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Quill & Pad
In 1995 Piaget, who was then part of the Vendôme group that would later become Richemont, entered the highest segment of the watch market by releasing a grande sonnerie wristwatch developed by François-Paul Journe. At the time, Journe was a freelance movement designer and hadn’t officially founded F.P. Journe yet.
Deployant
François-Paul Journe releases the final version of his Vegabondage trilogy line with this new release of the model 1 in Gold.
SJX Watches
One of the most unusual amongst F.P. Journe’s offerings, the Vagabondage I was the first of a trio that combined a tortue case with an unconventional time display, along with dials that feature no branding at all. Launched in 2004 and long gone from the brand’s catalogue, the Vagabondage I now makes a return with a new case, dial, and movement – all of which are improved over the original. Initial thoughts The original Vagabondage I was interesting because of its wandering, jumping hour display, along with the central balance wheel visible on the dial. Eighteen years later the new Vagabondage I is interesting for the same reason, because it is essentially the same watch. While the new Vagabondage I has been updated in several ways, ranging from a larger case to a new movement, it retains the familiar look. That also means it looks like a watch from the early 2000s with a slightly dated air compared to most wandering hours on the market today. But that’s exactly what makes it cool. It is an old idea but one that has been improved in just the right ways. Most important amongst them is the case, which wider and longer than the original, giving it dimensions almost identical to the Vagabondage II and III. It still remains elegant and wearable, but the new case size is more appealing than that of the original, which is a little too small. Inching forward Fans of the brand will be familiar with the story of the Vagabondage, but here’s a quick recap: it start with a on...
Hodinkee
After a collector friend called the Octa Quantième Perpétuel "the biggest miss in horological journalism in recent years," we knew it was time to take a closer look at this overlooked F.P. Journe.
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F.P. Journe’s second-generation Tourbillon Souverain, the” Tourbillon Nouveau” or “TN”, was the longest-lived iteration of his first wristwatch model. Produced for 15 years from 2003 to 2018, the TN was replaced in 2019 by the Tourbillon Souverain Vertical (“TV” for short), which was launched to mark the 20th anniversary of Francois-Paul Journe’s first tourbillon wristwatch. Though the first-generation Tourbillon Remontoir d’Egalite and second-generation TN were fundamentally identical – both combined the tourbillon with a constant force mechanism – the TN brought with it several improvements. Most notably, the TN marked F.P. Journe’s transition from brass to 18k red gold for its movement plates and bridges – an impressive breakthrough at the time. The Tourbillon Souverain Regency with a hand-engraved dial The development of the TN along with its various iterations have been detailed in The Tourbillon Nouveau Collector’s Guide by Shawn Mehta, founder of independent watchmaking merchant Watch4moi. Relying on information from F.P. Journe itself, Mr Mehta explains the differences between the first- and second-generation tourbillons before moving on to production numbers and variants. He estimates only 750-850 examples of the TN were produced over its 15-year production run, most of them in the standard catalogue variations. But in his opinion, the rarest standard configuration is likely the version with both the dial and case in rose gold. The ...
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Open to watchmakers aged between 18 and 30 from anywhere in the world, the F.P. Journe Young Talent Competition (YTC) is an annual affair that seeks to identify the most promising watchmakers of the future. Interestingly, any candidate who has “must have independently designed and created a timepiece and/or technical construction” can participate, whether or not he or she has formal training. A candidate can enter any type of timepiece – last year’s winner was 29-year old Mario Scarpatetti, whose entry was a longcase clock with a patented secular perpetual calendar mechanism of his own invention. The Kalendar Perpeten clock made by last year’s winner, Mario Scarpatetti Mr Scarpatetti won a CHF20,000 grant sponsored by Singapore retailer The Hour Glass, which is once again the prize for the YTC 2022. The winner will the selected by a jury of industry notables that include Francois-Paul Journe himself, Philippe Dufour, and Giulio Papi, who will make their choice according to four criteria: originality, technical complexity, aesthetics and finishing, as well as quality of make. Candidates can submit their entries on fpjourne.com.
