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Results for Movement vs Caliber

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Review: The Zenith Chronomaster Original Triple Calendar In Lapis Lazuli WatchAdvice
Zenith Chronomaster Original Triple Calendar Oct 31, 2025

Review: The Zenith Chronomaster Original Triple Calendar In Lapis Lazuli

A forgotten 1970s prototype finally brought to life, the Chronomaster Original Triple Calendar Lapis Lazuli is Zenith at its poetic best. A celestial twist on a historic design, this is a watch that feels as timeless as the night sky it represents! What We Love The Lapis Lazuli stone dial is genuinely stunning. A vibrant, rich, and ever-changing under light, perfectly capturing Zenith’s celestial identity. The El Primero 3610 movement keeps the brand’s DNA alive with that iconic 36,000 vph beat and flawless integration of the triple calendar and moon-phase. Despite the dial’s visual complexity, the blue-and-white contrast and colour-matched calendar wheels keep everything clean, legible, and refined. What We Don’t The straight lugs don’t curve down enough, meaning the case can sit slightly proud on smaller wrists. At 14 mm, it’s not overly chunky, but some may find it a little tall, especially under tighter cuffs. As a complete calendar, it still requires five manual date changes a year, not a deal-breaker, but something to note for practicality. Overall Rating: 8.9/10 Value for money: 8.5/10 Wearability: 9/10 Design: 9/10 Build quality: 9/10 The story of the Zenith Chronomaster Original Triple Calendar is a fabled one, as it is about a timepiece that never made it to production, up until almost 54 years later, when Zenith went through their archives and found the original plans for this timepiece. While we can say that Zenith might’ve missed out on an incred...

Exaequo Adds New References to their Lineup of Dali Inspired Melting Watches Worn & Wound
Cartier Crash Oct 28, 2025

Exaequo Adds New References to their Lineup of Dali Inspired Melting Watches

It’s hard to overstate the impact that Salvador Dalí-and, by extension, the Surrealist movement-had on popular culture. What might now feel like a strange detour in an art history textbook was, in reality, a radical reimagining of what art could be. Dalí’s obsession with the unconscious, symbolism, and dream logic reframed art as a psychological response to culture, rather than just a mirror of it. In doing so, Surrealism paved the way for the Avant-Garde, Pop Art, and the way we think about art today. It’s no surprise, then, that Dalí’s legacy continues to ripple through design and (not to be dramatic here) time itself. Brands have long used his vision as a jumping-off point for their own explorations of time and perception, most notably, of course, through reinterpretations of some of Dali’s most famous works, like his 1931 The Persistence of Memory. The Cartier Crash, with its iconic “melting clock” case, is probably the most famous representation of this style; but it is not the only one. In fact, Exaequo has been producing its own version of a melting watch since 1990, with its latest references, the Polyhedron series, debuting at Time to Watches in Geneva earlier this year. While there will undoubtedly be comparisons between Cartier’s and  Exaequo’s two versions of a wobbly little timepiece, there is a marked difference between the two brands’ approach to the same reference source (not least of all the price). For the Polyhedron,  Exaequo...

Introducing – The Bold Colour of the New De Bethune DB28XS Yellow Tones Monochrome
De Bethune DB28XS Yellow Tones If Oct 22, 2025

Introducing – The Bold Colour of the New De Bethune DB28XS Yellow Tones

If you want to talk about an emblematic design of independent watchmaking, then the DB28 should be on the list. Born in 2010, this watch, with its incredible design, would become a working laboratory of innovation for the brand, developing titanium surface treatments and unprecedented materials for the movement. The DB28 and its floating lugs, […]

New: IWC Limited-Edition Portugieser Automatic 42 Year of the Horse Deployant
IWC Limited-Edition Portugieser Automatic 42 Oct 18, 2025

New: IWC Limited-Edition Portugieser Automatic 42 Year of the Horse

The Limited-Edition Portugieser Automatic 42 Year of the Horse is a commemorative timepiece released by IWC Schaffhausen to mark the upcoming Lunar New Year. Limited to 500 pieces, it features a 42.4mm stainless steel case, a burgundy dial with gold accents, and the IWC-manufactured 52011 caliber offering a seven-day power reserve. The rotor is shaped like a galloping horse, visible through the sapphire caseback. Pricing for this model is listed at approximately €14,800, though regional availability and final retail prices may vary.

