5,647 articles · 175 videos found · page 91 of 195
Revolution
Sure, I get it. There is an immediate emotional response to “top ten” lists. For the masochists, there is the list of the top ten hottest women on the planet who could put a serious beating on you. Topping this is former Olympian and UFC champ Ronda Rousey affectionately known as the “Arm Collector” for her penchant for snapping her opponents appendages.
Revolution
The Antoine Martin Slowrunner that was released about a year ago came with a stupendously large balance wheel that beat at an astounding 1Hz. This was a watch that not only offered a very unique complication, but also came with a bunch of other useful everyday features. A date and a power reserve indicator came […]
Deployant
The slowest escapement ever made: beating at 1 Hz. The Slowrunner by Antoine Martin. The brand is now defunct, but the watch still holds record for being the ultimate slow beater.
Revolution
The Exotourbillon series of watches are the most refined to come out of the Institut Minerva de Recherche en Haute Horlogerie –Montblanc’s high end, high complications atelier located in the village of Villeret. The Exotourbillon gets its name from the construction of the 18,000 vph tourbillon that’s the centerpiece of the watch –it has no […]
Revolution
Patek Philippe’s Sky Moon Tourbillon is the most complicated watch in the 174 year old Genevan firm’s repertoire. First introduced as the ref. 5002, its 686 components add up to a unique combination of high complications. It starts with a tourbillon, adjusted to run within a very close rate of -2/+1 seconds maxiumum variation per […]
Deployant
Very interesting watch by JLC. Dual train, one running a constantly running foudroyante hand…furiously spinning in 1.6s steps at the rate of 1 revolution per second…mesmerising to watch. Here are our watchscape photographs of the Duomètre à Quantième Lunaire. As usual, images will open up 1920 pixels wide as wallpapers when you click on them.Read More
Hodinkee
What We Know When Gallet's relaunch was announced, I sat up in my chair a bit. My second cousin, once removed, has a vintage Gallet Yachting that once belonged to my great uncle, who was an avid sailor. I have fond memories of going out on my Uncle Bob's boat and sailing around the bay of Green Bay every few summers—well, fond when I was piloting and not getting seasick. All Gallet needed to do was not forget the Yachting watches of the past (and, hopefully, do a good job with the legacy), and I would be somewhat happy. Well, they did that, and a lot more. But let's start with another model first. Sitting at the top of the price range for the modern Gallet lineup, yet still below the Breitling offerings with the same movement (a key positioning for the group), are the new Gallet Classics, featuring three Multichron reissues, of sorts. All of them measure 38mm by 12.5mm with 46mm lug-to-lug, and share the same stainless steel case with slightly twisted and faceted lugs. The cases have stainless steel screw-down casebacks with sapphire displays. Despite that sapphire crystal, the entire package is rated to 100m of water resistance, protecting a Breitling B09 manually wound movement. While a bit thicker than the original Multichrons, the movement, caseback, and reliable water resistance are huge upgrades. You can see that the three watches differ only in dial treatment. At the top of this article is the only version with lume: the Tribute to Multichron 45, with a deep bla...
Fratello
Over the past decade, CIGA Design has surprised us with some wildly original creations. The most famous, without a doubt, is the Blue Planet, which has won multiple horology prizes, including a GPHG Award in 2021. Another remarkable series is the Everest, which celebrates the conquest of the world’s highest mountain. For its next release […] Visit Conquering Mount Everest With The CIGA Design Everest China 65th Anniversary to read the full article.
