Deployant
Live from GWD26: Luca Soprana | Hands-on with Luca Soprana and Derek Pratt
Next, a hike up Grand rue in Geneva to the premises of WatchesTV, and met with Luca Soprana. He showed me his Soprana Time Only and the Derek Pratt.
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Deployant
Next, a hike up Grand rue in Geneva to the premises of WatchesTV, and met with Luca Soprana. He showed me his Soprana Time Only and the Derek Pratt.
Worn & Wound
Have you ever wanted the Windup Watch Fair to come to your neck of the wood? Well, if you live in Montana, you’re in luck. Following the success of our recent enthusiast night in Salt Lake, Worn & Wound is teaming up with Citizen Watch America once again, this time heading north to Montana. On Thursday, September 17, we’ll be joining our friends at Riddle’s Jewelry in Billings for a special preview of the offerings they’ll be bringing to Windup NYC next month, and you’re invited. Thursday, September 17, 2026 5:30–7:30 PM MT Riddle’s Jewelry – Billings Shiloh 1002 Shiloh Crossing Blvd. Billings, MT 59102 RSVP NOW! This isn’t your average watch event. We’re bringing along a curated collection of standout pieces from Citizen, Bulova, Accutron, Frédérique Constant, and Alpina—including watches that are difficult to track down, rarely seen in person, or simply deserve far more wrist time than they usually get. Everything will be out and in the metal, ready for you to pick up, strap on, obsess about, and, if one steals your heart… it’s ready for purchase. A few of the amazing highlights include: Citizen Eco-Drive Photon – Reference BJ6560-53W This limited edition celebrates the 50th anniversary of Eco-Drive technology and features a silver-tone Super Titanium case with a Duratect titanium carbide finish. Limited to just 5,000 pieces worldwide, it’s a standout example of Citizen’s ongoing commitment to light-powered watchmaking. Accutron Spacevi...
Monochrome
De Bethune, a co-founder of Geneva Watch Days, returns for the seventh edition with a beautiful piece that revisits the brand’s digital time display. Featured across various models, the first digital display appeared in 2006 with a sophisticated in-line calendar displaying the day, date and month, with jumping hours and a scrolling minute disc. Equipped […]
Hodinkee
What We Know As we walked around Geneva on day one of Geneva Watch Days, we saw signs being put up for Gallet, and I thought how poetic. On the eve of the brand's relaunch, it's certainly an exciting time for fans of the brand. The parent group, House of Brands—Breitling, Universal Genève, and Gallet—already relaunched Universal Genève earlier this year and is rounding out 2026 by bringing back Gallet today, with one of the brand's most enduring models, the Flying Officer, in two variations: the Flying Officer Chronograph 40 and the Flying Officer Automatic 40. Today's reintroduced Flying Officer arrives in four dial colors across two versions, all cased in 40mm steel. Case specs are shared across the range: 20mm lug width, a screwed-in steel caseback, cambered sapphire glareproofed on both sides, and 100 meters of water resistance. The chronograph case is 15.02mm thick with a 47.55mm lug-to-lug; the three-hand case is thinner, at 10.67mm, with a 47.49mm lug-to-lug. Both versions share a bezel with a city ring listing 24 destinations, mixing major international airports with more remote locations. The Flying Officer Chronograph 40 comes in light blue or black, both with tone-on-tone subdials, and runs the Gallet 23, an automatic caliber based on the Sellita SW510. It measures 30mm in diameter and 7.9mm thick, runs at 28,800 vph (4Hz), and offers an approximate 62-hour power reserve. It offers quarter-second chronograph timing with a 30-minute counter. The Flying Offi...
