’s A1, introduced in the summer of last year. It’s more than just a watch with a uniquely shaped case – it’s a deliberate design exercise by brand founder Matteo Violet Vianello, and illustrates that rather than taking design inspiration from other watches, you can find shapes and textures to emulate in furniture, art, and the natural world. It’s also just an extremely well made object at a price point that feels fair for the originality of the design, and watch enthusiasts seem to agree. Vinaello says his waitlist is currently ten times longer than the number of watches available. Anoma’s latest is the A1 Optical, which takes the same, vaguely triangular case shape and adds an engraved dial inspired Optical Art. Also known as Op Art, this was an art movement that has its origins in the 1960s and can be characterized by the use of abstract geometric patterns formed to create optical illusions. Optical Art will often play with the viewer’s perception of depth and movement to create the kinds of objects and imagery that have us questioning our senses. The engraved dial on the new A1 is created with a sharp and very fine tool that is used to carve into the dial’s metal base. A total of fifty slightly offset trian...
Fratello
During Watches and Wonders 2025, we had the opportunity to meet with Gerald Charles and view the latest releases. The other news is the 25th anniversary of the brand’s founding by Gérald Genta in 2000. Therefore, some of the models we saw in Geneva were made to celebrate a quarter-century and contain a special logo […] Visit Hands-On With The Gerald Charles Maestro GC39 25th Anniversary Edition to read the full article.
Worn & Wound
Typsim, the Seattle based brand run by Matt Zinski, has been on my radar since the spring of 2023, when I met Matt at the Windup Watch Fair in San Francisco. Typsim was not exhibiting at this show, but that’s frankly sometimes my favorite way to meet a brand owner. The young, hungry brands that show up just to be there, and maybe don’t have a fully baked idea quite yet, are sometimes the most interesting ones to track. To be fair, I think Typsim was pretty well baked by the time I found out about them – my lack of knowledge before 2023 can be chalked up to my own blind spots and the simple fact that nobody can keep up with everything. Matt’s background is in architecture, and the stated goal of his brand is to create watches with a clarity of design and thoughtfulness that you’d associate with a well conceived building. The first watch he showed me that day in San Francisco was the diver, called simply the 200M, which honestly felt like a fairly generic (though very well made) vintage inspired dive watch, except for one thing: it makes use of an exclusive lume compound that promises to patina with time. That little detail has been stuck in my head ever since, and I think it unlocks something about the appeal of the brand. Matt is both a genuine watch nerd and a true tinkerer, someone willing to experiment and shoot for details that, realistically, only matter to a very small handful of super nerds, like me, and like Matt, and, I’m sure, like his customers. ...
SJX Watches
Omega’s latest Aqua Terra is a competent women’s watch with a brand-new calibre that is both compact and proficient. Equipped with the new cal. 8750/8751, the Aqua Terra 150M 30 mm launches with a healthy mix of metal variations and dials across 12 models that will surely expand in time. Initial Thoughts Despite scarce coverage in watch media, watches made for, and marketed to women are very important to the industry. And, women have rewarded brands that put in the effort with enormous success. The Lady-Datejust, for instance, is often rumored to be Rolex’s highest volume model. While Omega offered an Aqua Terra 30 mm in the past, the Constellation has arguably the brand’s champion in the segment for the last few years. The new Aqua Terra 30 mm might look similar to its predecessor, but it stands out for the new cal. 8750/8751 that is a Master Chronometer-certified movement. Building a movement that can consistently meet Master Chronometer standards, while being small and thin, is an achievement on its own. All else being equal, larger movements perform better than smaller ones; the difference is significant enough that the ISO 3159 chronometer standard that form the COSC testing standards has less stringent requirements for movements 20 mm and under. Options Omega’s watches are often, and fairly, criticized for being unnecessarily thick, but that isn’t the case here, thanks in part to the new caliber. All steel and two-tone models are 10.6 mm tall (10.7 mm for...
