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Results for Neo-Vintage

2,962 articles · 112 videos found · page 34 of 103

Inside Jaeger-LeCoultre’s Reverso Collectibles Capsule: How the Brand Is Redefining Vintage Watch Curation Worn & Wound
Jaeger-LeCoultre s Reverso Collectibles Capsule Feb 17, 2026

Inside Jaeger-LeCoultre’s Reverso Collectibles Capsule: How the Brand Is Redefining Vintage Watch Curation

The official role of Heritage Director seems to be growing in prominence across watch brands. It makes sense – a reverence for history has always been at the heart of the art of watchmaking. With that in mind, it is likely there have long been resident historians at established maisons or perhaps even those holding the title Heritage Director working behind the scenes. But more and more, we are seeing these individuals at the forefront, and there seems to be a direct correlation with what is happening in the industry at large within the vintage and pre-owned spaces.  For more than five years now, we have seen the vintage and pre-owned market grow in new ways with both a greater emphasis and prevalence of reputable dealers and marketplaces and a greater interest and demand from collectors. In turn, more and more brands seem to be getting invested in the acquisition, preservation, and in some cases redistribution of their own vintage pieces. While the role of Heritage Director was perhaps once limited to elements like museum curation and historically contextualizing modern collections, the position seems to be expanding into new realms.  Heritage Director Matthieu Sauret Jaeger-LeCoultre is the perfect case study. Matthieu Sauret stepped from the role of Director of Product to the maison’s Heritage Director 2013 after starting his career at Yves Saint Laurent, another historic brand whose legacy spans more than six decades. “In 2019, Catherine Rénier, our CEO called...

Audemars Piguet Introduces the Neo Frame Jumping Hour Worn & Wound
Audemars Piguet Introduces Feb 5, 2026

Audemars Piguet Introduces the Neo Frame Jumping Hour

I have what you might call a love/hate relationship with Audemars Piguet. They are, without a doubt, makers of some of the finest watches in the world. Objectively speaking, there’s a level of craft involved with the production of AP watches that is hard to match at the scale at which they operate. Every Royal Oak I’ve ever handled feels like a perfectly made thing without any compromises. I honestly can’t say the same about equivalent watches from other brands in the so-called Holy Trinity.  And yet, there’s so much baggage with Audemars Piguet in our current watch culture. I wrote about it here, specifically as it relates to the Royal Oak and how it has become a signifier of wealth and status that has overshadowed watchmaking and watch culture. I find this flex culture to be a huge turn off, and the way AP seems to lean into it, by producing more and more varieties of Royal Oak, some with mini sculptures of Marvel characters on the dial, to be a signal that they’re a willing participant in the watering down of their brand.  But then Audemars Piguet will go ahead and release something beautiful that is not a Royal Oak and I’m reminded that derisively referring to them as The Royal Oak Company (something I’ve done frequently over these last few years) is ultimately unfair. Earlier this week, as part of a larger drop that included several exotic Royal Oaks, a pocket watch, and more, AP launched what might be one of the riskier watches they’ve introduced in...

Affordable Vintage: the Longines Grand Prize Worn & Wound
Longines Grand Prize Longines Feb 4, 2026

Affordable Vintage: the Longines Grand Prize

Longines is a storied and well-respected Swiss watch manufacture that formed in 1832 and has continued uninterrupted to this day. From the first wrist chronometer in 1911, to groundbreaking flyback chronographs in the 1930s, to the world’s first hi-beat wrist chronometer in 1959, Longines holds their own in the watchmaking world.  My favorite period for watches is the 1950s through the 1970s and Longines was one of the top accessible brands during that time. In 1954 Longines began a marketing strategy of product families, launching the Conquest line of watches. In 1957 they introduced the Flagship line, adding to what would become a large group of watch families, many of which are still made today. Other lines that came later include the Admiral, the Ultra-Chron and the Grand Prize. The Grand Prize line was named in honor of the multitude of watchmaking awards and honors that Longines had accumulated over the decades. It was a relatively short-lived family, produced from about 1958 to 1964 according to my research. I have found that the majority of Longines watches produced during these decades were all fairly equal in quality and craftsmanship, with most of the differences in the families being design related. The Conquests were rugged and sporty, on par with the early non-diver Omega Seamaster watches. The Flagship series were dress watches, while the Admiral line was a mixture of both. The Grand Prize family were pretty much all thin, elegant everyday type dressier w...

