3,964 articles · 174 videos found · page 28 of 138
Monochrome
When a brand drops a set of updates like this, it is rarely about just one watch. With Montblanc’s start to 2026, the focus is more on variety. The Rieussec brings in a historical link, while pieces like the Iced Sea focus more on materials and colour, including a brighter coral dial. There are also […]
Worn & Wound
Superlatives are thrown around often in watch conversations. We all enjoy videos like “the best” dive watches under $1000. When chatting with our friends we love to declare bracelets to be the most comfortable and dials to be the easiest to read. But if we are being honest with ourselves, that exaggerated language is often used to capture our fleeting excitement about great (though not necessarily the best) watches before moving onto the next shiny thing. When exaggerated language fueled by initial infatuation seeps into reviews and forums, it has a tendency to leave fellow enthusiasts feeling misled when they accept it as truth and hit the buy button only to be let down by reality. I bring this up because, after having been burned myself, honesty and grounded language are top priorities when I sit down to write a review. But in full disclosure, I found myself smitten as soon as I unboxed the Limited Edition ATTESA Shades of Red Super Titanium from Citizen. It wasn’t until I found myself questioning design choices after a few days of wear that I finally felt ready to put pen to paper without that honeymoon phase bias. Unsurprisingly from the photos of this watch that are stunning yet don’t fully capture its depth, my first jottings focused on the dial. The Watch On March 3rd a total lunar eclipse was visible across all of Japan, an event Citizen commemorated with two “Shades of Red” watches inspired by the red moon visible during totality. The watch that has ...
Monochrome
Discovering new independent watchmaking talents is a rare pleasure – especially when it’s as compelling as the debut of Mathieu Cleguer’s brand. With his first creation, this watchmaking engineer introduces a singular vision where aesthetic purity meets technicality. At first glance, the Inspiration One captivates with its clean, balanced design elevated by superb finishing and […]
Worn & Wound
When we last checked in on Baltic, they were retiring one of their most popular lines, at least for the time being, with a diamond set version of their MR dress watch. It felt like an appropriate send off for the MR, which I think will be remembered as the release that put the watch world on notice that Baltic was capable of executing in categories other than purely sporty vintage inspired designs. The fact that the last MR prominently features Moissanite stones really reflects the path Baltic finds themselves on now, stretching well beyond what was frankly a somewhat generic playbook in the early days. Their latest collection, the Heures du Monde, is a worldtimer that further reinforces that idea. This is a tribute, of sorts, to the work of Louis Cottier, the Swiss watchmaker who effectively invented the modern worldtimer, creating movements for Patek Philippe, Vacheron Constantin, and others. His worldtimers are of course highly sought after by high end vintage collectors not just for their aesthetic beauty, but their historical significance. The principle behind Cottier’s movements, that the wearer should see the time in every timezone at once, at a glance, via rotating time zone and 24 hour scales, has become the predominant method for executing worldtime watches and is considered the standard in the watch industry. For the Heures du Monde, Baltic has modified a Soprod C125 caliber by removing the date and replacing the GMT hand usually found with that movement w...
Monochrome
The trajectory of the Ferdinand Berthoud brand has been quite remarkable since its revival in 2015 by Karl-Friedrich Scheufele of Chopard and his teams. Its inaugural model won the prestigious Aiguille d’Or at GPHG, followed by numerous other awards. Beyond industry recognition, collectors widely praise the brand’s fascinating designs and uncompromising craftsmanship, culminating in last […]
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SJX Watches
“How can you make a watch, my dear boy?” His aunt, Jeanette Salomons, then under medical care in St. Leonards-on-Sea, wrote back to her nephew, David Lionel Salomons, in early March 1867, shortly before her death. He was 16, orphaned since his father Philip’s death earlier that year. His mother, Emma Abigail Montefiore, had died when he was eight. At the time, Salomons lived with his uncle, Sir David Salomons (1st Baronet), the Lord Mayor of London, at Great Cumberland Place, near Marble Arch, making frequent visits to a nearby watchmaker’s shop, where he learned to use a lathe and to file metal to tolerances measured in a fraction of an inch. Fifty years later, that teenage training would allow him to assemble the most comprehensive collection of Breguet watches in history. Broomhill Salomons inherited the expansive Broomhill estate in 1873 when he was 22. His uncle, the first Sir David Salomons, had died without children, and the baronetcy passed to his nephew along with the estate near Tunbridge Wells. The house stood on substantial grounds, and Salomons began altering it almost immediately. Broomhill from the south, a photograph by Sir David Lionel Salomons, 1868 (cropped). Album 19, Richard Levy Family Archive. Image – By permission of the Salomons Museum. He built workshops housing machine tools like lathes, drill presses, and milling equipment. Then came electrical apparatus. Then storage for chemicals and photographic equipment. By the 1890s, the workshop...
