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Worn & Wound
For stuntman Tom Place, watches aren’t simply accessories. They’re tools with a purpose. They also serve as reminders of the people, stories, and qualities that have shaped his life and career. Those qualities of perseverance and passion are at the heart of Hamilton’s America 250 celebration, and you’ll have a chance to experience them firsthand […]
Fratello
When I think of Farer, I don’t necessarily associate the brand with pilot’s watches. Moreover, I don’t link it to any particular watch category at all, even though I’ve previously reviewed a couple of iterations of the Farer World Timer. Instead, the brand is best recognized for its compelling use of color. That said, the […] Visit Hands-On With The Farer Pilot Series II Curtis — A Fresh Take On The Pilot’s Watch to read the full article.
SJX Watches
Philippe Stern, who served as general director and later president of Patek Philippe from 1977 to 2009, died yesterday at the age of 88. Under his stewardship, the Geneva manufacture was transformed from a small, workshop-scattered operation into the global benchmark for fine watchmaking, a position it holds to this day. He was the third generation of the Stern family to lead the company. His grandfather Charles, alongside his brother Jean, had acquired Patek Philippe from insolvency in 1932 from their position as the firm’s trusted dial supplier. His father Henri had built the company’s modern international distribution network and established the Henri Stern Watch Agency in New York, laying the commercial foundations on which Philippe would build. Father and son, Henri and Philippe Stern. Image – Patek Philippe Philippe Stern became managing director in 1977, at the height of the quartz crisis. The timing could not have been more demanding. Swiss watch industry employment was collapsing, from roughly 90,000 workers to a fraction of that figure within a few years, as electronic timekeeping rendered the mechanical watch commercially marginal almost overnight. Many established manufacturers collapsed, merged, or abandoned mechanical production entirely. Stern’s response defined his presidency. He kept the tooling, retained his engineers, and committed Patek Philippe irrevocably to mechanical watchmaking at the precise moment the industry consensus ran in the opposit...
Hodinkee
Philippe Stern, the visionary executive who led Patek Philippe through the end of the quartz crisis, kept the family company independent and secured its position at the top of Swiss mechanical high horology, died on June 14th at the age of 88. The Geneva-based company announced Philippe Stern's passing in a statement calling the Patek Philippe Honorary President a "pioneering and visionary spirit" who "left an indelible mark on the history of the family manufacture, preserving its independence and establishing its global stature." Philippe Stern. Photo courtesy Patek Philippe. Stern led Patek Philippe as President from 1993 to 2009. During his tenure, he consolidated Patek Philippe's manufacturing at a new flagship manufacture in Plan-les-Ouates, Geneva. He integrated its production capabilities to bring as much as possible in-house. He also oversaw the launch of the Nautilus sport watch in the 1970s, the multi-year project to build the Caliber 89, the most complicated portable mechanical watch at the time, boasting 33 complications. In 2001, he inaugurated the Patek Philippe museum in Geneva, an unparalleled exhibition of not only Patek Philippe but of the entire history of horology. Philippe Stern was born in 1938 into a family already at the center of Swiss watchmaking: his grandfather, Charles Stern, had recently acquired the Patek Philippe manufacture in 1932, and his father, Henri Stern, had just joined the company. After studying economics and commerce, Philippe Ste...
Hodinkee
What We Know Just in time for the hot and humid summer ahead, Doxa has just unveiled a new generation of its distinctive, cushion-cased dive-watch-slash-chronograph with the new Sub 200 T.Graph II. The best part? It's no longer a limited edition, but rather a permanent offering for the brand. Oh, and thankfully, it's priced less than that previous 300-piece LE. At a quick glance, nothing seems to have changed on Doxa's tribute to its 1969 design, and you'd be sort of correct. The dial layout, with two subdials at 3 and 9 o'clock, along with an oversized arrowhead chronograph seconds hand, remains the same in this new generation. But the main changes here are sure to make almost everyone happy: a slight reduction in diameter and case thickness. While the previous Sub 200 T.Graph measured at 43mm in diameter with a thickness of 15.15mm, the steel case on the Sub 200 T.Graph II measures 42mm in diameter and 14.6mm in thickness. Rather than the new old stock Valjoux 7734 chronograph caliber that the limited edition housed, this new T.Graph II uses a contemporary automatic Sellita SW510 chronograph caliber, with a slightly higher 56-hour power reserve and a much higher beat rate of 28,800 VpH. New to the Sub 200 T.Graph II is also another dial color, Caribbean (Doxa's name for blue), which is a familiar livery within the brand's other models but never before offered on a T.Graph. The dark, slightly dusty navy dial joins the three other colorways found in the original design: ...
