Results for LVMH Watches

The Curious Legacy of Audemars Piguet Calendar Watches Part 2.

Today, the legacy of Audemars Piguet Calendars lives on in the black version, made of hand-finished black ceramic: the 2017 Royal Oak Perpetual Calendar

Video: The Malle Mile x Tudor Watches

8 Monumental Richard Mille Watches According to Richard Mille

Top 5 Hublot All Black Watches

MR PORTER Begins Retailing Oris Watches

Fredrique Constant Group to be acquired by Citizen Watches

Pre-SIHH 2016: IWC Big Pilot’s Heritage Watches and the entire revamped line of Pilot’s Watches.

IWC revamps their Pilot's Watch lineup with many new models and rework on old models. In this article, we provide details on the Big Pilot's Heritage Watch 55 and 48.

Pre Baselword 2015: Hublot Big Bang Ferrari watches

Hublot Big Bang Ferrari new models for Baselworld 2015

Reactions: Patek Philippe 175th Anniversary watches.

Patek Philippe 175th anniversary, featuring the Grandmaster Chime...

A Handful Of Magic: Panerai’s Pocket Watches

If there were an Academy Award in the watch world for brand that’s evolved not only furthest, but also the most intelligently, from its origins, the ladies and gentleman of the Academy might well have to give the award to Panerai.  For much of its history a somewhat obscure maker of instruments for the Italian […]

Richard Mille Watches – The Billionaire’s Masonic Handshake

Milestones: Two Centuries, Two Breguet Tourbillon Pocket Watches

On November 11th we were lucky enough to attend the opening of the exhibition, “Breguet The Innovator: Inventor Of The Tourbillon,” (which ran from November 11-17 at the 5th Avenue boutique in New York) –a traveling round up of Breguet tourbillons that included virtually every modern tourbillon the company makes today, as well as a […]

Cartier Chronographs; Two Watches, One Heart

Chronographs are probably the most popular complication. They are pretty affordable (for a complication) masculine and have a sporty appearance that most men like, weather we’re talking mono poussoir chronographs or the three button chronographs, it’s a type of watch that we find in almost any watch collection. Cartier has currently two interesting chronographs in […]

Tiffany & Co. Watchmaking Kicks Off with Bird on a Flying Tourbillon

Having acquired Tiffany & Co. in 2020, LVMH set about remaking the storied American jeweller. That extended to Tiffany’s watch division, which now debuts the first flagship creation under new ownership, the Bird on a Flying Tourbillon. Led since 2021 by Nicolas Beau, the former chief of Chanel watches, Tiffany’s watch division turned to independent watchmaker Artime for the movement of the new tourbillon. Set with some 4 carats of diamonds, the Bird on a Flying Tourbillon features an off-centre dial layout with a flying tourbillon at seven o’clock, along with a turquoise marquetry dial bearing a pair of diamond-set birds in flight. Initial thoughts One of Tiffany’s best-known jewellery designs, the Bird on the Rock has been a fixture in the brand’s catalogue for decades. A horological twist on the concept, the Bird on a Flying Tourbillon is clearly part of an effort to position the design as a versatile icon that is Tiffany’s equivalent of the Serpenti. It’s a little bigger and thicker than the traditional ladies’ watch, though reminiscent of the MB&F; LM Flying T. The reason for the size is the AFT24T01 movement inside, which is more interesting than usual as it was developed for Tiffany & Co. by Artime, a recently established independent brand. The AFT24T01 has a high quality execution with appealing details, but it’s related to Artime’s own calibre for a men’s skeleton tourbillon, explaining its large size. As an opening effort, the Bird on a Flying...