Worn & Wound
It’s hard to believe, but Holthinrichs celebrates their tenth anniversary this year. It was ten years ago when brand founder Michiel Holthinrichs was completing his graduation project in architecture, that soon-to-be client found him online and requested a watch commission for his upcoming wedding. The watch Michiel would make eventually became the first production Holthinrichs, the Ornament 1, and the brand was off to the races. That first watch was powered by a Peseux 7001, one of the most tried and true manually wound calibers ever made. It’s a true workhorse and has been adopted by brands large and small for years, and someday when the history of the microbrand is written, the Peseux 7001 will almost certainly have its own dedicated chapter. Its calling card, in addition to its slender profile which allows for great flexibility in design, is the placement of a small seconds hand at the 6:00 position, a design element that serves as the inspiration for the new Signature LAB 1.S, one of two limited editions launched this week to celebrate ten years of Holthinrichs Watches. The Signature LAB 1.S follows last year’s Ornament LAB 1.24, which remains one of the most exciting watches I’ve ever reviewed for the website. There are a lot of things about that watch that are special, but chief among them is the beautiful 3D printed titanium case. Holthinrichs has been a real leader in 3D printing within the watch industry over the last decade, and this case design refl...
Fratello
It’s that time of year when the new releases start to trickle out in preparation for the season’s watch shows. However, there’s something else on the horizon that still seems unfathomable in some geographies. Finally, Summer is coming. As a result, a brand like Doxa is always active and takes the opportunity to introduce novelties. […] Visit Introducing: The Doxa Sub 200 II Collection to read the full article.
Fratello
When Porsche Design invited me to visit the opening of its new Timepieces Manufaktur, I was immediately intrigued. Having visited the relatively small old workshop in Solothurn before, a big new facility inevitably implies lofty ambitions. What is the German carmaker/Swiss watchmaker up to? As your intrepid reporter, I made it my mission to find […] Visit Visiting Porsche Design’s New Manufaktur And Discovering What It Means For The Brand’s Future to read the full article.
Teddy Baldassarre
Before we get into my review of the Oris Big Crown Pointer Date Bullseye, let's get some context about the brand out of the way. Oris traces its foundation to 1904, when two natives of the Swiss watchmaking town of Le Locle, Paul Cattin and Georges Christian, opened their watch factory in the German-speaking Swiss town of Hölstein. Cattin and Christian named their company “Oris” after the Orisbach tributary, a brook near the factory.A maker of pocket watches and, by 1925, the increasingly popular wristwatches, Oris enjoyed a long period of growth and expansion throughout the following decades and even made its own movements. Losing its independence during the consolidation years of the Quartz Crisis, Oris regained it in the 1980s, when a management buyout transformed the company and solidified its mission to make only mechanical watches going forward. Today, Oris is well established as a staple for value-conscious collectors of Swiss-made watches. While much of its modern output is devoted to sport-oriented timepieces, like the popular Aquis and Divers (formerly Divers Sixty-Five) diving watches, the brand’s most recognizable and emblematic collection is the Big Crown Pointer Date, which has been a mainstay of the brand’s portfolio - and in constant production - since 1938. It was the first watch with a date indication displayed via a central hand on an outer scale, and it took the other part of its model name from its signature design element - an oversiz...
