Hodinkee
Hands-On: Everything You Need To Know About The Audemars Piguet Neo Frame Jumping Hour (And More)
We take a look at the surprising new release, its competition, and the future of something built on the past.
33,673 articles · 153 videos found · page 510 of 1128
Hodinkee
We take a look at the surprising new release, its competition, and the future of something built on the past.
WatchAdvice
Though the aftershocks of news surrounding Baume & Mercier is still being felt, does their new Clifton keep the ball rolling? Let’s find out! What We Love: Elegant, slim case silhouette One of the comfiest bracelets I’ve ever worn Baumatic = Best value? What We Don’t: Fairly ordinary appearance, not for those wanting dramatic flair Bracelet finishing invites scratches and smudges Crown operation feels off Overall Rating: 8.75/10 Value for Money: 9/10 Wearability: 9/10 Design: 9/10 Build Quality: 8/10 Is the dress watch dead? Both Matt and I have attempted to answer this question on separate occasions. Matt argued that, in the contemporary space, the dress watch has fallen out of favour. I, on the other hand, believe dress watches remain prevalent and are thriving within the accessible segment of quartz timepieces. However, there are still a handful of brands that have committed themselves to collections defined by elegant aesthetics and attainable price points. One of these brands, Raymond Weil, is one we’ve discussed extensively, but they are far from the only player in this market. WATCH EDUCATION: An Introduction Into Baume & Mercier Founded in 1830, Baume & Mercier has maintained a notable presence within this relatively accessible tier of luxury watchmaking. A long-time subsidiary of the Richemont Group since 1988, the brand has used this period to develop watches that are balanced yet distinctive, both in design and mechanics. While the Riviera collection...
Teddy Baldassarre
Inside the cockpit of a Formula 1 car, temperatures can climb beyond 120º F and braking forces routinely reach 5 Gs. A driver’s heart rate can sit north of 170 bpm for nearly two hours. In a sport where thousandths of a second determine grid positions, F1 drivers operate in a world defined by extreme speed, pressure, and precision. In such environments, a watch worn by a race car driver has to be about far more than a sponsorship logo. Motorsport places unique demands on a timepiece, turning it into a rolling stress test of vibration, G-forces, heat, and shock, so drivers must choose watches that are capable of surviving all these conditions. And while Formula 1 is awash in watch branding, splashed across helmets, race suits, pit walls, and podium backdrops, the most authentic connection between motorsport and watchmaking is ultimately found on the wrists of the drivers themselves. Let’s jump into 10 of the best watches worn by F1 drivers. [toc-section heading="Isack Hadjar: TAG Heuer Formula 1 Automatic x Oracle Red Bull Racing Chronograph"] Algerian-French racing driver Isack Hadjar is a standout in the junior formulas and was the 19th driver promoted to F1 through Red Bull’s notoriously selective academy. Now the second driver on the Red Bulls team (after a stint with the Visa Cash App Racing Bulls last season), Isack wears a TAG Heuer Formula 1 Chronograph to accompany him around the track. His watch is a special edition measuring 44mm in robust but lightweight ...
Monochrome
Perpetual calendars are, without a doubt, an integral part of Audemars Piguet’s history, and the Royal Oak has carried its strand very convincingly since 1984. With the introduction of the Royal Oak Selfwinding Perpetual Calendar Openworked powered by the new Calibre 7139, AP signals a clear generational shift. Released alongside a Code 11.59 counterpart, which […]
Worn & Wound
Despite frigid temperatures outside, the Windup Watch Shop showroom in Brooklyn was buzzing with energy as Oris and Worn & Wound hosted an evening dedicated to one of the brand’s most beloved new releases: the Big Crown Pointer Date “Bullseye.” Fans, enthusiasts, and first-time Oris buyers alike packed the space, turning a cold winter night into a warm celebration of independent watchmaking. Representing Oris for the evening were VJ Geronimo, CEO – The Americas; Josh Shanks, Director of Marketing and Communications – North America; and Megan Hines, Marketing Coordinator. Their presence gave attendees direct access to the people behind the brand, creating an atmosphere that felt both intimate and entertaining. Guests were treated to extensive hands-on time with the full Oris collection, with special attention naturally focused on the the Big Crown Pointer Date “Bullseye.” The watch drew a steady crowd throughout the night, with attendees eager to experience its striking dial and classic proportions in person. Professional wrist shots were available to everyone, and a steady rotation of guests took advantage of the opportunity to capture studio-quality photos with their favorite pieces. In keeping in theme with the hero watch of the evening, guests were also invited to try their luck and making a Bullseye-of the dart variety. The Worn & Wound crew took special interest in this activity in particular. The evening also had its share of Oris merch and mater...