SJX Watches
Daniel Roth has unveiled the Extra Plat Rose Gold Gilt, a new variant of the brand’s elegant time-only model featuring a gilt black dial. Unlike many contemporary watches that misappropriate the term, this is a true gilt dial by definition, where the gold seen on the dial is in fact the dial plate shining through where the dial finish hasn’t been applied. Initial thoughts Daniel Roth is keeping up its momentum at a thoughtful pace; the latest Extra Plat is quintessential Daniel Roth in style, though it stands in stark contrast to earlier versions of the model. Though the new Extra Plat is unchanged in form and movement, it has a strikingly different feel, akin to a dress watch with a bit more flair. Daniel Roth’s line-up, then and now, was dominated by pale-coloured dials. Though the brand made watches with black dials in its original incarnation back in the 1990s, they were uncommon, making the “Rose Gold Gilt” dial both historically correct and novel. Dial aside, the rest of the watch is familiar. The compact dimensions are spot-on for an old-school dress watch, but unconventional in form thanks to the double-ellipse case. And the movement is simple but finely executed, and decidedly superior to the workmanlike Frederic Piguet calibre in the 1990s original that inspired this. A true gilt dial Creating the dial finish is a multi-stage process. Daniel Roth start with the solid 5N rose gold dial plate and apply a pinstriped guilloché, executed by hand on a straig...
Hodinkee
What We Know Okay, let's do this one last time, yeah? For real this time. This is it. At least, I think this is it, because Doxa has yet another new watch (actually, a whole collection of 'em), and it's one a lot of people have been asking for. But before we get to that, a quick recap, because this year, Doxa has dropped (by my count and in rough order): the oversized Sub 750T, the new Sub 200 T.Graph II, the limited edition Sub 300 Ti5 Clive Cussler, a LE Sub 200 T.Graph II with Topper, a Sub Army 200T (in collaboration with Hodinkee), and — just over a week ago — the very cool Doxa Sub 300 Beta "Frogger" in collaboration with San Diego's Belmont Watches. So, it's been a big year, and now they're rounding out the summer with a hell of a line expansion with the — now standard production — Doxa Sub 300 Ti5. Basically, this new watch takes the Sub 300 Ti5 Clive Cussler released earlier in the summer and strips out all the 'Cussler-y' details. The result is… well, it's basically a Sub 300 in titanium, something I've heard plenty of Doxa fans clamoring for since the Cussler edition launched earlier this summer. Unlike the Cussler model (which was limited to just 300 pieces) and played just a little bit more with the format of the Sub 300, this new Sub 300 Ti5 pretty much follows the recipe to the letter. Even the dimensions are identical to the standard steel Sub 300, measuring 42.5mm across, 13.4mm thick, and 45mm lug-to-lug (in other words, perfect). The dial and b...
Monochrome
Following the limited Clive Cussler edition introduced earlier this year, the Doxa SUB 300 Ti5 takes the well-known, historically inspired design and reworks it in Grade 5 titanium. This time, however, titanium is here to stay. Available in six classic Doxa colours, the new collection brings a lighter, more technical execution to one of the […]
Teddy Baldassarre Videos
It was spring 2023, and I was in Geneva as I usually am this time of year at Watches and Wonders. This was an eventful year of releases, and one of the brands that dominated the discourse was IWC with the relaunch of the Ingenieur, which paid tribute to its 1970s Gerald Genta connections. Up until this point, I liked
Hodinkee
What We Know Gerald Charles, known for their Maestro cases, continues to evolve that idea at this year's Geneva Watch Days, but this is the first time they've offered something where every piece is genuinely unique. It's based on a Gérald Genta design from 2007 called the Sarawak, a diamond-and-ruby integrated-bracelet watch created for the Royal family of Sarawak—unknown to the public until 2024—and the direct ancestor of the Masterlink. It's impressive to see the brand continue to iterate on Genta's own designs, decades on. The case looks familiar—it's a classic Maestro, coming in as a square at 38mm x 38mm. The svelte dimensions continue inside: a profile just 7.99mm thin, aided by the 2.67mm movement. There are three colorways here—Golden Rose, Rhodium, and Golden Yellow. The dial is clearly the focal point here, bringing a new element to the Masterlink lineup. Each dial is individually hand-hammered by an artisan at Gerald Charles's atelier in Geneva. It's made of maillechort—also known as German silver or nickel silver, a copper-nickel-zinc alloy — and is typically used for movement bridges and plates rather than dials. It wasn't chosen because it's easy to work with—quite the opposite: it requires longer production times, wears tools faster, and results in a higher rejection rate. Since each dial is hammered by hand, no two are identical, and there are no applied indexes here, leaving the hundreds of small facets in full view. Inside is the ultra-th...
