25,118 articles · 206 videos found · page 406 of 845
Monochrome
Arnold & Son, the brand founded in honour of the famous 18th-century English watchmaker John Arnold, translates his historical legacy into high-end Swiss watches powered by in-house movements – about 20 to date. Arnold & Son’s HM line is the brand’s more dress-oriented collection and is also powered by a powerful, ultra-thin, in-house calibre. A […]
SJX Watches
John Arnold was originally a pioneering English watchmaker of the 18th century. So it is fitting that his namesake brand resurrected in Switzerland is creating his home city – with a clever twist. The Arnold & Son HM London Skyline seemingly depicts the British capital of yesteryear on mother-of-pearl, but at night the dial lights up with modern-day landmarks rendered in Super-Luminova. The two-hand watch is a run of 20 pieces for The Limited Edition, a London-based retailer specialising in independent and niche brands. Initial thoughts Today’s Arnold & Son (A&S;) has nothing to do with the original firm aside from the name; the watches are Swiss while its parent company is Japanese. The HM London Skyline, however, is a simple and appealing nod to the brand’s history. The use of lume to create an “Easter Egg” of sorts on the dial is smart and sets this apart from the typical landscape dials. Though the dial is not quite top of the line metiers d’art, it is an appealing offering in this segment. Mechanically, the HM is also credible as Arnold & Son’s sister company is La Joux-Perret, the Swiss movement maker that supplies a good number of brands. The A&S;1001 movement inside is solid proprietary calibre that borrows from an existing architecture but transforms it into a movement with a four-day running time. London landmarks The London skyline is depicted on mother of pearl. It shows Tower Bridge on a cloudy day, with many of London’s historical landmarks visi...
Worn & Wound
There’s a riskiness to Oliver Gallaugher’s approach to watch design that I can’t help but admire. His aesthetic is clean, lending a stripped-down, contemporary look, but his methods are complex, resulting in elaborate manufacturing and higher costs. What looks, at a glance, like something simple, like a hand, never is. In fact, the hands of his watches, of which there have been two series, with the first sold out, are notably complicated, even featuring a “world’s first.” Further, though his watches are two-handers, rather than using a standard Swiss off-the-shelf movement, he has, thus far, used highly finished bespoke calibers. The result, and here is the dangerous part, is watches that don’t scream why they cost what they do. They aren’t for people who want or need an obvious element to point to, like a guilloche dial or a complication. The OG Watches Deep Space Blue is both a follow-up and an evolution of the Deep Space concept that the brand debuted with. It takes the same overarching concept, a minimal watch with a dial inspired by the night sky, but developed and refined seemingly every element, stripping back further, and yet increasing the complexity of manufacturing. It also uses a bespoke movement from Le Temps Manufactures, which is known for its work with very high-end independents. Beginning with the case, the first model was 41mm x 10.2mm thick and made of 316L steel. The new model is 38mm x 8.8mm and made of 904L. Given the spacious dial and...
Hodinkee
When lot 71 hammers at Sotheby's New York Auction this weekend, it will punctuate a story that was started nearly sixty years ago in France—the lot number surely a nod to the year Le Mans debuted, 1971. The story of Steve McQueen and the film has been well told over the past half century, immortalizing a man and bolstering two industries in the process. It's essentially canon at this point, yet the story was never complete—until now. A cache of documents from the film's property master, held onto for decades after production closed, has finally set the record straight. And the last watch is coming up for sale this weekend. The Heuer Reference 1133B Monaco Screenworn by Steve McQueen in Le Mans, Circa 1969, up for auction at Sotheby's this weekend. Photo courtesy of Sotheby's. The 1960s were a formative decade for Heuer. The Autavia launched in 1962, the Carrera in 1963, and the Monaco in 1969—the latter completing a trio of Heuer chronographs all released that year with the Calibre 11, a movement developed jointly by Heuer and Breitling, built around a Buren micro-rotor with a Dubois-Depraz chronograph module layered on top, creating the first commercially available automatic Swiss-made chronograph. The Autavia and Carrera received redesigned cases for the occasion. The Monaco was something else entirely: a completely new watch, built around a patented square case sourced from EPSA, creating the world's first water-resistant square chronograph. With its angular form,...
