Results for Chanel

Introducing the Chanel J12 Paradoxe and Paradoxe Diamonds

Chanel introduces the world’s first bi-color ceramic timepieces with the J12 Paradoxe and Paradoxe Diamonds.

Baring It All: Chanel’s New J12 X-Ray

With a case and bracelet that is almost entirely made out of sapphire, it’s clear that Chanel’s new J12 watch is here to amaze.

Introducing: The Chanel J12 X-Ray, Sapphire On Sapphire

A J12 made in the spirit of, you might say, full transparency.

Chanel Introduces the J12 X-Ray

To mark the 20th anniversary of the J12, Chanel is premiering not one but two epic versions of the iconic ceramic watch. While the first features a striking two-colour ceramic case, the second is perhaps the ultimate J12. Rendered entirely in clear sapphire – case, bracelet, and movement – the J12 X-Ray is delicate, extravagant and novel. Clear and second only to diamond in hardness, sapphire is also fragile and susceptible to chipping, cracking or shattering. Its properties are similar to that of ceramic, the defining material of the J12, except more extreme. As it is with Chanel’s ceramic cases, the sapphire parts of the J12 X-Ray are made by Chanel subsidiary G&F; Chatelain, a case maker that has produced sapphire cases for another Chanel-owned brand, Bell & Ross. Measuring 38mm wide, the case is machined from a single sapphire block and topped by a white gold bezel set with baguette-cut diamonds. Similarly, the dial is also sapphire, and fitted with a minute track and hands in white gold. All of the hour markers, on the other hand, are baguette-cut diamonds. Sapphire bridges and links And beneath the sapphire dial – which also doubles up as the movement base plate – is the Caliber 3.1. Derived from the rectangular, skeletonised Caliber 3 found in the in the Boy-Friend Skeleton, the Caliber 3.1 is hand-wound with all of its moving parts secured by sapphire bridges, which allows the movement to be seen from the front and back. The pivots of the gears of the go...

Chanel Introduces the J12 Paradoxe

Having given the J12 a thorough revamp last year, Chanel has just dropped the most astonishing iteration of its signature watch in the lead-up to Baselworld 2020 – the J12 Paradoxe. Conceived to mark the 20th anniversary of the iconic watch, the J12 Paradoxe looks like a digitally doctored timepiece at first glance. In fact, the stock images of the watch would pass for an abstract J12 ad. But J12 Paradoxe is actually two-tone – two thirds of the case in white ceramic and the remainder in black ceramic. Rely on the same concept but more valuable materials, Chanel is also rolling out the uber-extravagant J12 Paradoxe Diamonds combining black ceramic, white gold, and diamonds. While ceramic is about four times harder than steel, the hardness makes it brittle and delicate to machine, making a ceramic watch case slightly more challenging to fabricate than the same in steel. Produced by G&F; Chatelain, the buckle and case-maker owned by Chanel, the case is essentially two sections of ceramic anchored to an inner steel frame. Each section is secured to the frame with two screws, which are visible on the back of the watch. And the movement is also contained with the frame. Because of the multi-part construction of the case, the water resistance is 50 m, instead of the 200 m of the standard J12 that has a single-piece ceramic case. The dial and bezel insert continue the colours of the case, but each component is a single piece that’s been treated to create a two-colour fini...