Monochrome
Founded by Gautier Massonneau in 2018, Trilobe is a French brand distinguished by its hand-free displays. Instead of traditional hands, Trilobe uses three rotating rings that align with fixed markings to display time in motion. Last year, Trilobe released the Trente-Deux, a luxury sports watch with the brand’s unconventional display in an elegant steel case […]
Monochrome
Since its revival in 2023 under the direction of La Fabrique du Temps Louis Vuitton, Daniel Roth has steadily reconstructed the distinctive design language of its founder, and the Extra Plat is perhaps its purest expression. A modern interpretation of Daniel Roth’s early time-only watches, it features the characteristic double-ellipse case and a slim, manually […]
Hodinkee
What We Know I'll come clean—I've been a bit more than mildly obsessed with the modern revival of Daniel Roth ever since I got to spend some time with the Daniel Roth Tourbillon in platinum last year. While that watch very much still reigns supreme for me in the lineup, Daniel Roth has just announced a new watch today that feels awfully close to unseating the Tourbillon's title for me. It's the new variation of the Daniel Roth Extra Plat in rose gold, but this time, it's with a black gilt dial. What's important to note is that this is a true gilt dial, not the often misconstrued sense of the word that many modern watches like to use for accents and markings printed in a gold tone. As I've covered on Hodinkee in the past, a real gilt dial is made by taking a base dial blank, printing a protective lacquer mask on what are typically the positive markings on a dial, and then galvanically coating the entire dial in black. The masked portions of the dial are protected from the coating, and after the lacquer is removed, the base metal underneath serves as the dial text. The dial of this Extra Plat starts as a dial blank of solid 5N rose gold, then is engine-turned by hand on a rose lathe to achieve the guillochage on the various sections of the dial in recognizably Daniel Roth style. Afterward, all the markings—Roman numerals, the Daniel Roth logo, dial number, etc.—are pad-printed with a pink varnish to protect them during the subsequent electroplating treatments. After th...
Hodinkee
What We Know On the quieter side of Bulgari's releases for Geneva Watch Days this year, we have the titanium expression of the brand's expanding range of material-based models that follow elements of the design language of the Diagono. Following the models in aluminum and last year's release of the Bronzo GMT and Chronograph, we now have the Bulgari Titanio, which offers both a dual-time model and an automatic chronograph. The pair follows the established Bulgari format closely, modifying the recipe only for the use of grade 5 in this case, the bracelet articulation links, and the buckle. The Titanio Chronograph is 41mm wide with a sandblasted and satin-finished case that is 12.35mm thick. The Titanio GMT follows the same format, but with a 40mm case that is 9.7mm thick. Water resistance is 100 meters for both, and both come with a black rubber strap with titanium links and buckle. A titanium bracelet is an available option, but no pricing details are offered. The bezel, crown, and pushers are rendered in a black DLC finish, and both models feature a matte black dial with grey galvanic treatments on the hands. The Titanio Chronograph is powered by the Bulgari B381 automatic, which is based on the Sellita SW300 with a Dubois-Dépraz module; it is a 4 Hz movement with a date at 4:30, a 50-hour power reserve, and a maximum chronograph measure of 12 hours. For the Titanio GMT, Bulgari employs the B192 automatic, which is based on the Sellita SW-330 and offers "caller-sty...
