35,440 articles · 249 videos found · page 36 of 1190
Hodinkee
Polarizing as they might be, watch nicknames have an undeniably positive affect on recognizability, icon status, and market appreciation.
Hodinkee
Highlighting the newest ten additions to the Vintage Watches section of the H Shop.
Hodinkee
Get all of the latest H Shop vintage watches right here.
Hodinkee
You'd be hard-pressed to find three brands more core to HODINKEE Vintage than AP, Rolex, and Universal.
Hodinkee
Gives thanks to the world of vintage watches this Thanksgiving Eve.
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Jason and I opened an Arena Club Time Box and had no idea what authenticated watch was waiting inside.
Hodinkee
Twenty vintage watches just landed in the Shop, need we say more?
Hodinkee
Fifteen (new) vintage watches to peruse in the HODINKEE Shop.
Worn & Wound
It will be impossible to talk about the new Trafford Crossroads S without discussing the size of the case in great detail, which I fear might be disservice to the watch as a whole, because there are a lot of very nice things about the Crossroads, and it’s one of the most charming new watches from a microbrand that I’ve seen in some time. But the case size is critical, because Trafford has walked a very interesting line with this release, debuting the Crossroads S in two sizes and marketing each based on how they feel the case wears, not its actual measured size. It’s getting by on vibes, as the kids sometimes say. It also capitalizes smartly on the growing trend we’ve seen for smaller, more discreet watches in a really interesting way. The Crossroads S is actually two watches: the Crossroads S 36 and the Crossroads S 40. Neither of these watches are named for their actual measurements, though. Instead, Trafford has used these pretty commonly understood sizing conventions to name the watches based on how, in their estimation, they actually wear. The Crossroads S 40 measures 35mm x 36mm, while the Crossroads S 36 comes in at 31mm by 32mm (both are 9mm thick). Looking at the watches side by side, and compared to other watches in circular cases that are true 40mm and 36mm cases is an interesting lesson in how we perceive size depending on shape. It also, in my opinion, illustrates how one of these watches is absolutely the “correct” size while another is, well, n...
Monochrome
Chinese watchmaking is often frowned upon at best, but things have changed in the past few years. More often than not, we categorise Chinese watches as entry-level (to remain polite) or counterfeits. No need to say, this is very simplistic. But we have decided to forget our prejudices and to make up our minds by taking […]
SJX Watches
London, 1965. Christie’s had arranged the third and final part of the Sir David Salomons Collection for sale — a sequence of Breguet watches assembled by the Victorian baronet whose obsession with Abraham-Louis Breguet had produced the most important English-language study of the watchmaker’s work. When the bidding closed, one man had bought every lot in the catalogue. Continuing our ongoing Complicated Collectors series, Edgar Mannheimer left an indelible mark on watch collecting. He was 40 years old, and had settled in Zurich a decade earlier with nothing but the instincts he had developed in the post-war black markets of Germany. He was not a collector in the sense that he did not keep what he bought. What he did, with a consistency and conviction that separated him from every other figure in the mid-century horological trade, was understand, ahead of the market, what something was worth. The Salomons lots were subsequently divided between two collectors. It was, in miniature, a portrait of how Mannheimer operated: he absorbed the risk, resolved the complexity, and left his clients with the watches. Neutitschein and Auschwitz Edgar Mannheimer was born on December 23, 1925, in Neutitschein, Moravia, into a family whose presence in the town was visible and established. His father ran Marsmalz, a confectionery business prominent enough to operate the community’s first delivery van — a small but telling detail about the family’s position within a world where Je...
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Tudor Black Bay Chrono 39 Bumblebee
SJX Watches
Episode 37 of the SJX Podcast recaps the biggest releases from the brands officially exhibiting at Watches & Wonders 2026. Rolex marked a century of the Oyster case with an enamel-dialled Daytona and new Oyster Perpetuals, but also revised the ugly duckling of the catalogue — the Yacht-Master II — transforming it into an appealing and interesting chronograph. Patek Philippe arguably overshadowed the 50th anniversary of the Nautilus with a new Celestial that’s capable of tracking sunrise and sunset year-round (at least in Geneva). Vacheron Constantin and Grand Seiko introduced titanium sports watches many had been waiting for, and TAG Heuer reinvented the chronograph with a fascinating compliant mechanism. Highlights from the independent brands exhibiting around town will be covered in our next episode. Listen now on Apple Podcasts, Spotify, and YouTube.
