25,177 articles · 178 videos found · page 390 of 846
Monochrome
The Delphis collection by Chronoswiss is home to increasingly expressive editions. The colourful and technically elaborate Delphis Firestarter, the refined Delphis Art Deco, the decorative and contemporary Delphis Dracula, Horizon and Dune, or the Delphis Sub Zero, inspired by glaciers and bright blue Arctic skies, all these and more were used by the Lucerne-based independent […]
Monochrome
Kiwame Tokyo is a young Japanese microbrand founded in 2025 by watch industry veteran Masami Watanabe, dedicated to “honest watchmaking” from Asakusa, Tokyo. By this, Watanabe refers to timeless, well-finished and designed watches at accessible prices that steer clear of artifice and superficiality. The strong Calatrava dress-watch vibe of the debut Kurotsuki and Usuki models […]
SJX Watches
Making its debut in Shanghai, Oyster Story is an all-encompassing, immersive exhibition to mark the centenary of the Rolex Oyster water-resistant watch case, arguably the foundational achievement of the world’s largest luxury watch brand. Oyster Story takes place at June 10-28 at the West Bund Dome Art Center, a former cement factory in a district that was once an industrial area but is now being transformed into an arts and culture hub. The large, domed-shaped building on the banks of the Huangpu River covers almost 100,000 square feet, allowing for a comprehensive journey into the Oyster and Rolex history. The exhibition includes historical Rolex watches, including the actual timepieces worn by explorers and adventurers on landmark expeditions. The watches on show comprise those owned by Rolex “as well as privately owned watches kindly loaned for the event” according to the brand. Also on show is an in-depth look at modern-day Rolex watchmaking. “Cases, bezels, bracelets, dials, materials, movements: every stage of watchmaking is showcased here”, allowing a look into arguably the most advanced high-end-industrial watch manufacturing in Switzerland. The brand’s advances in timekeeping are also illustrated by the atomic clock developed by Rolex. Amongst other things it serves as a reference clock for Rolex watchmaking. Oyster Story is free to enter and open to the public.
WristBuzz
Rolex's first fully lacquered ombré dial lands on the Datejust 36 and 41. The references involved, how the dial is built, and why this one keeps selling out before it lands in display cases.
Worn & Wound
Lots of ink has been spilled in the short span of time since the launch of the Formex Aria on the topic of small brands (microbrands, if you must) going upmarket and playing at significantly higher price points than consumers are accustomed to. When a brand releases a watch that is multiple times the cost of the watches they are already associated with, it can cause a near panic in the watch enthusiast community. Lots of “HOW COULD THEY?” type comments appear on websites like ours, Instagram, and over beers at local meetups as collectors grapple with the idea that watch brands, which are also businesses that support the lives of real human beings, might attempt to make the most of the increased popularity our hobby has received in these past few years. And that’s really what it is, right? The mainstreaming of watches has led brands like Formex, Christopher Ward, Atelier Wen, and others to feel confident in their expansion upmarket. Gone are the days when microbrands appeal solely to value conscious consumers – they have the eye of at least some traditional luxury buyers as well, and the ambitious watches they’ve developed and the prices being asked are a reflection of that. Timex, of course, is not a microbrand, but their Atelier line is a significant move into a higher pricing tier, and some of those same dynamics are in play, I think with the release of two new chronographs in the brand’s highest end line of watches. You might remember the Atelier collect...
Hodinkee
What We Know Among collectors I know and respect, Chopard has been somewhat quietly picking up steam. The launch of a dateless L.U.C. 1860 with a rosy salmon-toned dial in 2023 was a bit of a turning point, bringing the model—compact and beautifully finished—to a broader audience, and with it, Chopard. Revolution was early to the party with its own limited edition, featuring untreated 3N yellow gold and a Lucent Steel case. For that release, the dials were made by Metalem, which makes the dials for Philippe Dufour's Simplicity. Now, the idea is back with a new model with similar dial treatment, with a twist. The new L.U.C Quattro Revolution Re-Edition comes 26 years after the groundbreaking Quattro model, which featured a 9-day power reserve. This time, the same untreated 3N yellow gold dial is made in-house by the Chopard team, while the watch is still cased in Chopard's proprietary Lucent steel. There is a power reserve indicator at 12 o'clock, small seconds, and a date at 6 o'clock. The hour and minute hands are high-polished dauphine shapes with kite-shaped applied hour markers that have a faceted mirror-polished finish. One of the reasons that collectors value Chopard's L.U.C line so much isn't just the quality of the function of the movements, but the quality of the finishing. Yes, the caliber 98.01-L movement doesn't have sharp edges for interior angles like has become so popular these days, but the Côtes de Genève and anglage are still sublime. The four large...