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Worn & Wound
Omega pleased a lot of dress watch and vintage fans this week when they launched the new Constellation Observatory collection at their Swiss headquarters. Zach Weiss is on the ground in Bielle even as we speak getting hands-on with the new watches, and he’ll have a full hands on report with his own photography coming soon. For now, a quick rundown of the new collection, and why it’s a fairly major play for the brand. The Constellation is a historic Omega collection that has changed a lot through the years, always remaining flexible with the current styles and trends of the day. This collection, though, is a direct shot at the hearts and minds of Omega purists, as its effectively a recreation of the original 1950s Constellation in its broad strokes. The cases and dials will be familiar to anyone who has collected or admired original Constellations, with highly angular cases and distinctive dogleg lug design. That said, these are not one to one recreations of watches from the 1950s. The cases, on paper at least, are rather large for what most would agree is a riff on a classic dress watch. The diameter is 39.4mm, and case height is 12.23mm. The lug to lug span comes in at 47.2mm. So, not small by any means, but we’ll look forward to Zach’s impressions of how they actually wear soon enough. As is typical with Omega these days, we have a wide variety of case material and dial options available. We get all three gold alloys that Omega likes to deploy (Sedna, Canop...
Fratello
Ask yourself, how many hours have you spent playing Pac-Man? That may be hard to recall, but quite possibly when you were in your teens in the 1980s or ’90s, it was many, many hours. Pac-Man is undoubtedly the most iconic arcade game ever. Since it only requires a joystick and simple movements, it’s easy […] Visit Introducing A Tribute To A Video Game That Conquered The World - Do You Want To Play With The Krayon × Pac-Man? to read the full article.
Monochrome
Born in 2007, the HydroConquest is Longines‘ classic 300m, modern dive watch. While the Legend Diver is there to evoke the past, the HydroConquest is meant to be a contemporary offering, mixing strong diving credentials with a daily-oriented, sleek design. Until now, we’ve come to know the watch in this form here, when it benefited […]
Monochrome
When Breva returned in 2025, it did so with the Segreto di Lario, a watch that marked a reset for the brand after years of silence. Instead of earlier niche complications like barometers or altimeters, this new collection focused on a more legible, instrument-style display built around retrograde indications. That first model set the tone […]
Worn & Wound
Since its launch in 2019, the Doxa SUB 200 has been one of my favorite value oriented dive watches to recommend. When it debuted, it was under $1,000 and really stood out in a crowd of vintage inspired divers. It was a particularly compelling option for enthusiasts who were after something affordable and loaded with a bit of history and was definitely not a Seiko. They were also getting that vintage appropriate sizing right before the pendulum swung all the way back toward watches under 40mm – the SUB 200 measures 42mm but wears significantly smaller thanks to the short lug profile. It was and is a great wearing, classically styled dive watch from a truly important dive watch brand. Doxa has just refreshed the SUB 200 and the watch that was revealed this week reflects a lot of what’s going on the industry at the moment, while also appearing to serve as a worthy heir (and complement) to the existing SUB 200. The new SUB 200 II sees Doxa making some unexpected refinements to the case and also offering the watch in a new suite of colorways and a novel case treatment. Taken together, it’s a significantly more contemporary execution of something we’ve all come to associate with pure vintage nostalgia. We’ll start with the case, which now measures 44mm in diameter. I did a bit of a double take when I saw that particular spec – we’re deep in the era of brands downsizing their iconic sports watches to accommodate the current appetite for sleeker, small-to-medium ...
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SJX Watches
Today in Paris a panel of five judges – including Carole Forestier-Kasapi and Kari Voutilainen – presented Alexandre Hazemann and Victor Monnin with the Louis Vuitton Watch Prize for Independent Creatives. The very same young watchmakers who won the F.P. Journe Young Talent Competition in 2023, the pair clinched the prize for their jump-hour “School Watch”. Launched in 2023 by Jean Arnault, who has spearheaded Louis Vuitton’s fine watchmaking ambitions, the initiative supports promising independent watchmakers while burnishing the maison’s credibility in the watch world. Last year the trophy – and its matching Louis Vuitton trunk – went to Raul Pages for his RP1 Régulateur à Détente. This edition’s victors met at Lycée Edgar Faure, a technical high school in Morteau, France, which is well known for its strong and respected watch and jewellery bent. Their aptly named School Watch developed from the pair’s school watch project. They have since set up shop in Saint-Aubin-Sauges, Switzerland, though both will now have the option of a one-year apprenticeship at Louis Vuitton’s La Fabrique du Temps manufacture in Geneva, in addition to financial support. In December, a Committee culled the 20 semifinalists, which we covered here, down to just five in December and appointed a five-person panel to select the winner. Other finalists included Norifumi Seki, who debuted the ambitious Fading Hours alarm watch, and Bernhard Lederer. Carole Forestier-Kasapi pr...