First Look – Old Meets New On Board the Ulysse Nardin Freak S Enamel Monochrome
Ulysse Nardin Freak S Enamel Oct 16, 2025

First Look – Old Meets New On Board the Ulysse Nardin Freak S Enamel

The Freak, Ulysse Nardin’s avant-garde masterpiece, marked a before and after in contemporary watchmaking. Designed by wizard watchmaker Ludwig Oeschlin under the inspired leadership of Rolf Schnyder, the Freak was unleashed in 2001. With no dial, hands, or crown, the Freak upturned conventional time displays, relying instead on the movement’s rotation to tell the time. […]

Ulysse Nardin Illuminates the Freak S with Flinqué Enamel SJX Watches
Ulysse Nardin Illuminates Oct 16, 2025

Ulysse Nardin Illuminates the Freak S with Flinqué Enamel

Ulysse Nardin has revealed a new take on its flagship complication, the Freak S Enamel, now offered with a silvery titanium case and with the choice of either red or turquoise translucent flinqué enamel over an engine-turned guilloché dial. While mechanically unchanged, the cleaner case design and high-gloss dial plate transform the overall visual impression and intensify the focus on the central carousel, which serves as both the time display and the heart of the movement. A limited edition of 50 pieces in each colour, the enamel edition is the fourth member of the Freak S family, which was launched in 2022 as a higher-end, dual-balance evolution of the Freak Vision. Initial thoughts Since its debut a quarter century ago, the Freak collection has given Ulysse Nardin (UN) freedom to push the boundaries of movement design. While the usually crownless case and central carousel have become familiar over the years, each iteration still manages to feel like an experiment. The new enamel edition is the most aesthetically restrained Freak S yet; paradoxically, it also feels the most luxurious, trading exotic material combinations for polished titanium and brightly coloured enamel. The result is a watch that feels as radical as ever, but more refined. The 45 mm case, for example, is the simplest Freak S case to date: no carbon flanks, and no PVD coating. The traditional brushed and polished finish helps the large case fade into the background to allow the enamel dial and starshi...

Hands On: Petermann Bédat’s Reference 1825 Does More with Less SJX Watches
Petermann Bédat Oct 15, 2025

Hands On: Petermann Bédat’s Reference 1825 Does More with Less

Petermann Bédat has just unveiled its third model, the Reference 1825, which arrives two years after the Reference 2941 Split-Seconds Chronograph. The brand’s simplest watch to date, the 1825 is three hands but far from basic. In fact, the 1825 illustrates the cliche that less is more. Founded by duo Gaël Petermann and Florian Bédat, the brand departs from current fashion with the 1825, which has a restrained aesthetic front and back, though the movement incorporates enough subtle flourishes to make it distinctive and distinguished. The proliferation of open-dial time-only watches with overwrought finishing makes the quiet presence of the 1825 stand out. The cal. 233 of the 1825 Initial thoughts The recent enthusiasm for independent watchmaking has tended to focus on time-only watches of a specific sort, with open dials, exposed movements, and lots of finishing techniques. Naturally, independent watchmakers and brands have delivered in response to that demand. In comparison, the 1825 is old school in style and form, almost plain in fact, but I like it precisely because of that. The 1825 is appealing on two levels. One is tangible – it is an appealing watch on the wrist and clearly executed to a high level. The other is philosophical – I applaud Petermann Bédat for not going with current fads. The 1825 isn’t imaginative or radical, it is simply a simple watch of high quality that feels like it was conceived and executed by sincere, competent watchmakers. All ele...

