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Quill & Pad
The summer travel season is here with people traveling in pre-pandemic droves. Pen lovers have a couple of brand-new opportunities – one from Montblanc and one from Montegrappa – to add to their must-do lists, whether as side trips when traveling nearby or as destinations all their own.
Time+Tide
People often conflate wristwatches and horology as being the same thing. But the latter, in fact, encompasses hundreds more years of history and tradition . The art of luxury clocks, whether for travel or for display on a mantlepiece or desk, is often reserved for lofty Swiss brands who have made significant advancements in clock … ContinuedThe post VIDEO: Louis Vuitton’s travel clock comes with its own tailor-made trunk appeared first on Time+Tide Watches.
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While historically popular watch brands have proven over decades if not centuries that they’re capable of greatness, there’s one edge that microbrands will always have. Wild experimentation is usually not something a big brand can do, as breaking away from their established production line is far too costly for a watch that may end up … ContinuedThe post MICRO MONDAYS: Bold and experimental, the Angles Chain of Time is a truly maverick watch appeared first on Time+Tide Watches.
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Launched in 2020 as a more wearable version of IWC’s signature large-format dress watch, the Portugieser Automatic 40 is a no-frills three-hander executed in a solid, workmanlike manner that is typical of the brand. Though novel for the current Portugieser line – it’s the smallest model in the lineup – the new automatic isn’t a wholly new idea. IWC did offer a “small” Portugieser some two decades ago, but Portugieser watches since then have been well over 40 mm in diameter. The large size of the various Portugieser models result from the movements, which either have a seven-day power reserve or chronograph, plus a few others that are even more complicated. That left a gap for a “small”, uncomplicated Portugieser. And so it has returned, combining the typical restrained aesthetics of the Portugieser line and the technical quality expected of IWC. Initial thoughts The Portugieser Automatic 40 is a wearable watch with a distinctive but classical aesthetic. Unlike its larger and more complicated counterparts in the Portugieser line, the 40 mm automatic is simple but still has the same recognisable aesthetic as well as a solidly engineered movement. It’s moderately sized, though a little thick due to the movement inside. The movement is a good one, which makes the case height acceptable, though a slimmer case would certainly be more appealing and also echo the vintage original more closely. The cal. 82200 Importantly, it is also eminently affordable. Con...
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Launched as part of the “Homage to F.A. Lange” 175th anniversary collection in HoneyGold two years ago, the 1815 Rattrapante was the only one of the trio that was all-new model. In fact, it was the German watchmaker’s first pure-play split-seconds chronograph, and surprisingly svelte by its standards. Though the anniversary edition sold out swiftly, the watch is making a comeback with a platinum case and silver dial. A pleasing and familiar combination most often seen on its simpler models, the silver-and-blue livery is uncommon for Lange chronographs, which tend to have dark-coloured dials, making the new split-seconds unusual. The anniversary 1815 Rattrapante Initial thoughts Essentially variation of the original with different case and dial, the new 1815 Rattrapante is still noteworthy because the original in HoneyGold was limited to only 100 pieces but deserved a broader audience because it was appealing on several levels. The watch is thin and understated, unlike most Lange complications, but nevertheless boasts a movement with the visual depth and impeccable decoration typical of the brand. While the new model has the standard movement decoration instead of a frosted finish, the most obvious difference between the two is on the front. The platinum version has an understated, tone-on-tone look that I prefer over the high-contrast look of the anniversary model. While the all-silver look may seem too simple at a glance, it’s been given a bit of life with red...
Deployant
As promised here is our hands on detailed review of the new Greubel Forsey Tourbillon 24 Secondes Architecture. With live photography.
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A watchmaker with many a musician as brand ambassadors, Audemars Piguet has just unveiled a quintet of sports watches sporting a motif inspired by the digital display of a graphic equaliser, a piece of audio equipment used to vary the volume of frequency bands. Taking its inspiration quite literally, the Royal Oak Offshore Selfwinding Music Edition has the familiar tapisserie dial pattern but dressed up with the vertical lines of the display on a graphic equaliser. And in its fanciest form, the latest model renders the equaliser motif in colour gemstones that continue onto the bezel. Initial thoughts As with many of the brand’s more extravagant releases, the Music Edition is almost tacky but manages to pull it off. Decidedly modern and very much over the top, the colourful chequerboard is a fun, striking look that distinguishes the watch from every other Royal Oak, which is an accomplishment given the strength of the octagonal design. Traditionalists will sure disprove of the way the tapisserie dial has been reinvented, but it is certainly in keeping with the bold and adventurous style of the Le Brassus watchmaker. And that has its appeal in moderate doses. The secret to such over-the-top watches is to do it infrequently and as long as AP doesn’t repeat this often or regularly, the Music Edition is different and cool. The dial of the gem-set model is blue aventurine glass, adding another layer of sparkle to the watch Between the two dials available, the gem-set versi...