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A short-lived model in production for just a few years – it was replaced by the Centigraphe in 2008 – the Octa Chronographe was nevertheless one of F.P. Journe’s most intriguing offerings in technical terms. While based on the standard cal. 1300 found in the simpler Octa models, the chronograph movement utilised a stopwatch mechanism integrated into the base plate under the dial. In other words, the chronograph was integrated but located where a modular setup would typically be. As a result the Chronographe remained the same height as less complex Octa models (though that thinness would cause a variety of problems with the functionality, especially with the date). Its technical details – which vary across generations – are just one aspect of the watch detailed in A Collector’s Guide for the Octa Chronographe by F. P. Journe by Shawn Mehta, founder of independent watchmaking merchant Watch4Moi. (At the same time it’s worth revisiting the guide to the F.P. Journe Tourbillon Remontoir d’Egalite that I wrote in 2016, making it one of the first-ever Journe “guides”.) Octa Chronographe no. 001 that sold at Phillips in November last year Though the first in numerical sequence, it was not actually the first example produced as indicated by its details Unlike many recent “guides” that rely on plagiarisation or secondary sources, Mr Mehta’s article cite facts and figures from F.P. Journe itself. For instance, he tells us that only 35 examples of the Octa Ch...
Revolution
The upcoming two-day auction by Ineichen Auctioneers (November 20-21) will see over 200 rare watches on the block, from brands including Vianney Halter, Audemars Piguet, A. Lange & Söhne, Patek Philippe, Vacheron Constantin, F.P. Journe and URWERK.
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The first Chronomètre Contemporain was the watch that vaulted Rexhep Rexhepi into the top league of independent watchmaking. Now the young watchmaker has debuted the followup, first as a unique example for Only Watch 2021. The Rexhep Rexhepi Chronomètre Contemporain II (RRCC II) resembles its predecessor inside and out, yet is entirely different in every aspect, from movement construction to the geometry of the lugs. But what it does share with the RRCC I is a gorgeously finished movement and thoughtful design. Initial thoughts On the face of it, the RRCC II for Only Watch looks like the original Chronometre Contemporain dressed in another dial. But it is entirely new in practically every aspect, right down to the geometry of the case. The RRCC II is akin to a generation of the Porsche 911 – the styling seems unchanged but it is actually a brand new car. The most obvious point of difference is the seconds hand – the RRCC II is a deadbeat seconds. That in itself is novel, because the jumping seconds complication is almost always implemented with a centre seconds. In fact, I can’t think of another watch with a deadbeat subsidiary seconds that isn’t part of another complication. In F.P. Journe’s tourbillon for instance, the deadbeat seconds is part of the constant force mechanism. Even the movement appears superficially similar, though it is quickly evident that it’s a new calibre solely from the two large jewels for the barrel pivots. This has twin barrels, in...
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F.P. Journe has swiftly become one of the most desirable independent watch brands, resulting in an ever growing selection on offer at auction. Perhaps the biggest single offering to date comes by way of Sotheby’s, which has amassed a 13-piece lineup of F.P. Journe watches for its upcoming Important Watches sale that takes place in Hong Kong on October 13, 2021. We round up eight of the most notable, a selection that naturally includes a Tourbillon Souverain “Souscription”, as well as several limited editions, ranging from Ruthenium to a Tokyo-boutique special. The full catalogue and registration to bid are available on Sothebys.com. Lot 2085: Octa Réserve de Marche with brass movement Originally the entry-level model for the brand, the Octa Réserve de Marche is today a stealth watch of sorts since it is still a simple watch, but an unusually valuable one. Launched in 2001, the Octa Réserve was part of the original trio of watches launched by Francois-Paul Journe, coming after the tourbillon and Resonance. Despite being the brand’s entry-level wristwatch at the time, it still boasted a proprietary movement with an impressive five-day power reserve, though the running time was originally envision was eight days, hence the “Octa” moniker. The cal. 1300 developed for the Octa Réserve would then go on to be the base movement for the entire Octa collection. The best part of the Octa Reserve is its asymmetric dial. Showing the time, date and power reserve, the d...
