Deployant
New: Ulysse Nardin [Super] Freak
Unveiled as part of Ulysse Nardin’s 180th‑anniversary celebrations, the [Super] Freak represents the most technically ambitious evolution of the Freak lineage to date.
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Deployant
Unveiled as part of Ulysse Nardin’s 180th‑anniversary celebrations, the [Super] Freak represents the most technically ambitious evolution of the Freak lineage to date.
Fratello
A surprise party is probably the last thing anyone turning 50 would want. Those celebrating five decades would rather be surrounded by loved ones who understand their wishes and enjoy a good dinner with a nice selection of wines. That’s likely what Patek Philippe had in mind when the iconic Nautilus reached its 50th anniversary. […] Visit Hands-On With The Patek Philippe Nautilus 50th-Anniversary Watches to read the full article.
Monochrome
Enzo Ferrari allegedly called the Jaguar E-Type “the most beautiful car ever made”, and decades later, one Jeremy Clarkson proclaimed the Eagle Speedster as “the most beautiful thing he has ever seen”, cementing the E-Type specialists as the Singer of Jaguar cars. And truth be told, the cars coming out of the Eagle workshop in […]
Fratello
As Fratello writers, my colleagues and I always have this article in the back of our minds as we work our way through the Watches and Wonders peak workload. We all know that sooner rather than later, Head of Content Nacho will schedule a Watches and Wonders 2026 favorites article for each of us, so […] Visit Thomas’s Watches And Wonders 2026 Favorites: Conservative Classics Catch My Gaze to read the full article.
Hodinkee
Universal Genève means a lot to us at Hodinkee. It's been one of my favorite brands since the early days of our publication—one that's been with me through various moments in my career, through my growth in knowledge and passion for vintage watches, and a brand I've watched with anticipation, hoping it would come back. And today, we are sharing a conversation between myself and Georges Kern, former Breitling CEO and recently appointed CEO of House of Brands, which includes Breitling, Universal Genève, and Gallet, to chat over the recent results of a long-term project to bring Universal Genève back to the forefront. I don't think there's been a more hotly anticipated brand relaunch than that of Universal Genève. The announcement that Breitling (now House of Brands) had secured the rights to the dormant brand sent shockwaves through the industry. We—both in the industry at large and at Hodinkee—had high hopes for the relaunch, but the proof would come with the first releases. Let me tell you, I don't think anyone thought Universal Genève would go this far to knock it out of the park. Just before Watches and Wonders 2026, Universal Genève essentially stole the show before it began by launching a few dozen of its most iconic watches in both heritage-styled and reimagined forms. The Gerald Genta-designed Polerouter? Returned, not just in one size but two, and in multiple materials, dials, bracelets, and more. Oh, and a brand-new microrotor (well, three-quarter rotor...
Fratello
It’s always fun to see a seconde/seconde/ take on a popular watch. With the many whimsical releases Romaric André created while collaborating with brands, you sometimes wonder whether he is ever short of good ideas. So far, though, that hasn’t been a problem. If anything, I have seen the releases become better over time. The […] Visit The Rivanera Gets Echo/Neutralized By Seconde/Seconde/ to read the full article.
Teddy Baldassarre
Tracing the 50-year evolution and enduring appeal of the square-cased chronograph that transcended its racing origins to become a style icon.More
SJX Watches
Episode 37 of the SJX Podcast recaps the biggest releases from the brands officially exhibiting at Watches & Wonders 2026. Rolex marked a century of the Oyster case with an enamel-dialled Daytona and new Oyster Perpetuals, but also revised the ugly duckling of the catalogue — the Yacht-Master II — transforming it into an appealing and interesting chronograph. Patek Philippe arguably overshadowed the 50th anniversary of the Nautilus with a new Celestial that’s capable of tracking sunrise and sunset year-round (at least in Geneva). Vacheron Constantin and Grand Seiko introduced titanium sports watches many had been waiting for, and TAG Heuer reinvented the chronograph with a fascinating compliant mechanism. Highlights from the independent brands exhibiting around town will be covered in our next episode. Listen now on Apple Podcasts, Spotify, and YouTube.