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Conceived as a watch for explorers, the Ranger arrived in its current form with an Arabic-numeral dial in the 1960s, although the name dates to 1929. Although the model was revived in 2014, it never really caught on. Now that looks set to change with the brand-new Ranger that’s a subtly but substantial upgrade over its predecessor. Now housed in a better-proportioned case that now contains an in-house movement, the new Ranger becomes Tudor’s most affordable watch with a proprietary movement, thanks to its retail price that starts well under US$3,000. Initial thoughts For watchmaker that excels in affordable, reliable watches, the Ranger makes a lot of sense as it condenses Tudor’s key strengths in a compact, affordable package. The latest version of the model is equipped with the brand’s state-of-the-art features, including an in-house movement and the “T-fit” micro-adjustment clasp, but is priced at just US$2,725 on strap. In fact, the Ranger almost seems like Tudor intentionally making a point that it delivers arguably the best quality-to-price ratio in Swiss watchmaking. It is difficult, maybe impossible, to find another watch with the same tangible qualities for the same price. Aside from its technical features, the new Ranger is an intrinsically appealing watch, largely because it has better proportions and details than earlier version. Now 39 mm wide instead of 41 mm, the case is more appropriately given the design and historical inspiration. The diame...
Time+Tide
TAG Heuer has not been shy about taking plenty of inspiration from their back catalogue and integrating it into their new releases. Rather than just rehashing the same old design, however, they’ve always brought something new and/or improved to the table. We first saw this with the Tribute to Ref. 844, as the same iconic … ContinuedThe post A professional look for the TAG Heuer Orange Diver appeared first on Time+Tide Watches.
Hodinkee
In watch design, does fortune really favor the bold?
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Breitling’s recent releases have stuck to a familiar and effective formula – watches rooted in the brand’s heritage but updated to distinguish them as modern and original, exemplified by the redesigned Chronomat and Navitimer. Now the brand has taken the covers off the Superocean Automatic, a dive watch inspired by the SuperOcean Slow Motion chronograph of the 1960s. While it borrows the original’s two-tone dial and massive, oblong markers, the new Superocean is a clean, time-only watch with no complications and of course a modern construction that includes a ceramic bezel insert as well as quick-adjustment clasp. The SuperOcean Slow Motion ref. 2005 Initial thoughts I’ve always liked past versions of Superocean with bright-coloured dials because they were quite different from other dive watches without being overly fancy. By the same token, I like the latest version as the redesigned dial makes it stand out even more, once again without trying to do too much. No date is great In fact, the Superocean is arguably all about design. Being ETA powered, it is less competitive against offerings from similarly-priced offerings from likes of Tudor (which relies on more sophisticated Kenissi movements), so the Superocean has to excel in terms of look and feel. And it manages to do so with the combination of an extra-wide chapter ring around a “mini” dial, a bold and handsome design that is unlike most of its peers. Aside from the overall design, the dial also appe...
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A young brand that’s managed to pull together impressive knowhow across the supply chain – most notably by turning to Kenissi for its movements and recruiting Jean-Claude Biver – Norqain is all about affordable, sporty watches. Most of Norqain’s offerings stick to a similar formula, but of its more interesting watches is the newly-launched Independence 22 Skeleton. Sellita-powered and open-worked, the model was originally released as a 100-piece run with a DLC-coated case and bracelet. The limited edition sold briskly, which explains the new, regular-production version in steel with a tone-on-tone look that’s arguably better looking than its all-black predecessor. Initial thoughts Skeletonised watches that are affordable – meaning a retail price of US$5,000 or less – often look the part. Such watches are usually plain and occasionally cheap looking, purely as a consequence of price constraints. But the Independence 22 Skeleton manages to avoid that and it looks good as the sum of its parts. The Independence skeleton gets a lot right. To start with, the case measures 42 mm wide and 11.8 mm tall – it’s a big watch but the width-to-height ratio is well balanced; a smaller case would have made it seem disproportionately thick. The movement has been intricately open worked and most of the brass wheels have been rhodium-plated for a consistent, monochromatic appearance that illustrate the attention to detail in its design. Combined with the raised chapter ...