Hands-On: TAG Heuer Monza Flyback Chronometer

LVMH Watch Week, the year’s first significant watch fair, just kicked off in Singapore. In some ways a warmup for Watches & Wonders in March – the biggest watch fair of the year – the LVMH Watch Week is where the watchmakers owned by the French group show off their wares. Amongst them is TAG Heuer, which has revived one of its less-known racing chronographs from the 1970s but in a thoroughly modern style. The Monza Flyback Chronometer is a flyback chronograph featuring an open-worked dial and a 42 mm carbon composite case. Initial thoughts Perhaps the most aggressively modern chronograph in TAG Heuer’s current line-up, the new Monza liberally reinterprets the 1970s original. While the vintage Monza is not famous as the Carrera or Monaco, it is interesting in several respects, including the fact that it was the first serially-produced Heuer to sport a black-coated case. The carbon case and open-worked, asymmetrical dial show another face of TAG Heuer, but one that still fits with its motorsports-chronograph heritage. Certainly a TAG Heuer that is different, the Monza has clearly been conceived to cater to contemporary tastes, which is a good thing given that TAG Heuer already has an ample offering of faithful vintage remakes. But the new Monza comes with a caveat, a steep price. Coming in at US$13,500, the Monza costs double the Autavia Flyback Chronograph that has the same movement but a no-frills steel case. Even considering the carbon composite case and fanc...

Review: The Trafford Crossroads S 36 & 40

It will be impossible to talk about the new Trafford Crossroads S without discussing the size of the case in great detail, which I fear might be disservice to the watch as a whole, because there are a lot of very nice things about the Crossroads, and it’s one of the most charming new watches from a microbrand that I’ve seen in some time. But the case size is critical, because Trafford has walked a very interesting line with this release, debuting the Crossroads S in two sizes and marketing each based on how they feel the case wears, not its actual measured size. It’s getting by on vibes, as the kids sometimes say. It also capitalizes smartly on the growing trend we’ve seen for smaller, more discreet watches in a really interesting way.  The Crossroads S is actually two watches: the Crossroads S 36 and the Crossroads S 40. Neither of these watches are named for their actual measurements, though. Instead, Trafford has used these pretty commonly understood sizing conventions to name the watches based on how, in their estimation, they actually wear. The Crossroads S 40 measures 35mm x 36mm, while the Crossroads S 36 comes in at 31mm by 32mm (both are 9mm thick). Looking at the watches side by side, and compared to other watches in circular cases that are true 40mm and 36mm cases is an interesting lesson in how we perceive size depending on shape. It also, in my opinion, illustrates how one of these watches is absolutely the “correct” size while another is, well, n...

First Look – The New Angelus Instrument de Mesures, Three Historic Chronograph Scales in One

Throughout all its phases of life, Angelus has been responsible for several milestones in wristwatch history, including some of the earliest chronographs with calendar indications. Its robust eight-day movements famously found their way into vintage Panerai watches. Succumbing to the quartz crisis, the brand’s revival began in 2011 under La Joux-Perret’s ownership. In recent years, […]

Review – Exploring Chinese Watchmaking, with the Peacock Divine Ultra-Thin Tourbillon (Incl. Video)

Chinese watchmaking is often frowned upon at best, but things have changed in the past few years. More often than not, we categorise Chinese watches as entry-level (to remain polite) or counterfeits. No need to say, this is very simplistic. But we have decided to forget our prejudices and to make up our minds by taking […]

Complicated Collectors: Edgar Mannheimer

London, 1965. Christie’s had arranged the third and final part of the Sir David Salomons Collection for sale — a sequence of Breguet watches assembled by the Victorian baronet whose obsession with Abraham-Louis Breguet had produced the most important English-language study of the watchmaker’s work. When the bidding closed, one man had bought every lot in the catalogue. Continuing our ongoing Complicated Collectors series, Edgar Mannheimer left an indelible mark on watch collecting. He was 40 years old, and had settled in Zurich a decade earlier with nothing but the instincts he had developed in the post-war black markets of Germany. He was not a collector in the sense that he did not keep what he bought. What he did, with a consistency and conviction that separated him from every other figure in the mid-century horological trade, was understand, ahead of the market, what something was worth. The Salomons lots were subsequently divided between two collectors. It was, in miniature, a portrait of how Mannheimer operated: he absorbed the risk, resolved the complexity, and left his clients with the watches. Neutitschein and Auschwitz Edgar Mannheimer was born on December 23, 1925, in Neutitschein, Moravia, into a family whose presence in the town was visible and established. His father ran Marsmalz, a confectionery business prominent enough to operate the community’s first delivery van — a small but telling detail about the family’s position within a world where Je...