Teddy Baldassarre
The GMT market has changed dramatically in the past seven years. I use that number specifically, because it takes us to 2018, when Tudor brought attainable traveller GMT (independent hour hand functionality) to market in a splashy way. Since then we have seen brands like Longines and Mido continue the work by delivering more options at even better price points. From a general “caller GMT” standpoint, Seiko has knocked it out of the park with models like those within the SSK range. We are living in a GMT moment with more options than ever. But if you took things back just one more year, to 2017, you could argue that it was the year Japan’s Grand Seiko made a mic-dropping value statement by way of the SBGM221, a traveller GMT in a dressier package with elite functionality while delivering value that far outpaces its price point. In 2025, that value proposition has not changed at all. Background: The DNA of the SBGM221 looks back to the early roots of Grand Seiko in the 1960s to inform its design, but from a modern standpoint more directly can look to the SBGM021 released around 2010. That year is significant because it was the first year the brand arrived in the U.S. market. Aesthetically, the SBGM021 is an illustration of the older style of co-branded Seiko/Grand Seiko fare. Fast forward to 2017, and the watch reaches its completed form. But the 021, with its ivory dial, and general – and honestly quite original – GMT layout is established. You can see the direc...
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Teddy Baldassarre
The first Citizen titanium watch hit the market more than 50 years ago, and while it probably didn’t receive the breathless coverage that it may have garnered in today’s watch media, it was a watershed moment for the industry. Many watch brands make titanium watches today, but few of them have made the metal a signature of its identity to the extent that Citizen has, and fewer still have even attempted what the Japanese watchmaking giant has achieved in terms of improving and plumbing the full, unrealized potential of titanium. In this feature, we explore Citizen’s history in titanium watches and spotlight some of its most historic pieces, from 1970 to today. Long before it entered the watchmaking arena in the late 20th Century, titanium had played a role in numerous industrial developments. It was first discovered in 1791 by clergyman and mineralogist William Gregor, in Cornwall, Great Britain, and named several years later by German chemist William Kaproth, who had previously discovered Uranium. Like the latter element, named for the Greek god (and planet) Uranus, titanium’s name comes from a mythological source, the Titans who preceded the Olympian gods. Some of its earliest applications as a mineral ore included titanium dioxide, in products like white pigment, and titanium tetrachloride, in hydrochloric acid and smoke screens. Later, alloyed with metals like iron, molybdenum, aluminum, and vanadium, titanium became prized for its high strength-to-weight rati...
SJX Watches
Seiko has introduced a new addition to its line of affordable dress watches, the Presage Craftsmanship “Unglazed Arita Porcelain” ref. SPB497. This limited edition retains the accessible pricing the Presage is known for, but is more than just affordable. Unlike previous models with glossy porcelain dials, this has a matte texture that enhances the rhombus patterned surface, traditionally a symbol of prosperity and health in Japan. Initial Thoughts When Seiko launched the first enamel-dialed Presage in 2013, it was an incredible value. In the years since, Seiko has expanded the range with more ambitious designs, and other materials such as Arita porcelain and Urushi lacquer, though the dial decoration techniques employed are uniformly traditional and Japanese. While the Presage models are still accessibly priced, this new model is US$1,850. The price tag is no longer the most compelling aspect but the dials themselves are still interesting in themselves. Unglazed porcelain dials are already almost non-existent, and the diamond pattern makes it even more interesting. Supporting traditional craft arts is also admirable, and has seen great success in the Swiss watch industry, albeit at a much higher price point. The new model employs the familiar Presage case, which is on the large side for a simple, dress watch, and the 27 mm diameter movement could easily fit into a smaller case. However, since a larger case also means a larger dial, it can be forgiven. Unglazed Dial Ari...
Teddy Baldassarre
The Tudor Pelagos has consistently been something of "the other watch" in the broader Tudor lineup, sitting in the shadow of the Black Bay. It is also decidedly more modern in its design and is intended as Tudor’s more contemporary, dive-ready tool. What started as a 42mm mode then morphed into a watch in varying sizes, lug construction, and case construction. In 2025 it now sits as a somewhat diversified collection of its own. Is it a Black Bay in terms of scale and breadth of the collection? No, it is not, but it is also no longer a one trick pony. That concept is no more evident than in the Watches & Wonders 2025 release of the Pelagos Ultra, a 43mm riff on the Pelagos theme that aligns it more closely with the Rolex Deepsea than the Sea-Dweller or Submariner. This is a big, brash, and burly dive watch, intended for a very specific segment of the watch world. If you thought the Pelagos FXD was specific, the Ultra turns the dial up to 11. Case So as I mentioned above, the case is made from the traditional (for a Pelagos) titanium material, a combination of grade 2 and grade 5 to be specific. The side of the case opposite the crown features a discreet helium escape valve. The case may seem big from the specs alone, but the 52mm lug-to-lug makes it such that it isn’t a behemoth. The case thickness is a proportional 14.5mm and due to the overall size, you will be looking at a lug width of 22mm. The bezel insert is made of a matte titanium housed in a titanium bezel. The...