Hodinkee
Following a whirlwind year of releases for Breguet's 250th anniversary in 2025, this year's recent updates to the collection play it a little safer, with some enamel-focused changes to the brand's iconic Tradition series of watches. The fan favorites, I'm sure, are the 38mm Tradition Seconde Rétrograde models. But when I had a chance to check out some of the novelties a few weeks ago, it was actually the larger, 40mm Tradition GMT that caught my eye. Priced at $82,900, the Tradition GMT is very much a seriously priced contender in the haute horlogerie arena. But one look at the watch shows off so much of what makes it special, and most importantly, it's unabashedly Breguet. Add in the visual update of this current generation, and I think it's the best version I've seen yet. Much of what makes this version stand out is the main subdial at 12 o'clock. It's not every day that Breguet opts for a shade of green in the series—in fact, it's the first time in the Tradition line, as blues, blacks, golds, and greys seem to define much of the older collection. The execution of the gradient green-to-black grand feu enamel dial in this model is absolutely sublime. Enameling is one of the strengths I associate with Breguet's in-house capabilities, and here it's done very well, with a pleasant shade of forest green shifting to the dark black perimeter, all executed and fired by hand. While the Breguet logo and other dial markings are printed in a metallic silver finish for legibility,...
Two Broke Watch Snobs
Raymond Weil enters the integrated-bracelet race with the A.R.T. Collection. We break down the 38mm mechanical, pricing, and the competition.
Hodinkee
Auction season can be exhausting. I can barely believe that we do this twice a year. We often only have the time and energy to cover the main show in Geneva, with a few thousand lots offered between four auction houses just last month. But after Geneva and Hong Kong (which comes before Geneva for some houses and after for others), the circus comes to New York, and this year we're going to take a gander at the watches on offer in the city. Most auction houses don't drop their catalogs until after Geneva is over. That prevents people from holding their bids because they're doing the "distracted boyfriend meme" and looking at future watches. That keeps them from going all-in in Geneva, which isn't what the auction houses want. They want your bids now and later. Well, later is here, and I hope you have some cash left over. Weirdly, I'm getting a sense of déjà vu; there are a few familiar-looking watches. So let's go ahead and take a look. Phillips It was a banner weekend for Phillips in Hong Kong with a pretty fantastic $51.5 million sale, backed by the $10.2 million sale of the first series rose gold Patek 2499, which became the most expensive wristwatch ever sold in Asia. That is one of three mega Pateks Phillips was offering this season, which is rounded out by an incredibly clean and honest 1518. I know the record result means that that should be the watch to pick, all things being equal, but I still like a watch that looks basically untouched. Photo courtesy Phillips. P...
Worn & Wound
From the imposing astronomical clocks of Tudor England to the exquisite pendant watches of Victorian Britain, timekeeping has long been a symbol of power, prestige, and technological marvel within Europe’s royal courts. This new series explores the fascinating evolution of clocks and watches crafted specifically for royalty, tracing how these intricate masterpieces reflected the tastes, ambitions, and innovations of monarchs. Through the lens of craftsmanship, artistry, and historical significance, we reveal how these royal timepieces marked the passage of dynasties and empires. King Philip II (1527–1598) inherited a globe-spanning empire from his father Charles V and, after 1580, also ruled Portugal. A devout champion of the Counter-Reformation, he centralised government, built the vast monastery-palace of San Lorenzo de El Escorial, and presided over Spain’s political zenith. His court prized scientific instruments and clocks as emblems of order and piety. Philip was part of the great Habsburg dynasty and the son of the Holy Roman emperor Charles V. From time to time, the emperor wrote Philip secret letters, impressing on him the high duties to which God had called him and warning him against trusting any of his advisers too much. Philip, a very dutiful son, took this advice to heart. During his reign the Spanish empire attained its greatest power, extent, and influence, though he failed to suppress the revolt of the Netherlands and lost the ‘Invincible Armada’...