Worn & Wound
Zenith has launched the latest version of their popular Chronomaster Revival A384, a line that takes the iconic case of the A384 and often plays with color and materials as a platform for a modern El Primero movement. The A384, for me, has always been the most interesting of the Zenith heritage releases. It feels truly transported from another time, fully intact, largely thanks to the iconic ladder bracelet that we often see included with these references (more on that in a minute). This particular release really leans into a very specific vintage look, and I imagine will be warmly welcomed by modern Zenith enthusiasts who appreciate and collect vintage Zenith as well. The story here, clearly, is the brown used as an accent color to evoke natural patina that vintage watch collectors often prize over perfectly preserved watches. A so-called “tropical” dial occurs over a long stretch of time when a watch is exposed to the outside world, the sun’s rays slowly fading the color present in the original dial. This will often result in a brown or tan color to emerge from black paint, which is particularly noticeable on chronographs with black subdials, which is what Zenith is going for here. But the “tropical” effect can, in theory, be applied to any color, and change blues, greens, and reds in unexpected ways. Here we have a white dial with a very subtle grain and brown subdials at 3, 6, and 9, for the chronograph minutes, chronograph hours, and running seconds, res...
Monochrome
In 2026, Moritz Grossmann marks the 200th Anniversary of its founder, one of the key figures behind the rise of Glashütte as a watchmaking centre. Not looking backwards with literal recreations, the manufacture continues with its vision of evolution, respecting traditional Saxon watchmaking but expressing it through contemporary design and execution. The new Tefnut Silver-Plated […]
Fratello
Another Friday, another list. After last week’s list of Tudor Black Bay alternatives, we’ll move on to one of the watch world’s biggest icons. It’s time to check out our five favorite alternatives to the iconic Audemars Piguet Royal Oak “Jumbo.” This watch is widely regarded as having spawned a new genre in 1972, and […] Visit Fratello’s Top 5 Audemars Piguet Royal Oak “Jumbo” Alternatives In 2026 to read the full article.
Monochrome
After a series of small-batch releases, Anoma introduces its first permanent models with the A1 Core Collection. Until now, the brand has focused on short runs such as the original A1, the Slate edition, and Optical Art. With the A1 Abyss and A1 Stone, Anoma is now offering watches that will remain in the catalogue. […]
SJX Watches
Among the independent brands officially exhibiting at Watches & Wonders, Ressence was a standout. The design-forward Belgian independent took a major step forward with the Type 11, powered by the brand’s first proprietary calibre, the RW-01. The Type 11 is tangibly appealing and priced well considering both its unique design and technical content. Initial thoughts When I first saw images of the Type 11 and its RW-01 movement, I had the same feeling as when Urwerk launched the EMC back in 2013. At the time, the EMC felt like the start of a new era for a brand that had, up to that point, primarily put its proprietary modules atop widely available off-the-shelf calibres. The EMC proved Urwerk was willing to rethink the movement in its entirety to realise a specific vision. The RW-01 reveals Ressence is moving in that same direction. After 15 years of adapting its Ressence Orbital Convex System (ROCS) modules to ETA-derived calibres, the brand has taken the next step in its development and partnered with an adept supplier to construct a proprietary movement uniquely suited to its signature design. The new calibre was engineered with Ressence’s ROCS module in mind. The movement layout appears purpose-built for winding and setting via the case back, lacking an ordinary stem, and dual serially coupled mainspring barrels extend the power reserve to 60 hours — quite long considering the mass of the ROCS module. While I would have been delighted to see a free-sprung balance, I...
SJX Watches
Patek Philippe’s divisive Cubitus collection enters its third year with the firm’s first truly skeletonised perpetual calendar wristwatch, the Cubitus ref. 5840p-001 Perpetual Calendar Skeleton. As the first member of its clan with a shaped movement, it also welcomes a contemporary aesthetic that breaks with the brand’s established codes of movement decoration, though it’s built on a decades-old foundation. In short, the ref. 5840P is an ideal ambassador for what the Cubitus line can be when it steps out from its brother’s shadow. Initial thoughts The most complicated — and most expensive — Cubitus yet is also arguably the best model in the collection to date, as it probably should be. While on paper it sounds derivative of the Nautilus perpetual calendar, this watch may have the strongest identity of any Cubitus launched so far by fully leaning into the bolder, more contemporary aesthetic that Patek Philippe has, until recently, hesitated to explore. Several details allow the ref. 5840P to have its own identity. The first is the use of a strap, rather than the typical Nautilus-style bracelet. The reshaped movement is another differentiator, as is the new finishing style, which makes it more than just a square Nautilus. Yet the teak deck motif remains central, integrated seamlessly into the skeletonised design. Two other details that stand out are the use of a baguette-cut diamond to denote the platinum case, rather than the usual brilliant-cut stone, and the...