Time+Tide
Upon entering this crazy hobby of ours, one tends to immediately be pulled by the allure of timeless design. Watches from the ’60s and ’70s that live on and are lusted over decade after decade. Sadly, what we as beginners soon realise is that timeless design and affordability tend to live on opposite sides of … ContinuedThe post MICRO MONDAYS: The timeless design and affordability of the Waldan Heritage Collection appeared first on Time+Tide Watches.
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The vintage watch. A bogeyman to many a modern collector, it represents a mountain that seems too high to climb. Hard to find parts. Decades worth of damage. Frankenstein internals. Yet, even with all these potential pitfalls, vintage watches are still physical memories of our past. As such, whenever possible, they should be restored and … ContinuedThe post WHO TO FOLLOW: @wristwatch-revival is keeping the past alive appeared first on Time+Tide Watches.
Hodinkee
Introducing the not-so-pink watch designed by committee - The Certina DS PH200M.
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Grand Seiko has found success in modernising their back catalogue, taking case design cues from the 1967 original 44GS and powering them by their latest movement technology. As the fifth instalment in the 55th anniversary of the 44GS series, the Grand Seiko SBGP017 continues this trend, though it brings previously seen elements together in fresh … ContinuedThe post The Grand Seiko SBGP017 raises a refined middle finger to movement snobs appeared first on Time+Tide Watches.
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Designed a decade ago by Marc Newson, the industrial designer most famous for his Lockheed Lounge chair and the Apple Watch, the sleek hourglass is exceedingly simple yet remarkably complex to fabricate. It’s made of a single piece of glass – blown by hand in Switzerland – and filled with millions of tiny metal spheres known as nanoballs. De Bethune has applied its signature heat treatment to the object, resulting in the De Bethune x HG Timepiece Blue Hourglass, a limited edition pair of large and small timekeepers filled with heat-blued steel nanoballs. Initial thoughts More sculpture than timekeeper, the hourglass is a beautiful object that is incredibly simple yet impressive in its artisanal nature. The glass is blown by hand yet perfectly in form and proportions. The De Bethune touch adds another level of beauty to the object. Instead of the plated nanoballs found in the standard version of the hourglass, the Blue Hourglass contains blue nanoballs heat treated by Denis Flageollet himself. However, the addition of Mr Flageollet’s talents to the prowess of Swiss glassblowers comes at a high price. The smaller, 10-minute Blue Hourglass costs CHF25,000, more than double the price of the standard hourglass with plated nanoballs. That’s affordable relative to everything else than De Bethune makes, but it’s a steep premium for the hourglass. Tinkling timekeepers The Blue Hourglass is available in the two standard sizes: the larger, 60-minute timer and a smaller 10...
Time+Tide
As soon as the Rolex GMT Master II 126720VNTR was unveiled at Watches & Wonders, the great destro debate ensued. Rolex thrives on incremental updates, shaving lug widths, making subtle handset changes, offering new dial colours etc. As a result, decisions such as discontinuing the 39mm Rolex Explorer, and returning a 36mm variant to solely … ContinuedThe post We just found out what the year’s most hyped watch is really worth appeared first on Time+Tide Watches.
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The latest offering in Montblanc’s high-end chronograph lineup is the 1858 The Unveiled Secret Minerva Monopusher Chronograph. In many ways it looks and feels like the Minerva chronographs that came before it. The case remains extra-large because of the pocket watch movement within and it still has a fluted bezel along with cathedral hands. But the Unveiled Secret is totally different from its predecessors, as its movement has been inverted in order to bring the most interesting bits to the front. That required some mechanical rearrangement to accomplish, but manages to realise the desire often expressed by collectors who want to wear a watch with the finely finished movement showcased on the dial. Initial thoughts Hand-wind chronographs have been a specialty of Montblanc, at least for its high-end models, since it acquired Minerva several years ago. Minerva came along with its stable of historical chronograph movements, all traditionally constructed in an elegant, delicate manner, albeit in a slightly anachronistic manner since the calibres mostly dated to the early-20th century. As a result, Montblanc can count several impressive chronographs in its collection, but the Unveiled Secret does it differently. Though the inversion trick has been done before by other hands, the Unveiled Secret is still a little more creative and a little more interesting. It relies on a simple trick: the hands are mounted on what is ordinarily the back of the movement, while the entire mo...