Deployant
A few years ago, watches with an integrated bracelet was the fad. Every watch manufacturer then decided they need at least a timepiece with an integrated bracelet in their repertoire. Today, things have cooled down a little. We still do see the appeal though, although the market may not necessarily agree with us. The strangeRead More
Monochrome
Unveiled by Angelus at Watches & Wonders 2026, the Tinkler 1958 Quarter Repeater is a re-edition of the brand’s pioneering mid-century automatic, waterproof quarter repeater wristwatch, which was already a rarity in its day. Engaging sight, sound and touch, we’re going hands-on with the more luxurious, 15-piece limited edition of this charming chiming revival piece […]
Fratello
If you were to ask me for a list of cool chronographs, the Hanhart 417 ES would definitely be on it. Of course, the fact that Steve McQueen famously wore one adds tremendously to the cool factor. But a single glance at the 417 ES will tell you it fits the bill, regardless of whether […] Visit The Hanhart 417 TI Desert Pilot Chronographs Offer A Fresh Take On The Brand’s Icon to read the full article.
SJX Watches
John Arnold was originally a pioneering English watchmaker of the 18th century. So it is fitting that his namesake brand resurrected in Switzerland is creating his home city – with a clever twist. The Arnold & Son HM London Skyline seemingly depicts the British capital of yesteryear on mother-of-pearl, but at night the dial lights up with modern-day landmarks rendered in Super-Luminova. The two-hand watch is a run of 20 pieces for The Limited Edition, a London-based retailer specialising in independent and niche brands. Initial thoughts Today’s Arnold & Son (A&S;) has nothing to do with the original firm aside from the name; the watches are Swiss while its parent company is Japanese. The HM London Skyline, however, is a simple and appealing nod to the brand’s history. The use of lume to create an “Easter Egg” of sorts on the dial is smart and sets this apart from the typical landscape dials. Though the dial is not quite top of the line metiers d’art, it is an appealing offering in this segment. Mechanically, the HM is also credible as Arnold & Son’s sister company is La Joux-Perret, the Swiss movement maker that supplies a good number of brands. The A&S;1001 movement inside is solid proprietary calibre that borrows from an existing architecture but transforms it into a movement with a four-day running time. London landmarks The London skyline is depicted on mother of pearl. It shows Tower Bridge on a cloudy day, with many of London’s historical landmarks visi...
Worn & Wound
There’s a riskiness to Oliver Gallaugher’s approach to watch design that I can’t help but admire. His aesthetic is clean, lending a stripped-down, contemporary look, but his methods are complex, resulting in elaborate manufacturing and higher costs. What looks, at a glance, like something simple, like a hand, never is. In fact, the hands of his watches, of which there have been two series, with the first sold out, are notably complicated, even featuring a “world’s first.” Further, though his watches are two-handers, rather than using a standard Swiss off-the-shelf movement, he has, thus far, used highly finished bespoke calibers. The result, and here is the dangerous part, is watches that don’t scream why they cost what they do. They aren’t for people who want or need an obvious element to point to, like a guilloche dial or a complication. The OG Watches Deep Space Blue is both a follow-up and an evolution of the Deep Space concept that the brand debuted with. It takes the same overarching concept, a minimal watch with a dial inspired by the night sky, but developed and refined seemingly every element, stripping back further, and yet increasing the complexity of manufacturing. It also uses a bespoke movement from Le Temps Manufactures, which is known for its work with very high-end independents. Beginning with the case, the first model was 41mm x 10.2mm thick and made of 316L steel. The new model is 38mm x 8.8mm and made of 904L. Given the spacious dial and...