Worn & Wound
As we do every year when we come back from Watches & Watches, we asked our team to pick their favorite releases of the show. This article is always telling, because our team has a way of looking beyond the hype and zeroing in on watches with real personal appeal. As always, it’s fun to see the logic behind these picks, whether they represent watches our team members would actually want to own, or were simply novelties they were overwhelmed by in the moment. Be sure to let us know your favorites from Watches & Wonders week in the comments below, we’d love to hear about them. Zach Weiss – Grand Seiko SBGZ011 “Mystic Waterfall” So many watches, so many wonders, how does one even begin to choose a favorite? Well, for me, the test is after a few days of being away from the show, what I am still thinking about. And this year, while there are a few, the one that impressed me not just as a watch, but as a piece of art was the Grand Seiko SBGZ011 “Mystic Waterfall.” Every few years, Grand Seiko drops one of their breathtaking hand carved watches, but none have been quite like this, at least for me. You see, the SBGZ011 has two firsts: it’s based on the 45GS case, my personal favorite, and it’s the first time the dial has been hand-engraved, too. Inspired by the Tateshina Waterfall, the SBGZ011 has been meticulously hand-carved on all surfaces of its 950 platinum case with an undulating, organic motif of marks that, at once, appear like flowers or little explos...
Hodinkee
The watches that prove commercial and collector successes emerging from Watches and Wonders 2026 will have climbed a wall of worry. There was plenty to fret over heading into the watch industry's largest and most important annual salon this year. The eruption of war in the Middle East challenged travel plans and clouded the outlook for visitors from the region and beyond. Indeed, sales have certainly been impacted in the Middle East, and the question remains how quickly stability might return.The existing bugbears of the watch sector – rising input costs from raw materials, including record gold values, ongoing U.S. tariffs, not to mention the continued strength of the Swiss franc, as well as years of retail price increases – remained omnipresent. All told, these factors could have set the stage for a subdued, cautious event. Instead, the industry converged in Geneva, striking an optimistic and inclusive tone where it worked hard to show it's been paying attention to the demands of clients and customers with new watches that drove home a theme of demonstrating value in often, but not always, familiar packages. With public-facing events including Montreaux Jazz concerts in the Geneva city center, Watches and Wonders emphasized its role as a cultural tent pole for the industry and the Swiss watchmaking region, aiming to be more open and welcoming. The new, more public-oriented strategy certainly paid off as attendance jumped to nearly 60,000 unique visitors, a record for...
Hodinkee
What We Know Ahead of this weekend's Miami Grand Prix, Tudor has announced the Black Bay Chrono "Carbon 26," a follow-up to last year's Carbon 25. While Tudor's ties to motorsport date back to the late 1960s with the Tudor Watches Racing Team, its current partnership with the Visa Cash App Racing Bulls team began in 2024, and they have been quick to make the most of it, with two limited editions in two consecutive seasons. The Carbon 25 marked the first limited-edition release from that relationship, with the Carbon 26 continuing the same approach in 2026. At its core, the update centers on a revised color scheme reflecting the livery of the VCARB 03 car. The watch retains a 42mm carbon fiber case with a fixed tachymeter bezel, along with a titanium caseback, crown, and pushers with a black PVD finish. The dial remains "racing white," now with yellow accents and carbon fiber subdials. The carbon fiber case, introduced last year, carries over unchanged. It replaces the steel case used in standard Black Bay Chronographs, while keeping the same 42mm diameter, fixed tachymeter bezel, screw-down crown, chronograph pushers, and overall case profile. Inside is the Manufacture Chronograph Calibre MT5813, an automatic chronograph with a column wheel, vertical clutch, silicon balance spring, and a 70-hour power reserve. It is COSC-certified, and it also meets Tudor's more rigorous standards of -2/+4 seconds per day. The Black Bay Chrono "Carbon 26" is priced at $8,625, produced in a...
