69 articles found · page 2 of 3
Hodinkee
A world's first chiming chronograph from Akrivia kicks off a quintet of limited edition collaborations for Louis Vuitton.
Deployant
Master watchmaker Rexhep Rexhepi was in Singapore recently. Here is the Behind The Scene of the portrait session using my Sinar large format camera.
SJX Watches
Rexhep Rexhepi is certainly a star in independent watchmaking, particularly in the last three years as “indies” have become fashionable, leading to a proliferation of brands and spike in prices. But like the recent popularity of independent watchmaking as a whole, Mr Rexhepi’s success is relatively recent and its longevity has yet to be proven. Now just 36 years old, Mr Rexhepi founded Akrivia in 2012 before starting to make watches under his own name when he debuted the Rexhep Rexhepi Chronomètre Contemporain I (RRCC I) in 2018. Does he have what it takes to become a great watchmaker in the decades to come? I sought to find that out by uncovering his motivations and vision during his recent visit to Singapore. The interview has been edited for clarity and length. SJX: Your RRCC I sold for almost US$1 million at auction in May. How does that make you feel? Rexhep Rexhepi (RR): Honestly, it’s always strange because I never really expected this. As a watchmaker that you want to control everything, even all small details, but unfortunately I’m not able to control that. It happened and I can’t do anything about it. I feel a little more pressure because people expect more now. I’m also afraid that people will change their minds [about my work]. I don’t want to change what I want to do and I don’t want to attract more people who want only to invest in my watches. I worry about that. But again, I know that maybe the market will not stay like this, but we try to...
Quill & Pad
The classic design of the Akrivia RRCC II’s dial has roots in founder Rexhep Rexhepi’s vision of high-quality nineteenth-century pocket watch dials adorned with high-fire enamel and combined with a modern twist based on “sector” dials of the 1930s and '40s. But there's much more to this brand-new watch than that as Elizabeth Doerr explains.
Revolution
Hodinkee
The lauded independent watchmaker brings a striking new movement to a stainless steel case for this year's charity auction – and likely beyond.
Revolution
SJX Watches
Having dropped tantalising clues about his creation for Only Watch 2023 a few weeks ago, Akrivia founder Rexhep Rexhepi has finally taken the covers off the Rexhep Rexhepi Chronomètre Antimagnétique. A unique creation with a brand-new movement, the Chronomètre Antimagnétique (RRCA) is a time-only wristwatch with a steel case, one that was inspired by the magnetism-resistant chronometers of the mid-20th century. Its design has clear roots in vintage watches, while the movement features an indirect centre seconds with a hacking, zero-reset mechanism. Initial thoughts About the half the offerings in Only Watch 2023 are from independent watchmakers, but the creations vary tremendously in their originality and effort. Amongst the independents that created genuinely new watches for the event is F.P. Journe, whose Chronomètre Furtif Bleu is the first of a new sports model and likely the only watch ever made by an independent that boasts a tantalum bracelet. At the low-effort end of the spectrum is Moritz Grossmann that added “Only Watch” to the seconds register of a regular-production model and called it a day. The RRCA sits alongside the Chronomètre Furtif Bleu as being impressively original. The RRCA has an newly-designed steel case with a removable outer back and within, a calibre that inherits the distinctive Rexhep Rexhepi aesthetic but is newly developed from the ground up. Even though it is a simple watch with just three hands, the movement is executed in the Mr ...
SJX Watches
One of the most anticipated creations by an independent watchmaker at Only Watch 2023 is the Rexhep Rexhepi Chronomètre Antimagnétique. Almost certainly amongst the most valuable watches in the sale, the Chronomètre Antimagnétique (RRCA) is a time-only wristwatch in stainless steel containing a Faraday cage to protect the against magnetism. It is the third timepiece created by Rexhep Rexhepi, founder of Akrivia, for the biennial charity auction. Though the specifics of the watch remain under wraps, a few facts have been revealed in the announcement. The dial will be “sector” or “scientific” style, while the case is stainless steel and made by the workshop of Jean-Pierre Hagmann. Classically proportioned in the typical Rexhep Rexhepi style, the case measures 38 mm by 9.95 mm. Interestingly, the case features a double back comprised of an inner sapphire back and an outer back that can be unscrewed by the wearer. And most importantly, the movement is a new construction. While the Chronomètre Contemporain I and Chronomètre Contemporain II that Rexhep Rexhepi created for past instalments of Only Watch were variants of standard models, the RRCA is equipped with a calibre developed from the ground up for the model. The RRCCII calibre inside the timepiece made for Only Watch 2021 While I can’t say any more about the watch, I can state that the RRCA deftly combines historical inspiration drawn from the magnetism-resistant watches made by the great watchmakers of Gen...