Hodinkee
What We Know Gerald Charles, known for their Maestro cases, continues to evolve that idea at this year's Geneva Watch Days, but this is the first time they've offered something where every piece is genuinely unique. It's based on a Gérald Genta design from 2007 called the Sarawak, a diamond-and-ruby integrated-bracelet watch created for the Royal family of Sarawak—unknown to the public until 2024—and the direct ancestor of the Masterlink. It's impressive to see the brand continue to iterate on Genta's own designs, decades on. The case looks familiar—it's a classic Maestro, coming in as a square at 38mm x 38mm. The svelte dimensions continue inside: a profile just 7.99mm thin, aided by the 2.67mm movement. There are three colorways here—Golden Rose, Rhodium, and Golden Yellow. The dial is clearly the focal point here, bringing a new element to the Masterlink lineup. Each dial is individually hand-hammered by an artisan at Gerald Charles's atelier in Geneva. It's made of maillechort—also known as German silver or nickel silver, a copper-nickel-zinc alloy — and is typically used for movement bridges and plates rather than dials. It wasn't chosen because it's easy to work with—quite the opposite: it requires longer production times, wears tools faster, and results in a higher rejection rate. Since each dial is hammered by hand, no two are identical, and there are no applied indexes here, leaving the hundreds of small facets in full view. Inside is the ultra-th...
SJX Watches
One of De Bethune’s earliest models was a jumping hours wristwatch and now the brand has returned to concept with the DB25 Digitale. While largely similar to the earlier version in terms of function, the latest Digitale is presented in a new format. This is the third iteration of the Digitale – the second was introduced some 12 years ago – and the most elaborate yet in decorative terms. The case is in the wearable DB25 style, but the dial is decorated with the brand’s hallmark techniques, wavy guilloche and star-studded heat-blued titanium. Initial thoughts The DB25 Digitale revives one of De Bethune’s initial concepts, the “digital” time display, but now presented in the De Bethune greatest-hits livery of expansive blued titanium decorated with both the sea and the stars. With its striking, high-contrast colours, the new Digitale looks more current than its predecessor that carried something of an Art Deco pocket watch aesthetic. Admittedly, the DB25 Digitale is a cosmetic makeover and doesn’t add much novelty in technical terms. But it is still very much up to date in technical terms, illustrating the remarkable technical innovation, driven by Denis Flageollet, which continues to serve as De Bethune’s foundations. The DB2144V3 movement remains a sophisticated calibre even though it’s over two decades old. In fact, it arguably boasts substantially more technical content that “new” movements recently debuted by startup independent watchmakers. At CH...
Hodinkee
What We Know While not a part of Geneva Watch Days (which starts this week), Chopard is preempting the show a bit with two new 25-piece limited editions in their L.U.C. line—the brand's in-house haute horlogerie division. The first up (and more expensive of the two) is the L.U.C. 1963 Heritage Regulator, a 40mm by 10.3mm watch in 18k ethical white gold with 30m water resistance. The dial—which conveys hours (in a subdial), regulator-style minutes, GMT, power reserve, running seconds, and date—is a sunburst-finished silver tone with blue-transferred numbers. The caseback showcases the manually wound, four-barrel (in series) L.U.C 98.02-L movement layout that delivers a massive 9 days of power (part of the Chopard Quattro technology). This kind of high-power-reserve movement has become pretty normalized for Chopard and, because of that, I don't think it gets the appreciation it deserves. The movement, running at 4Hz, is also fantastically finished and features a Poinçon de Genève quality hallmark, plus COSC accuracy certification. As mentioned, the L.U.C. 1963 Heritage Regulator is limited to 25 pieces and is now available, retailing for $50,900. On the sportier end of things is the 42mm by 11.48mm 1963 Heritage Chronograph cased in Lucent Steel. It features a deep blue sunburst-polished, galvanic-treated dial, an eggshell-colored printed dial, and Rhodium-plated white gold hands for the hours, minutes, seconds, chronograph, and 30-minute and 12-hour counters. The wa...