Worn & Wound
Lately, no matter where I turn, I feel that I’m confronted with small watches, with exotic dials, and, with increasing frequency, set with diamonds or precious stones of some kind. It’s a well established trend at this point across both very high end luxury brands and more accessible fare, so it should never really be a surprise when a watchmaker takes a stab at something small and blingy. What is sometimes interesting to clock, however, is how a brand positions a watch like this, because there are multiple clear strategies and I think it’s interesting to consider what it says about the brand depending on the route they take. Watches in this category, or watches that bump against this category, tend to be watches that can traditionally be marketed toward women exclusively. If they’re relatively small and set with diamonds, they can be seen as inherently feminine, almost across the board. Some brands, however, lean into the current moment that is seeing men and women appreciate watches in this category. Bell & Ross, who have just released the BR–05 36MM Blue Diamond Eagle Diamond (yes, that’s the actual name of the watch) have taken the former approach. The watch “asserts a femininity that is both timeless and contemporary,” according to their press release. The Blue Diamond Eagle Diamond (let’s go with BDED from here on out, an acronym that will almost certainly never be repeated in these pages) is a new take on the just released (in March) BR-05 36 mm ...
Fratello
Christopher Ward and seconde/seconde/ team up for the fourth time. This time, we get the Christopher Ward C60 Pool Diver, a lighthearted take on the holiday/vacation watch. At its core, this is still the capable C60 Trident Reef, but it is covered — and I mean absolutely covered — in gags. If it’s a full […] Visit Introducing: The Christopher Ward C60 Pool Diver With Seconde/Seconde/ to read the full article.
Fratello
Generally, watches are serious business. At least to most of us, they are. But that doesn’t mean there isn’t room for some fun. Some good examples are the many seconde/seconde/ collaborations we have seen from various brands. Obviously, the theme should appeal to you and make you like one of these whimsical timepieces. If there […] Visit MAT Watches Introduces The Whimsical Egg Master II to read the full article.
Worn & Wound
I first met Max Maertens at Dubai Watch Week last year. The young designer already has a storied career under his belt, working on projects with brands like Chopard, Vacheron Constantin, Cartier, and MB&F;, where he started out as an intern. Here, something clicked. For several years, Maertens firmly fell in the “F” or “friends” category of the brand, collaborating with MB&F; and L’Epée on the T-Rex clock before being given free rein to create the TriPod and the Orb. But his legacy with MB&F; is only just getting started. Through these projects on several horological objects, the brand’s founder Max Busser saw something special and took him under his wing as his protégé and future successor. Today, we see Maertens’ first take on a more traditional MB&F; wristwatch – well…. sort of. Making its grand entrance is the HM12 Guardian, the next chapter in the brand’s horological machines. It started with a “simple” brief (though we all know, nothing MB&F; does is simple. “I was in Max’s office, and he said to me, ‘wouldn’t it be cool to create a watch that’s also a robot’s head?’ And somehow, immediately in that moment, a vision popped in my mind of how it should look,” recalls Maertens. “In the end, I would say this final concept of the HM12 is about 80% of what I had in my mind from that first idea.” Yes, the concept still originated from the mind of Busser himself, but the design of the new HM12 Guardian – a wristwatch with a “very...
Two Broke Watch Snobs
A closer look at the best chronograph watches of 2026 so far, from the titanium TAG Heuer Monaco to the Seiko Astron, Bulova Lunar Pilot, and more.