Introducing the William Wood Vintage Triumph Worn & Wound
Sinn makes timepieces Dec 12, 2025

Introducing the William Wood Vintage Triumph

While there are many watches inspired by military, naval, or overlanding missions, there are surprisingly few in tribute to firefighting, despite the profession’s propensity for gear and danger. Sure, Sinn makes timepieces in their EZM line for German firefighters to wear into burning buildings, but they’re more utilitarian than conceptual; tool watches rather than tributes. Enter William Wood, a British watchmaker founded by Jonny Garret and named after his late grandfather, who was a decorated firefighter. All of the brand’s pieces are made from upcycled firefighting materials, with portions of the proceeds from each collection benefitting firefighting charities globally. With their newest-and perhaps most eccentric-timepiece, the Vintage Triumph, William Wood continues that legacy. The Vintage Triumph capitalizes on the brawn of the profession it’s inspired by, with a beefy 41mm case diameter. The case itself is gold-plated with both brushed and polished finishes and promises 100 meters of water resistance, should the wearer ever trade fire for its natural opponent. The diamond-cut dial wears a celebratory shade of aged champagne, which is paired with polished gold numerals and a gold bezel with black markers, creating a rather exclamatory visual profile, furthered by the date window at the 6 o’clock position, and the subdials (inspired by fire engine pump gauges) at 3 and 9. Underneath it all is a Sellita SW510 Chronograph movement, which promises a 48-ho...

Introducing - Vianney Halter and Massena LAB Launch the Old Soul Watch with Vintage Minerva Movement Monochrome
Massena Lab Launch Aug 26, 2025

Introducing - Vianney Halter and Massena LAB Launch the Old Soul Watch with Vintage Minerva Movement

The soul… This is what somehow defines independent watchmaking. Watches that have been designed and manufactured by individuals who have infused their soul into a timepiece that feels unique. On the topic of soul, design studio Massena LAB is presenting today its latest creation, a watch made with renowned and revered independent watchmaker Vianney Halter. […]

Oak & Oscar and Eric Wind Collaborate on a Limited and Vintage Inspired Edition of the Atwood Chronograph Worn & Wound
Ming together Feb 25, 2025

Oak & Oscar and Eric Wind Collaborate on a Limited and Vintage Inspired Edition of the Atwood Chronograph

One of the things that all great micro and independent watch brands have in common is that they lean into exactly who they are. The brands that attempt to cater to changing tastes and trends never seem to last, or if they do they seem to just kind of languish and not really grow or do anything all that noteworthy. Another way to say this is that brands who are authentically themselves, and a reflection of the point of view of those in charge, and their clients, are almost always going to be the most interesting. Oak & Oscar, I think, neatly falls into that category. Whether the designs are your cup of tea or not, there’s no denying that the brand, their aesthetic, and the choices they make line up precisely with the ideas that founder Chase Fancher and his colleagues are trying to bring to the larger watch community. That was apparent in their recent Humboldt GMT SAR limited edition, which helped to underline the brand’s general love of the outdoors, and it’s built into their latest release, a limited edition version of the Atwood chronograph, in an entirely different way.  The new version of the Atwood is a collaboration with Wind Vintage, the well known vintage retailer founded by Eric Wind in 2017. The Atwood Wind Vintage Edition is simply a product of two friends coming together to work on a cool product, which Oak & Oscar describes as a tenet of what they’re all about. Eric and Chase go way back, having met in New York just after the release of the Burnham, O...