Monochrome
Not too long ago, last February in fact, I had the opportunity to get my hands on a series of Miyota automatic movements, of which I disassembled the ubiquitous Calibre 9015. My prime goal was to learn more about its construction and simply find out how it looks when you take it apart. And as […]
Hodinkee
It's somehow nearly halfway through June, and your reward is a chance for a breather with a few interesting watches to distract you from the heat. While, to my knowledge, Hodinkee has no specific editorial policy for supporting sports teams, given that it's a New York-based publication, it feels only fair to note that I hope the NBA Finals conclude tomorrow and the Knicks get their (long-overdue) chip, and I hope the long-suffering fans get a chance to absolutely freak out. Scorekeeping last week's picks: the Cartier pocket watch sold for €3,980, the Explorer sold, but the auctioneer didn't list the price and hasn't answered my email yet, the Gruen Techno Quadrant sold for €1,300, the Tudor Ranger II for €1,600, the Broad Arrow Polerouter for £6,200, and the Railmaster did not sell. On to the main course. Strays Photo courtesy Dannenberg. If you're looking for ways to jump-start a relationship with a local watchmaker, or if you're simply in the mood for what promises to be an equally fun and maddening series of projects, here's a tantalizing box of Valjoux 72 parts/movements/dials/cases (if yes on chronographs but no on that particular option, here's a box of Tissot parts and here's one of Lemania and Valjoux parts). Crazy for LIP watches? It's your lucky day (well, technically, next Friday is). Photo courtesy Finarte. Perhaps you, like me, have felt an odd urge toward asymmetric watches of late; if so, this Vacheron Constantin should get your motor running, and, ...
Monochrome
The Ocean Star 39, introduced in 2024, is one of the great propositions in Mido’s catalogue. Compact dimensions, a slim profile, and solid diving credentials make it a modern interpretation of the brand’s long-running Ocean Star collection, which traces its roots back to the 1940s. Now, the collection expands with a new reference, the Ocean […]
Fratello
The heat is on once again. The Fratello team members will share the best summer watches according to them, and I’ll kick off the hottest series of the year. I’ve picked the best summer watches I could find, ranging from sub-€1k to above €10k and beyond. Sun’s out, watches out! I’m not sure if it’s […] Visit Fratello Favorites: The Best Summer Watches — Lex’s Picks From Dennison, Panerai, And Certina (Again) to read the full article.
SJX Watches
In 1989, Geneva’s storied watchmaker unveiled the most complicated watch ever made – the Patek Philippe Calibre 89. The genesis of the Calibre 89 arguably started almost a century before with a watch made in Besançon, the historical heart of French watchmaking. In 1977, the Association Française des Amateurs d’Horlogerie Ancienne (AFAHA) published the first issue of its journal Horlogerie Ancienne. The watch on the cover was the Leroy 01. The caption on the inside front page read, “Montre Leroy 01, la plus compliquée du monde” – “The most complicated watch in the world”. Inside, on page 15, a short article made the case: the Leroy 01, completed in 1904 by the Parisian firm of Louis Leroy for the Portuguese collector António Augusto de Carvalho Monteiro, held a title that no other timepiece had successfully disputed. In Geneva, the claim was noted. The first issue of Horlogerie Ancienne of 1977. Image – SJX composite/AFAHA Two years later, in early June 1979, Philippe Stern was at his desk in Patek Philippe’s offices on the rue du Rhône when Max Studer, the firm’s technical director, came in for what the records describe as a routine meeting. The 150th anniversary of the manufacture was a decade away. Among the ideas being considered to celebrate the occasion was a reproduction of the Henry Graves Jr. Supercomplication, the watch Patek had built in 1932, with its twenty-four complications, that had served as the benchmark of mechanical ambition ev...
Worn & Wound
It will be impossible to talk about the new Trafford Crossroads S without discussing the size of the case in great detail, which I fear might be disservice to the watch as a whole, because there are a lot of very nice things about the Crossroads, and it’s one of the most charming new watches from a microbrand that I’ve seen in some time. But the case size is critical, because Trafford has walked a very interesting line with this release, debuting the Crossroads S in two sizes and marketing each based on how they feel the case wears, not its actual measured size. It’s getting by on vibes, as the kids sometimes say. It also capitalizes smartly on the growing trend we’ve seen for smaller, more discreet watches in a really interesting way. The Crossroads S is actually two watches: the Crossroads S 36 and the Crossroads S 40. Neither of these watches are named for their actual measurements, though. Instead, Trafford has used these pretty commonly understood sizing conventions to name the watches based on how, in their estimation, they actually wear. The Crossroads S 40 measures 35mm x 36mm, while the Crossroads S 36 comes in at 31mm by 32mm (both are 9mm thick). Looking at the watches side by side, and compared to other watches in circular cases that are true 40mm and 36mm cases is an interesting lesson in how we perceive size depending on shape. It also, in my opinion, illustrates how one of these watches is absolutely the “correct” size while another is, well, n...