Worn & Wound
We live in a (watch) world where brand names reign supreme and terms like “in-house” carry a lot of weight. However, I find it much more interesting when a watchmaker is willing to peel back the curtain and highlight the great minds and hands that go into crafting the watches we love. Recently, Nomos gave us one of those unique opportunities to sit down with the man behind the design of one of its core collections: the Metro. The Metro first came into the Nomos catalog back in 2014. At the time, it made waves thanks to its debut of the brand’s proprietary swing escapement system, which was developed over seven years with the Fraunhofer Institute and TU Dresden. The structure notably features a tempered blue balance spring and offers superior precision, efficiency, and compactness with a thickness of approximately 3.2mm, which perfectly lends itself to Nomos’ sleek and effortless timepieces. While perhaps considered secondary at its initial introduction, the form of the new collection was given just as much attention as the function. In typical Nomos fashion, the caliber was housed in a modern and minimalist design echoing the tenets of German watchmaking but with a twist. This creation was the brainchild of industrial designer Mark Braun. The project marks Braun’s first and only foray into the watch space. The artist has worked in nearly every medium under the sun from furniture to kitchenware and birdhouses to shaving kits, light fixtures, jewelry, calligraphy p...
Worn & Wound
Having none myself, I’m always a bit impressed when it comes to those who have artistic talent – and that goes doubly for those who can appreciate the everyday beauty around them. This is especially true when those two virtues combine to form a beautiful little timepiece, like the Altmann × Isotope Osaka Cloisonné Enamel, a new collaboration between English watchmaker Isotope and designer, illustrator, and typographer Björn Altmann. The first, and perhaps only, thing you will notice about this watch is its dial, which is based on a municipal manhole cover featuring Osaka Castle. Now, you may be asking yourself, why Japanese manhole covers? I can assure you that you are not alone in that. Apparently, after a Wikipedia deep dive, it is something of an urban art form and a show of civic pride throughout Japan. In fact, more than 15 million manhole covers across the country feature some sort of carved, imprinted, or painted design. This was a niche interest of Isotope founder José Miranda, which eventually led Miranda to Björn Altmann’s book Manhole Covers of the World. This, in turn, led to this collaboration you see before you today. The intricacy of the dial does not stop with its source material. The dial itself is made in grand feu cloisonné enamel, using fine silver wires and multiple rounds of firing to build out the design and color. The process took close to a year to develop, and in the end only five dials were successfully completed, which helps explain ...
Teddy Baldassarre
Since the release of the SSC813 Speedtimer, it has been one of Seiko’s best-selling watches. So when we got word at the end of last year that it was being discontinued, it had us, along with other collectors, scratching our heads. So why would Seiko cut one of its star players without warning? Well, it turns out that
Worn & Wound
The beauty of Venice lies in the fact that, despite the precipitous threat of falling into the ocean and being permanently patinated by tourists, pigeons, and the brackish lagoon water of the canals, there is an elegance to it that can’t easily be matched. The irony is not lost on me, dear Reader, to write about the merits of growing older when my forehead is currently pinpricked with 20 milliliters of Botox. And yet, I don’t have the beauty of Venice – nor the self-assuredness of La Serenissima when it comes to aging gracefully. But, luckily for us, Venezianico has developed a watch to honor the changing beauty of the city through its latest watch, the Nereide Verdigris. The idea behind the watch comes from the way Venice evolves over time. Salt air, humidity, and lagoon water gradually transform the city’s metal surfaces, giving copper and brass the green and turquoise tones that have become part of Venice’s visual character. With the Nereide Verdigris, Venezianico brings that same effect to the dial. Each one begins with a brass base that goes through a controlled oxidation process to develop its verdigris patina. Because the metal reacts differently depending on small shifts in temperature, oxygen, and surface conditions, no two dials come out exactly the same. The end result is a heavily textured surface that shifts between green, turquoise, and blue depending on the light, revealing multicolored tones across the dial that is quite bellissima, if you ask me....