Monochrome
TAG Heuer has been having a lot of fun with the Carrera Chronograph Glassbox lately. Blue, panda, reverse panda, and purple versions have all brought a different style to the table. More recently, TAG Heuer also added teal green and black dials to the new-generation 41mm models, and the latest addition heads in yet another […]
Monochrome
Designed in 1978 by Henri d’Origny, the acclaimed artistic director of Hermès who defined le gout Hermès, the elegantly asymmetrical Arceau echoes the brand’s longstanding equestrian ties with its stirrup-shaped lugs. The latest Arceau Cavalier en Formes is an amalgamation of the collection’s strengths, combining a highly sophisticated tourbillon and minute repeater complication with a […]
SJX Watches
Longtime collaborator of Jaeger-LeCoultre (JLC) – and designer of the Ferrari Luce – Marc Newson recently helped created one of the brand’s under-the-radar new launches for 2026, the Memovox Travel Clock. The clock combines Mr Newson’s trademark functional, geometric style with JLC’s signature alarm that buzzes loudly enough to be an actual alarm. Notably, the Memovox clock is powered by a brand-new movement, rather than an existing wristwatch movement. Equipped with some clever features like a peripheral crown, the manual-wind cal. 256 inside has a useful 12-day power reserve. The Memovox Travel Clock is a reassuringly old-school analogue travel gadget, but priced like haute horlogerie at a little over US$30,000. Initial thoughts Even though an integrated-bracelet sports watch was JLC’s headline debut at Watches & Wonders, the Memovox Travel Clock is arguably more interesting. To start with the Memovox clock marries a historical concept – people actually travelled with small clocks back in the day – with Mr Newson’s useful, distinctive design. Moreover, the design is backed up by a new movement that incorporates clever functions that integrate into the design, like the crown-less case. Though a 69 mm travel clock is not exactly practical in the context of modern travel, this is certainly a cool object I would love to have on a desk in a hotel. But the appeal is mitigated by the price (which means the hotel would have to be at least a Four Seasons). Despi...
Monochrome
When two become one, greatness can happen, and in the case of these collaborations, greatness has indeed happened. It’s not easy to blend two styles, two philosophies, and two convictions into a single unified product. You want to make sure the integration feels natural, coherent and above all, adds something that neither of the two […]
WristBuzz
The iconic square case gets a La Fabrique du Temps heart and a V12 engine metaphor you can actually watch turning
Worn & Wound
“Watches, Stories, and Gear” is a roundup of our favorite content, watch or otherwise, from around the internet. Here, we support other creators, explore interesting content that inspires us, and put a spotlight on causes we believe in. Oh, and any gear we happen to be digging on this week. We love gear. Atelier Wen Perception V3 A lot of the attention around Atelier Wen’s Perception has gone to the dial, and for good reason. The hand-turned fish-scale guilloché comes from Cheng Yucai’s workshop in Henan, which gives each watch a level of craft that has helped separate it from the larger field of integrated-bracelet sports watches. With V3, Atelier Wen brings that same level of focus to the movement, adding a customized Pequignet EPM03 with a 65-hour power reserve, hacking seconds, and finishing developed around the brand’s Sino-French identity. Through the exhibition caseback, you see wind-shaped bridges and blue aventurine lacquer, a marriage of form and function. The familiar Piāo ice-blue and Xiá salmon versions return, joined by Yún, a new bamboo green reference featuring a micro-frosted case and bracelet – the first addition to the Perception lineup in four years. Piāo and Xiá retain the brushed and polished finishing. The Perception V3 is priced at $4,850, with first deliveries expected to begin in September 2026. Leica Cine Compact 1 Of course, we know (and love!) Leica for its range of cameras, but did you know the German brand has also dabbled i...
Time+Tide
With a subtle nod to one of the first countries to accept the brand, the new Vietnamese lacquer watch will have you looking closer.
Worn & Wound
eBay Finds is back! This bi-monthly installment will feature a selection of watches currently listed on eBay that have caught the eye of editor Christoph McNeil (@vintagediver). If you come across any hidden gems on the ‘Bay drop us a note at info@wornandwound.com for potential inclusion. Vintage Manually Wound Seiko Going to start off this week with a simple yet brilliant vintage Seiko. I’ve had a couple of these over the years, and it’s a great looking and reliable model. The steel case is around 36mm if I recall correctly, and this one is in excellent, unpolished shape. Classic round case with nice strong lugs. The dial is a bold blue, with a white bullseye ring and applied steel markers. Steel dauphine hands and no date give this a sharp, unique look that isn’t too flashy. The watch comes on the correct original Seiko beads of rice bracelet, which is so comfortable and great looking to boot. This example dates to April 1974. No movement pictures but the seller states it runs well, and my experience with these is that the movements are quite robust, like most Seikos. View auction here Vintage Waltham Next up is a nice vintage Waltham sporty/dress watch. The 34mm steel case looks sharp and unpolished, with stylish thin lugs. The classic silver dial is super clean, with nice applied steel thin arrow markers. It has steel dauphine hands with lume lines in them, and the second hand has a nice red arrow tip to help it stand out. No pesky date window to mar the peac...