Monochrome
Since 2005, the Longines Master Collection has been the brand’s flagship line of traditional mechanical watchmaking. While the collection includes more complex models such as chronographs, moon phases and GMTs, the core, conservative Master Collection mainly comprises time-only models. The latest news from the winged hourglass brand is the release of the new, fully redesigned […]
Deployant
Urwerk releases the final edition of their UR-120 in a blue and gold colourway which they dedicate to Earth. This novelty is called the UR-120 Blue Planet.
Monochrome
Christiaan van der Klaauw (founded in 1974 in the Netherlands) has dedicated itself almost exclusively to astronomical complications, creating wristwatches that display celestial phenomena with remarkable mechanical ingenuity. From planetariums to highly accurate moon phases, the brand turns astronomy into wearable mechanical art. Following the introduction of its new in-house CKM-01 calibre in 2024, this […]
Hodinkee
This week on The Business of Watches, a brand we don't talk about a lot on this channel - Jacob & Co. Complicated, audacious, and expensive, Jacob & Co. watches hold a unique position in the industry. The brand enjoyed a strong 2025, growing sales and volumes, according to estimates by Morgan Stanley and LuxeConsult, bucking the industry trend. And the brand recently got some high-profile exposure on the wrist of the Roland Garros winner with French Open champion Alexander Zverev wearing Jacob & Co. during his matches and on the podium. We sat down in Geneva with Benjamin Arabov, the Chief Executive Officer of Jacob & Co., to talk about the brand's operations and strategy. You might be surprised at how Jacob & Co. watches are produced, the size of its production, and how the brand is being impacted by the war in the Middle East. But first, some business news headlines, including looming job cuts at one of Switzerland's most important and respected watch brands, which are the result of shifting trends impacting the industry. Sources: Morgan Stanley and LuxeConsult And finally - looking ahead to next week's episode, number 30 in the history of The Business of Watches, we're planning a special Q&A; episode and will gather some of the Hodinkee team, including editor-in-chief James Stacey and editors Mark Kauzlarich and TanTan Wang, to answer your business-related questions. Want to offer up a question? Please drop it in the comments below. We're looking forward to hearing f...
Hodinkee
It's summer in NYC. The Knicks are up 2-1 in the Finals. The pace has slowed a touch with the warmer weather, but the cold brew is still coursing through our veins, and society is sorting itself into two camps: people who stand in line for Dot Cake and those who do not. You can draw your own conclusions there. In other words, the city is immaculate right now. At Hodinkee HQ, that can only mean one thing: it's time for our new summer issue. Transatlantic by Design: How Tiffany & Co.'s watchmaking has always moved between New York and Switzerland, by Malaika Crawford. Volume 16 arrives with two covers. One celebrates Tiffany & Co.'s new Timer while looking back through the brand's remarkable watchmaking archives. The other marks 100 years of the Rolex Oyster with one of our most ambitious Reference Points to date, a deep dive into the Oyster Perpetual and the enduring influence of Rolex's most foundational watch. Written by former Hodinkee editor and Bring A Loupe alumnus, Rich Fordon. Reference Points: Rolex Oyster Perpetual by Rich Fordon. 100 years of the Oyster case proves a blueprint for everything Rolex does. Elsewhere, Nora Taylor spends time with Knicks guard Josh Hart, discussing basketball, collecting, and the watches that have accompanied him throughout his career. Independent watchmaker Rexhep Rexhepi contributes a personal essay on craft, responsibility, and the act of building something intended to outlast its maker. Then Jason Heaton revisits the legend o...
Worn & Wound
Few innovations in automobile engines have been as impactful as the turbocharger, first brought to production cars in the 1960s and popularized in the United States largely thanks to the iconic turbodiesel 1978 Mercedes-Benz 300SD. With a telltale whistle accompanying that extra boost of power, the turbocharger soon became synonymous with motorsports and performance cars of the 1980s: the Audi Quatto’s breathy flutter, the 930 Porsche 911 Turbo’s heartpounding lag, and the Ford Sierra RS Cosworth’s European rally dominance all helped propel the decade into the “golden era” of turbocharged performance. With their latest release, motorsport-inspired watchmakers Autodromo are bringing another homage to a period of automotive innovation, this time highlighting the Group C “prototype” class of sports cars from the 1980s, many of which featured bold (and sometimes dangerous) turbocharged power. The basis of this new collection is their already-successful Group C digital watch, initially released in 2023, and the new Turbo Sport models draw inspiration from the analog tachometers of turbocharged ‘80s motorsports legends to create an ani-digi design that straddles the classic and modern eras of automotive and horological design. First, the dimensions: measuring in at 38.5mm in case diameter and 40mm lug-to-lug, the Group C Turbo Sport is compact, and sits fairly lightly on the wrist with a 11.4mm case thickness measurement. The case itself is anodized aluminum ...