Time+Tide
You’ve heard of square watches and rectangular watches. Even octagonal watches are essentially common these days. With around a century of experimentation since wristwatches were popularised, there’s not a lot of room left for brands to find something truly original, and yet Wolkov have managed it across all aspects of design. There must be hundreds … ContinuedThe post MICRO-MONDAYS: The Wolkov W22 shapes up with a truly innovative design appeared first on Time+Tide Watches.
Quill & Pad
Check out The Watches TV founder Marc-André Deschoux as he explains how the personal watch of Ressence's founder, Benoît Mintiens, works in this video. Mintiens wears the Type 2 e-crown and lent it to our pal Marc-André for several weeks.
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Bulgari have spent the last decade focusing on the Octo Finissimo as the flagship for their haute-horology endeavours, however there’s a growing movement from the Octo Roma range to offer more variety in the world of high-end art watches. The Bulgari Octo Roma Naturalia x Wang Yan Cheng is one of their boldest Roma designs … ContinuedThe post The Bulgari Octo Roma Naturalia x Wang Yan Cheng surges with organised chaos appeared first on Time+Tide Watches.
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While lesser known than wristwatches like the Tank and Crash, the mystery clock is as quintessentially Cartier as its wristwatch counterparts. Bonhams’ upcoming Hong Kong auction includes a prime example of the classic Cartier “Model A” mystery clock. The first type of mystery clock developed by Cartier, the Model A, made its debut in 1912 and the first example was sold to banker J. Pierpont Morgan. Compact but striking in its details and transparency, the Model A is essentially a block of rock crystal sitting on a mineral stone base with accents of gold, enamel, and diamonds. This example that will go on the block at Bonhams dates to 1928 and sits on an onyx base. The mystery clock, however, wasn’t invented at Cartier. Instead the clock with floating hands was conceived by Maurice Coüet, a clockmaker who was first a supplier to Cartier before joining the jeweller. Coüet in turn was inspired by the work of 19th century clockmaker-turned-magician Jean-Eugène Robert-Houdin, the inventor of the mystery clock concept. The Model A is a two-axis mystery clock with the driving pinions for the hands hidden in each column of the frame Notably, the Model A clock is being sold to benefit an Australian conservation non-profit, thanks to the late Antony Coote, a farmer and businessman whose family formerly controlled Angus & Coote, a storied name in Australian retail that was once the biggest jeweller in the country. After selling his family’s stake in 2006, Coote turn...
Hodinkee
From the most technical of desk divers to the newly SCUBA-certified, picking a dive watch is not always as simple as it should be.
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Having devised the granular Frosted Gold finish that’s now found on several Royal Oak models, Italian jewellery designer Carolina Bucci has teamed up once again with Audemars Piguet, but on a collaboration that goes in an entirely different direction. This time it’s all about contemporary materials and aesthetics with the Royal Oak Selfwinding Carolina Bucci Limited Edition 34 mm in black ceramic with an iridescent, laser-engraved sapphire dial and a generous dose of pink gold accents. Initial thoughts Though the Royal Oak has an unmistakable identity, Ms Bucci has proven that the iconic octagonal design can be a canvas for something different. Her latest creation proves that remains true. Although this is merely a new dial, the execution is novel enough to be interesting. The dial isn’t traditional in either technique or materials – the dial is ultra-modern in fact – yet still preserves the classic Royal Oak aesthetic with a chequerboard pattern that evokes its signature tapisserie guilloche. Pairing the iridescent dial with the muted black ceramic case makes the watch even more striking, resulting in an eye-catching aesthetic despite the moderate case of just 34 mm. Still, its modernity in both style and techniques means it could be criticised as a gimmick. But that is too harsh. It’s less timeless than a traditional Royal Oak, but still a timeless design. And it is definitely chic. The hands and applied markers are pink gold, as are the nuts on the bezel R...