Hodinkee
Not all collector events are made equal. Back in April, during Watches and Wonders, I got an invite to swing by the Tudor HQ in Geneva for a special dinner. I assumed this would be like most brand dinners, including Tudor examples from the past, a glass of wine, a flying buffet, and a seated dinner. I could not have been more wrong. Rather than hors d'oeuvres and the looming possibility of a mid-dinner dance presentation, I walked into a room absolutely packed with vintage Tudors, along with many of the personalities who had either collected the watches firsthand or helped establish the knowledge surrounding the collection. A group of singular 34mm Tudor Oyster, including a 1972 Cotton Bowl watch and matching hat. Honestly, after a long day at the Palexpo for the fair, the collection of watches and ephemera was entirely overwhelming. I did my best to shoot what I could as well as I could. In scenarios where a watch or two was lost to glare, flash, or both, I tried to add an additional photo to cover it. That said, I am 100% sure I didn't get to everything, and many of the watches you see below could be (or have been) the subject of entire stories. A Tudor Submariner 9411. So scroll on for a look at an insane array of Submariners, Rangers, Oysters, Chronographs, and more. Look closely for special dials, special bezels, military-issued examples, rare references, early models, notable school watches, and even a couple of ultra-rare watches with double-signed dials. Towa...
Monochrome
As the EPHJ Geneva trade fair, the major annual gathering dedicated to precision industries, including watchmaking, medtech and high-tech manufacturing, approaches (from 16 – 19 June), several suppliers exhibiting at the show have started unveiling their latest developments. Among them is Vaucher Manufacture Fleurier, a movement maker well known to regular readers of MONOCHROME Watches, […]
Hodinkee
Last year, we covered the launch of Marteau & Co., a new, small, independent-focused auction house that took a new perspective on what auction houses can (and, in their view, should) do for the watchmaking artists who have become such high-demand subjects. In Europe and the UK, artists are owed a portion of the sale fee when their work reaches the secondary market. It seems only fair, when a $100,000 watch these days can reach a million on the secondary market and the original maker doesn't get a penny. At Marteau, of the 20% fee added to the hammer price, the watchmaker receives 3% to acknowledge their work. Lot 6, a unique Voutilainen Regulator Decimal Repeater. Estimate of CHF 300,000 to 600,000. The current Marteau & Co. auction catalog recently went live, and bidding is open (online only) from June 10 to June 17. There are a lot of great watches to bid on, headlined by the return of an OnlyWatch collaboration, a unique Vianney Halter, and a unique Voutilainen Regulator Decimal Repeater. There are also a number of watchmakers who have only come to auction a handful of times, and I got to see a number of them in person. But I wanted to start with two watches that might potentially go for more affordable prices, watches from Baltic/SpaceOne and Furlan Marri. Lot 2, a Baltic x SpaceOne Seconde Majeure unique pieces. Estimate of CHF 3,000 to 6,000. Lot 1, a Furlan Marri Mechaquartz "Prototype" with a unique dial. Estimate of CHF 500 to 1,000. The Baltic x SpaceOne collabor...
SJX Watches
Online-only auctioneer Marteau & Co returns for its third sale, The Heat Wave. which opens at noon Geneva time on June 10, continuing with its focus on independent watchmaking. Marteau & Co was founded just last year by a duo including industry veteran Arthur Touchot, who spent several years as a journalist followed by a stint at a prominent auction house. The Swiss auctioneer sets itself apart with its intriguing “Maker’s Fee” concept, which rewards the maker of the timepiece with 3% of the hammer price for each watch sold, allowing a brand to benefit from the appreciation of its products. While artists’ resale rights, or droit de suite, is far from a new concept, and has been codified into law in the European Union and United Kingdom, Marteau & Co’s approach is the first instance of its application in watchmaking. Lot 6 – Voutilainen Decimal Repeater Regulator piece unique Kari Voutilainen needs no introduction, but this watch does as it is, like all Voutilainen minute repeaters, a unique piece. This example left the Voutilainen workshop in 2024, cased in 38 mm of unusual 4N gold, which sits between red and yellow gold, while the hands and dial, as you’d expect from any Voutilainen watch – excellent, but with a chiming twist. During a survey of vintage repeating wristwatches you’ll realize that many only have two hands. If you compared the movement of, say, a Patek Philippe ref. 2524 with a seconds hand to one without, the reason becomes clear. The two ...