Hodinkee
What We Know Today, at Geneva Watch Days, Gérald Genta has announced the latest version of its Geneva Minute Repeater. This new version of the watch, which was originally released around this time last year, swaps the black Onyx dial of that release for a novel dial in Golden Obsidian. Other details are largely unchanged, continuing the trend of the revived Gérald Genta expanding its lineup with caution and deliberation. As with last year's Gérald Genta Geneva Minute Repeater, the Golden Obsidian uses the 40mm-wide, 9.6mm-thick yellow-gold version of the cushion-shaped Geneva case (as opposed to the 38mm version introduced earlier this year in the time-only models, which you can read about here). The protruding single-lug design, found on a handful of Genta watches from the later stages of his career (including the Credor Locomotive), means this watch wears pretty close to 40mm lug-to-lug. Inside the Geneva Minute Repeater is the in-house GG-002 movement, developed by La Fabrique du Temps. It's a 3 Hz movement with 80 hours of power reserve and an impressively loud minute repeater. It's a nice bit of watchmaking, and — as Mark intimated when he went hands-on with the Onyx-dialed version of this watch last year — it fits nicely into the lineage of Genta-designed minute repeaters. The big talking point with this year's Geneva Minute Repeater is the Golden Obsidian dial. Golden Obsidian — a material I had not encountered before this watch — is a volcanic glass that...
Monochrome
I don’t know about you, but I am not built for +40°C heatwaves. With an endless string of blazing hot days over summer, I struggled to keep myself cool, calm and collected. So as things are finally a bit back to normal for the time of year, I am very much looking forward to extending […]
Monochrome
Last year, Hanhart introduced the Preventor HD12 as its vision of a robust and versatile everyday watch. Positioned alongside the brand’s historically inspired pilot’s watches and chronographs, the series offered a compact case with enhanced surface hardness and a straightforward time-only display. The watch now returns in a smaller format as a limited edition presented […]
Worn & Wound
It’s hard to believe in our era of always-online smart watches and AI-everything (eye rolls welcome), but there was a time when the digital watch was the new kid on the block, challenging analog conventions. Cries of “kids these days” abounded, and though the then-genuine worry of traditional timekeeping going obsolete seems a bit silly in retrospect, the modern electronic digital watch was a very real and groundbreaking thing when it was first introduced by Hamilton with the Pulsar in 1970. A battery-powered quartz crystal oscillator and LED display made it a marvel at the time, and it still commands respect on the collector market today. Like many kids of the 1990s and 2000s, my first “real” watch was a digital example, mainly because I was enamored with the ever-beeping buttons and light-up face. Still, I eventually wandered over to the analog side of watch fandom, and haven’t wavered since, a trajectory most enthusiasts will probably relate to. But in the wise words of an El Paso ad executive, “por que no los dos?” The Millennial and Zillenial era of nostalgia is here, creating a new clamoring for “retro” digital displays without sacrificing the pedigree (and social clout) that comes with an analog watch. Enter the ana-digi, a combo of both types of timekeeping. It’s not a new concept by any means, with huge brands like Casio and Citizen offering examples for decades, but those tend to be big, bulky tool watches. Not so with the new slate of s...
Fratello
Every time anOrdain announces a new release, I sit up and listen carefully. Over the past decade, the Scottish brand has made a name for itself for creating some of the absolute best dials in the industry. The craftsmanship and creativity in every new release are almost second to none. In-house typography designer Imogen Ayres […] Visit True Craftsmanship Takes Center Stage: The AnOrdain Model 1 Porcelain With Numerals By Kia Tasbihgou to read the full article.
Worn & Wound
When it comes to watches, “weird, wonderful, and complicated” rarely mix well with “value,” which makes Xeric such a fun anomaly of a brand. Not afraid of odd-shaped cases, wild colors, and unique ways of telling time, Xeric has forged a catalog unlike any other brand’s. You won’t find vintage divers or Calatrava-esque dress watches among its offerings, or much else that could be considered “on trend.” You will find, however, wandering hours, upside-down movements, jump hours, and retrograde displays, mostly under $2,000, with many under $1,000. The post Introducing the Xeric x Worn & Wound Sector Limited Editions appeared first on Worn & Wound.