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SJX Watches
Abraham-Louis Breguet’s No. 160 exists first as legend. The standard account describes a secret commission for Marie Antoinette, incomplete when she faced execution, requiring forty-four years to finish. Theft, recovery, mystery, and royal romance: the narrative contains all the necessary elements of mythology. Yet this fame is recent. From its 1783 inscription in the order books through the 19th century, the watch remained largely unknown outside the Breguet workshop but for a few private collectors. Only when Sir David Lionel Salomons acquired it, nearly 140 years later, did the wider horological world learn of its existence, thanks to his careful cataloging and the watch’s public exhibition in 1923. Salomons gave credit to Breguet’s mastery on a scale previously unrecognised, establishing No. 160 as the supreme example of complicated watchmaking and the prime masterpiece of its maker. Sir David Lionel Salomons’s 1921 work on Breguet and the collection he assembled seems to be the first source to mention Marie Antoinette. Image SJX composite – Sotheby’s Subsequently, many sources have reported that the commission demanded every known watch complication and that no time constraints or limits were placed on its design or cost. The workshop records, however, tell a story that differs from both obscurity and legend. No. 160 appears in the 1783 order books as three words: “No. 160, Montre d’Or.” The entry stands alone, anonymous, unexplained and without cont...
Fratello
When the announcement of the Fears × Studio Underd0g Mim0sa landed in my inbox, I did not expect to eventually swim into the Pacific Ocean with one on my wrist. Yet that is exactly where this watch eventually found itself, bobbing around just off the coast of Sydney, thoroughly disproving the idea that colorful collaborative […] Visit Why I Bought The Fears × Studio Underd0g Mim0sa to read the full article.
Worn & Wound
There comes a time in every watch collector’s life when they fall in love with a watch they know others in the hobby may potentially scoff at. Whether it be misconceptions around the brand, the use of cheaper movements and parts, seedy advertising campaigns, or just overall subjective taste in design, it’s a phenomenon that exists as one of the very few downsides of the collecting space. It’s important to note, however, that this frame of mind lies on a spectrum of course, with some watches being far more notable enemies of the wristwatch state than others. The Chase-Durer Wing Commander X is a watch that has fallen into the cracks of the watch market and a piece, I believe, may initially conjure negative sentiments by some corners of the collecting sphere. Chase-Durer was originally advertised in magazines and on the very early days of the internet, where zealous dial-up internet subscribers would surf the World Wide Web in hopes of making their very first online purchase. They never held the same staying power as others of the watch industry, akin to the 38mm mail-order film cameras found in years’ worth of popular and print media when compared to Canon or Nikon. However, there is a lot to like about the brand and, in this case, the Wing Commander X. If you’re someone who’s on the fence about whether or not you’re a fan of this watch just from aesthetics and brand recognition alone, welcome in––let me walk you through what makes this an interesting pi...
Monochrome
Collaborations in watchmaking often result in timepieces that are pure fun, especially when they take a graphic and conceptual route. This is precisely the case with the new Bamford London B80 created with J. Press. Inspired by Ivy League culture and vintage collegiate aesthetics, this limited edition of 100 pieces rethinks one of the essential […]
Fratello
When I read the press information for the Citizen Eco-Drive 50th Anniversary Edition, I couldn’t believe it has been five decades since the Japanese brand introduced its first Eco-Drive-powered watch. That’s especially surprising when I put it into personal perspective, as it happened a year before I was born. In my mind, Eco-Drive technology still […] Visit The Eco-Drive 50th Anniversary Edition Celebrates Citizen’s Quest For Accuracy In Style to read the full article.
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