Deployant
F.P. Journe surprises us in his submission for Only Watch 2021 with an original idea to show time from Francis Ford Coppola.
Time+Tide
Although it hasn’t even reached its 15th birthday, Cartier’s Ballon Bleu already holds an incredibly firm standing in the world of fine watchmaking, and amongst the litany of iconic designs stemming from the jeweller of kings. Its universal appeal, holding a perfect balance between masculinity and femininity, combined with the quintessential elements that make it … ContinuedThe post The new and improved Cartier Ballon Bleu deserves to blow up appeared first on Time+Tide Watches.
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A variant of the fourth-generation F.P. Journe Tourbillon Remontoir d’Egalite, the Opus 1 Tourbillon was part of the inaugural project of the Opus series, the annual independent-watchmaker collaboration invented by Max Büsser of MB&F; fame. Named after the Opus One vineyard that’s also a joint venture between Americans and Europeans, Opus established Harry Winston as a bona fide watchmaker. Though Harry Winston has now put more emphasis on its primary jewellery business, its past Opus projects are mostly interesting and important examples of contemporary watchmaking. Ironically, despite being the opening act, the Opus 1 models were amongst the least novel, because they were essentially F.P. Journe movements dressed in Harry Winston attire. But that also makes the Opus 1 interesting simply because they were F.P. Journe. The Opus 1 was made up of three models – the Tourbillon, Resonance, and Reserve de Marche – each based on the equivalent F.P. Journe model, meaning an identical movement but a platinum case in the trademark Harry Winston style. Phillip’s Hong Kong watch auction this weekend includes an Opus 1 Tourbillon, which is worth a closer look, if for no other reason than the fact that it’s one of the rarest variants of the early F.P. Journe tourbillon. Initial thoughts The Opus 1 – any one of the three versions – is a peculiar watch. It is fundamentally an F.P. Journe, yet feels nothing like an F.P. Journe. If you closed your eyes and compared the two...
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Held annually since 2015, the Young Talent Competition (YTC) was established by F.P. Journe to identify and reward promising young watch- and clockmakers. Open to candidates between 18 and 30 years old from anywhere in the world, the competition is overseen by a jury made up of industry figures – including Philippe Dufour, Giulio Papi, and Francois-Paul Journe himself – with the winner receiving a certificate as well as a CHF20,000 grant to buy watchmaking tools. This year’s winner was Mario Scarpatetti, a 29-year old clockmaker from the town of Parsonz in the east of Switzerland. Mr Scarpatetti’s winning submission was the Kalendar Perpeten, a long-case pendulum clock wound by a block of marble from Mr Scarpatetti’s region. It’s equipped with a moon phase, running equation of time, and most importantly – a patented, secular perpetual calendar. Francois-Paul Journe (left) with Mario Scarpatetti The Kalendar Perpeten Mario envisioned a new type of perpetual calendar clock in 2016, as an extension of a concept he had realised in 2013 as a conventional perpetual calendar clock. A conventional perpetual calendar keeps track of the date, accounting 30- and 31-day months as well as leap years. However, such calendars still require adjustment every 100 years, as years that are divisible by 100 but not by 400 are not leap years, one of the quirks of the Gregorian calendar that is the norm today. As such, a conventional perpetual calendar will interpret the years 2...
Quill & Pad
One of the most incredible timepieces François-Paul Journe has ever created is the Sonnerie Souveraine. This chiming masterpiece took six years to develop and warranted ten patents. Joshua Munchow revisits the reasons why this masterpiece and its maker are legends in their own time, while Ian Skellern provides original photography and video of the stainless steel-encased grande sonnerie.
Quill & Pad
Alexandre Ghotbi takes a rather in-depth look at the more than 100-year history behind the high-precision Vacheron Constantin Chronomètre Royal . . . which came up because of a conversation about "the Batman." Find out what that means right here.