Hodinkee
It's summer in NYC. The Knicks are up 2-1 in the Finals. The pace has slowed a touch with the warmer weather, but the cold brew is still coursing through our veins, and society is sorting itself into two camps: people who stand in line for Dot Cake and those who do not. You can draw your own conclusions there. In other words, the city is immaculate right now. At Hodinkee HQ, that can only mean one thing: it's time for our new summer issue. Transatlantic by Design: How Tiffany & Co.'s watchmaking has always moved between New York and Switzerland, by Malaika Crawford. Volume 16 arrives with two covers. One celebrates Tiffany & Co.'s new Timer while looking back through the brand's remarkable watchmaking archives. The other marks 100 years of the Rolex Oyster with one of our most ambitious Reference Points to date, a deep dive into the Oyster Perpetual and the enduring influence of Rolex's most foundational watch. Written by former Hodinkee editor and Bring A Loupe alumnus, Rich Fordon. Reference Points: Rolex Oyster Perpetual by Rich Fordon. 100 years of the Oyster case proves a blueprint for everything Rolex does. Elsewhere, Nora Taylor spends time with Knicks guard Josh Hart, discussing basketball, collecting, and the watches that have accompanied him throughout his career. Independent watchmaker Rexhep Rexhepi contributes a personal essay on craft, responsibility, and the act of building something intended to outlast its maker. Then Jason Heaton revisits the legend o...
Hodinkee
What We Know It's been a while since we've heard from Autodromo. The motorsports-inspired boutique brand is a longtime favorite of many here at Hodinkee. Heck, we did a pretty cool LE with them back in 2023, featuring a special-edition series of Group B Chronographs. That same year, the brand unveiled its Group C, a watch that captured the spirit of digital '80s watches rather nicely. Today, Autodromo is launching its first totally new model since then. Meet the Autodromo Group C Turbo Sport, a fresh take on the practical analog-digital (ana-digi) watches like the Tissot Two Timer, the Heuer Manhattan Chronosplit GMT, and, of course, Breitling's Aerospace and Pluton that once adorned wrists behind the wheel and at the track a couple of decades back. The case is 38.5 millimeters in diameter and made from anodized aluminum – that's the alloy that your BMX bike parts used to be made from back in the day – or at least mine were. The new Group C Turbo comes in three anodized aluminum flavors, clear, grey, and gold. Each has a stainless steel caseback and features a grid dial that's meant to evoke the tachymeter instruments of the Group C Turbo racing era that ran from the early 1980s until about 1993, and was defined by European endurance events including the 24 hours of Le Mans. The Group C cars of the era that inspired these watches featured clean lines, ground effects that delivered high downforce, and turbochargers, offering outsized horsepower that demanded physi...
Fratello
Philippine microbrand Makina returns with the Makina Cassiel II. This second iteration looks nothing like the original Cassiel. However, it looks much more like a Makina now, and that’s a good thing. Join me for a closer look at a distinctly brutalist, design-first chronograph. The Makina Cassiel II goes on presale today, priced at US$1,850. […] Visit Introducing: The Makina Cassiel II — A Brutalist Chronograph From The Philippines to read the full article.
SJX Watches
After more than 20 years, avante garde independent MB&F; returns to its roots and looks to its future with HM12 The Guardian. It combines a Horological Machine with a high-end shaped movement, flying tourbillon the most elaborate – and coolest – watch stand imaginable: a nearly 400 mm tall, 15 kg robot. Better yet, The Guardian can shift into battle mode at a moments notice, deploying armor to protect its weak points. Initial Thoughts MB&F; marks its 20th anniversary with HM12 The Guardian, or would have, had it been ready in time. Instead HM12 celebrates MB&F;’s future, as the first project led solely by the brand’s creative director (and Max Büsser’s heir), Max Maertens. Mr Büsser kicked the project off about four years ago by pitching a robot with a watch for a face, following up on the brand’s robot Melchior and Balthazar desk clocks. After that, Max 2.0 was left to his own devices, with this as the result. It is a very reassuring result for those concerned about the brand’s future after Maximilian Büsser’s eventual retirement, which isn’t yet imminent, but something the brand is clearly preparing for. Interestingly, Eric Giroud, who has designed just about every MB&F; watch, was not involved in the project either. Max (left) and Max (right). Image – MB&F; While discussing the project, Mr Büsser told me that Mr Maertens actually modelled the robot himself in SolidWorks, which goes well beyond the normal duties of a designer. That Maertens did the har...