Business News: Minerva Repositions In New Role As “Distinct Entity” Within Montblanc Brand

New watches will display the standalone Minerva name on the dial.

Introducing – The New De Bethune DB25Vxs Silver Moon

Watches manufactured by independent brand De Bethune are in a class of their own. When you look at one of the brand’s new creations, it often feels like the watch has always been part of the collection. And yet, there is an ever-renewed creativity, with countless new details waiting to be discovered, with a unique mix […]

Atelier Wen Introduces a New Perception with a Rare Natural Pietersite Dial

Last year, Atelier Wen released one of my favorite watches of the year in the Inflection, a bold and ambitious integrated bracelet sports watch in tantalum. The reaction to that watch, to my mind, was puzzling. While there were certainly many supporters and admirers of the Inflection, there was also a vocal contingent of enthusiasts on Instagram and various watch blog comment sections (who, to be fair, were probably not customers for this particular watch anyway) griping about the price, and the fact that a brand centered on value and approachability would even make a watch like this (the retail price is just shy of $30,000).  I’ve never cared much for the notion that a brand that makes affordable watches can’t also make watches that are very, very expensive. It’s all relative anyway, right? Rolex makes watches that are considered entry points to the brand at right around $10,000, but they also have watches in their catalog that sail into the six figures. That’s a pretty big delta, certainly larger than the one between Atelier Wen’s entry level pieces and the Inflection. But that’s a topic for another day. Today, we’re focusing on Atelier Wen returning their bread and butter, the Perception, an integrated bracelet sports watch they’ve been iterating on for several years now, this one in steel with a natural pietersite dial.  It’s tempting to say that this watch represents Atelier Wen jumping on the stone dial trend, but the pietersite of it all changes ...

Recap – The Finest New Watches Of LVMH Watch Week 2026

We’re only about three weeks in, but the first annual watch fair is already behind us. LVMH Watch Week served up some very lovely new watches from within the LVMH group’s brands: Louis Vuitton, TAG Heuer, Bvlgari, Hublot, Zenith, Daniel Roth, Gérald Genta and Tiffany. And even though the amount of new watches on display […]

Thirty Days with the Christopher Ward C12 Loco

‘Micro-brand’ watches are rarely about finishing or movement design. The business model employed by this segment of the industry typically involves off-the-shelf movements combined with made-to-order cases and dials; this is how Christopher Ward (CW) got started. But having merged with its movement supplier a decade ago, the brand has become more ambitious, first with the striking Bel Canto and again with the C12 Loco, which reimagines the Valjoux cal. 7750 as a budget-priced mechanical sculpture inside a sporty steel case. Architectural watchmaking is not new, but it is new at the price point targeted by CW, which recently moved into larger premises in Maidenhead about 30 minutes west of London. Having spent a month with the Loco, it’s worth looking at what they did, and how. Initial thoughts I find architectural watchmaking inherently appealing, and appreciate it when watchmakers and designers work in tandem to elevate mechanical components into miniature works of art. It can come across as gimmicky, but when done well it results in an enthralling and educational wearing experience. Given the steep development costs, this type watchmaking has long been the exclusive domain of high end brands like MB&F; and Ulysse Nardin. But CW has been moving in this direction since the launch of the Bel Canto, and the Loco, despite its relative simplicity, is a worthy follow-up to its striking sibling. Sitting within the Twelve collection, CW’s take on the integrated bracelet sp...

Introducing: The Impressive And Colorful Farer Lissom Collection

Farer watches always stand out in the large crowd of available options today. The British brand creates watches that distinguish themselves through playful yet clever designs. The elegant case shapes, arrow-shaped brand logo, distinct numeral style, and colorful dials ensure that the watches are instantly recognizable. In particular, the colors stand out to me. Farer […] Visit Introducing: The Impressive And Colorful Farer Lissom Collection to read the full article.