Hodinkee
Rexhepi has carefully picked the lucky few to get his watches, but the auction will be the first data point for the watchmaker's potential wider market.
SJX Watches
One of the most anticipated watches by an independent watchmaker to go under the hammer this season has set a record: the Rexhep Rexhepi Chronomètre Contemporain I (RRCCI) in pink gold sold at Phillips’ Hong Kong auction for HK$7.24 million including fees, equivalent to US$924,000. Notable for being in an ordinary, as opposed to charity, auction, the result of almost US$1.0 million puts its maker, the founder of Akrivia, in rarefied company alongside the likes of F.P. Journe, the only other independent watchmakers whose time-only watches can sell for such sums. The RRCCI that just sold was the first example of the model to emerge at auction, with only one other example having sold on the secondary market but privately. With the watch already sold out and a long waiting list for its successor, the RRCCII, there were high expectations for the watch at Phillips, which originally retailed for under US$70,000. Everyone’s on it The excitement as the lot came up was palpable. Auctioneer Aurel Bacs commented that so many bidders were phoning in that every Phillips employee on the phone bank was on the line. Although there were at least a half dozen bidders to start with – all on the phone save for one room bidder – the contenders thinned out at the HK$4.00 million mark. Remaining were just three bidders: Alex Ghotbi and Tiffany To of Phillips on the phones with clients, and the gentleman at the back of the room. Both based in Geneva, Mr Ghotbi and Ms To were presumably re...
Hodinkee
Earlier this year, LV Director of Watches Jean Arnault teased a serious committee. Today, the names are revealed.
Hodinkee
Jean-Pierre Hagmann and Rexhep Rexhepi are active preservationists for one of the most traditional – and overlooked – crafts in watchmaking.
Quill & Pad
If you follow the world of independent watchmaking, by now you’ve almost certainly heard of watchmaker Rexhep Rexhepi and his Akrivia watches. Since arriving on the scene in 2012 with its first tourbillon-based watch, Akrivia has continued to delight. But is this independent bound for glory? GaryG predicts the future.
Revolution
Revolution
Wei speaks one-on-one with Rexhep Rexhepi, a panelist from our Legends of Independent Watchmaking Horological Symposium at Geneva Watch Days 2022, to learn about his journey of becoming one of the most celebrated watchmakers in the modern era. It has been 10 years since Rexhep founded AkriviA and in that time he has had to […]
Quill & Pad
The Watches TV has a popular series called “Walkthrough” in which Marc André Deschoux and his camera team film as they walk around an artisan’s workshop. In this episode, Deschoux and team visit the downtown Geneva atelier of independent sensation Akrivia with founder Rexhep Rexhepi.
Hodinkee
Subtle improvements make a significant impact for the young Akrivia watchmaker.
Deployant
Akrivia releases the successor to the hit Rexhep Rexhepi Chronomètre Contemporain - now with a seconde morte movement. Introducing the RRCC II.
SJX Watches
Having already been revealed as a one-off for Only Watch 2021 – that sold for a record CHF800,000 – the Rexhep Rexhepi Chronomètre Contemporain II (RRCCII) has now made it into regular production, albeit as a limited edition. The standard RRCC II is identical to the example made for Only Watch, save for the dial. Inside is the RRCC02, an all-new calibre with twin going trains as well as an independently-driven deadbeat seconds with hacking and zero-reset functions. And the dial is a two-piece affair in fired enamel – black for the platinum model and translucent white for the gold. Initial thoughts With the first edition having become the signature watch of Akrivia, it’s no surprise that the RRCCII continues down the same road in terms of design. But the RRCCII is not just a facelift; it is an entirely new watch. The movement is a new construction in both layout and complications, while none of the case components are interchangeable between the two generations. At the same time, the movement decoration – the most easily observed quality of Akrivia watches – has been refined. It is impressively executed and even exaggerated in some respects. The bevelling on the bridges, for example, is remarkably broad for a relatively thin watch. The degree of technical advancement from the first to second editions is impressive and demonstrates Mr Rexhepi’s pursuit of progress despite his brand’s tremendous success. The RRCC02 is instantly recognisable as a new calibre...
