Teddy Baldassarre
TAG Heuer Monaco: The Ultimate Guide, from McQueen to Evergraph
Tracing the 50-year evolution and enduring appeal of the square-cased chronograph that transcended its racing origins to become a style icon.More
41,871 articles · 280 videos found · page 196 of 1406
Teddy Baldassarre
Tracing the 50-year evolution and enduring appeal of the square-cased chronograph that transcended its racing origins to become a style icon.More
Worn & Wound
Zenith has launched the latest version of their popular Chronomaster Revival A384, a line that takes the iconic case of the A384 and often plays with color and materials as a platform for a modern El Primero movement. The A384, for me, has always been the most interesting of the Zenith heritage releases. It feels truly transported from another time, fully intact, largely thanks to the iconic ladder bracelet that we often see included with these references (more on that in a minute). This particular release really leans into a very specific vintage look, and I imagine will be warmly welcomed by modern Zenith enthusiasts who appreciate and collect vintage Zenith as well. The story here, clearly, is the brown used as an accent color to evoke natural patina that vintage watch collectors often prize over perfectly preserved watches. A so-called “tropical” dial occurs over a long stretch of time when a watch is exposed to the outside world, the sun’s rays slowly fading the color present in the original dial. This will often result in a brown or tan color to emerge from black paint, which is particularly noticeable on chronographs with black subdials, which is what Zenith is going for here. But the “tropical” effect can, in theory, be applied to any color, and change blues, greens, and reds in unexpected ways. Here we have a white dial with a very subtle grain and brown subdials at 3, 6, and 9, for the chronograph minutes, chronograph hours, and running seconds, res...
Deployant
After the hectic week at Watches & Wonders 2026, we managed to have lunch at the Three Michelin starred Maison Lameloise in Chagny. This is our experience.
Hodinkee
A little over a month ago, Citizen celebrated the 50th anniversary of Eco-Drive with a massive bash in New York and a few new releases. The most striking, and unlike anything they had released in the past, was the new Photon. Aptly named, of course, because of the very particles—oh wait, or is it waves?—that power Eco-Drive movements. And before we get any further, these aren't solar watches like most watch movements that could be considered a "competitor" on the market. They are powered by any light around you, whether it's your office lights, home lights, or yes, the big bright ball in the sky that's starting to peek out more and more in New York. If you want to know more about Eco-Drive, our friend Griffin recently published a story about the technology (and its history) here. But this watch requires a slightly different history lesson. If you take a look at the dial below, you'll see it has a very unusual design. It's also out of the ordinary for Citizen, which prides itself on creating watches that can pass for any other watch aesthetically and don't require slits in the dial to transmit light (a problem other brands have struggled to engineer around). The new Citizen Eco-Drive Photons are two watches measuring 39.6mm by 9.9mm with integrated bracelets, all of which are made of Super Titanium with Duratect coating. One features a titanium carbide finish, while the other, with a two-tone dial and case band, uses a DLC finish. Each is limited to 5,000 pieces and ava...
Monochrome
In 2026, Moritz Grossmann marks the 200th Anniversary of its founder, one of the key figures behind the rise of Glashütte as a watchmaking centre. Not looking backwards with literal recreations, the manufacture continues with its vision of evolution, respecting traditional Saxon watchmaking but expressing it through contemporary design and execution. The new Tefnut Silver-Plated […]
Time+Tide
Watches and Wonders might be over, but the train doesn't stop as we have new watches, new ambassadors, and more coming this week.