Monochrome
A few years ago, we would have used the word “accessible” to name this article, and would have created our selection on watches priced below 4 or 5 thousand euros/dollars. But, considering that the Geneva-based fair is more and more focused on high-end watchmaking, and adding to the equation the constant increase in price of […]
Worn & Wound
Part of the fun of Watches & Wonders (in fact, most of the fun of Watches & Wonders) is discovering things you didn’t expect to find, or that slip through the cracks and don’t get nearly the attention you think they should once you see them in person. Let’s face it: the event is dominated by a handful of huge brands that save their absolute best for the show. But for every Tudor, Cartier, and Rolex, there’s a Chronoswiss, Behrens, and Hautlence releasing incredibly impressive watches we simply don’t talk about enough. Here, Zach Kazan and Zach Weiss recap some of their favorite watches at this year’s Watches & Wonders that slipped under the radar for one reason or another. If there’s a release you saw or read about from the show that you think isn’t getting its fair shake, let us know in the comments, we’d love to hear about it. Zach Weiss Hautlence Kubera Hautlence isn’t a brand that does half-measures. Their watches are all in, featuring wild complications executed in intricate fashion, housed in massive, equally exotic cases. I take a meeting with them at Watches + Wonders every year because, while maybe not a brand that is quite in our wheelhouse, I personally find them fun and inspiring. Plus, the brand has a very self-aware attitude that’s refreshing. Well, this year was different because, for the first time ever, Hautlence launched a watch that, while thoroughly strange and unconventional, was also wearable, and priced, for Hautlence, in a ...
Worn & Wound
The Cartier appointment at Watches & Wonders this year was, as always, a dizzying experience. The incredible breadth of the collection is unlike anything you’ll see at Palexpo during Watches & Wonders week, and it always amazes me how freely these incredibly valuable, intricate creations are freely passed around a table of watch media types to handle, photograph, and try on. It would be absolutely impossible to run down everything we were shown in our meeting, but I keep coming back to a selection of releases that zero in on Cartier’s unique bracelet making capabilities. This is not something I normally expect from Cartier, but maybe I should. I think for the most part we recognize Cartier as masters of design and shape – there have been so many great case designs over the brand’s history it’s impossible to recount them all here. Some have become genuinely iconic and some have been a bit lost to history, but their ingenuity and creativity is second to none and they have the reputation they deserve as a design first brand for good reason. In our mind’s eye, collectively, we typically see these watches on straps. But for certain references a bracelet is key to understanding not just the visual design language, but in how these watches wear. Because a great bracelet doesn’t complete the look of a watch, it makes or breaks the experience of having it on your wrist, and can take a watch from being a beautiful design object to something you’d actually want to...
Worn & Wound
Few watch industry traditions are more sacred than the yearly dance during Watches & Wonders between shiny new novelties in Switzerland and comments from observers back home about pricing being out of control. Every year, without fail, new watches are announced in the dead of night on the east coast, and before anyone in the United States could conceivably have access to the new pieces, the commentary comes through loud and clear: they want how much for that? Look, I get it, I really do. As a collector, I’m priced out of a lot of watches that I wouldn’t have been even a year or two ago. Things are getting crazy, and fast. But you’d think based solely on the online discourse that there isn’t a single watch priced fairly anymore. I really don’t think that’s the case. When I say “priced fairly” I want to be clear that I don’t mean any given watch is necessarily affordable to me, or anyone else. But that, in the scheme of things, and thinking about what you’re actually getting for your money at this current moment in time, certain watches are retailing right about where they should be, or at least at a level that aligns with what the watch is offering. And “fair” can mean a bunch of different things when we’re talking about retail pricing. Things like finishing, the positioning of a brand compared to their competition (and how watches are positioned within a brand’s collection), as well as production scale and the health of the brand itself all ...
Video
On this channel, we review watches that are available for purchase on TeddyBaldassarre.com
Teddy Baldassarre Videos
Now that the dust is settling after the flurry of releases at Watches & Wonders, it's time for us to recount our favorites from the show and discuss the new pieces that made the most impact.
Worn & Wound
A year removed from last year’s Watches & Wonders, it’s clear that Nomos had the accessible watch of the show, and maybe of the year, with the Club Sport neomatik Worldtimer. Introduced initially in rhodium plated silver and blue dial executions, along with a handful of limited edition colorways that turned out to be incredibly highly sought after, the new Nomos Worldtimer became a bit of a phenomenon among a certain type of watch enthusiast. Over the course of the last year, we’ve seen Nomos return to the Worldtimer a few times with new limited editions, always appearing to sell out quickly. Given the appetite for this watch, it’s no wonder that Nomos would go back to the well a year later to introduce yet another variant. This one, though, immediately feels like the colorway that should have existed all along. The new Club Sport neomatik Worldtimer in a white silver plated dial is a permanent addition to the collection. And it should be – this is basically the colorway that defined Nomos through their early years, and the period of time where they really grew as an enthusiast driven brand across the larger Watch Internet. This simple silvery white is, for most people, the dial color they imagine in their head when they close their eyes and think of a Nomos. It’s simple, minimal, and very much core to the Nomos brand identity. While they’ve certainly become known in recent years as being more freely experimental with color (to great effect – I own a mult...