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Mr McUtchen, a.k.a McSteamy, continues to leave me green with envy stateside. His latest escapades abroad include having an oceanside chat with actor Patrick Dempsey on all things TAG Heuer in Monaco for the Grand Prix – which he got to enjoy in a private box as well. It’s good to be the king… As … ContinuedThe post FRIDAY WIND DOWN: A McDreamy / McSteamy trip to Monaco & Hida hotness at The Armoury appeared first on Time+Tide Watches.
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Having already designed its own El Primero limited edition, Phillips has collaborated with Zenith and Voutilainen to create the Calibre 135 Observatoire, a limited edition of 10 watches each powered by a cal. 135-O. The movement was the specially-regulated variant of Zenith’s flagship chronometer wristwatch movement of the mid-20th century, conceived solely to participate in observatory chronometer contests. As such, the movements were never cased and sold, until now. Contained in a platinum case, the movements were light decorated by Voutilainen, which also supplied the guilloche dial via its dial making subsidiary Comblemine. Initial thoughts The Calibre 135 Observatoire is a good looking watch. It’s evidently modelled on the vintage model and doesn’t change too much of the original design, but instead injects a few elegant details that give it more refinement, like the guilloche chapter ring. These discreet flourishes are enough to set it apart as a higher end watch than the vintage original, which are more of a functional precision chronometer. More broadly, it’s a three-way collaboration that reflects the strengths of the collaborators to different degrees. For Phillips, the Observatoire is a sensible collaboration since it chimes with its strength in selling both vintage and modern watches at the top end of the price spectrum. And it also a perfect base for the auctioneer to utilise the discerning eye of the gentlemen behind the project, namely Aurel Bacs a...
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Historically a prominent participant – and winner – at observatory chronometer trials, Longines once had a stable of extra-precise, high-frequency movements, though the calibres have been long discontinued as were the chronometer competitions. Several decades later the watchmaker from Saint Imier pays homage to that history by reviving the Ultra-Chron, which is based on its namesake 1968 original but with a newly-developed high-beat movement contained within vintage-inspired, cushion-shaped case matched with a similarly retro steel bracelet. Initial thoughts The vintage Ultra-Chron is a good basis for a remake as it avoids being yet another vintage-inspired diver with a round case. While the design isn’t new, the cushion case distinguishes it from the competition, offering enthusiasts something less common. Personally, I like the functional, 1970s style of the Ultra-Chron; the red accents lend the watch the feel of an instrument. But going by how Longines has expanded the palette of the Legend Diver, additional, modern colours for the Ultra-Chron are a possibility (and a certainty if it sells well). But the new Ultra-Chron is notable not just for its style. Though the Longines catalogue has an impressive tally of historical remakes, all of its Heritage models to date contain standard movements identical to those found in the brand’s other models. The Ultra-Chron, on the other hand, stands out for the high-beat calibre that was developed specially for it (though t...
Time+Tide
What’s the biggest difference between Patek Philippe and Audemars Piguet? For me, while both manufactures embody the best of traditional watchmaking, Audemars Piguet does a far better job of re-interpreting their tradition towards modern sensibilities and bringing their creations to a younger demographic. It’s the 50th anniversary of the AP Royal Oak this year, and … ContinuedThe post Is the new AP Royal Oak Carolina Bucci Limited Edition the best rainbow watch design ever made? appeared first on Time+Tide Watches.
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Having already been revealed as a one-off for Only Watch 2021 – that sold for a record CHF800,000 – the Rexhep Rexhepi Chronomètre Contemporain II (RRCCII) has now made it into regular production, albeit as a limited edition. The standard RRCC II is identical to the example made for Only Watch, save for the dial. Inside is the RRCC02, an all-new calibre with twin going trains as well as an independently-driven deadbeat seconds with hacking and zero-reset functions. And the dial is a two-piece affair in fired enamel – black for the platinum model and translucent white for the gold. Initial thoughts With the first edition having become the signature watch of Akrivia, it’s no surprise that the RRCCII continues down the same road in terms of design. But the RRCCII is not just a facelift; it is an entirely new watch. The movement is a new construction in both layout and complications, while none of the case components are interchangeable between the two generations. At the same time, the movement decoration – the most easily observed quality of Akrivia watches – has been refined. It is impressively executed and even exaggerated in some respects. The bevelling on the bridges, for example, is remarkably broad for a relatively thin watch. The degree of technical advancement from the first to second editions is impressive and demonstrates Mr Rexhepi’s pursuit of progress despite his brand’s tremendous success. The RRCC02 is instantly recognisable as a new calibre...
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