Worn & Wound
A few months back I was given an opportunity to get a little preview of Zenith’s Watches & Wonders novelties in New York. More and more brands do this every year – it’s a great help to those of us in the media charged with photographing and writing about dozens upon dozens of new releases that all appear in the span of a few hours on an April morning in Geneva. So photographer Garrett Jones and I made our way to meet with our Zenith press contacts in midtown Manhattan, not knowing for sure what we’d see. In short order, the bright blue ceramic “Chronograph Trilogy” anniversary models were unveiled. In discussing the watches I casually mentioned that these would probably be a big hit at Watches & Wonders, and I must have inferred that these three watches would be this year’s halo pieces for the brand. I was quickly corrected, and told that there was something else coming that Zenith was holding back – the first watch in an entirely new collection – that would be a big surprise as we got closer to its release. I didn’t even try to elicit a hint about what it might be – I was happy to be surprised. Eventually the press release for the new G.F.J. hit my inbox, and I was indeed surprised. While Zenith, as a brand, has always been quite chronometry forward, I had gotten into the habit of thinking of them as a sports watch brand. Yes, the movements are very good, but lots of brands have very good movements. I admit that the yearslong focus on building out ...
Fratello
The watch industry is in full new-release mode this week, and Chronoswiss has brought the goods. Today, we’ll take a brief look at two new model lines. The Small Second will be the brand’s entry-level collection, while the Q-Repeater sits at the opposite end of the price range. Let’s take a look! Chronoswiss has been […] Visit Chronoswiss Introduces The Small Second And Q-Repeater to read the full article.
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Monochrome
About a year ago, a new micro-brand launched on the scene and caused quite some noise due to its oddly shaped, slightly overdesigned but rather appealing triangular watch, the Anoma A1 Watch. The project of a young French-British watch enthusiast, Matteo Violet Vianello, the watch made a sensation with a sculptural case playing on the […]
SJX Watches
Urwerk refines its entry-level offering with the UR-100V Magic T Hunter Green that showcases a metallic ash green dial matched with a sandblasted case and bracelet. Entirely in titanium, the new UR-100V is sleek, matte, and lightweight. The new model remains mechanically identical to the standard UR-100V, and retains the distinctive satellite disc hour display, where the hour indicator advances along a curved 120-degree track graduated for 60 minutes. Initial thoughts Building on the ongoing expansion of the UR-100V series, the Magic T “Hunter Green” adopts the same sanded, shot-blasted titanium case as the original Magic T - but now rendered in metallic ash green. Though the new model has more contrast, it still retains the muted, low-key aesthetic found on the all-grey original. While the model itself has appeal, Urwerk has arguably introduced too many iterations of the UR-100, each distinguished by only subtle variations, since the model’s debut in 2019. This has made the model line confusing, and leaving each individual edition less distinctive. As with other UR-100 models, the “Hunter Green” is an entry-level model in the Urwerk catalogue and priced CHF58,000, or a third of the recent flagship UR-230 Polaris. This and other UR-100 models provide enthusiasts with the chance to experience Urwerk’s signature complication and advanced case making at a relatively accessible price. Restrained green Apart from the green finish, the “Hunter Green” remains id...
Teddy Baldassarre
Since its high-profile revival in 2012, the Seiko Astron has continuously evolved in both its technical capabilities and in its size and overall aesthetics. As I explore in greater detail in this little treatise on the Astron models and their esteemed history, the founding member of this modern, solar-powered, GPS-equipped Astron family debuted in an imposing 47mm case in steel, with one dial option, in matte black. Since then, Seiko has refined the elements that necessitated the large dimensions and limited colorways — i.e., reducing the size of the quartz movement’s GPS-reception antenna and improving the efficiency of the dial’s solar cell — and the result has been a plethora of intriguing interpretations. The latest and perhaps most distinguished in terms of colorway dropped just recently. The Astron GPS Solar SSJ029 and Astron GPS Solar Chronograph SSH171, both limited editions of 1,500 pieces, feature glittering, violet-hued dials that Seiko says are inspired by “cherry blossoms blooming under the stars.” Both of the new watches have cases and bracelets made from titanium and treated with an extra-hard, scratch-resistant black coating that emphasizes the night-sky motif that these models are shooting for aesthetically. The cases are 42mm in diameter, 12.4mm thick, and 47.9mm lug to lug — the result of the aforementioned streamlining since the oversized original’s debut. The dials’ gradient purple colors are enhanced by a sprinkle of starry glitter...