Two Broke Watch Snobs
CWC watches are rugged, legible, and tied to real military history, but they are not for everyone. Here’s our hands-on take across 5 CWC models.
SJX Watches
After more than 20 years, avante garde independent MB&F; returns to its roots and looks to its future with HM12 The Guardian. It combines a Horological Machine with a high-end shaped movement, flying tourbillon the most elaborate – and coolest – watch stand imaginable: a nearly 400 mm tall, 15 kg robot. Better yet, The Guardian can shift into battle mode at a moments notice, deploying armor to protect its weak points. Initial Thoughts MB&F; marks its 20th anniversary with HM12 The Guardian, or would have, had it been ready in time. Instead HM12 celebrates MB&F;’s future, as the first project led solely by the brand’s creative director (and Max Büsser’s heir), Max Maertens. Mr Büsser kicked the project off about four years ago by pitching a robot with a watch for a face, following up on the brand’s robot Melchior and Balthazar desk clocks. After that, Max 2.0 was left to his own devices, with this as the result. It is a very reassuring result for those concerned about the brand’s future after Maximilian Büsser’s eventual retirement, which isn’t yet imminent, but something the brand is clearly preparing for. Interestingly, Eric Giroud, who has designed just about every MB&F; watch, was not involved in the project either. Max (left) and Max (right). Image – MB&F; While discussing the project, Mr Büsser told me that Mr Maertens actually modelled the robot himself in SolidWorks, which goes well beyond the normal duties of a designer. That Maertens did the har...
SJX Watches
After more than 20 years, avant-garde independent MB&F; returns to its roots and looks to its future with HM12 The Guardian. The HM12 is a Horological Machine containing a high-end shaped movement featuring a flying tourbillon, nestled in the most elaborate – and coolest – watch stand imaginable: a nearly 400 mm tall, 15 kg robot. Better yet, The Guardian can shift into battle mode at a moments notice, deploying armor to protect its weak points. Initial Thoughts MB&F; marks its 20th anniversary with HM12 The Guardian, or would have, had it been ready in time. Instead HM12 celebrates MB&F;’s future, as the first project led solely by the brand’s creative director (and founder Max Büsser’s heir), Max Maertens. Mr Büsser kicked the project off about four years ago by pitching a robot with a watch for a face, following up on the brand’s robot Melchior and Balthazar desk clocks. After that, Max 2.0 was left to his own devices, with this as the result. It is a very reassuring result for those concerned about the brand’s future after Maximilian Büsser’s eventual retirement, which isn’t yet imminent, but something the brand is clearly preparing for. Interestingly, Eric Giroud, who has designed just about every MB&F; watch, was not involved in the project either. Max (left) and Max (right). Image – MB&F; While discussing the project, Mr Büsser told me that Mr Maertens actually modelled the robot himself in SolidWorks, which goes well beyond the normal duties of a...
Hodinkee
What We Know If there's a brand known to constantly exist in a state of one-upping itself when it comes to new designs, it's most certainly MB&F;. And, just as expected, following a slew of radical Horological Machine designs, this new Horological Machine 12 manages to go in a completely new direction. No, your eyes aren't fooling you. This new creation is a robot and a watch combined, in three editions of 12 pieces each: blue, green, and purple. If the Horological Machine 11 drew upon the architecture of the 1960s, the HM12 "The Guardian" looks a decade or two later, when a massive pop-culture obsession with science fiction and robotics would lead to generations of kids obsessed with properties like Transformers, Gundam, and the resulting toys that followed. If there's ever criticism of some of Max Busser's more playful ideas coming across as much too toy-like, the HM12 completely doubles down on that idea with this new design that takes the idea of a robotic action figure to the horological extreme. Here, Max's vision is implemented by another Max, Maximilian Maertens. A name familiar to collectors of the brand, Maertens has been responsible for many of the clock and music box creations for MB&F;, as well as the little Minimilian figures given to owners of MB&F; watches. There's a lot to break down here, so let's start with the watch itself. It is, ever so purposefully, designed to resemble a face, but its construction reveals so much jam-packed into the futuristic, spacesh...