Monochrome
After a series of small-batch releases, Anoma introduces its first permanent models with the A1 Core Collection. Until now, the brand has focused on short runs such as the original A1, the Slate edition, and Optical Art. With the A1 Abyss and A1 Stone, Anoma is now offering watches that will remain in the catalogue. […]
Hodinkee
If there's a watch that seemingly stole the hearts of many collectors this year at Watches and Wonders, it's definitely Chopard's new blue-dialed L.U.C 1860 dress watch. The funniest part is that the new model is really only a dial color change. That's it. And yet, among a sea of new designs and complications, Chopard managed to pull off something much larger than its description on paper, and ended up being one of my personal favorite releases from the show. If you're familiar with the previous, now-discontinued salmon dial version of the L.U.C 1860 released back in 2023, well, chances are you already know much about this watch. But its identical specs are very much a good thing, as I think Chopard has really hit a home run with the 1860 as a proper, compact, and thin (8.2mm) dress watch amongst its larger L.U.C. movement-powered siblings. The 36.5mm case in Chopard's Lucent Steel alloy is very safe in its design, with smooth, curved lines and a fully-polished, rounded bezel and top lugs. While there aren't any little extra design touches that add any additional flair, the sides are vertically brushed to create a bit of contrast. Is the case boring as a result? Certainly not in my eye, as its subdued character works well in the 36.5mm format and, most importantly, it serves as a very nice frame for a spectacular dial. That dial, produced by Chopard's in-house dialmaker Metalem, is an absolute home run. And it surprises me to say this, given that I typically don't care a...
Monochrome
Some watches impress instantly, while others reveal themselves slowly. The Tsunami by Japanese independent watchmaker Hajime Asaoka looks disarmingly simple, especially at first glance: a compact, time-only watch with classical proportions, a sort of high-end Japanese Calatrava, as sleek and discreet as it can be. Spend time with it, and it opens up, becoming a […]
Worn & Wound
Welcome to the first installment of a new monthly column called Spotted. Here, I’ll break down the latest themes I’m seeing in the horological landscape. While trends are inherently fleeting, the observations we’ll look at in this series may stay or go away – only time will tell if these are fads or in fact historical markers of this era of watchmaking. In addition to spying and identifying the overarching patterns taking shape in watch design, I’ll help us bring them down to earth in our own collections and on our wrists. For our inaugural edition of Spotted, it feels important to distill some key observations from Watches and Wonders. Here, we have one of the largest sample sizes of new releases all hitting the market at once, and there are a few themes that struck me across the whopping 66 brands who participated in this year’s event. The first concept I want to look at isn’t super straightforward to articulate, so stick with me here – I’m going to start by succinctly naming it “complex superlatives.” Complexity in watchmaking can take many forms from actual horological complications that allow watches to perform functions beyond basic timekeeping to more subtle complexities like intricate finishings, record breaking feats, or material innovations. The examples that stuck out of this somewhat amorphous idea come from Jaeger-LeCoultre and its Gyrotourbillon Stratosphere Triple-Axis Tourbillon in contrast with Ulysse Nardin’s new Super Freak. Jae...
Two Broke Watch Snobs
The Farer Pilot Series II rounds out the brand's tool watch catalog with four titanium references, three dial layouts, and a limited Eastern Arabic edition.
Teddy Baldassarre
A look at the new Tudor Black Bay Chrono Carbon 26, the new chronograph from Tudor done in a carbon case.
Hodinkee
What We Know Ahead of this weekend's Miami Grand Prix, Tudor has announced the Black Bay Chrono "Carbon 26," a follow-up to last year's Carbon 25. While Tudor's ties to motorsport date back to the late 1960s with the Tudor Watches Racing Team, its current partnership with the Visa Cash App Racing Bulls team began in 2024, and they have been quick to make the most of it, with two limited editions in two consecutive seasons. The Carbon 25 marked the first limited-edition release from that relationship, with the Carbon 26 continuing the same approach in 2026. At its core, the update centers on a revised color scheme reflecting the livery of the VCARB 03 car. The watch retains a 42mm carbon fiber case with a fixed tachymeter bezel, along with a titanium caseback, crown, and pushers with a black PVD finish. The dial remains "racing white," now with yellow accents and carbon fiber subdials. The carbon fiber case, introduced last year, carries over unchanged. It replaces the steel case used in standard Black Bay Chronographs, while keeping the same 42mm diameter, fixed tachymeter bezel, screw-down crown, chronograph pushers, and overall case profile. Inside is the Manufacture Chronograph Calibre MT5813, an automatic chronograph with a column wheel, vertical clutch, silicon balance spring, and a 70-hour power reserve. It is COSC-certified, and it also meets Tudor's more rigorous standards of -2/+4 seconds per day. The Black Bay Chrono "Carbon 26" is priced at $8,625, produced in a...