Worn & Wound
My appointment with Parmigiani Fleurier at last year’s Watches & Wonders was one of those meetings where it all kind of clicked for me. I loved those perpetual calendars they introduced, and for the first time since I’ve been working in the watch industry, the insider hype around Parmigiani really began to make sense. They are one of the ultimate “if you know you know” brands, at least among the mainstream exhibitors at Watches & Wonders, but they had always kind of eluded me. This year’s big novelty was a very interesting chronograph that I wrote about here. I saw that watch, of course, and it’s very special. The movement is mindblowing – there’s simply no other chronograph quite like it, and it kind of takes seeing it in action to fully comprehend. It’s ability to go from a simple time only three hander to a five handed ultra complicated never before seen chronograph execution in a literal blink of an eye (and back again) is incredibly cool. The new Tonda PF Chronograph Mystérieux But, I have to say, with every Tonda PF release, I become more aware that it just isn’t the corner of Parmigiani that appeals to me. The case just doesn’t really work on my wrist or sing to me in the way other similar watches sometimes do. The Toric, on the other hand, always does. This really feels like the distillation of what the brand is about, or at least how I understand it. The case is remarkably simple at a glance, but close examination reveals that every deta...
Teddy Baldassarre
Our editors might still be reorienting themselves to their local timezone after being on Geneva time the past week, but the challenges of Watches & Wonders Editors' Picks must continue while the show is fresh in their minds. For this edition, we tasked our editors with selecting the watch complication that has stuck with them most from this year's lineup. From the sophisticated to the decidedly playful, down below, you'll find the watch complications that have risen above the pack, as decided by our editorial team. Explore our full editorial coverage of this year's show here. D.C. Hannay: Jaeger-LeCoultre Master Control Chronometre Perpetual Calendar Another luxury watch pick, another slam dunk for Jaeger-LeCoultre. Whichever way the wind is blowing in the Vallée de Joux, it’s been doing wonders for JLC of late, exemplified by the new Master Control Chronometre series. The brand has finally gone and made a modern, real-deal integrated luxury model, and enthusiasts are pricking up their ears. Along with the sleek Chronometre Date and the symmetrically gifted Chronometre Date Power Reserve, they’ve come up with a truly breathtaking riff on one of the most complicated complications, the Chronometre Perpetual Calendar. Absent of the hype surrounding the Royal Oak or the Nautilus, we’re presented with a beautifully balanced dial and cohesive design, packaged in a startlingly svelte 39mm case just 9.2mm thin. Also available in a glowing pink gold with a complementary br...
Worn & Wound
“So many Tudors, so little time.” That could be a bumper sticker, a tattoo, and perhaps even the Watches & Wonders motto in almost any year the event takes place. One of the real challenges of the show, at least in the very first moments of it, is deciding which Tudor releases to focus on. As we’ve discussed many times, Tudor is one of the only brands that does not give press early access to news of their new releases. Each of the last few years, their official press release has hit while our team was on the shuttle from our hotel to Palexpo for the first day of the show (where we always meet with Tudor first thing in the morning). Part of those first few hours of Watches & Wonders always involves discussing and trying to predict which of their novelties are going to be of the greatest interest to our readers. This year, it was pretty clear that the new Monarch was going to be the most discussed new Tudor release. It’s a brand new watch, after all, with a new case and bracelet design, and a new movement. Even if it went over like a lead balloon with the public, that’s clearly the most newsworthy release and the one to lead with. The Black Bay 54 in blue also felt like it would generate a lot of discussion. And we wouldn’t have suspected it at the time, but the Royal relaunch is actually pretty major as well – those watches are much better in person than we could have imagined from the press release, and they represent a substantial investment on Tudor’s p...
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The Christopher Ward C63 Sealander Automatic might be one of the best everyday watches under £2,000. In this review, I take a closer look at the 36mm Sky Blue C63 Sealander on the Consort bracelet to find out whether...
Deployant
DEPLOYANT - The watch magazine for collectors, by collectors Patek Philippe brought more than twenty new references to WWG26 across its main collections. Instead of running through the full list, we pulled out five models that give a clear sense of what the manufacture introduced this year - one from each of the major lines and representative of the updates shown at the fair. [...] The post Five Highlights From Patek Philippe at Watches & Wonders 2026 appeared first on DEPLOYANT.