Monochrome
First presented in 2015, the Tudor Northflag (back then named the North Flag) was an important model for the brand. Not only did it bring back a 1970s style – that of the slightly controversial Ranger II, a bold exploration-inspired take on the integrated sports watch – but it mostly was Tudor’s first watch with […]
Hodinkee
What We Know This weekend, Formula 1 returns to Ferrari's home track (for the series, at least) of Monza, and with that return, TAG Heuer is releasing a new version of the eponymous Monza Flyback Chronograph. The watch was originally released in 1976 to celebrate Ferrari's return to the top with the constructors' and drivers' Formula 1 championships, with its black-coated case setting the stage not only for the model's future but also for similar releases from Heuer (and later TAG Heuer). A Monza isn't a Monza unless it's black, so this new release fits the remit perfectly: a 42mm by 15.22mm case in forged carbon, with red accents on the dial. Often known as the Niki Lauda (after the driver who won the title in 1976), the original watch featured a lot of red (and was reissued over a decade ago), though the dial layout has changed significantly from the original. This time, that red has been swapped around, with accents on the minute-counting and chronograph hands, the combination pulsometer and tachymeter flange scale, and the flyback mark at 6 o'clock. The date is still included, moved to 9 o'clock (which in turn puts running seconds at 6 o'clock), but with an angled window. The indices are all printed, and the hands and hour markers use white Super-LumiNova. The watch is powered by the COSC-certified Caliber TH20-12 automatic movement, running at 4Hz. TAG Heuer didn't provide specifications here, but past versions of the Monza with this movement had an 80-hour power rese...
Fratello
Jaeger-LeCoultre once again turns its iconic Reverso Tribute into a canvas for fine art. Hailing from the manufacturer’s Métiers Rares atelier, these four new creations celebrate the Venice-inspired works of J. M. W. Turner. The watches debut at the Homo Faber Biennial exhibition, which takes place in Venice throughout September. Curated by the Michelangelo Foundation […] Visit An Artistic Homage To Venice: The Jaeger-LeCoultre Reverso Tribute Enamel “Turner Series” to read the full article.
Worn & Wound
It’s somewhat hard to believe (well, hard for me to believe, anyway) but 2026 marks the ninth year of Ming. If you had told me in the earliest days of the brand in 2017 that less than a decade later they’d factor in as one of the more important independent watch brands of their era, I’m not sure how I’d have reacted. For me, the early days were a tough sell. Ming had trouble meeting demand for their watches in those first years, which can be a good problem to have of course, but can also lead to all kinds of issues with would-be customers as the expectations game gets played out in public. They’ve solved for that largely with smart planning, and a release strategy that sees a mix of accessible pieces with more haute horlogerie oriented fare, all with a design language that is immediately recognizable and all their own. To celebrate their ninth anniversary, Ming has introduced 57.05 Comet, a watch that features a worldtimer, one of the brand’s favorite complications, in an interesting new way. It’s also the latest watch in their fifth-generation design language, which incorporates a genuinely unique take on their own flying blade lugs, twisted with deep Art Deco tropes. According to Ming, the 57.05 takes its name from the de Havilland Comet, which aviation enthusiasts will recognize right away as the world’s first commercial jet airliner. The watch, like many worldtimers, is meant as both a useful aid to travelers and an ode of sorts to a more romantic e...
Hodinkee
Earlier this year, Longines started rolling out a refresh of its dressy, polished Master Collection. But while that update was relegated to a large array of time-and-date models, I think today's new product launch brings something much more noteworthy to the table. There are two main additions: one by way of an update to a classic Longines chronograph, and the other, the first monopusher chronograph designed for the Longines Master Collection. The Updated Master Collection Chrono Moonphase The first is a refresh of the Master Collection Chrono Moonphase, ref. L2.962.4.73.2, largely an aesthetic refinement over the outgoing model. First is the consolidation of two case options, 40mm and 42mm, meeting in the middle at a 41mm diameter for the new generation. The thickness of the stainless steel case measures 13.8 mm (down from 14.2mm), and the lug-to-lug comes in at a large but not oversized 48.6mm. The case silhouette remains largely untouched here, reflecting the soft, fully polished case design with little in the way of contrasting lines or faceting on the exterior, which is exaggerated by the polished concave bezel. Most of the changes come by way of the dial, which combines a whole slew of small design changes for what is, in my opinion, a significantly improved design. Iterating on the brand's familiar barleycorn-textured dial, Longines cleans up a lot of the typography for a much more balanced look overall. It's essential for what is quite a busy dial, needing to cra...