Worn & Wound
With Christopher Ward, we spend a lot of time talking about the Loco and Bel Canto, and rightly so. Those are both watches that have radically reshaped how we think about the brand, and set expectations for new releases at an impossibly high level. But realistically, it’s the Sealander that is the defining watch in the Christopher Ward catalog. It’s existed for a long time and is almost a brand unto itself. But the core of the line has been relatively unchanged for several years at this point and was due for a refresh. That comes this week, as the brand has launched what they describe as a “comprehensive re-engineering” of the Sealander GMT and Sealander Automatic that includes both subtle aesthetic updates as well as significant mechanical improvements. The Sealander GMT adds a 42mm case size to the existing lineup that includes 36mm and 39mm sizes. The case has retained its fluid, classic sports watch lines, but the bezel angle has been shifted to be less angled than previous iterations of the watch. Dial options include white and sky blue in all three case sizes, with a pistachio option available only in 39mm, and a black dial available in 39mm and the new 42mm size. The dials are polished lacquer and now include longer indices and a GMT hand that has been redesigned to be more proportionate and is also fully lacquered. The “Sealander” wordmark also appears on the dial, at 6:00, for the first time. The Sealander GMT is powered by the Sellita SW330-2 cali...
Monochrome
Our search for the most intriguing artisanal, independent watchmakers takes us to the far corners of the world. While the majority is still in or around Switzerland, we regularly take virtual excursions to Japan, Scandinavia, the Netherlands, and beyond. Back in 2021, we introduced you to Bradley Taylor, an upcoming, talented watchmaker based in Vancouver, […]
Two Broke Watch Snobs
These 7 vintage-inspired field watches deliver old-school military character with modern reliability and everyday wearability.
Monochrome
In 2024, Tudor announced its partnership with Visa Cash App Racing Bulls Formula One Team, which first resulted in the Black Bay Ceramic Blue, and most importantly, the Black Bay Chrono Carbon 25, a powerful chronograph in a lightweight attire inspired by the distinct livery of the 2025 Visa Cash App Racing Bulls car. We […]
Fratello
Tudor is back with another motorsport-inspired chronograph, with the Black Bay Chrono “Carbon 26” debuting as its latest limited edition tied to the 2026 Formula 1 season. If last year’s “Carbon 25” set the tone, this new version builds on that same idea with a few visual tweaks and the same lightweight construction. Once again, […] Visit Hot-Take: The Tudor Black Bay Chrono “Carbon 26” to read the full article.
Fratello
Tudor is back with another motorsport-inspired chronograph, with the Black Bay Chrono “Carbon 26” debuting as its latest limited edition tied to the 2026 Formula 1 season. If last year’s “Carbon 25” set the tone, this new version builds on that same idea with a few visual tweaks and the same lightweight construction. Once again, […] Visit Introducing: The Tudor Black Bay Chrono “Carbon 26” to read the full article.
Time+Tide
Chopard celebrates the 30th anniversary of its Manufacture Fleurier facility with this understated yet impressive dress watch.