Monochrome
Today, we’re launching a new service to enable you to find answers to your (horological) questions faster and more easily. The new MONOCHROME AI chat will answer your questions, similar to ChatGPT, however, based entirely on all MONOCHROME content of the past 20 years. Since we’ve seen the rise of ChatGPT, Gemini and the likes, […]
Worn & Wound
The Urwerk UR-100 has become one of my favorite designs in high end independent watchmaking. Whenever I encounter one (a rare event given the brand’s annual production of just around 200 watches total) I’m blown away by the way it distills the essence of the brand into a completely wearable, compact, package. I’ve always been a fan of the Urwerk philosophy, but until I tried on a UR-100 I always felt the watches themselves might be too ungainly or oddly shaped for me personally. There’s something about this case though, mostly its impressive thinness, that makes it feel like a “normal” watch on the wrist but still something otherworldly when you look down to check the time. That, to me, feels like a sweet spot. The latest from Urwerk brings a new watch into the UR-100 lineage with the UR-100V LS Ceramic. This is effectively a new variant of the original UR-100V LS (short for “light speed,” which we’ll get to momentarily) that appeared in 2024. The new watch features a white ceramic case, a first for the brand and more complex than it first appears, and the same whimsical ideology of its predecessor, and many other Urwerk watches, which are all in one way or another a commentary on timekeeping itself. All Urwerks (well, almost all) share a common wandering hour satellite time telling mechanism that has become their calling card. It’s actually a rather mechanically elegant way to tell the time, basically with a wandering hour “pointer” to a fixed ...
Deployant
Following the success of the Watch Ho & Co. × Selten's Jui, they reunite once again to unveil the next chapter of the Jui story, the Jui Bauhinia.
Monochrome
We’ve all had the experience of putting down our watch a little too carelessly, and accidentally scratching it on something sharp, or even worse, knocking it off and seeing it fly across the room in Hollywood-esque slow-motion while screaming “NOOOOooooo!!!” at the top of your lungs. It’s happened to me, and I know it has […]
Fratello
Another Friday, another list! This week, it’s the start of a new series. In 2026, we want to keep you informed about all the best releases that come out during the year. That is why we decided to create a Top 5 of our favorite releases from every month. As this is the first Friday […] Visit Fratello’s Top 5 Watches Released In January 2026 to read the full article.
Monochrome
Since founding Sarpaneva Watches in Helsinki, the independent Finnish watchmaker Stepan Sarpaneva has consistently explored an approach shaped by the Nordic visual universe, mechanical honesty and a powerful sense of narrative. Best known for his Korona case design and expressive moon displays, Sarpaneva has built a recognisable catalogue which offers a combination of traditional watchmaking […]
Time+Tide
With the Winter Olympics around the corner, there is still plenty of action happening in the watch world to catch up on. The post Studio Underd0g moves in-house and Norqain hits the ice this week appeared first on Time+Tide Watches.
Hodinkee
Ahead of the new F1 season, IWC announces its first collaboration with an F1 driver.
Teddy Baldassarre
G-Shock continues to fill an important role in the landscape of watch collecting, almost solely occupying a genre that it essentially created. G-Shock watches are practical, accessible, and functional; but they’re also so much more than that. They are expressive, vibrant, and fun. Their impact on the broader culture around watches can’t be understated, and it’s a connection that remains intact today, over 40 years after emerging onto the scene, and over 30 years since the formation of the 6900 lineage. The design that hails from 1995 has changed surprisingly little, and remains one of the vanishingly few items that can make that claim without looking completely out of place on the wrist today. As the saying goes, good design is timeless. I’m not so sure this is technically "good" design, but it is unique and timeless in its own way. When it first debuted in 1995, the 6900 design used a rounded case, representing a departure from the blocky cases that had typically defined what a G-Shock was. Situated above the square digital display were a trio of circular graphics, with a button situated under the dial itself, all set within a shock-resistant structure. The watch brought the best features of the 5000, the 5900, and the 6600 together, creating a "best of all worlds" in a way. These features represented unlimited possibilities, and were almost mysterious at a glance, but they signaled just what was possible with a digital display. Those three circular graphics wer...
Hodinkee
YouTuber Adrian Barker's first watch collab is with Christopher Ward, and it's a testament to the purpose-driven diver with a bit of MilSub inspiration for good measure.
Worn & Wound
I have what you might call a love/hate relationship with Audemars Piguet. They are, without a doubt, makers of some of the finest watches in the world. Objectively speaking, there’s a level of craft involved with the production of AP watches that is hard to match at the scale at which they operate. Every Royal Oak I’ve ever handled feels like a perfectly made thing without any compromises. I honestly can’t say the same about equivalent watches from other brands in the so-called Holy Trinity. And yet, there’s so much baggage with Audemars Piguet in our current watch culture. I wrote about it here, specifically as it relates to the Royal Oak and how it has become a signifier of wealth and status that has overshadowed watchmaking and watch culture. I find this flex culture to be a huge turn off, and the way AP seems to lean into it, by producing more and more varieties of Royal Oak, some with mini sculptures of Marvel characters on the dial, to be a signal that they’re a willing participant in the watering down of their brand. But then Audemars Piguet will go ahead and release something beautiful that is not a Royal Oak and I’m reminded that derisively referring to them as The Royal Oak Company (something I’ve done frequently over these last few years) is ultimately unfair. Earlier this week, as part of a larger drop that included several exotic Royal Oaks, a pocket watch, and more, AP launched what might be one of the riskier watches they’ve introduced in...