Fratello
Welcome back to another episode of Fratello On Air! We’ve been away for a couple of weeks, but we’re now back (sort of) and have taken the time to record. This week, we’re talking about the watches that got away. Yes, this is a sad episode, but not really. The fact is that both of […] Visit Fratello On Air: The Watches That Got Away to read the full article.
WristBuzz
Every enthusiast has this debate on a Sunday morning. Omega and Rolex have shared a shelf for 60 years, but the market has moved. Is the fair comparison still Rolex, or is Tudor the one that actually shops in the same €4k to €10k drawer? Five reasons for each side.
Fratello
Today, we have a slightly different story here on Fratello. This is the experience of one New Zealand photographer who has been diligently capturing the mechanical lives of pocket watches at the Tāmaki Paenga Hira Auckland Museum. There’s a big difference between commercial watch photography and museum archiving. Commercial photography is about selling a fantasy […] Visit The Photographer Preserving Centuries Of Pocket Watches to read the full article.
Worn & Wound
Ahead of the launch of the new stone dial editions of Maen’s Manhattan 37 Ultra-Thin, I got to test drive the Obsidian Snowflake variation. This was my first time seeing one of the models from the collection in the metal in addition to previewing one of the new dial materials. While stone dials have been used in watchmaking for decades and aren’t an entirely novel trend, I do feel they’ve been a bit overdone. However, I tried to put aside my eye roll for yet another stone dial and appreciate what’s interesting about these particular executions. So, here are my hot takes after going hands on. First off, I have to give the brand credit for the choice of the stones for the collection, which are relatively unique. Instead of the typical trifecta of tiger’s eye, lapis lazuli, and malachite, Maen has opted for onyx, golden swan, and obsidian snowflake. While onyx is another mainstay, you can’t go wrong with the classic look of an all-black dial, this time with a stone twist. Moving on, I’ll admit even as the resident woo-woo girl, I was not too familiar with golden swan. Even though I didn’t see this one in person, the photos look gorgeous – the mix of rust and black give the same versatile look as your go-to tortoise shell sunglasses. This variant seems like it would literally go with everything and make a great daily wear. Saving the obsidian snowflake for last, this stone is perhaps the most artful and offbeat of the lot. If you’re a person who loves neutr...
Fratello
Czapek & Cie introduces the Promenade Transparencies Aqua Blue, a new 38-piece limited edition that takes the transparency concept from the Czapek × Fratello Promenade Transparencies Viridian Green and gives it a new color palette and dial execution. The watch combines a 38mm stainless steel case with a blue fumé metallized sapphire dial, allowing Czapek’s […] Visit Movement And Dial Hand In Hand: Czapek Promenade Transparencies Aqua Blue to read the full article.
SJX Watches
A new day is dawning for Credor, which made its Watches & Wonders debut with the Locomotive “Dawn Blue” ref. GCCR995. Designed by Gerald Genta, the Locomotive was once the brand’s flagship sports model in the same vein as its more famous Swiss siblings, but with a quirky integrated-unintegrated bracelet. The obvious quality of the titanium case and bracelet make up for a weak spec sheet, but leave room for the Locomotive to grow alongside the newly international Credor marque. Initial thoughts The Locomotive is a great example of a watch that is more than the sum of its parts. In fact, it’s (almost) inexplicably nice for a watch with such a strange design, a mundane movement, and a micro-adjust-less pin-and-collar bracelet. While it’s cliché to say a watch looks better in person than photographs — and underestimates what a good photographer can do — I would say the Locomotive feels much better in person, like a watch of its price point should. The defining update for this edition of the Locomotive is its embossed dial, which features a repeating hexagon motif. The grooves that fill each cell are oriented at different angles, giving the dial a shimmering personality that changes with shifting light. At some angles, the dial is a uniform blue, while other angles produce an almost chequerboard-like effect. This backdrop is coated with layers of clear lacquer, enabling the Credor wordmark and (superfluous) “Automatic” text to float neatly above the three-d...