Hodinkee
What We Know The Sealander sits at the core of Christopher Ward's lineup, serving as its everyday, approachable, price-conscious, do-it-all Swiss-made watch. For those considering a Christopher Ward for the first time and looking for a sport watch with the most bang for the buck, the Sealander GMT or Automatic three-hander has been a logical go-to. It's also been a major seller, with the 39mm white dial GMT often taking the honors as the top-volume model for the U.K.-based company. So when Christopher Ward embarks on a major overhaul and redesign of the Sealander collection, it's a significant moment. Unveiled today, and on sale beginning tomorrow, the new models bring a slimmer case and upgraded movement for the Automatic, refinements to the case and dial design for both models, a new 42mm size for the GMT, and upgraded, more user-friendly bracelets with tool-free adjustment and link removal. Starting with the Sealander GMT, the brushed case has been redesigned, giving a more refined, thinner profile and sporty finish, and is available in 36mm, 39mm, and, for the first time, 42mm. The new case offers sharper lugs with distinctly faceted, polished edges. The upgraded, refined finishing further emphasizes the crown guards that remain on the GMT case, adding to the overall rugged appearance. The brushed 24-hour fixed bezel with black lacquer-filled numbers is now less angled with a flatter profile to improve legibility while giving the watch more presence across the thre...
Teddy Baldassarre
A look at the new Zenith Chronomaster Revival A384 with new tropical dial.
Worn & Wound
Part of the fun of Watches & Wonders (in fact, most of the fun of Watches & Wonders) is discovering things you didn’t expect to find, or that slip through the cracks and don’t get nearly the attention you think they should once you see them in person. Let’s face it: the event is dominated by a handful of huge brands that save their absolute best for the show. But for every Tudor, Cartier, and Rolex, there’s a Chronoswiss, Behrens, and Hautlence releasing incredibly impressive watches we simply don’t talk about enough. Here, Zach Kazan and Zach Weiss recap some of their favorite watches at this year’s Watches & Wonders that slipped under the radar for one reason or another. If there’s a release you saw or read about from the show that you think isn’t getting its fair shake, let us know in the comments, we’d love to hear about it. Zach Weiss Hautlence Kubera Hautlence isn’t a brand that does half-measures. Their watches are all in, featuring wild complications executed in intricate fashion, housed in massive, equally exotic cases. I take a meeting with them at Watches + Wonders every year because, while maybe not a brand that is quite in our wheelhouse, I personally find them fun and inspiring. Plus, the brand has a very self-aware attitude that’s refreshing. Well, this year was different because, for the first time ever, Hautlence launched a watch that, while thoroughly strange and unconventional, was also wearable, and priced, for Hautlence, in a ...
SJX Watches
A Vancouver native who studied watchmaking in Switzerland, Bradley Taylor spent the last four years working on his own movement, an endeavour that is has finally in the Ardea. Manually wound with three hands, the Ardea is powered by a hand-made movement made by Mr Taylor, who incorporated a retrograde seconds, setting this apart from the high-end time-only watches that are now common. Mr Taylor made his debut with time-only watches that were powered by high-quality, but essentially stock, Vaucher movements. The Ardea, in contrast, is of his own making. He fabricated his own movement by building on the vintage Omega cal. 30T2 architecture and then making most of the watch himself, right down to the guilloche dial and solid gold wheels of the gear train. Mr Taylor’s attention to detail extends to surprising aspects of the watch, like the platinum applied numerals in a custom typeface. Initial thoughts The Ardea, and especially its movement, is the product of substantial manual craftsmanship. From milling to filing to drilling to polishing – Mr Taylor does almost all of it himself and has documented the process with many photos and videos. As a result, the Ardea is more artisanal than other recent indie creations that are engineer-conceived timepieces, and Mr Taylor deserves credit. Tapping the main plate Applying guilloche to the dial ring with a hand-cranked rose engine Mr Taylor’s choice of movement construction is not surprising, since the Omega cal. 30T2 architectu...