Worn & Wound
With Christopher Ward, we spend a lot of time talking about the Loco and Bel Canto, and rightly so. Those are both watches that have radically reshaped how we think about the brand, and set expectations for new releases at an impossibly high level. But realistically, it’s the Sealander that is the defining watch in the Christopher Ward catalog. It’s existed for a long time and is almost a brand unto itself. But the core of the line has been relatively unchanged for several years at this point and was due for a refresh. That comes this week, as the brand has launched what they describe as a “comprehensive re-engineering” of the Sealander GMT and Sealander Automatic that includes both subtle aesthetic updates as well as significant mechanical improvements. The Sealander GMT adds a 42mm case size to the existing lineup that includes 36mm and 39mm sizes. The case has retained its fluid, classic sports watch lines, but the bezel angle has been shifted to be less angled than previous iterations of the watch. Dial options include white and sky blue in all three case sizes, with a pistachio option available only in 39mm, and a black dial available in 39mm and the new 42mm size. The dials are polished lacquer and now include longer indices and a GMT hand that has been redesigned to be more proportionate and is also fully lacquered. The “Sealander” wordmark also appears on the dial, at 6:00, for the first time. The Sealander GMT is powered by the Sellita SW330-2 cali...
Monochrome
Our search for the most intriguing artisanal, independent watchmakers takes us to the far corners of the world. While the majority is still in or around Switzerland, we regularly take virtual excursions to Japan, Scandinavia, the Netherlands, and beyond. Back in 2021, we introduced you to Bradley Taylor, an upcoming, talented watchmaker based in Vancouver, […]
Monochrome
In 2024, Tudor announced its partnership with Visa Cash App Racing Bulls Formula One Team, which first resulted in the Black Bay Ceramic Blue, and most importantly, the Black Bay Chrono Carbon 25, a powerful chronograph in a lightweight attire inspired by the distinct livery of the 2025 Visa Cash App Racing Bulls car. We […]
Monochrome
With summer just around the corner, many of us switch our more formal dress watches for something more suitable for warmer temperatures, travelling and outdoor activities. The ideal summer wrist companion combines water-resistance with robustness and, why not, a splash of colour. The Certina DS Action Diver fits the bill to a tee, and the […]
Time+Tide
Chopard celebrates the 30th anniversary of its Manufacture Fleurier facility with this understated yet impressive dress watch.
SJX Watches
A. Lange & Söhne has repeated last year’s bifurcated release format with the launch of the compact, value-oriented Saxonia Annual Calendar alongside the flagship Lange 1 Tourbillon Perpetual Calendar “Lumen”. Available in both 18k white and pink gold, the Saxonia Annual Calendar is not a limited edition, but will be made in small numbers as a consequence of the brand’s diverse portfolio and limited output of about 5,000 watches per year. Initial thoughts The Saxonia Annual Calendar was one of the more talked-about watches of the fair, not because it’s particularly novel or exciting, but instead because it gets all the small things right. It looks good on the spec sheet, with nearly perfect dimensions, the brand’s signature big date complication, and an upgraded and well-dressed automatic base calibre. But as good as the Saxonia is on paper, it’s even better up close. The brand’s typical alpha-shaped hands — common to all Lange models — are brilliantly sharp, and the dial text is finely printed. A detail I especially like on the white gold model is the nearly tone-on-tone typography for the ‘Made in Germany’ text, which is something I’d like to see more of from the brand. A new aesthetic detail is an additional facet at the outer end of each hour marker, effectively creating a tiny pyramid, akin to Cote de Paris. This design appears to be a subtle nod to the previous generation of the Saxonia, which featured baton indexes punctuated with gold stu...
Fratello
Picking highlights from this year’s Watches and Wonders is tough, as always. Once again, it’s more a matter of abundance rather than a lack thereof. But somehow, Watches and Wonders 2026 felt different compared to last year. It was more about consolidation than big technological innovations or grand anniversaries. Nevertheless, there was an avalanche of […] Visit Jorg’s Favorite Watches And Wonders 2026 Releases — Cartier, Jaeger-LeCoultre, Vacheron Constantin, And More to read the full article.
Fratello
Skeletonized watches and openworked dials seem to be everywhere this year. From subtle cutouts that reveal just a hint of mechanics to fully open displays that showcase the entire movement, brands across price segments are leaning into transparency. Whether driven by aesthetics, technical ambition, or simply a desire to stand out, it’s a trend that’s […] Visit Fratello Talks: A Big Year For Skeletonized And Openworked Watches to read the full article.