Best of Both Worlds for The Citizen’s 30th Anniversary SJX Watches
Citizen s 30th Anniversary Citizen Oct 14, 2025

Best of Both Worlds for The Citizen’s 30th Anniversary

Citizen marks 30 years of its upmarket The Citizen collection with a matching pair of limited-edition 30th anniversary watches with aquiline ivory dials. Representing the best of both worlds, the pair offer Citizen’s best calibres in mechanical and analogue quartz watchmaking: one contains the automatic Caliber 0200, while the other boasts the top of the line, feature-rich Eco-Drive A060. The Citizen Caliber 0200 30th Anniversary Initial Thoughts While little known outside Japan and certain enthusiast circles, the eagle-crested The Citizen watches are arguably the best Citizen has to offer, and also a tantalising value proposition. Both models are good in their own right, though the automatic is the winner here. The Calibre 0200 model is probably the best made-in-Japan integrated bracelet sports watch currently available, combining the impressive case and dial finishing we’ve come to expect from premium Japanese watches, and a significantly more upscale movement than the King Seiko Vanac or Credor Locomotive. The quartz model is appealing, The Citizen has plenty of other quartz offerings with the same movement but more interesting dials. The Citizen Eco-Drive 30th Anniversary Eco-Drive cal. A060 The conical bezel and flat lug chamfers of the Eco-Drive model are flat polished using a spinning tin-plate, creating a near distortion-free mirror finish. A Duratec “Platinum” treatment, with a hardness of over 1,000 Vickers, protects the case and bracelet, and also gives ...

Longines’ Ultra-Chron Classic is a Double-Certified, High-Beat Chronometer SJX Watches
Jaeger-LeCoultre Geophysic E168 or IWC Oct 13, 2025

Longines’ Ultra-Chron Classic is a Double-Certified, High-Beat Chronometer

Longines continues to mine its archive to good effect with the Ultra-Chron Classic, a faithful reissue of the brand’s pioneering high-frequency wristwatch first launched in 1967. The Ultra-Chron Classic is more than just a remake of a vintage watch. While it has a clean, period-correct vintage aesthetic, the mechanics are entirely modern, namely a high-beat, 5 Hz automatic movement that is both COSC chronometer and TIMELAB certified. Initial thoughts Longines does well at bringing back beloved designs from the past, but built to modern standards. The Ultra-Chron Classic is the latest in a long line of historical reissues that began nearly two decades ago with the bestselling Legend Diver. The Ultra-Chron Classic is impressively faithful to the original in style, but because of that, not especially exciting in terms of design, retaining the all-business look that was common among high-performance gentlemen’s wristwatches of the era; the same criticism could be leveled at the Jaeger-LeCoultre Geophysic E168 or IWC Ingenieur ref. 666. In other words, the dial, hands, and indices are mostly true to the source material, but this pared-back look may have a harder time standing out in today’s market than it once did. Dressy? Classic? Or plain? Looks aside, the Ultra-Chron Classic is modern Longines at its best: a solid build, a brand-exclusive movement, proper sizing, and sensible pricing. The movement in particular stands out for being notable high-spec with its 36,000 bea...

Hands-On With The New Longines Ultra-Chron Classic - Honoring The Original High-Beat Ultra-Chron From 1967 Fratello
Longines Ultra-Chron Classic - Honoring Oct 13, 2025

Hands-On With The New Longines Ultra-Chron Classic - Honoring The Original High-Beat Ultra-Chron From 1967

Longines has a long history when it comes to high-frequency movements. Way back in 1910, the company received the first patent for a pocket chronograph featuring such a high-beat movement and capable of measuring 1/10th of a second. In 1959, Longines presented its first wristwatch with a high-frequency movement that only deviated about 1/10th of […] Visit Hands-On With The New Longines Ultra-Chron Classic - Honoring The Original High-Beat Ultra-Chron From 1967 to read the full article.

Five Further Non-Classic Omega Speedmasters Worthy Of Any Collection Fratello
Omega Speedmasters Worthy Oct 7, 2025

Five Further Non-Classic Omega Speedmasters Worthy Of Any Collection

When many collectors think of the Speedmaster, they immediately imagine the classic Moonwatch with its Hesalite crystal, 42mm asymmetrical case, and hand-wound chronograph movement. But for those willing to cast their net wider, the Speedmaster family offers a surprising variety of curves, quirks, and historical detours. So, following the wonderful response to our original article […] Visit Five Further Non-Classic Omega Speedmasters Worthy Of Any Collection to read the full article.