Teddy Baldassarre
Breitling announced today that it has become the Official Watch Partner of British luxury carmaker Aston Martin and the Aston Martin Aramco Formula One racing team. The multi-year global partnership, which marks the Swiss watchmaker’s return to the high-octane world of F1 motorsports after many decades, kicks off with a wristwatch milestone: the Breitling Navitimer B01 Chronograph 43 Aston Martin Aramco Formula One Team, which is no less than the first timepiece in the iconic Navitimer series with a case made of lightweight titanium. The two world-renowned companies have some ties throughout their prestigious histories. Breitling, while it has not been as visible in the racing world over the years as brands like Rolex and TAG Heuer, was an early contributor to motorsport timing. In 1907, Léon Breitling, who had founded his eponymous watchmaking firm in 1884, invented a device called the “Vitesse” (French for “speed”), a mechanical chronograph capable of measuring speeds up to 250 miles per hour. Its utility and precision spurred the Swiss police to adopt it for speed enforcement, which led to the world’s first speeding tickets. Just six years later, in 1913, Lionel Martin and Robert Bamford drove their hand-built automobile to a defining victory up the treacherous Aston Hill, giving their company a name and kicking off a long tradition of making cars built for both performance and luxury. The paths of the Swiss high-horology house and the British marque cr...
Monochrome
British driver George Russell, currently racing for Mercedes-AMG Petronas Formula One Team, joined IWC’s paddock of ambassadors in 2022. Exchanging the steering wheel of his F1 for the design board, Russell worked alongside IWC’s creative team to design the new limited edition Pilot’s Watches, emblazoned with the F1 pilot’s signature blue colour featured on his […]
Time+Tide
The talented young British driver finally gets his own IWC special editions ahead of the 2026 Formula 1 season.The post F1’s George Russell gets his own IWC special editions in black ceramic and his signature blue colorway appeared first on Time+Tide Watches.
Monochrome
The revival of a long-dormant watchmaking name always sparks our curiosity at MONOCHROME. Born in 1919, the Manufacture des Montres Niton S.A. became known for its watches and movements featuring jumping hours. Niton supplied movements to Patek Philippe, Vacheron Constantin, Cartier, Gubelin and many more… Today, the brand returns with the Niton Prima, an elaborate […]
Fratello
We have seen quite a lot of news from Le Brassus this week, haven’t we? If you thought we were done, think again! In fact, we’re barely getting warmed up. Today, I get to introduce you to possibly the most impressive of all the new releases, the Audemars Piguet 150 Heritage pocket watch. Now, before […] Visit Introducing: The Mind-Blowing Audemars Piguet 150 Heritage Pocket Watch to read the full article.
Teddy Baldassarre
As we all well know by now, the watch-collecting hobby can get hyper-specific. Today, I am wading into the weeds of one of the most highly specialized sub-genres of the Seiko collecting universe, that of Japanese Domestic Market pieces from the brand, which I will be referring to here on out as JDM Seikos. Down below, I’m going to walk you through, first and foremost, what the term JDM Seiko actually means, then get into the most universally coveted models, and similar watches that you can more easily find in the brand’s international repertoire. [toc-section heading="JDM Seikos vs. “Japanese-Made”Seikos"] Image: Provenance Watches Given that Seiko is one of Japan’s most significant and historic watchmakers, you might be asking, as you find yourself here in this section, “Seiko is a Japanese brand, so aren’t all Seikos Japanese-Made?” As with most things, the answer is not as straightforward as the question. If we were to base our answer on the framework dictated by the U.S. Trade Commission standards, any watch that has a movement assembled in Japan is good enough to be considered Japanese-made. This casts a pretty wide net. Japan, on the other hand, follows the more rigorous parameters set by the APEC (Asia-Pacific Economic Cooperation Forum). Based on APEC standards, a watch movement and dial components must be assembled in Japan to rightfully claim “Japanese Made” status. Across its catalog, if Seiko can rightly claim the “Japanese Made” label ...
Hodinkee
Another year of the beloved show brings another round of special event-only special editions.
