40,628 articles · 5,399 videos found · page 28 of 1535
Hodinkee
The man and designer behind Berneron tells us why he's turned down millions in investor funding and why he's making so few watches, even as demand soars.
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Industry veteran Georges Kern reveals how Breitling has won market share and what new brands Universal Geneve and Gallet will add to the portfolio.
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Industry veteran Antoine Pin says he doesn't regret being cautious about production with the relaunched Formula 1 collection.
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The Dutch-born CEO of Swiss brand Frederique Constant talks value, pricing, volumes, success with women's watches, and the challenging U.S. market.
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Veteran vintage watch dealer James Lamdin goes in depth on where the market for vintage and pre-owned watches is and where it's going.
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The CEO of Dubai Watch Week reveals how she's grown the event to record levels in just a decade and how she intends to keep it intimate and accessible in 2027.
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How AP managed to grow sales amid an industry downturn and how its Chief Executive is positioning the brand for the next century.
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Why a bracelet might be the most significant and important new product from the brand, and how Ming plans to capitalize on success.
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Plus, what's going on in the executive suite at TAG Heuer and what it means for Omega to launch a steel Speedmaster priced above $10,000.
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Plus Malaika Crawford talks Louis Vuitton's guilloché skills and how Rolex is keeping the mystery with its Hollywood testimonees.
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Plus TanTan Wang joins to talk about Oris's new Bullseye Big Crown Pointer Date, the sale of Baume & Mercier by Richemont, and Omega's 300M diver for Milano Cortina.
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Mitchell Wein discusses the family business that sells 80% of its watches to governments and militaries.
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Federico Ziviani on why Gerald Charles is producing pricey Swiss-made watches based on designs from the latter end of the master designer's career.
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How the key Morgan Stanley report gets made, plus Ben Clymer drops in to talk watch industry news and trends.
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Zenith's CEO on keeping production at the El Primero maker in line with retail sell-out, and how supplying movements to other LVMH brands will be a growth driver for the 160-year-old manufacturer.
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The CEO of Greubel Forsey discusses what's next for the ultra-high-end watchmaker after the departure of one of its founders from the board.
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The head of the storied Swiss dive watch brand prioritizes affordability even as much of the industry goes premium. Plus, Tim Jeffreys drops by to talk about Grand Seiko's new brand ambassador, Shohei Ohtani.
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The head of the Swiss movement maker explains the economics of producing the engines that drive timepieces.
Monochrome
Since its acquisition by the Richemont Group in 2006, historic and highly revered brand Minerva has lived under the control of Montblanc, its watches bearing double-signed dials. 20 years later, under the direction of Laurent Lecamp, Global Managing Director for both Montblanc and Minerva, the venerable hidden gem of haute horology emancipates again and now becomes […]
Two Broke Watch Snobs
Raymond Weil introduces “The Fifty,” a 37mm chronograph using restored Valjoux 23-6 movements to mark its 50th anniversary.
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Over 500 guests attended the black-tie gala held at the Plaza Hotel.
Worn & Wound
Whenever I go to a watch event, whether that’s a local meetup, Watches & Wonders, or one of our own Windup fairs, my brain does that thing where upon leaving, I’m trying to figure out the MVP from that event. Not that the watches are in competition with one another – it’s just how I organize my thoughts, figuring out what I liked the most. Coming out of British Watchmakers’ Day last month, the clear MVP for me was the extremely limited Apiar Gen1.1 Underground. I reviewed an early version of this watch last year and was really impressed, and this limited edition (just three pieces!) had a London Underground inspired dial made by The Dial Artist himself that really won me over. I’m a bit of a public transportation nerd so this one called out to me in a strong way, and I admit that I left London last month with a twinge of regret that I didn’t pull the trigger on this watch when I had the chance. Luckily for at least some of us (but not me, I’m tapped out, really) Apiar has followed up the Gen1.1 Underground with a predictable but very welcome sequel, the Gen1.1 Night Tube. As you can probably gather from the name of the watch and the photos, this is effectively a blacked out version of the Underground, because people, of course, ride the subway at all hours of the night in London. This marks the first time Apiar has used a DLC coating on one of their watch cases. Aesthetically, it really shifts the focus to the dial, which I think takes on a brighter quality...
Deployant
Montblanc once again leverages on the Minerva brand name with a watch controlled entirely from the bezel. Introducing the Minerva The Unveiled Crownless.
Monochrome
Albishorn is one of these intriguing newcomers on the independent scene. The brand operates under the concept of “Imaginary Vintage“, designing watches that were never made but could have been. Following the Maxigraph and Type 10 in 2024, both explained by plausible historical scenarios, the 2025 Thundergraph was (or could have been) made for alpine […]
SJX Watches
Albishorn returns with a new interpretation of its mountaineering chronograph, the Thundergraph Khumbu, swapping the original’s petroleum blue dial for a green colourway and introducing the brand’s first-ever bracelet option. Like its predecessor, the watch draws inspiration from the 1952 Swiss expeditions to Everest, this time taking its name from the Khumbu region of Nepal traversed by the climbing party on its approach to the mountain. Initial thoughts I was impressed by the original Thundergraph when it launched last year - it was my favourite Albishorn to that point. The Khumbu does not reinvent anything, but the bracelet option is a meaningful addition that should widen the appeal to a new segment of collectors. The stainless steel case is carried over unchanged at 39 mm at the case band, expanding to 42.7 mm across the bezel. The asymmetric form, red anodised aluminium monopusher at 9:30, and bronze crown engraved with the Albishorn logo - appropriately modeled on a snow-capped peak - are all retained. The case back also carries the same Swiss cross and rope engraving, the emblem of the Swiss Foundation for Alpine Research, which remains one of the more convincing elements of the brand’s ‘imaginary vintage’ concept. Khumbu green The petroleum blue dial of the original Thundergraph has been replaced by a mint green opaline hue, said to be inspired by the Khumbu glacier region, where vegetation survives in a harsh environment of ice and rock. The disti...
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