Monochrome
At this point, perhaps it is very safe to say that Seiko doesn’t like holding back when it comes to giving the 5 Sports collection new directions. What started as a home for SKX-inspired sports watches has gradually turned into one of the brand’s most varied collections. Along the way, we have seen GMT models, […]
Worn & Wound
Earlier this year, I helped a close friend pick out her first mechanical watch: a beautiful blue Seiko Prospex “Save the Ocean” special edition. For me, it was an easy recommendation, given my love of Seiko, their position as the true global king of entry- to mid-level watch purchases, and the prestige of the Prospex diver line itself. For her, as a lover of all things to do with the natural world, it was meaningful thanks to the eco-benefitting twist and oceanic theming. That particular Prospex was not the first, nor the last Seiko to showcase an organization doing work for ocean conservation and education: new for 2026 is the Prospex HBB002, celebrating the Professional Association of Diving Instructors’ (PADI) 60th anniversary. Seiko’s connection with the world of diving goes far beyond the simple styling and function of many of their iconic diver timepieces. As the company points out, it released its first diver in 1965, just one year before the PADI itself was founded with the intention of raising training standards and expanding access to education on diving as a hobby and profession. Now operating in 183 countries, PADI also puts promoting ocean conservation at its forefront, a noble cause that Seiko themselves have championed with their Save the Ocean program. So, it makes sense that Seiko has supported PADI as a partner for ten years, and is celebrating that partnership and PADI’s sixtieth anniversary with the new HBB002 model. The watch itself bring...
Hodinkee
We've all been told at least once in life to stick to our own lane. It's an old trope that historically holds merit. Stick to one discipline, master it, and you'll succeed. But in 2026, the rulebook has changed in almost every aspect of life, and sometimes those one-trick ponies aren't the ones leading the charge; they're actually left in the stable. La Montre Hermès S.A in Brugg, Switzerland. In watchmaking, it transpires that the latest crop of brands to realize this are the names we most associate with being wider fashion houses. Empires sustained by hand-stitching legacy into cloth, amplified in the theatre of the catwalk, now play in the watchmaking arena. We've witnessed many of these names turn to watchmaking as an additional arm to their already bulletproof name, and crucially, they're delivering watches with real merit. For Hermès, despite having a presence in watchmaking since the early 20th century, with Universal Genève as the brand's watchmaking partner from the 1930s and the production of exclusively Hermès-signed pieces such as desk clocks, this rise has been built brick by brick since the 1970s. Outfitting horses came first, then their riders, and it quickly proved that true luxury comes from mastery, not scale. During the 1970s, the maison decided to build schools to train artisans the Hermès way, passing along hand-stitching, leather cutting, and scarf-printing techniques from master to apprentice. While other names pursued mass production or outsour...
Monochrome
Named after the historic Granvelle Palace in Besançon, home to the city’s Museum of Time, the Yema Granvelle collection (2025) embraced a more architectural and elegant approach, stepping away from the brand’s familiar world of dive watches and tool-oriented sports models, and offering a model with a distinctive cushion-shaped case and powered by one of […]
Worn & Wound
The microbrand/independent scene in the UK is truly one of the most exciting in the world, with dozens of brands vying for attention and an always growing community of excited watch enthusiasts eager to experience just about everything on offer. This is very much the vibe every time we attend British Watchmakers’ Day and have a chance to experience it firsthand, and honestly it’s invigorating in a way to be placed in an enthusiast environment that feels familiar but also very specific to the UK. One of the more interesting brands to emerge from this scene is Beaucroft, based in Cambridge. Beaucroft is not the flashiest or highest profile microbrand in the UK, but they’re on the rise, and they tend to make an impression when you actually see the watches in person. Garrett was such a fan of the Element when he saw one he decided to purchase it for himself. My moment of conversion came at British Watchmakers’ Day 2025, where I still regret not purchasing the Penfold Special Edition released that year. Their newest release has been dubbed the “Arc” and is an update of the Seeker model originally launched in 2023. The Arc leans into the design language that was established with the Seeker and the brand has continued to refine in every model since, namely flowing, natural case lines paired with dynamic, colorful fumé dials. The dramatic curved mid-case is, according to the brand, inspired by the Bridge of Sighs over the River Cam, not far from Beaucroft’s head...