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Just as the new Octa Automatique is slated to join the catalogue, F.P. Journe is marking the 20th anniversary of the model with the Octa Automatique 20th Anniversary. The 99-piece limited edition harks back to the original Octa Réserve de Marche of 2001, then the brand’s entry-level watch. Like the 2001 original, the 20th anniversary edition has a grained, yellow gold dial with a silver sub-dial. And more notably, it is powered by the cal. 1300.3 – but with the bridges and main plate in rhodium-plated brass, just as it was on the original. One of the original Octa Reserve prototypes The prototype movement Initial thoughts The Octa Automatique 20th Anniversary is modestly novel, but will appeal strongly given how it revokes the first-generation model. Given the current outsized desirability of F.P. Journe’s early watches with brass movements, this will be a hot watch. Nips and tucks Though seemingly identical to the original model, the new Octa Automatique is subtly different in terms of design, and substantially different in movement construction. The displays have been rearranged and enlarged to suit the predominately larger case sizes offered by F.P. Journe today. While the original was 38 mm, the standard sizes are now 40 mm and 42 mm. As a result, the date display is slightly larger than before, while the hour numerals are also bigger. Because the date has grown in size, the power reserve display now sits marginally lower than where it used to be. A subtle detai...
Time+Tide
When Time+Tide last looked at a Hublot Big Bang Sang Bleu II, we described it as a “geometric ice palace” for the wrist. Well, the three new Sang Bleu II ceramic editions – coming in grey, blue and white – contain one colour that not only doubles down on that idea but also answers the … ContinuedThe post INTRODUCING: Hublot Big Bang Sang Bleu II: A trio in ceramic unlike anything you’ve ever seen appeared first on Time+Tide Watches.
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Having made its debut 15 years ago, the Ballon Bleu de Cartier is an upstart by the Parisian jeweller’s standards – the Santos and Tank, for example, are both over a century old. But the Ballon Bleu was an instant hit, thanks to its classically round case with a quirky and captivating crown, making it one of the brand’s best sellers. Now a new size has joined the line up, the Ballon Bleu 40 mm powered by the in-house 1847 MC automatic movement. It sits in between the 36 mm medium and 42 mm large automatic models, neither too big nor too small for current tastes (Cartier already has a 40 mm that is hand-wind). The new 40 mm automatic also incorporates a practical upgrade: the brand’s proprietary quick-release system for the bracelet and strap. And finally, the new size also includes new dials in a simpler, metallic finish – in either blue and grey – giving it a more contemporary look. The most traditional of the Ballon Bleu variants with a silver guilloche dial Initial thoughts The Ballon Bleu is over a decade old but still attractive in a timeless manner that Cartier’s classic designs always manage to be. But it’s unusual among the brand’s best-known watch designs. While the signature Tank and Santos watches are characterised by straight, hard lines, the Ballon is a made up of spheres and domes of varied sizes – the crown, case, crystal and even the case back are all lightly rounded, giving it a pebble-like feel that’s a little organic. Given the B...
Quill & Pad
GaryG finds the process involved in selecting a suitable gift for MrsGaryG fairly torturous. Nonetheless, he continues to do it. This time Gary focuses on two watches that he has happily added to MrsG’s collection as gifts: a pair of Élégantes from F.P. Journe. Find out why (times two!) right here.
Quill & Pad
At Baselworld 2018 young boutique brand Akrivia launched its Chronomètre Contemporain, the very first timepiece in the Rexhep Rexhepi Collection. To say that Joshua Munchow is impressed is an understatement, but there is more to it: this watch could represent a new, diverged direction for the independent watchmaker.
Quill & Pad
A two-and-a-half-minute trailer was recently released for the forthcoming documentary 'Keeper of Time.' The film primarily follows four independent watchmakers: Maximilian Büsser (MB&F;), François-Paul Journe (F.P. Journe), Philippe Dufour, and Roger Smith. It also features interviews by scholars in physics, physiology, and philosophy as well as primarily New York City-based watch industry observers, weaving related topics about time into its fabric.