SJX Watches
After more than 20 years, avant-garde independent MB&F; returns to its roots and looks to its future with HM12 The Guardian. The HM12 is a Horological Machine containing a high-end shaped movement featuring a flying tourbillon, nestled in the most elaborate – and coolest – watch stand imaginable: a nearly 400 mm tall, 15 kg robot. Better yet, The Guardian can shift into battle mode at a moments notice, deploying armor to protect its weak points. Initial Thoughts MB&F; marks its 20th anniversary with HM12 The Guardian, or would have, had it been ready in time. Instead HM12 celebrates MB&F;’s future, as the first project led solely by the brand’s creative director (and founder Max Büsser’s heir), Max Maertens. Mr Büsser kicked the project off about four years ago by pitching a robot with a watch for a face, following up on the brand’s robot Melchior and Balthazar desk clocks. After that, Max 2.0 was left to his own devices, with this as the result. It is a very reassuring result for those concerned about the brand’s future after Maximilian Büsser’s eventual retirement, which isn’t yet imminent, but something the brand is clearly preparing for. Interestingly, Eric Giroud, who has designed just about every MB&F; watch, was not involved in the project either. Max (left) and Max (right). Image – MB&F; While discussing the project, Mr Büsser told me that Mr Maertens actually modelled the robot himself in SolidWorks, which goes well beyond the normal duties of a...
Deployant
We had a good look at the new MB&F; HM12 The Guardian recently when Max Büsser and his team visited and presented us with this novelty.
Monochrome
At this point, perhaps it is very safe to say that Seiko doesn’t like holding back when it comes to giving the 5 Sports collection new directions. What started as a home for SKX-inspired sports watches has gradually turned into one of the brand’s most varied collections. Along the way, we have seen GMT models, […]
Hodinkee
We've all been told at least once in life to stick to our own lane. It's an old trope that historically holds merit. Stick to one discipline, master it, and you'll succeed. But in 2026, the rulebook has changed in almost every aspect of life, and sometimes those one-trick ponies aren't the ones leading the charge; they're actually left in the stable. La Montre Hermès S.A in Brugg, Switzerland. In watchmaking, it transpires that the latest crop of brands to realize this are the names we most associate with being wider fashion houses. Empires sustained by hand-stitching legacy into cloth, amplified in the theatre of the catwalk, now play in the watchmaking arena. We've witnessed many of these names turn to watchmaking as an additional arm to their already bulletproof name, and crucially, they're delivering watches with real merit. For Hermès, despite having a presence in watchmaking since the early 20th century, with Universal Genève as the brand's watchmaking partner from the 1930s and the production of exclusively Hermès-signed pieces such as desk clocks, this rise has been built brick by brick since the 1970s. Outfitting horses came first, then their riders, and it quickly proved that true luxury comes from mastery, not scale. During the 1970s, the maison decided to build schools to train artisans the Hermès way, passing along hand-stitching, leather cutting, and scarf-printing techniques from master to apprentice. While other names pursued mass production or outsour...
Fratello
The Audemars Piguet × Swatch Royal Pop watch resulted in long queues at Swatch boutiques worldwide. We witnessed the chaos and mayhem at several of them on May 16th. Police had to enforce order, stores had to close, mall owners were angry, and managers of nearby shops were pissed because they couldn’t open or had […] Visit The Swatch Collaboration Effect — Here’s What Happened (This Time) to read the full article.