Worn & Wound
When Timex launched the Giorgio Galli S1 in 2020, an eponymous watch designed by the brand’s long-time creative director with over 30 years in the industry, it was met with shock. It didn’t look like a Timex, having a stripped-down, retro-luxury vibe. It didn’t feel like a Timex, constructed from injection molded steel and featuring a Miyota movement inside. It wasn’t priced like a Timex, initially listed at $450. And yet, it was described by the historic brand as “the most ‘Timex’ Timex ever made,” a bold statement and perhaps even a challenge to what we expect from the brand. It was met with excitement, if also some confusion, that wore off as the S1 took root and eventually spawned subsequent versions, including an enthusiast-friendly 38mm variety. In 2023, Timex followed up with the S2, which took Giorgio Galli’s vision further into conceptual territory as well as upmarket. The DNA of the S1 was clear, but the S2 was more than a refinement; it was a genuine evolution of the concept. Combining steel and titanium, the 38mm x 46mm x 12mm case was hollowed out from the side, revealing an unexpected structure for a sleeker, more contemporary style. The dial was further reduced to an expansive surface with a single applied ring, notched at intervals of five. Finally, it was Swiss-made, and powered by a decorated Selitta SW200 automatic. Minimal in a Euro-chic way, the S2 was a restrained and mature design intended to speak to the enthusiasts in Timex’s fa...
Worn & Wound
While I haven’t been doing “this” as long as some who have been in the watch media trenches since a time when you could reliably get a discount on a brand new Rolex at an authorized dealer, I’ve been doing it long enough to get a sense of the rhythms of a new release season. We are, as of yesterday, in the thick of it. LVMH Watch Week is the unofficial (but also kind of official) kick off of a new year in novelties from big luxury group brands, and within the confines of the LVMH experience there’s one tradition that stands out to me that’s become something I look forward to and get genuinely excited about: seeing what kind of crazy sapphire or SAXEM cased watch Hublot has come up with. Pretty reliably, on a year to year basis, Hublot shows us a wild and colorful and extremely expensive watch in an exotic, glass-adjacent material. This year, like clockwork, they’re back with the Big Bang Tourbillon Automatic Green SAXEM, a watch whose name is nearly doing my job for me. I’ve made no secret over the years of how much I enjoy these oversized, translucent watches. If I had to pick a favorite, it would probably be the purple sapphire Big Bang Tourbillon from 2022, but I’ll thank you in advance for not actually making me choose, because frankly these watches all do their thing equally well, and choosing the one you like best is like picking your favorite Coen Brothers movie. Some days it’s Fargo and on others it’s No Country for Old Men but maybe on Sunday...
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Worn & Wound
When I first met Rafael Guimarães a few months ago, Statera hadn’t crossed my radar in a big way. The small brand, which has a fair claim to being the first watch brand born and built in Brazil, had already sold through a few production runs of nice-looking watches, but the brand had yet to make a real splash or to break out from the typical microbrand mold. Their first few releases certainly showed evidence of an eye for quality and detail, but for Rafael and his longtime friend and co-founder Antonio Almir dos Santos Neto (the two have known each other since they were five), it wasn’t enough. “For the first watch, the ST01, we made the design, and then the watch was fabricated in France… it was more like a [proof of concept] to see if we are able to sell watches,” Rafael explained. The obvious next step was to turn inward, to move away from external manufacturing and create what would be (and now is) the first independent watch not only conceived in Brazil, but made there as well. The result is the ST02 Esmalte Grand Feu, a handsome take on the everyday watch born out of a unique perspective paired with a generation’s worth of accumulated knowledge. How We Learn The path to the ST02 was neither short nor simple. Reaching the next level when you live and work in a part of the world with no history of watchmaking isn’t easy, and it’s not made any easier by Brazil’s restrictive tax structure. “We are fascinated by métier d’art. and we are fascinated ...