Monochrome
The Delphis collection by Chronoswiss is home to increasingly expressive editions. The colourful and technically elaborate Delphis Firestarter, the refined Delphis Art Deco, the decorative and contemporary Delphis Dracula, Horizon and Dune, or the Delphis Sub Zero, inspired by glaciers and bright blue Arctic skies, all these and more were used by the Lucerne-based independent […]
Monochrome
Kiwame Tokyo is a young Japanese microbrand founded in 2025 by watch industry veteran Masami Watanabe, dedicated to “honest watchmaking” from Asakusa, Tokyo. By this, Watanabe refers to timeless, well-finished and designed watches at accessible prices that steer clear of artifice and superficiality. The strong Calatrava dress-watch vibe of the debut Kurotsuki and Usuki models […]
SJX Watches
Making its debut in Shanghai, Oyster Story is an all-encompassing, immersive exhibition to mark the centenary of the Rolex Oyster water-resistant watch case, arguably the foundational achievement of the world’s largest luxury watch brand. Oyster Story takes place at June 10-28 at the West Bund Dome Art Center, a former cement factory in a district that was once an industrial area but is now being transformed into an arts and culture hub. The large, domed-shaped building on the banks of the Huangpu River covers almost 100,000 square feet, allowing for a comprehensive journey into the Oyster and Rolex history. The exhibition includes historical Rolex watches, including the actual timepieces worn by explorers and adventurers on landmark expeditions. The watches on show comprise those owned by Rolex “as well as privately owned watches kindly loaned for the event” according to the brand. Also on show is an in-depth look at modern-day Rolex watchmaking. “Cases, bezels, bracelets, dials, materials, movements: every stage of watchmaking is showcased here”, allowing a look into arguably the most advanced high-end-industrial watch manufacturing in Switzerland. The brand’s advances in timekeeping are also illustrated by the atomic clock developed by Rolex. Amongst other things it serves as a reference clock for Rolex watchmaking. Oyster Story is free to enter and open to the public.
Worn & Wound
Lots of ink has been spilled in the short span of time since the launch of the Formex Aria on the topic of small brands (microbrands, if you must) going upmarket and playing at significantly higher price points than consumers are accustomed to. When a brand releases a watch that is multiple times the cost of the watches they are already associated with, it can cause a near panic in the watch enthusiast community. Lots of “HOW COULD THEY?” type comments appear on websites like ours, Instagram, and over beers at local meetups as collectors grapple with the idea that watch brands, which are also businesses that support the lives of real human beings, might attempt to make the most of the increased popularity our hobby has received in these past few years. And that’s really what it is, right? The mainstreaming of watches has led brands like Formex, Christopher Ward, Atelier Wen, and others to feel confident in their expansion upmarket. Gone are the days when microbrands appeal solely to value conscious consumers – they have the eye of at least some traditional luxury buyers as well, and the ambitious watches they’ve developed and the prices being asked are a reflection of that. Timex, of course, is not a microbrand, but their Atelier line is a significant move into a higher pricing tier, and some of those same dynamics are in play, I think with the release of two new chronographs in the brand’s highest end line of watches. You might remember the Atelier collect...
Hodinkee
What We Know Among collectors I know and respect, Chopard has been somewhat quietly picking up steam. The launch of a dateless L.U.C. 1860 with a rosy salmon-toned dial in 2023 was a bit of a turning point, bringing the model—compact and beautifully finished—to a broader audience, and with it, Chopard. Revolution was early to the party with its own limited edition, featuring untreated 3N yellow gold and a Lucent Steel case. For that release, the dials were made by Metalem, which makes the dials for Philippe Dufour's Simplicity. Now, the idea is back with a new model with similar dial treatment, with a twist. The new L.U.C Quattro Revolution Re-Edition comes 26 years after the groundbreaking Quattro model, which featured a 9-day power reserve. This time, the same untreated 3N yellow gold dial is made in-house by the Chopard team, while the watch is still cased in Chopard's proprietary Lucent steel. There is a power reserve indicator at 12 o'clock, small seconds, and a date at 6 o'clock. The hour and minute hands are high-polished dauphine shapes with kite-shaped applied hour markers that have a faceted mirror-polished finish. One of the reasons that collectors value Chopard's L.U.C line so much isn't just the quality of the function of the movements, but the quality of the finishing. Yes, the caliber 98.01-L movement doesn't have sharp edges for interior angles like has become so popular these days, but the Côtes de Genève and anglage are still sublime. The four large...
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