Monochrome
Kiwame Tokyo is a young Japanese microbrand founded in 2025 by watch industry veteran Masami Watanabe, dedicated to “honest watchmaking” from Asakusa, Tokyo. By this, Watanabe refers to timeless, well-finished and designed watches at accessible prices that steer clear of artifice and superficiality. The strong Calatrava dress-watch vibe of the debut Kurotsuki and Usuki models […]
SJX Watches
Making its debut in Shanghai, Oyster Story is an all-encompassing, immersive exhibition to mark the centenary of the Rolex Oyster water-resistant watch case, arguably the foundational achievement of the world’s largest luxury watch brand. Oyster Story takes place at June 10-28 at the West Bund Dome Art Center, a former cement factory in a district that was once an industrial area but is now being transformed into an arts and culture hub. The large, domed-shaped building on the banks of the Huangpu River covers almost 100,000 square feet, allowing for a comprehensive journey into the Oyster and Rolex history. The exhibition includes historical Rolex watches, including the actual timepieces worn by explorers and adventurers on landmark expeditions. The watches on show comprise those owned by Rolex “as well as privately owned watches kindly loaned for the event” according to the brand. Also on show is an in-depth look at modern-day Rolex watchmaking. “Cases, bezels, bracelets, dials, materials, movements: every stage of watchmaking is showcased here”, allowing a look into arguably the most advanced high-end-industrial watch manufacturing in Switzerland. The brand’s advances in timekeeping are also illustrated by the atomic clock developed by Rolex. Amongst other things it serves as a reference clock for Rolex watchmaking. Oyster Story is free to enter and open to the public.
Worn & Wound
Lots of ink has been spilled in the short span of time since the launch of the Formex Aria on the topic of small brands (microbrands, if you must) going upmarket and playing at significantly higher price points than consumers are accustomed to. When a brand releases a watch that is multiple times the cost of the watches they are already associated with, it can cause a near panic in the watch enthusiast community. Lots of “HOW COULD THEY?” type comments appear on websites like ours, Instagram, and over beers at local meetups as collectors grapple with the idea that watch brands, which are also businesses that support the lives of real human beings, might attempt to make the most of the increased popularity our hobby has received in these past few years. And that’s really what it is, right? The mainstreaming of watches has led brands like Formex, Christopher Ward, Atelier Wen, and others to feel confident in their expansion upmarket. Gone are the days when microbrands appeal solely to value conscious consumers – they have the eye of at least some traditional luxury buyers as well, and the ambitious watches they’ve developed and the prices being asked are a reflection of that. Timex, of course, is not a microbrand, but their Atelier line is a significant move into a higher pricing tier, and some of those same dynamics are in play, I think with the release of two new chronographs in the brand’s highest end line of watches. You might remember the Atelier collect...
Time+Tide
From high-profile collaborations to limited runs by design masters at very different price points, this week’s selection has plenty to unpack. We start with the technically impressive Altiplano Ultimate Automatic in a new colourway, followed by an equally remarkable Hermès Minute Repeater and a fully independent collaboration between the U.S. and Malaysia. There is much … Continued
Two Broke Watch Snobs
Rado expands the Rado DiaStar Original Skeleton lineup with three new limited editions in blue, green, and red. Each is capped at 555 pieces.
Worn & Wound
eBay Finds is back! This bi-monthly installment will feature a selection of watches currently listed on eBay that have caught the eye of editor Christoph McNeil (@vintagediver). If you come across any hidden gems on the ‘Bay drop us a note at info@wornandwound.com for potential inclusion. Vintage Manually Wound Seiko Going to start off this week with a simple yet brilliant vintage Seiko. I’ve had a couple of these over the years, and it’s a great looking and reliable model. The steel case is around 36mm if I recall correctly, and this one is in excellent, unpolished shape. Classic round case with nice strong lugs. The dial is a bold blue, with a white bullseye ring and applied steel markers. Steel dauphine hands and no date give this a sharp, unique look that isn’t too flashy. The watch comes on the correct original Seiko beads of rice bracelet, which is so comfortable and great looking to boot. This example dates to April 1974. No movement pictures but the seller states it runs well, and my experience with these is that the movements are quite robust, like most Seikos. View auction here Vintage Waltham Next up is a nice vintage Waltham sporty/dress watch. The 34mm steel case looks sharp and unpolished, with stylish thin lugs. The classic silver dial is super clean, with nice applied steel thin arrow markers. It has steel dauphine hands with lume lines in them, and the second hand has a nice red arrow tip to help it stand out. No pesky date window to mar the peac...
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