Monochrome
The Heuer Monaco was launched in 1969 as one of the world’s first automatic chronographs and the first square, water-resistant chronograph wristwatch. It became an icon thanks to its unconventional design and its close association with motorsport. Over time, the TAG Heuer Monaco has evolved in multiple directions, from faithful heritage recreations to avant-garde concepts. […]
Time+Tide
Don’t say I didn’t warn you! Only a month ago in this very column, we had just about got over the new release season, but I alerted you all to the fact that we were far from done. Technically, we’re halfway through 2026 now, and it feels like every week there’s been at least one … Continued
SJX Watches
Ming has joined forces with J.N. Shapiro for a decidedly contemporary twist on traditional guilloche. The 37.06 Lightning proves its possible to combine disparate design languages cohesively, and to offer meaningful hand craftsmanship for less than five figures, with a few sensible trade-offs. Initial thoughts Ming and J.N. Shapiro are two of the three members of the Alternative Horological Alliance (AHA), a loosely affiliated coalition of brands that also includes Fleming. The Lightning is not the first time that Ming and J.N. Shapiro have worked together — they co-developed a tantalum bracelet designed to fit watches from each brand — but it is the first time they’ve collaborated on a wristwatch. And while J.N. Shapiro is best known for more traditional designs and an obsessive focus on in-house production in the United States, the brand’s expertise in guilloche clearly translates beyond its own house style. The radiant polychromatic dial looks right at home in a minimalist Ming. The artisanal dial makes intuitive sense paired with Ming’s typical look, especially considering the lume plots and brand logo are engraved on the underside of the sapphire crystal. This approach means the dial does not have to be touched post-heat treatment, and the shimmering guilloche pattern can extend edge to edge without interruption. The Lightning is priced at a relatively accessible CHF6,750, a price point that entails a few trade-offs elsewhere in the watch — namely the move...
Hodinkee
What We Know When Ming, Fleming, and J.N. Shapiro teamed up in 2024 to launch the Alternative Horological Alliance, they did so with a product: a "universal" tantalum bracelet. But I've been waiting to see if the AHA (now including Fears and Massena LAB) would team up in other ways. Today, Ming and J.N. Shapiro announce the 37.06 "Lightning," which blends the dial work Shapiro's team is known for with Ming's signature design language into something that's both new yet familiar. It's not a trick of the light. The dial is really that striking (no pun intended, I promise). Each dial is made from grade-2 titanium and hand-guillochéd in Los Angeles through engine-turning on a traditional rose-engine lathe to create a pattern called "Lightning guilloché." It's a pattern J.N. Shapiro hasn't used on a wristwatch before. The dials are then shipped to Kuala Lumpur, where Ming Thein himself hand-colors each dial by heat-staining it with a butane torch. It's not as easy as just sticking a torch on a dial. A time too long or too short by even a few seconds, and the color might be uneven. Even if you do it right, the final result might still fail because the guilloché process exposes variations in titanium's crystalline structure. Only one in three dials works out. The dial is still very Ming, as is the rest of the watch, with the flared lugs and engraved crystal that's filled with HyCeram luminous indices. The hands have Super-LumiNova X1. The case is 38mm in diameter, 10.9mm in t...
Worn & Wound
Back in March, I found myself on an Amtrak train from Philadelphia to Lancaster, PA, a small city that many think of as the ancestral home of American watchmaking. I’d been to Lancaster before, with Hamilton, some years ago, and even though their old factory is no longer in use, the brand’s history is woven throughout the town in any number of ways. But I wasn’t traveling to Lancaster for Hamilton, I was there to see RT Custer, founder of Vortic. The coincidental nature of the line that connects Hamilton, RT, Vortic, and the city of Lancaster is almost beyond belief, and a new layer to that connection would be added in a matter of hours, as RT worked to secure a purchase of vintage pocket watch movements that would take his brand through another year (at least) of production. RT grew up in Lancaster, and his father still lives in town. Hamilton’s history there, of course, would have been something he encountered in his younger years, working its way into his memory the way a knowledge of baseball might if you happened to grow up in Cooperstown, or movies if you grew up in Hollywood. I don’t know, though, that anything could have predicted that RT would one day find himself running a company that would be so inextricably linked to the history of American watchmaking. A collection of very early Vortic watches Vortic is one of the most unique watch brands you’ll ever encounter. Founded in 2013 and based in Fort Collins, CO, Vortic repurposes vintage pocket wat...