SJX Watches
Ahead of Geneva Watch Days, Ming has introduced the 57.05 Comet, a DST-compatible worldtimer with a clever two-piece bezel. The Comet also upholds the long tradition of worldtimers with decorative dials, in this case with a dynamic interference pattern that changes throughout the day. Initial thoughts There are few complications that embody jet-set optimism like the Cottier-style worldtimer, with its noble ambition to create a unified view of the time everywhere on Earth. This inspiration is ever-present in the 57.05 Comet, which takes its name from the world’s first passenger jet, the de Havilland Comet. Interestingly, the worldtime format was partially obsolete even before Cottier came up with his ingenious display in 1931, due to adoption of what we now call Daylight Saving Time (DST) in several Western countries around 1918. I’ve always resented the fact that DST significantly reduces the effectiveness of one of the most elegant complications in watchmaking. Some brands have proposed solutions to this issue, but often the result is overly complex or visually cluttered. Ming’s solution is so intuitive it seems obvious in retrospect, with a two-piece bezel that moves DST observers 15 degrees counterclockwise in the summer to align with the correct hour. Summer mode is indicated by a cut-out in the mobile section of the bezel that reveals a (slightly) luminous red indicator. To be clear, it’s not a perfect solution, since different countries begin and end DST obse...
Fratello
Well, you never know what you’ll find when opening an email from Ming. This time, it’s the new 57.05 Comet, a stirring take on a worldtimer with a couple of party tricks up its sleeve. While I haven’t seen this watch in the metal, I’ve certainly spent enough time with the brand’s other offerings to […] Visit Streaking Through The Heavens With The New Ming 57.05 Comet to read the full article.
Monochrome
There’s nothing conventional at Urwerk, and hardly any watch feels classic. Even the watch with the most traditional display of the time, the UR-10 SpaceMeter, remains some sort of a horological UFO for the wrist. And when you move from the wrist to the pocket, the brand becomes even more expressive, as exemplified by the extraordinary […]
Fratello
Within the Longines lineup, the Master collection focuses on the rich history of the brand’s craftsmanship and watchmaking elegance. Back in June, the time-and-date Master models got a complete overhaul. Longines now introduces a new dial variation of the Master 41, an updated version of the Master Chrono Moonphase, and the impressive Master Chrono Monopusher. […] Visit Longines Impressively Expands The Master Collection to read the full article.
Fratello
Welcome back to another episode of Fratello On Air! We’ve been away for a couple of weeks, but we’re now back (sort of) and have taken the time to record. This week, we’re talking about the watches that got away. Yes, this is a sad episode, but not really. The fact is that both of […] Visit Fratello On Air: The Watches That Got Away to read the full article.
WatchAdvice
The Hublot Big Bang MP-11 forms part of Hublot’s Manufacture Piece collection, and for good reason. Now, it’s time to take it out for a test drive… What We Love The Water Blue colour is sensational in person The movement is Hubot showcasing what it does best The undeniable wrist presence What We Don’t It is a large watch, and not for those with smaller wrists The older-style rubber strap is not easy to get the perfect fit, when compared to the newer style Will be out of the price range for many watch buyers and is a substantial investment Overall Rating: 8.4 / 10 Value For Money: 8/10 Design: 9/10 Wearability: 8/10 Build Quality: 8.5/10 There are some watches that look impressive in a press release, but when you finally see them in the metal, they somehow manage to be not as much. Then there are watches like the Hublot Big Bang MP-11 Water Blue Sapphire, where the opposite is true. The photographs give you an idea of what the watch is all about, but they really do not prepare you for what it looks like on the wrist. The MP-11 has always been one of Hublot’s more outrageous creations. First introduced in 2018, it was designed around a movement with seven series-coupled barrels and a 14-day power reserve, all packaged inside a relatively conventional Big Bang-style case. The Water Blue Sapphire version takes that already unconventional construction and places it inside a transparent blue sapphire case that allows almost every part of the movement to remain visi...