Up Close: Chanel Monsieur Édition Noire

Chanel’s best known watch is unquestionably the all-ceramic J12, now in its refined and upgraded second generation. But its most interesting watch – from a mechanic and design perspective – is the Monsieur de Chanel. Originally offered only in precious metals, the watch was last year given a stylish makeover with the Monsieur Édition Noire that’s clad entirely in matte black ceramic. A jumping hour with retrograde minutes, the Édition Noire is powered by the Calibre 1, an original, integrated movement produced with help from independent watchmaker Romain Gauthier. But equally important is its design, which is discreetly brilliant. The watch has the sort of thoughtful aesthetic that pays attention to the whole but also the details – the typeface used on the dial was designed expressly for the watch – that is expected from the grand Parisian fashion house. In fact, the design is more coherent and informed than many watches created by traditional watchmakers. The Chanel elements of the watch are subtle, like the octagonal frame for the hours inspired by the Chanel No. 5 perfume bottle The long road Like other luxury fashion houses, Chanel has been working hard to make proper timepieces, watches that are well made and equipped with respectable movements. Earlier this year it took a 20% stake in movement maker Kenissi, in a joint venture with Tudor, which now produces calibres for the face-lifted J12. Kenissi is merely the latest investment in Chanel’s gradual...

Hands-On: Chanel J12 The Inseparables “Only Watch”

To mark the 20th anniversary of the J12 this year, Chanel gave its signature timepiece a microscopic yet significant makeover, both inside and out, while preserving the distinct identity that has contributed to the watch’s two-decade success. For Only Watch 2019, the brand created J12 The Inseparables – the very first examples of the new-generation J12 to roll off the line, distinguished by a unique case and bracelet finish. And the pair also happen to be one of the most affordable lots in the auction. The brand has approached these unique iterations in the same manner it approached the revamp – with subtlety and restraint. The pair of watches are both rendered in smooth, matte ceramic, with a tone-on-tone dial. And both are equipped with a special black-coated execution of the new Caliber 12.1 produced by Kenissi, the movement maker that is part owned by Chanel. Matte finish The most apparent difference between the Only Watch pair and the standard version is the matte finish of the ceramic case and bracelet; the standard models have a glossy, polished finish. While the J12 is primarily a women’s watch, especially in this smallish size, the finish of the Only Watch editions come across as more masculine – and also more refined and discreet. And as it always has been, the case measures 38mm. It is made entirely in-house by the brand, thanks to its ownership of G&F; Chatelain, a reputed case and buckle manufacture, whose clients include Richard Mille, MB&F; and Bel...

Introducing the Hasta la Vista Revolver 8-Day Table Clock

A recent startup dedicated to creating unusual objects, The Unnamed Society makes its debut with a table clock shaped like the Colt Bisley Model revolver of the early 20th century. The clock is produced by L’Epee 1839, the Swiss clockmaker that is responsible for practically all of the unconventional and avant-garde mechanical clocks of recent years, most famously those designed by MB&F; but also Chanel. But it’s undoubtedly the success of MB&F;’s sci-fi clocks that have compelled various brands, old and new, to develop their own L’Epee 1839 clocks. Named Hasta la Vista, “goodbye” in Spanish, the clock is the shape and size of an actual revolver, measuring 350mm or just under 14 inches long. It’s made of steel and palladium-plated brass, and can be mounted on its accompanying base either via the grip or the barrel. Pictured here with the grip made of horn from the bighorn sheep, as well as engraving on the frame Mechanically it is identical to the 8-day clocks L’Epee 1839 has produced in other shapes and sizes. The time is indicated by two revolving cylinders – one each for the hours and minutes – that take the shape of the rear section of the pistol frame. The escapement, wheel train and mainspring are where the cylinder (which contains the bullets) would be. Winding is accomplished by a key that’s inserted into the end of the barrel. Though it’s a limited edition of 50, each clock can be customised with a variety of options offered for the g...