Worn & Wound
I had the opportunity to meet Zakir Miah, the founder of Chicago-based Haim Watch Co., at a timepiece-related event in Canada this past September. Before that, I had only admired his watches online, and I was especially drawn to the L2 Chronograph, which features a pink gold dial with blued hands and numerals. Zakir was gracious and patient enough to walk me through his entire lineup despite the line of people waiting to chat with him. It took nearly all my willpower to walk away without purchasing one. One of their most popular collections is the Legacy Automatic, a custom-built timepiece designed to order. This model marks several milestones for the brand, including its first custom-designed HWC-1 automatic movement based on ETA architecture assembled in the United States. Each watch is crafted specifically for the buyer. The Legacy Automatic has a hand-finished titanium TA2 (commercially pure grade 2) case with a coin-edge bezel and exhibition case back. Today, Haim is launching a new limited edition Legacy to celebrate their second collaboration with WatchesArabized x OPTO WATCH CO. This edition, named the Arabized (Al-Nimer), which translates to “The Tiger,” will feature a dial made of Tiger’s Eye stone. Tiger’s Eye is a chatoyant gemstone, typically classified as a metamorphic rock, recognized for its golden to red-brown color and silky luster. As part of the quartz group, its distinctive appearance is created through the intergrowth of quartz crystals and al...
Worn & Wound
In today’s installment of My Year in Watches, Media Manager Devin Pennypacker writes about making a big move, acquiring a long sought after dive watch, and the creative energy of New York City. I know it’s a cliche, but to say my year in watches has been eventful would be a great understatement. I had the opportunity to work on some of the most personally fulfilling content I have ever created, made the jump from one large watch media company over to another, uprooted my entire life to pursue new opportunities, and refined my watch collection in the pursuit of finally checking off pieces from the wishlist. Along the way, I met so many amazing people, making new connections all based on our shared weird obsessions. It has been quite the year. Earlier this year, I was working behind the scenes making the occasional cameo here and there for Teddy Baldassarre. With an amazingly talented team around me, we created content at a pace that most people could not fathom, launched a retail store that had been in the works behind the scenes for quite some time, and made waves in the industry that have yet to settle. While I was and remain incredibly proud of the content I helped create and am very appreciative of the knowledge, skills, and connections gained through that experience, when the opportunity arose for me to take on a new challenge while putting my name out there a bit more, I took it. Since joining the Worn & Wound team, I have had the opportunity to meet many of you...
Worn & Wound
Watch history is often the story of unsung heroes. Zenith is commonly credited as the creator of the first automatic chronograph, while their collaborator Movado is often a footnote, if mentioned at all. The Omega Speedmaster, famously the first watch worn on the moon, gets most of the street cred when discussing out-of-this-world watches. However, any mention of the actual first watch worn in space, the Sturmanskie, is a deep cut rarely discussed. Mid-century watch cases tend to follow the same trend. While brands like Rolex, IWC and Zenith were busy becoming household names, the third party manufacturers making the cases of their renowned classics worked diligently in the shadows. One such case designer and manufacturer was Dennison, a brand you may never have heard of, but undoubtedly handled if you are a fan of vintage luxury Swiss watches. Founded in 1874 by Aaron Lufkin Dennison (who the ALD collection is named after), Dennison became a powerhouse of both design forward and spec focused watch cases. Their patented air and water tight cases could be found on the wrists of members of the British Military, housed the famous Smith dials that submitted Everest in 1953 and even accompanied Lt. Commander Lithgow when he broke the world air speed record. Dennison went dormant after the 1960’s and, like many other once-defunct brands that followed suit with the emergence of the quartz crisis, has risen from the ashes. Resurrection stories can be hit and miss, leading many e...
Worn & Wound
It’s getting close to the end of the year, and many of us are naturally in a reflective mood. I’d like to think I speak for most watch writers when I say that for us, it’s all about looking back at the almost incalculable number of watches we saw over the course of the year, and the reviews they spawned. Considering all the watches I got to look at this year, there are a handful that really stand out, and the Christopher Ward C1 Moonphase is easily one of them. We talk about Christopher Ward a lot around here because they continue to surprise us, expanding the very definition of what a “Christopher Ward” can be, and the C1 Moonphase is one of my favorite examples of that. It’s truly an art piece – made of slabs of aventurine with no markers to speak of and accented with giant, glowing moons in constant rotation. In a quiet way, it’s every bit as adventurous as the Bel Canto or Twelve X. If there was one issue with it, though, it was the size. At just over 40mm, it was perhaps a little big for some who expect a watch like this to be more discreet. If that describes you, you’re in luck, as Christopher Ward has just announced a new version of the C1 Moonphase in a more versatile 37mm size. If you envision a watch like this as an accent to a suit (maybe even a tuxedo) or you simply have smaller wrists or prefer a more traditional dress watch size, this new version should have a ton of appeal. Personally, I stand by my original review, where I wrote that a...
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