SJX Watches
The first Chronomètre Contemporain was the watch that vaulted Rexhep Rexhepi into the top league of independent watchmaking. Now the young watchmaker has debuted the followup, first as a unique example for Only Watch 2021. The Rexhep Rexhepi Chronomètre Contemporain II (RRCC II) resembles its predecessor inside and out, yet is entirely different in every aspect, from movement construction to the geometry of the lugs. But what it does share with the RRCC I is a gorgeously finished movement and thoughtful design. Initial thoughts On the face of it, the RRCC II for Only Watch looks like the original Chronometre Contemporain dressed in another dial. But it is entirely new in practically every aspect, right down to the geometry of the case. The RRCC II is akin to a generation of the Porsche 911 – the styling seems unchanged but it is actually a brand new car. The most obvious point of difference is the seconds hand – the RRCC II is a deadbeat seconds. That in itself is novel, because the jumping seconds complication is almost always implemented with a centre seconds. In fact, I can’t think of another watch with a deadbeat subsidiary seconds that isn’t part of another complication. In F.P. Journe’s tourbillon for instance, the deadbeat seconds is part of the constant force mechanism. Even the movement appears superficially similar, though it is quickly evident that it’s a new calibre solely from the two large jewels for the barrel pivots. This has twin barrels, in...
SJX Watches
What can one infer from a drawing of a new timepiece? As it turns out, a fair bit. The below sketch is the only bit of information revealed by Akrivia for its contribution to Only Watch 2021, the Rexhep Rexhepi Chronomètre Contemporain II (RRCCII). Despite the paucity of information, much can still be deduced from the single image. Initial impressions The most apparent fact that can be gleaned the sketch is a deadbeat seconds – a seconds hand that jumps discretely once a second. We can infer this from the star and flirt mechanism. The star is mounted on the escape wheel, which is located at six o’clock and completes a revolution once every five seconds. The star blocks the rotation of a flirt, a long lever that presses against the face of the star’s teeth. After each second, the star rotates far enough that the tooth provides enough clearance to release the flirt, allowing the star to rotate until the flirt contacts the next tooth of the star. This sudden release of the flirt is what controls the burst of rotational energy that drives the deadbeat second geartrain. Further inferences can be made from our May 2020 chat with Rexhep, where he hinted the RRCCII will have twin barrels powering separate going trains. In retrospect, that now makes sense in the context of the deadbeat seconds. One barrel drives the going train for timekeeping, including the escape wheel and the star. The other barrel drives a secondary gear train for the deadbeat seconds hand and the flirt...
Quill & Pad
At Baselworld 2018 young boutique brand Akrivia launched its Chronomètre Contemporain, the very first timepiece in the Rexhep Rexhepi Collection. To say that Joshua Munchow is impressed is an understatement, but there is more to it: this watch could represent a new, diverged direction for the independent watchmaker.
SJX Watches
Rexhep Rexhepi of Akrivia was the guest on our first-ever Instagram Live, where he spoke with our founder SJX. Lighthearted and insightful, the session centred on the growth of Akrivia’s in-house capabilities, as well as the future of the Chronomètre Contemporain series. Here’s a recap of the highlights from the session. Ambitions for integration Rexhep has big dreams for Akrivia as a true manufacture, from production to even testing. This stems from an explicit desire to control every element of production, and to ensure his high standards at met every step of the way. Much of the progress made in vertical integration will be reflected in the second series of the Chronomètre Contemporain. While the series one cases were produced by a Geneva specialist, the second series will have its cases made in-house by master case maker Jean-Pierre Hagmann, who joined Akrivia last year. At the same time, Rexhep said the movement will have a greater share of parts made in-house. While the exactly proportion was unsaid, he made clear that his goal was to eventually make all key parts – bridges, base plates, wheels and pinions – in the Akrivia workshop. Beyond production timepieces, such vertical integration will be advantageous as it would allow Akrivia to prototype ideas far more quickly. Rexhep Rexhepi with Jean-Pierre Hagmann. Photo – Akrivia Interestingly, Rexhep also touched on chronometer testing and certification. The first series Chronomètre Contemporain is te...
SJX Watches
Thirty-three year old Rexhep Rexhepi is a rising star in independent watchmaking who practices his craft from a workshop in Geneva’s Old Town. But he was born almost a continent away in Kosovo, having left his birthplace as a young teenager as a consequence of the Yugoslav Wars. The Singapore-based retailer of Rexhep’s brand, Akrivia, recently debuted a documentary on Rexhep’s life and work. It’s the latest instalment in The Lives of Artists, a series of short films on a handful of notable watchmakers and creative personalities. Other subjects of the film series include contemporary artist Daniel Arsham, architect Sir David Adjaye, as well as Felix Baumgartner and Martin Frei of Urwerk. The subsequent instalments will debut one a week until mid-June 2020. You can watch Rexhep’s film below, while the other films can be in the The Lives of Artists playlist.