Hodinkee
What We Know Last September, Girard-Perregaux released the Laureato Fifty, a 200-piece limited edition marking the collection's 50th anniversary. Continuing to build on that, the La Chaux-de-Fonds manufacture has announced four new Laureato references today, in 36mm and 39mm sizes. All four share the same octagonal case and GP4800 movement—the 39mm options are a rose gold-toned 18k dial with Clous de Paris motif and date display, and a deep blue in-house enamel dial over the same pattern. The 36mm gets the same rose gold-toned dial minus the date, and a silver-toned Clous de Paris dial with a gem-set bezel carrying 64 brilliant-cut diamonds totaling approximately 0.55 carats. Everything comes on a steel integrated bracelet with a triple-folding clasp and 4mm micro-adjustment. Water resistance is 150 meters. The GP4800, first introduced last year, is an automatic movement running at 4 Hz with a 60-hour power reserve. Its architecture draws from GP's Three Bridges lineage, with the balance bridge crafted in rose gold. All four are available now, with pricing as follows: the 39mm blue enamel is $24,500; the 39mm rose gold-toned dial is $23,100; the 36mm rose gold-toned dial is $23,100; and the 36mm diamond-set is $24,200. What We Think When I covered the Laureato Fifty last October, my main critique was that GP had only offered a grey dial. That's now been addressed, with the brand offering a variety of options. Another improvement worth noting: the two-tone bracelet has be...
Worn & Wound
If you’ve seen me around in the watch community, it’s very likely you’ve noticed me wearing a Girard-Perregaux Laureato. While I’ve fooled many into thinking I own one of these beauties, the model is in fact my number one requested loaner whenever I have the privilege to borrow a timepiece for a special event. In my years adoring the Laureato, I’ve had the pleasure of trying out several iterations from the bold 42mm (proving that yes, even my rather small 5.75-inch wrist can rock a 42) to the more pared down 38mm. In all the sizes and dial colors that have graced my wrist, one of my favorites has to be the 38mm copper, which, in my humble opinion, is the ideal twist on a two-tone look. Today, Girard-Perregaux is complicating things for me yet again with some incredibly compelling new takes on the Laureato. First up, we have two variations with a solid 18-karat rose gold dials, one in 39mm and one in 36mm. Unsurprisingly, these deeply rival my former-favorite with the copper dial. I would say the copper is a bit more subtle and subdued with a slightly more matte appearance and a rich shade that lands somewhere between yellow and rose gold. The dial of the new models is decidedly shinier and more reflective with a true rose gold color that is both bright and soft at the same time. In addition to feeling torn between the previous copper dial version and the new 18-karat rose gold, I’m equally undecided on my favorite proportions for the Laureato. I thought the 38m...
Hodinkee
What We Know The Timex Atelier line doubles in size today, adding four new references and continuing to expand into new complications with the announcement of the Chronograph Automatic M1a Ti and the Chronograph Quartz M1q. Designed by Giorgio Galli, the new models join the existing Diver and GMT, bringing the collection to a total of six references. The M1a Ti is built from titanium with a stainless-steel middle case and a black IP coating, measuring 42mm in diameter with a 20mm lug width. The M1q is a skeletonized stainless steel case with the same black IP middle case treatment at 40mm, also with a 20mm lug width. Both get a fixed tachymeter bezel, a double-domed sapphire crystal with a triple-layer AR coating, and come on either a metal bracelet or an NBR rubber strap with a deployant buckle. The major difference here is that the M1a Ti has an exhibition caseback showcasing the automatic movement beneath. Both feature two-register chronographs—a first for the Atelier line—with matte black dials, silver subdials, and high-polished silver hands. The M1q adds guilloché texture to the dial and a date window at 6. The M1a Ti stays flat matte. Powering the duo are two different sides of the spectrum. The M1a Ti features a Swiss-made Landeron L72 automatic chronograph at 4Hz with a 43-hour power reserve and 28 jewels. The M1q uses a Swiss-made Ronda 5021D quartz movement with a battery. The M1a Ti comes in at $2,250 on a bracelet and $2,100 on a rubber strap. The M1q i...
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