Hands On: The Cartier Santos in End-to-End Titanium SJX Watches
Cartier Santos Oct 7, 2025

Hands On: The Cartier Santos in End-to-End Titanium

In a first, Cartier has just unveiled the Santos de Cartier LM in titanium. Its flagship sports watch now features a case and matching bracelet in matte, bead-blasted titanium – specifically grade 23 titanium – while retaining all of the other familiar Santos design elements, including the exposed screws and traditional silvered dial. The Santos in titanium is powered by the same industrial 1847 MC movement found in its steel counterpart, and costs about 20% more, but has a great deal more tactile appeal. The watch is large, lightweight, and low-key. Initial thoughts The Santos was originally conceived as a sports watch in 1904, albeit not of the sort known today. The original was an aviator’s watch, but a tiny and thin watch more comparable to a 21st century dress watch. That history, however, meant that Cartier has rolled out several sporty-ish versions of the Santos in the past. It’s surprising that it took Cartier this long to put together a Santos in titanium. The smooth, blasted case finish has a great deal of tactile appeal, and the muted, matte aesthetic is equally appealing. Some might see this as being way too similar to the steel model – the two are indistinguishable at a distance – but that is part of its appeal. Almost twins, titanium (left) with a bead-blasted finish, and steel with a brushed finish and polished bezel Though the material is different, the exterior finishing is almost identical to that of the steel model, except that the brushed fi...

Louis Vuitton Revisits First Watch with the Monterey SJX Watches
Louis Vuitton Revisits First Watch Oct 6, 2025

Louis Vuitton Revisits First Watch with the Monterey

Louis Vuitton returns to its watchmaking roots with a recreation of its first-ever wristwatch, the Monterey. The remake sticks closely to the aesthetics of the original designed by architect Gae Aulenti in 1988, but is made to modern standards. While the original was a design-oriented creation with a high-tech (for the time) quartz movement, today’s Monterey is high-end in every way – case, dial, and movement are all contemporary high horology. Initial Thoughts The Monterey is an unapologetically nostalgic watch, and a yardstick against which Louis Vuitton measures its progress. In 1988, the Parisian malletier made its first foray into the watch market with Montre I, a private label affair produced by IWC and designed by Gae Aulenti. The 1988 watch was an impressive in terms of design and concept, but somewhat dinky in terms of tech: a multifunction quartz watch in gold powered by an IWC quartz movement that is no longer reparable. (It is also worth nothing that follow-up Montre II was clad in ceramic, possibly hinting at a sequel to this limited edition.) Now, Louis Vuitton wants the world to know it can make make a watch itself, only relying on external suppliers for the very most specialised components – and to a much higher standard than the Montre of the past. And the Monterey (a play on the American mispronunciation of montre, French for watch) completely eclipses the original in quality – much like the recent revival of Daniel Roth by Louis Vuitton. The Mont...

Voutilainen Squares the Circle With the KV20i Reversed CS SJX Watches
Voutilainen Oct 3, 2025

Voutilainen Squares the Circle With the KV20i Reversed CS

Voutilainen turns the popular three-hand formula inside out to put the movement front and centre, now with a titanium cushion-case for the first time. The KV20i Reversed CS is not revolutionary, instead building on the KV20i Reversed Cherry from last year, but the movement remains one of the best in its segment, with hands, case, and half of a dial to match. Initial Thoughts Kari Voutilainen is a seminal figure in independent watchmaking, partly responsible for the popularity of elaborately decorated three-hand watches with dazzling guilloche dials – and not just because his company, Comblémine, makes a good number of those guilloche dials for other brands. Mr Voutilainen was at least a decade ahead of his time with his Observatoire of 2007, a watch that, alongside Philippe Dufour’s Simplicity, cultivated a market for this format. Nearly two decades later, his watches stand out less aesthetically, but his quality remains superlative – and has even improved. An Observatoire made in 2007, now 18 years old. Image – Phillips The cushion-shaped case is a new variable in a familiar formula, taking after the unique TP1 pocket watch Kari and Venla Voutilainen made for Only Watch 2019. Four prominent security screws hold the case together, and make for a more contemporary aesthetic that works well with Kari’s already pleasantly eclectic style. And for better or worse (depending on the collector’s taste) the Reversed CS leaves ample room for customisation. Beyond the c...