Hands-On: Chanel Boy.Friend Skeleton Watch

Chanel has been slowly but steadily building up its line of mechanical watches powered by high-end, in-house movements. Most notable is the Monsieur de Chanel jump hour, created with the help of respected independent watchmaker Romain Gauthier, who sold a minority stake in his company to Chanel several years ago. Mr Gauthier also had a hand in last year’s Boy.Friend Skeleton, a top of the line variant of Chanel’s fashionable rectangular watch. Fancy mechanics are usually the preserve of men’s watches, but the Boy.Friend Skeleton boasts an impressively thoughtful, open-worked movement, the Calibre 3. In fact, the design and details of the in-house movement show that it was conceived from the ground up with a particular aesthetic goal in mind. It’s the only way to create a skeleton movement that looks as coherent as this does. An especially beautiful detail are the gilded bevels on the outermost frame of the base plate and the sub-seconds, which emphasise the finish and shape of the movement. Chanel circles The Calibre 3 has been constructed to incorporate a series of repeating, interlocking circles, a favourite motif of Chanel’s chief watch designer, Arnaud Chastaingt. The motif starts with the bridges and base plate, which are all brass finish with a frosted surface coated in black amorphous diamond-like carbon (ADLC). A telling indication of the attention to detail put into its construction lies in how the bridges are constructed. Instead of being a sing...

Chanel Watch Design Chief on Reimagining the J12

Perhaps the most successful ladies’ watch design of the 21st century, the all-ceramic J12 made Chanel a significantly player in watchmaking. After a run of nearly 20 years, the first generation J12 finally bowed out at Baselworld 2019, where it was replaced by the new J12. Possessed of not just a new design, but a “manufacture” movement produced by a joint venture of Chanel and Tudor, the new J12 is a major event for Chanel not just because it will sell in vast numbers, but because it’s the first entry-level watch powered by proprietary movement. The man behind the revamp of Chanel’s star wristwatch is Arnaud Chastaingt, a modest man with a keen eye for detail who leads the Chanel Watchmaking Creation Studio. A graduate of two Paris-based design schools, the École des Arts Appliqués and Strate School of Design, Mr Chastaingt spent a decade styling watches at Cartier before joining heading across the city to Chanel. The Calibre 1 inside the Monsieur de Chanel Since starting at Chanel in 2013, Mr Chastaingt has overseen a slew of new designs, most notably the brand’s first in-house, high-end men’s watch, the Monsieur de Chanel (which really impressed me at its launch). Unlike most watch designers, Mr Chastaingt oversees the design of the entire watch, including the movement, explaining why Chanel’s own movements share a distinctive house style centred on repeating circles. I recently spoke with Mr Chastaingt explain the genesis of the J12. He wa...

Hands-On: Monsieur de Chanel Pocket Watch

Every year Chanel debuts a handful of timekeeping objects that are sleekly monochromatic yet lavishly constructed of precious materials like gold and rock crystal. They are beautiful, expensive, and the sort of object that would look at home in a US$100m penthouse. And because there are enough such penthouses to go around, these objets d’art inevitably find owners every year. Last year’s collection of objects included the Monsieur de Chanel Chronosphere, a clock within a glass globe supported by blackened-bronze lions, which was a five-piece limited edition. But the collection also included the one of a kind Monsieur de Chanel Pocket Watch suspended in a jewelled stand, an object that is simultaneously discreet and extravagant. Photo – Chanel Although the pocket watch and its stand retail for almost US$800,000, it is discreet to a fault.  All of the materials within are precious, but the entire object is almost monochromatic. The pocket watch can be removed and carried, but is more likely to function as the ultimate desk clock. Standing about 25cm, or 10in, high, the stand is polished 18k white gold and panelled in glossy obsidian, a black, volcanic rock. And while it does not look the part, the sculpted lion is also 18k gold, but coated entirely in smooth, black Hyceram, a composite of ceramic and polymer. The diamonds within the stand are substantial, but subtle – the lion’s paw rests on a 18k gold sphere covered in baguette diamonds. The big ca...

VIDEO: Andrew’s top 3 Basel 2019 watches under $10,000, inc. Breitling, Chanel and bronze

Given the vastly reduced number of brands in Hall 1 at Baselworld 2019 there were vastly fewer choices this year across all price points, but particularly in this one. The Swatch Group excel in sub $10K watches, and their absence was felt when it came time for Felix and I to retreat to our corners … ContinuedThe post VIDEO: Andrew’s top 3 Basel 2019 watches under $10,000, inc. Breitling, Chanel and bronze appeared first on Time+Tide Watches.