SJX Watches
Amongst independent watchmakers, Rexhep Rexhepi has found swift and significant success since he founded Akrivia, now one of the hottest niche brands. After his Chronomètre Contemporain took the prize of best men’s watch at the 2018 Grand Prix d’Horlogerie de Genève (GPHG), collectors have been eagerly anticipating his next creation – which is on track despite the pandemic-induced disruptions. How has the COVID-19 coronavirus affected Akrivia? Now still crafting watches in his workshop at the heart of Geneva’s Old Town, Rexhep answers. Rexhep, still at the workshop in Geneva’s Old Town. Photo – Rexhep Rexhepi What impact has the crisis has on your business? The first impact was human. A month ago, when social distancing was first implemented in Switzerland, the atmosphere was grim. I could feel employees’ morale was affected; their motivation was low. I offered them the choice to stay home with partial unemployment or keep coming to the atelier, while respecting all health and hygiene measures, of course. Most of them opted to keep working, so we are still open at the moment and working almost normally. Even my partner [Jean-Pierre] Hagmann is back now. Production-wise, we feared for some of our subcontractors, like the [specialist that does] rhodium plating for example, but they are also working, even if only part time, for one week out of every two. But since we have [vertically] integrated a lot of our production, like making our own cases, and we have...
SJX Watches
Akrivia, and by extension its founder Rexhep Rexhepi, became a star in independent watchmaking with the launch of the Chronometre Contemporain in 2018, a unique version of which went on to sell for 360,000 Swiss francs at charity auction Only Watch. While its success was recent, the brand was actually founded in 2012, having made its debut with the AK series, characterised by a wholly-different aesthetic, one that Rexhep himself describes as a startup’s attempt to make an impression. The bridge between the twin collections of Akrivia – the contemporary AK series and the classical Chronometre Contemporain – is the AK-06. It’s powered by a variant of the movement found in the Chronometre Contemporain, but enhanced by doing away with the dial to reveal the under-dial mechanics, but installed inside an AK-style case, albeit one that’s been redesigned and streamlined. The AK-06 in titanium (left) and steel Beyond being a blend of both Akrivia styles – the best of both worlds if you like the case design – the AK-06 is perhaps historically significant, being the last of the first-generation Akrivia models, since Rexhep has indicated the AK series will eventually feature a wholly new case design. But whatever you think of the case, the movement of the AK-06 is absolutely marvellous. In fact, it is arguably more compelling than the similar calibre in the Chronometre Contemporain, because with the AK-06 all of its engaging mechanics are revealed on the front. AK case...
Quill & Pad
If you follow the world of independent watchmaking, by now you’ve almost certainly heard of watchmaker Rexhep Rexhepi and his Akrivia watches. Since arriving on the scene in 2012 with its first tourbillon-based watch, Akrivia has continued to delight. But is this independent bound for glory? GaryG predicts the future.
Deployant
We visited the atelier of Akrivia's Rexhep Rexhepi. Tucked in the hills of the old town Geneva, here is a picture of how the work is done.
SJX Watches
Independent watchmakers are a major presence at Only Watch 2019, accounting for almost half the 50 lots in the charity auction coming. Importantly, two of them will probably end up in the top five by value – the F.P. Journe Astronomic Blue and the Rexhep Rexhepi Chronomètre Contemporain “Only Watch”. While the Astronomic Blue is the most complicated wristwatch F.P. Journe has ever made, the Chronomètre Contemporain “Only Watch” is a time-only watch, with a suitably modest estimate of 40,000-60,000 Swiss francs, though it’ll probably sell for five to seven times the low estimate. Hammered, and enamelled The key element that sets the “Only Watch” edition apart from the standard Chronomètre Contemporain is the dial. Completely unique because of the technique – used here for the first time in an Akrivia watch – the dial combines the surfaces finish of Akrivia’s two distinct collections: the hand-hammered decoration of the contemporary AK line and the vitreous enamel of the classic Rexhep Rexhepi range, named after the brand’s founder. Several attempts were required to get a perfect dial – Rexhep showed me one of the rejects with a cloudy finish in September – but the result is quietly impressive. Note that it is hammered and then enamelled, but not hammered enamel. Ordinarily a new dial colour doesn’t mean very much, but because the Chronomètre Contemporain regarded, and Rexhep has kept his promise not to do variations or custom orders of th...
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