Worn & Wound
You know, I actually wasn’t going to write about this watch. An $18,000 vintage inspired dive watch from a brand that doesn’t hold a ton of personal relevance to me was just not super high on my list of priorities as Geneva Watch Days prep is now in full swing (this time next week, I will be surviving on CHF 10 Coke Zeros). But, over the weekend the collective watch internet kind of lost its mind over the new Blancpain Fifty Fathoms Bathyscaphe 70th Anniversary Limited Edition, so I shifted my to-do list around a bit and, well, here we are. Of course, there have been a lot of memes and jokes about this watch sharing a certain similarity to the Seiko 62MAS and the many, many reinterpretations and reissues of that watch over the years. I’m frankly less interested in those aesthetic similarities than I am in the very conceit of this watch, what it illuminates about Blancpain, and the way it fits into the neverending conversation around price sensitivity that we’ve been having for months as we see MSRPs shoot higher and higher. But what I’ll say about the appearance of the Fifty Fathoms Bathyscaphe 70th Anniversary Limited Edition is simply that, at this point, 70 years on from the advent of this type of watch, I don’t think any brand really owns the aesthetic identity of something so generic. Lots and lots of watches from all kinds of brands look like this, just like lots and lots of watches look like a Speedmaster, or a Calatrava. The design tropes of these wat...
SJX Watches
Next month the National Museum of Singapore’s Gallery Theatre will play host to Audemars Piguet’s Perspectives On Time exhibition. The pop-up event will explore 150 years of Audemars Piguet through four curated spaces, each focused on a different aspect of the brand’s history. Especially curated for Singapore, the exhibition is set to bring together both contemporary and archival pieces, including a range of historic Audemars Piguet wrist and pocket watches from the brand’s museum, many of which will be on display in the country for the first time ever. Four distinct spaces will be organised to highlight different aspects of Audemars Piguet’s technical prowess, including astronomical complications, open-worked movements, and chiming complications. Naturally, the exhibit opens with a look at the brand’s history from founding to present day, traced through a range of rare archival pieces and historic milestones. Open from 10:30am-6:00pm each day in 30-minute sessions, admission to the exhibition is free, though limited slots will be available so early registration is encouraged. The brand has thoughtfully set up a dedicated booking portal to simplify the registration process. Walk-ins will also be accommodated subject to availability. Perspectives On Time will be hosted from September 10-13 at The Gallery Theatre at the National Museum of Singapore, 93 Stamford Rd, Singapore 178897. Register online at audemarspiguet.com.
Fratello
The journey of a watch collector often unfolds like the passage of time itself. In many ways, it is sequential, but it is often marked by profound moments of discovery. For so many of us, we begin our collecting journey by learning about the well-known names. Brands such as Rolex, Omega, and Patek Philippe rise […] Visit Parmigiani Fleurier And The Collector’s Path Beyond The Obvious Brands to read the full article.
Monochrome
For those with a passion for mechanics, like surely many us have, there’s something magical about seeing a watch movement run. Seeing a whole bunch of minuscule parts working in perfect harmony to tell time, and well beyond just the passing of hours, minutes and seconds, just never gets old. With the vast majority of […]
Hodinkee
Earlier in April, right before the kickoff of Watches and Wonders, Swiss independent Sylvain Pinaud announced his third major creation since the founding of his workshop in 2018. First came his Monopoussoir Chronograph, then arguably the more recognizable time-only Origine series. This third entry in the collection is the pragmatically named Sylvain Pinaud Tourbillon—any guesses what complication this watch holds? I kid, but the new watches are an absolute treat to see and handle in person. Even though the intense wave of new releases from dozens of brands in Geneva may have quickly steered the online conversation away from these new watches toward Jubilee dials and Nautilus desk clocks, these watches did not go unnoticed by collectors. Thirty of them, to be precise. The Sylvain Pinaud Tourbillon was announced in three limited editions of ten pieces each, priced at CHF 180,000, and all three variants sold out within days. But before we get to the new watches, you might be asking what the situation is with the watchmaker these days, given that every decently well-known high-end independent watchmaker seems never to struggle with demand. That's pretty much the case here, too. Long story short, Pinaud and his team of 8 produce around 25 watches per year, and the Origine series has been fully allocated through its planned run through 2027. Given the sell-out of the Tourbillon and the sunsetting of the Origine, it kind of sounds like there isn't much to offer a prospective ...
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