Worn & Wound
As is always the case with Tudor, it seems that the internet is divided on their major new Watches & Wonders releases in the days after their unveiling. But while comments are volleyed back and forth on whether the of the Black Bay 54 Blue is actually too purple, or the Monarch should have been smaller, one new release that actually might be kind of perfect is going under the radar. Ok, “perfect” could be overstating it, but the newly relaunched Tudor Royal really impressed me. If there’s a “most improved” award to be handed out to a collection, the Royal might grab it. There are three sizes, 30mm, 36mm, and 40mm, all with manufacture calibers for the first time in the collection. The 40mm Royal has a day-date indication that is similar (identical, really) to the execution of the day-date on the Rolex Day-Date. All of the movements (MT5201, MT5412 and MT5633) are chronometer certified. Aesthetically, these are integrated bracelet sports watches that veer more toward the elegant end of the sports watch spectrum. Long a staple for Tudor in the Asian market, they’re looking to expand the Royal’s reach this year with some very noticeable finishing improvements. The bezel in particular is very nicely executed, with sharp notches and a very high polish that works particularly well on the two tone models, where it is rendered in gold. I think another factor working in Tudor’s favor with respect to the Royal is the current broad acceptance of smaller watche...
Worn & Wound
Oris first introduced its Artelier Complication in 1991 alongside the Caliber 581, which notably featured a moonphase module developed in-house by the brand. The release marked another significant moment for the maison in its commitment to manufacture movements following the quartz crisis. The model’s presence ultimately faded but received new life in 2017 with an updated design that featured a more modern, cleaner style with slimmer, tapered lugs, and a redesigned bezel. At Watches & Wonders, we get the next evolution of the Artelier Complication. The newest incarnation gives us another redesign from the 2017 edition while keeping the focus on highlighting the romantic moonphase. This updated take on the Artelier Complication comes from 24-year-old Lena Huwiler, Oris’s new Product Design Engineer. Huwiler has been able to achieve the perfect balance between honoring the model’s place in the history of the brand and propelling it forward with a design that will resonate with her generation. An old soul at heart, Huwiler admits she does not just find inspiration online but still appreciates architecture, crafts, and interior design. She clearly brings the duality of these sensibilities into her design for the new Artelier Complication. Here, Huwiler has given an Oris classic a modern, urban profile and reworked the moonphase display designed by and for the next generation of watch collectors. The major update here is in the complication and how it is presented thank...
Worn & Wound
At Watches & Wonders 2026, Grand Seiko’s newest addition to the Elegance Collection brings together the things it does best. Namely, intricately textured dials with a nod to Japanese artistry, and its flagship Caliber 9R Spring Drive. Engraved to resemble a weathered rock face, the SBGY043’s striking dial suggests the appearance of a mountain at dusk: Grand Seiko calls this pattern iwao, which translates to rock or crag. Depending on the angle it’s viewed from behind its domed sapphire crystal, different facets take on intermingling light and dark tones of blue, purple, and black. Its color is inspired by the tradition of katsuiro dyeing, a centuries-old technique and reportedly a favorite among the samurai class, which produces a deep indigo hue. Set against bright silver markers and hands - no blued seconds hand here, which is almost its own Grand Seiko tradition - it makes for an especially understated contrast. This Iwao Blue version runs on the Caliber 9R31, a manual-wind Spring Drive movement with a 72-hour power reserve and visible through a clear caseback. The case is among the slimmest in the Elegance Collection, with standard zaratsu polishing and soft, rounded lugs. A nine-row stainless steel bracelet is the only option, which reflects the craggy-faced dial’s aura of ruggedness. Grand Seiko enthusiasts, of which there are many, might remember this dial from 2021 - albeit in a sharp-angled Heritage case and with a Caliber 9R65 Spring Drive mov...
Worn & Wound
Roger Dubuis’ latest releases at Watches and Wonders are steeped in the brand’s history. For the occasion, the maison introduces two complicated pieces – a perpetual calendar and day-date calendar – each in the brand’s patented biretrograde display. Prior to founding his namesake maison, Mr. Roger Dubuis was a prolific watchmaker for several brands, from Patek Philippe to Longines. One such project came in 1989 when he and fellow watchmaker Jean-Marc Wiederrecht collaboratively pioneered and patented their famous biretrograde display, which reworked the traditional concept and made it more streamlined. This approach eased assembly and improved the stability and readability of the hands on the ecliptic retrograde counters. Soon after, the pair engineered a double retrograde perpetual calendar module, which was notably used in a timepiece for Harry Winston. A year after the brand’s official founding, Roger Dubuis introduced its own biretrograde display timepiece and later the perpetual calendar complication in its iconic Sympathie and Homage collections. Today, we see the next evolution of these concepts highlighted in a rather modestly sized 40mm version of its Excalibur line. The Excalibur Biretrograde Perpetual Calendar is notably powered by an entirely new movement: the RD850. Here, the maison builds upon the work set forth four decades ago with a self-winding caliber built from 435 components in-house at Roger Dubuis’ Geneva manufacture. A key functional i...
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