Worn & Wound
Longines is a storied and well-respected Swiss watch manufacture that formed in 1832 and has continued uninterrupted to this day. From the first wrist chronometer in 1911, to groundbreaking flyback chronographs in the 1930s, to the world’s first hi-beat wrist chronometer in 1959, Longines holds their own in the watchmaking world. My favorite period for watches is the 1950s through the 1970s and Longines was one of the top accessible brands during that time. In 1954 Longines began a marketing strategy of product families, launching the Conquest line of watches. In 1957 they introduced the Flagship line, adding to what would become a large group of watch families, many of which are still made today. Other lines that came later include the Admiral, the Ultra-Chron and the Grand Prize. The Grand Prize line was named in honor of the multitude of watchmaking awards and honors that Longines had accumulated over the decades. It was a relatively short-lived family, produced from about 1958 to 1964 according to my research. I have found that the majority of Longines watches produced during these decades were all fairly equal in quality and craftsmanship, with most of the differences in the families being design related. The Conquests were rugged and sporty, on par with the early non-diver Omega Seamaster watches. The Flagship series were dress watches, while the Admiral line was a mixture of both. The Grand Prize family were pretty much all thin, elegant everyday type dressier w...
Monochrome
Audemars Piguet introduced the Code 11.59 in 2019, emerging as a contemporary AP-style expression of classic watchmaking. Over the years, the line has matured, expanded and reviewed its proportions. Introduced in 2023, the 38mm case offered a more compact and versatile interpretation of the Code 11.59 design. In early 2026, the brand presents two new […]
Time+Tide
We're used to seeing plenty of microbrand mechaquartz chronographs, but here's what it looks like when Seiko cases its own movements.The post Seiko’s SSB477, SSB479 & SSB481 offer vintage chronograph style for under US$500 appeared first on Time+Tide Watches.
Fratello
Sometimes, a watch that lands on my desk ends up being markedly different from the standard fare. It didn’t take me long to realize that the RGM Model 222-RR was one of them. This watch takes inspiration from some of the great American railroad stories from the early 20th century, which instantly makes the Model […] Visit Hands-On With The Charming RGM Model 222-RR to read the full article.
Deployant
H. Moser & Cie opens its seventh global boutique and the first in Singapore with partner Cortina Watch. Here is our report of the ceremony.
SJX Watches
Audemars Piguet (AP) debuts a trio of new perpetuals calendars, led by the first open-worked version of brand’s cutting edge perpetual calendar launched last year with the skeleton cal. 7139 inside the Code 11.59 and Royal Oak. And rounding out the trio is the first all-ceramic Royal Oak Perpetual Calendar powered by the cal. 7138. Initial Thoughts The open-worked version of AP’s latest-generation perpetual calendar movement arguably does most justice to a clever movement that is one of the most notable such movements on the market. While there was little visual difference between solid-dial versions of AP’s new perpetual calendars and the preceding versions, the open-worked examples are less similar, at least up close, as the perpetual calendar works are so clearly different. The new open-work dial givers owners a look at what is going on under the hood as they adjust the calendar, which I see as a significant value add given the unusual and innovative mechanics. While AP could have been more daring, the last year’s crop of Royal Oak Perpetuals were good looking watches. The new pair, in both Code 11.59 and Royal Oak formats, look nearly identical from an arms length to their predecessors. The open-worked models are mostly monochrome, the Code 11:59 is rhodium-plated white gold with a black ceramic mid-case while the Royal Oak is titanium with polished Palladium 500 bulk-metallic glass (BMG) accents and rose gold dial furniture. Neither break new ground for the b...
SJX Watches
Audemars Piguet (AP) updates the Royal Oak Selfwinding Chronograph 38 mm with a new manufacture calibre, sapphire display back, while slightly tweaking the iconic design – and retaining the price of its predecessor. The new cal. 6401 comes with welcome quality-of-life improvements such as a longer power reserve and instantaneous date without tradeoffs in wearability, beat rate, or even cost, making this compact chronograph one of the most sensible and compelling offerings in the Royal Oak line. Initial Thoughts AP debuted the first Royal Oak chronograph in 1997 and it was powered by the Frederic Piguet cal. 1185, a landmark movement for automatic chronograph design. Now, nearly three decades later, AP is a true industrialised manufacture, and the cal. 1185 has been replaced with the new cal. 6401, a modern movement that with meaningful upgrades under the hood. This also comes with some minute tweaks to the dial and a crowd pleasing display case back, while the case and bracelet remain as excellent as always. Laudably, this comes without a significant price increase, with the new Royal Oak Chronograph 38 mm in steel costing only 3.6% more than its predecessor. New Engine AP’s new cal. 6401 is a solidly-spec’ed movement despite being small and thin for a modern chronograph. It’s wide and taller than the Frederic Piguet cal. 1185 but only slightly. It is 27 mm in diameter (up from 26.2 mm) and 5.7 mm tall (up from 5.5 mm) though even with the addition of a sapphire ...
Question, suggestion, or just want to say hi? Drop a note.