First Look: Chanel at Baselworld 2019

Baselworld 2019: Chanel releases a new J12 with a Kenissi manufacture movement

At Baselworld 2019, Chanel is celebrating 20 years of the J12 with a new in-house movement by Kenissi, which has been acquired by the luxury brand.

Pre-Basel 2019: Chanel Monsieur Édition Noire

Weeks ahead of Baselworld 2019, Chanel has shared the fifth iteration of the Monsieur de Chanel in black ceramic.

NEWS: Chanel steps up their in-house watchmaking capacity with investment in new factory

I’ve been saying for a while now that Chanel are a force to watch when it comes to serious watchmaking. Their recent high-end movements are impressive, to say the least. They’re already investors in Romain Gauthier, and - more recently - F.P. Journe. The latest step in Chanel’s increasing in-house journey is their acquisition of … ContinuedThe post NEWS: Chanel steps up their in-house watchmaking capacity with investment in new factory appeared first on Time+Tide Watches.

All We Know About Chanel’s New Stake in the Kenissi Manufacture

Chanel deepens its watchmaking capability by taking a stake in Kenissi, a movement factory dubbed as the industrial arm of Rolex subsidiary, Tudor.

2018 Revolution Round-Up: F. P. Journe

From Chanel’s stake, unique pieces, to its magical ladies’ collection, F. P. Journe has had an eventful 2018.

HANDS-ON: Chanel’s Code Coco -  a fashion watch that’s so much more than a fashion watch

As someone whose love of watches is focused entirely on mechanisms powered by springs, the word quartz normally evokes the immediate cry of “Next!” So when I stop and spend time with a quartz watch, it must be a bit special. And so to Code Coco. It had me at first glance: that crisp, chic … ContinuedThe post HANDS-ON: Chanel’s Code Coco – a fashion watch that’s so much more than a fashion watch appeared first on Time+Tide Watches.

Chanel Monsieur de Chanel Chronosphere Clock

Chanel Acquires Minority Stake in F.P. Journe - Why We Should’ve Seen This One Coming

HANDS-ON: The Chanel J12 Untitled

So deeply has Chanel’s J12 become embedded in the canon of 21st-century design, it’s easy to forget that it was introduced only 18 years ago. From the original model – a chic, sporty and androgynous piece in black ceramic that Chanel’s then artistic director, Jacques Helleu, had designed to wear himself – it has evolved … ContinuedThe post HANDS-ON: The Chanel J12 Untitled appeared first on Time+Tide Watches.

EDITOR’S PICK: The evolution of Chanel’s in-house watchmaking

Editor’s note: I’ve been saying for a few years now that Chanel is one to watch on the watchmaking front. They’ve been making watches for years of course, but in more recent times they’ve stepped up the intensity, offering beautiful (and beautifully executed) in-house movements. Sandra has the story … It’s seven years since Chanel … ContinuedThe post EDITOR’S PICK: The evolution of Chanel’s in-house watchmaking appeared first on Time+Tide Watches.

INSIGHT: A brief history of time - as seen by Chanel

It’s a paradox that a luxury house as conspicuously feminine as Chanel should always have had a gender-bending streak. So here comes a quick bit of fashion history – and before you watch geeks roll your eyes and change the channel, let me say that this will help explain everything about Chanel’s watches. Including why … ContinuedThe post INSIGHT: A brief history of time – as seen by Chanel appeared first on Time+Tide Watches.

HANDS-ON: Chanel’s exceptional Boy.Friend Skeleton

Gender-fluid. If you were born yesterday or became acquainted with pop culture only last year, you could be forgiven for thinking – based on the excitable talk among style-and-social commentators – that it’s a newly minted concept. Not so. The 1970s: boys wearing their hair longer than girls; 1966: Yves Saint Laurent’s Le Smoking … and … ContinuedThe post HANDS-ON: Chanel’s exceptional Boy.Friend Skeleton appeared first on Time+Tide Watches.