Hodinkee
This story is a special presentation from Hodinkee Japan, written and illustrated by Masaharu Wada, the Deputy Editor-in-Chief for Hodinkee Japan. For a young brand to revisit roughly 98 percent of the movement components in a GPHG-winning watch after receiving the award might ordinarily sound like cause for concern. But when I visited Fam al Hut's workshop in Taicang, Jiangsu Province, China, I came away feeling almost the opposite. More than anything else, that fact seemed to capture exactly where the brand stands today. A large industrial elevator takes you to the second floor, where the doors open onto a long central corridor. To the right, behind glass walls, designers and engineers gather around technical drawings. To the left is a production floor lined with five CNC machines and other machine tools. Farther inside are a prototyping room, a finishing department, a clean room for movement assembly, a quality-control room, a stockroom, and even a dedicated room housing a femtosecond laser machine. Not everything is made here. Cases and sapphire crystals, among other components, still come from outside suppliers. What Fam al Hut has built, however, is an environment in which it can control the design, prototyping, machining, assembly, testing, and continued development of its movements. For such a young independent brand, the scale of the operation was far beyond what I had expected. Fam al Hut was founded in 2024. The following year, its debut watch, the MARK 1 Möb...
SJX Watches
On October 25, 1967, Joe Ben “J. B.” Champion Jr. sat silently through the murder trial of a client named E. K. Bearden. It was the second time the prominent Texas defence attorney had conducted himself in this fashion in just a few months, claiming he had “used time to [his] advantage” during the trial. But no great strategy emerged and both clients were found guilty. Champion’s mysterious behaviour was concerning for a man who once objected to being called a “pretty good” lawyer, retorting “Pretty good? I’m the best!” The apparent carelessness of his courtroom antics contradict the fastidious elements of his personality that are apparent from his single-minded approach to watch collecting. Ardmore to Dallas Champion was born on August 16, 1917 in Dallas, Texas. His father’s oil royalties left him independently wealthy; he never needed to practise law to support himself, but did so anyway. Friends attributed it to the same competitive streak that had made him a regionally ranked tennis player before he turned to the courtroom. He stood an imposing six-foot-two inches by one account, and was accustomed to winning. He studied law at the University of Oklahoma and joined the family firm, Champion, Champion and Wallace, in Ardmore, commuting from a townhouse in Dallas. The Chateaubriand restaurant in Dallas. Image – SJX composite/Wikimedia By all accounts, he was a punctual man, and his evenings ran on a schedule as fixed as anything at the Geneva Obse...
Worn & Wound
Simple and sporty. That’s it. That’s the review. Well, sure, I can elaborate. Sinn likes to surprise us on occasion, and in the most Sinn way possible. Not by releasing something high-tech or with a ton of bells and whistles, though they occasionally do that, but rather by releasing something we didn’t realize we wanted as badly as we do. The U50 from 2020 is a great example of this. A simple concept, Sinn took their aggressive, modern dive watch design and shrunk it down to an easy-to-wear 41mm. It was a huge hit. Earlier this year, Sinn released the 544, a watch I don’t think any Sinn-head (not sure if that’s an expression) saw coming. Truly stripped down, the 544 is one of the cleanest expressions of Sinn’s no-nonsense, purpose-driven design philosophies. There is an expression I love that is attributed to Coco Chanel that goes like this: “Before you leave the house, look in the mirror and take one thing off.” It’s a great ethos not just for attire, but all things design. With the 544, Sinn has nothing left to take off, and that’s part of its charm. With that said, there are actually two versions of the watch (technically more if you include strap options): the straightforward 544 and the 544 RS, which replaces the white seconds hand with a fluorescent red/orange (they say red, I see orange). So, basically, the fully reduced model, and the model that kept one thing on. Well, I lacked the restraint to request the pure 544 as that hand looked sexy, so ...