Monochrome
It is no secret that Japan is becoming one of the most productive hubs for high-end independent watchmaking, with names such as Hajime Asaoka (also behind Kurono Tokyo and Takano), Jiro Katayama (Otsuka Lotec), Daizoh Makihara, and Norifumi Seki (Quiet Club) gaining incredible traction in recent years. Another name that cannot be forgotten is Naoya […]
Worn & Wound
The 2026 Windup Watch Fair San Francisco is just days away, and we’re fairly certain there’s never been a Windup with as much going on as this one. Alongside everything you’d expect—like amazing lead sponsors including Bremont, Brew, Christopher Ward, Frederique Constant, and Oris—this fair also features 80+ brands from around the world and a slew of extracurricular activities across all three days. Here’s a quick guide to everything happening in and around the big weekend in The Bay Area, starting with a reminder of the where and when. Windup Watch Fair San Francisco Friday, May 1 – Sunday, May 3, 2026 Gateway Pavilion at Fort Mason Center for Arts & Culture San Francisco, CA Free and open to everyone No registration necessary EDC Expo, Giveaways, and More We’re excited for the return of the EDC Expo, presented by GiantMouse. Longtime supporters of Windup, the team at GiantMouse is elevating the gear and accessories section in a meaningful way with their ACE Riv in titanium, brass, green canvas Micarta, and more. Nearly a dozen everyday carry and accessory brands will greet you at the front of Gateway Pavilion. For the first time, you’ll also find Kindred Motorworks on-site, showcasing their meticulously restored EV Broncos—and yes, you can sign up to test-drive one through some of San Francisco’s most iconic streets. Our friends at Fitwell will be joined by their mustachioed mate Andy from Andy’s Watches on Instagram and TikTok at their EDC Expo b...
Worn & Wound
Part of the fun of Watches & Wonders (in fact, most of the fun of Watches & Wonders) is discovering things you didn’t expect to find, or that slip through the cracks and don’t get nearly the attention you think they should once you see them in person. Let’s face it: the event is dominated by a handful of huge brands that save their absolute best for the show. But for every Tudor, Cartier, and Rolex, there’s a Chronoswiss, Behrens, and Hautlence releasing incredibly impressive watches we simply don’t talk about enough. Here, Zach Kazan and Zach Weiss recap some of their favorite watches at this year’s Watches & Wonders that slipped under the radar for one reason or another. If there’s a release you saw or read about from the show that you think isn’t getting its fair shake, let us know in the comments, we’d love to hear about it. Zach Weiss Hautlence Kubera Hautlence isn’t a brand that does half-measures. Their watches are all in, featuring wild complications executed in intricate fashion, housed in massive, equally exotic cases. I take a meeting with them at Watches + Wonders every year because, while maybe not a brand that is quite in our wheelhouse, I personally find them fun and inspiring. Plus, the brand has a very self-aware attitude that’s refreshing. Well, this year was different because, for the first time ever, Hautlence launched a watch that, while thoroughly strange and unconventional, was also wearable, and priced, for Hautlence, in a ...
Two Broke Watch Snobs
The new Citizen Attesa Mandalorian Beskar leans on Super Titanium and restraint to deliver one of the brand's more tasteful Star Wars releases.
Hodinkee
What We Know Bradley Taylor, a Canadian independent watchmaker working out of a 1,000-square-foot workshop in North Vancouver, has released the Ardea, his third watch and first with an in-house movement. Taylor, a rising talent in the space, trained in Le Locle under Henrik Korpela, earned a Patek Philippe Level II service certification in Geneva, and produced two sold-out series before beginning work on the Ardea in late 2023. The Ardea is offered in stainless steel or platinum 950 and measures 37.8mm in diameter with a 46.4mm lug-to-lug and a thickness of 10.9mm, including the crystals. The sapphire caseback is very slightly domed for wrist comfort, and the watch is rated to 5 ATM. The dial is 925 sterling silver, engine-turned on a rose engine that Taylor estimates is roughly 120 years old, and he restored it over three months. The pattern is a 36-scallop rosette with a progressive phase shift between each concentric pass, producing a characterful swirling texture. After the engraving, the dial is depletion-gilded, a silversmithing process that involves repeated heating and acid treatment until the dial's surface is pure silver. It is then sealed with Zapon lacquer. The text and markings are pad-printed on a Tampoprint machine that Taylor also restored himself. The applied numerals are machined from solid platinum and hand-polished to a spherical shape. The dial lettering and wordmark were designed by Ian Brignell, a Toronto typographer whose work includes the Paramou...
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