Hodinkee
What We Know Bradley Taylor, a Canadian independent watchmaker working out of a 1,000-square-foot workshop in North Vancouver, has released the Ardea, his third watch and first with an in-house movement. Taylor, a rising talent in the space, trained in Le Locle under Henrik Korpela, earned a Patek Philippe Level II service certification in Geneva, and produced two sold-out series before beginning work on the Ardea in late 2023. The Ardea is offered in stainless steel or platinum 950 and measures 37.8mm in diameter with a 46.4mm lug-to-lug and a thickness of 10.9mm, including the crystals. The sapphire caseback is very slightly domed for wrist comfort, and the watch is rated to 5 ATM. The dial is 925 sterling silver, engine-turned on a rose engine that Taylor estimates is roughly 120 years old, and he restored it over three months. The pattern is a 36-scallop rosette with a progressive phase shift between each concentric pass, producing a characterful swirling texture. After the engraving, the dial is depletion-gilded, a silversmithing process that involves repeated heating and acid treatment until the dial's surface is pure silver. It is then sealed with Zapon lacquer. The text and markings are pad-printed on a Tampoprint machine that Taylor also restored himself. The applied numerals are machined from solid platinum and hand-polished to a spherical shape. The dial lettering and wordmark were designed by Ian Brignell, a Toronto typographer whose work includes the Paramou...
Worn & Wound
This month, I’ll be on 12 flights across four cities, two continents and nearly three weeks away from home, so – yeah – I’ve been thinking a lot about planes lately. Perhaps, quite coincidentally, Farer has been, too, with the launch of their new Pilot Collection Series II, with three new models debuting. The collection has been redesigned around a 40mm Grade 2 titanium case, with a bead-blasted finish and a brushed bezel with a coin-edge profile. Across the line, Farer keeps the focus on legibility and performance, using large markers, broad minute tracks and lozenge-shaped hands applied with Grade X2 Super-LumiNova. Powering each watch is the Sellita SW300-1 Elaboré automatic movement, offering a 56-hour power reserve. Since cockpits can be highly magnetic environments, Farer has protected the movement with an internal soft iron Faraday cage, giving the watches anti-magnetic resistance up to 500 Gauss – these are the little details of Farer that go beyond just theming a watch and making it functional and operational to those that inspired the collection. The Curtis, named for English aviator and flight test engineer Eleanor Lettice Curtis, uses a blue-grey guilloché dial divided into twelve slightly concave sections, catching the light in a way reminiscent, as Farer notes, to the motion of a propeller. It has applied Lumicast markers, pale yellow lume and orange accents, with an additional Curtis Eastern Arabic edition limited to 100 pieces. The Barnwell is...
Deployant
VC adds 4 new watches to their masterpieces from the Louvre with Métiers d'Art Tribute to Great Civilisations Collection. Here is our live report.
Teddy Baldassarre
An in-depth review of the Seiko Speedtimer SSC961 solar chronograph complete with analysis, original photography, and pricing.
Monochrome
For many people, 1969 is the year of the Apollo 11 Moon landing, Woodstock and the final live performance of The Beatles on a London rooftop. However, for watch enthusiasts, 1969 is the year Zenith unveiled the El Primero, the world’s first automatic, integrated chronograph calibre – and a high-frequency one to boot. Among the […]
Hodinkee
What We Know Today, Zenith adds another variation of its modern revival of the unique A384 chronograph to its catalog, with the Chronomaster Revival A384 Tropical. This is, at a high level, just a new dial that's been added to the collection, and one that's done in a familiar Zenith way at that. Here, the inspiration is very much around tropical dials, with a base dial in a softly grained white, contrasted by brown accents in the subdials and tachymeter scale. Zenith calls it a "chocolate panda" configuration, and I think that's a pretty apt name. Text on the white portion of the dial is printed in black, including the "El Primero" script under the Zenith logo, while printing on the brown portions of the dial, such as the tachymeter and sundial markings, is all done in white. The aged, tropical theme continues with lume on the applied markers and handset executed in Old Radium Super-LumiNova, which certainly complements the warmth of the overall look. A bright red chronograph seconds hand sits front and center, and a date window sits between the four and five o'clock hour markers. The dial sits in that distinctive A384 case, with a compact, angular tonneau silhouette measuring 37mm. Pump pushers and a Zenith star-signed crown sit on the right flank of the case. Finishing is interesting throughout the watch, with radial brushing on the front slab of the case, polished facets, and horizontal brushing on the sides. It's complemented by Zenith's revival of the Gay Frères ladd...
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