Fratello
The case back is easy to overlook. After all, it spends most of its time pressed against your wrist, hidden from view. But turn a watch over, and the case back can reveal a completely different side of the design. For some collectors, a beautifully finished movement behind a sapphire crystal is one of the […] Visit Fratello Talks: Can A Case Back Make Or Break A Watch to read the full article.
SJX Watches
As it undergoes a late-in-life rejuvenation, Breguet has been steadily updating models long in its catalogue, including its range of tourbillon watches. The Classique Tourbillon 7357 is the long overdue evolution of the 3350/3357 that was introduced way back in 1989. Upgraded inside and out, the 7357 is the new entry-level offering amongst Breguet’s tourbillon watches, but it is now more obviously haute horlogerie with a new look and a new(ish) movement. The details and finishing of the 7357 illustrate Breguet’s manufacturing quality, despite being based on a model from three decades ago. The 7357 is available in Breguet gold or platinum (pictured here) Initial thoughts The 7357 is essentially the 3357, upgraded in every respect. Even though the watch pictured is a prototype, and not perfectly clean, the improvements in finishing, materials, and construction are obvious. Compared to the competition, the 3357 was arguably out of date even 20 years ago; in contrast, the 7357 is competitive. The decoration has jumped several steps upwards, which is most visible on the front with a refined tourbillon bridge. While the movement architecture is based on the Lemania cal. 387 of the 3350/3357, it now boasts a longer power reserve and non-magnetic hairspring amongst other upgrades. Like many of the other facelifted Breguet models, the 7357 adopts a new look but one that’s still recognisably Breguet – a gentle diversification away from the established Breguet wristwatch styl...
Fratello
Although it’s the heart of the summer break, Seiko is definitely not taking any time off. We have been enjoying a steady stream of releases from the Japanese brand. At Fratello, we are in the lucky position to see some of the new releases up front. The last time we were given a preview of […] Visit Seiko Explores The Unique Art Of Bonsai In Its New Presage Classic HCC009J1 to read the full article.
Worn & Wound
I’m not quite sure that it would be correct to say that pocket watches are “having a moment,” but I’ve certainly thought and written about pocket watches more in 2026 than in any year I can remember. Mostly that’s due to an approximately two week stretch earlier this year when the entire watch community was focused like a laser beam on the Royal Pop. I’m not exactly sure what happened since (has anyone actually seen a Royal Pop in the wild?) but that Swatch x Audemars Piguet collab remains one of the biggest stories of the year, even if they flew a little too close to the sun. There was also this Timex desk clock, which is basically a pocket watch with an integrated stand, and of course this new Horological Machine from MB&F;, which is not a pocket watch at all, but exists in that “watch as desk object” world and kind of begs the user to take the strap off the case for mounting purposes, leaving you with what amounts to a pocket watch without the chain or lanyard. OK, that last one might be a stretch. But nevertheless, when a press release from Bangalore Watch Company came through to let me know that the India based brand had created a midcentury style pocket watch, I started to think about the possibility that we might be in the midst of a trend. I don’t actually think we are – pocket watches perhaps are a little over the line on the anachronistic spectrum to catch on with enough people to make this a thing in 2026, but it’s a nice looking clock reg...
Monochrome
The seconds hand was a bit late to the party, as original pocket watches only featured an hour hand – movements were so inaccurate early on that even minute hands weren’t considered. Two key inventions changed the game in the mid-17th century, with one genius behind them. In 1656, Dutch scientist and horologist Christiaan Huygens […]
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