Quill & Pad
The Astronomic Souveraine with minute repeater at its core is an astronomical grand complication, and like most F.P. Journe pieces it is incredibly well suited to any wrist and supremely easy to use because all the functions are set and adjusted by the crown. But is that the only reason Joshua Munchow loves it?
Time+Tide
Hublot’s Big Bang series has always been slightly outrageous since its 2005 release, but intentionally so. Large, loud, and undoubtedly luxurious, there could be no better candidate for a collaboration with Maxime Plescia-Büchi. The Swiss tattooist is responsible for the sprawling platform that is Sang Bleu, covering and influencing tattoos, clothing, typography, art - both … ContinuedThe post INTRODUCING: The Hublot Big Bang Sang Bleu II White, a geometric ice palace for the wrist appeared first on Time+Tide Watches.
Revolution
Gone is the steel ring, F.P. Journe’s perpetual calendar now comes with a silver dial and applied gold numerals.
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Introduced in 2013, the original Quantième Perpétuel was a concise perpetual calendar with useful features, as well as a peculiar, egg-shaped steel ring around the centre of the dial. Now the design has been refined – but all functionality retained – to create the new F.P. Journe Quantième Perpétuel with gold numerals. And though this was officially announced only recently, the watch has already been available at boutiques for several months. Initial thoughts Compared to the earlier F.P. Journe calendar watches, the Quantième Perpétuel was a big improvement with its highly legible display and improved user friendliness. But the first generation dial was odd because of the steel ring around the centre. That’s been changed with the new model, and the improvement is substantial. The new dial appeals because it doesn’t try too hard to be different. Instead, it differentiates itself in more subtle ways. And the boutique-only blue-dial version is unusual, which is a plus if you’re looking for something different. F.P. Journe has rarely used matte, dark blue dials on standard-production watches; historically only limited editions and custom watches had such dials. Silver and gold Borrowing the clous de Paris engine-turned centre from the Chronometre Souverain, the dial is made of solid silver, while the applied numerals and calendar window frames are solid gold. The addition of gold frames for the calendar do make the positions of the windows more obvious, whic...
Deployant
We take a look at the Hublot Big Bang Sang Bleu II, a watch created in collaboration with tattoo artist Maxime Buchi, now with a blue dial.
Deployant
F.P. Journe extends the Automatique Lune with the new Havana: with enlarged big date and bigger moonphase on a warm, tobacco coloured dial. Details within.
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Like the bizarre-looking, ultra-deep sea creatures that produce bioluminescent light, De Bethune’s DB28GS Grand Bleu boasts its very own, self-contained light source – hardly surprising given what De Bethune is all about. Since its inception in 2002, De Bethune has expanded its aesthetic and technical language, going from relatively classical, Breguet-inspired watches to timepieces that are at the cutting edge of modern horology. Most of its contemporary watches feature far-flung, otherworldly designs, a house style that no doubt made it challenging to ensure the Grand Bleu conforms to the ISO 6425 dive-watch specification. The resulting Grand Bleu is perhaps one of the most extravagant and extraordinary dive watches ever – this video shows the illumination in action. Though De Bethune dabbled in oversized sports watches well over a decade ago, starting with the DB24 Super Sport of 2007, the Grand Bleu is evolved from the more recent DB28GS launched in 2015. While the DB28GS was already a hardcore sports watch with a high-tech movement, the Grand Bleu takes it further -or mor eacccurately, deeper. It combines a brand-new case with a new movement equipped with a mechanical dynamo that powers a set of tiny LED lamps. The more sedate DB28 Grand Sport A new case The Grand Bleu is a large 44 mm, and rated to 100 m. At 12.8 mm high, it is thicker than most De Bethune watches but still slim for a dive watch. But the highlight of the case are the spring-loaded, open-wor...
Quill & Pad
‘F.P. Journe Invenit et Fecit’ by Jean-Pierre Grosz narrates the story of François-Paul Journe, one of the most successful independent watchmakers of our time. This book outlines both Journe’s incredible and – dare I say – courageous career and delves into his personal life, which wasn’t always rosy and light. A very atypical career that deserves the attention it receives with this book, Elizabeth finds it is a must-read.
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