2,280 articles · 29 videos found · page 71 of 77
Hublot's 2005 "Art of Fusion" chronograph that reshaped 21st-century luxury.
42 mm × 14.5 mm, lug 22 mm, Cal. HUB1280
44 mm × 14.5 mm, lug 22 mm, Cal. HUB1280
42 mm × 14.5 mm, lug , Cal. HUB1280
Fratello
It’s time for a short confession: generally, I am not the biggest fan of skeletonized watches. While I greatly appreciate the possibility of witnessing a caliber in action, I much prefer to see it in action through a sapphire display in the case back. It’s purely an aesthetic thing because, as a design fanatic, I […] Visit Hands-On With The Rado Anatom Automatic Skeleton to read the full article.
Worn & Wound
eBay Finds is back! This bi-monthly installment will feature a selection of watches currently listed on eBay that have caught the eye of editor Christoph McNeil (@vintagediver). If you come across any hidden gems on the ‘Bay drop us a note at info@wornandwound.com for potential inclusion. Vintage Longines Admiral Leading off this week we have a stylish vintage Longines dress watch. The 35mm yellow gold filled case is a classic round style with simple, straight lugs and a steel back. The case is unpolished, with nice crisp edges. The silver dial looks fantastic, with slim arrow markers and no pesky date window and sword style hands. The original crown is signed with the Longines winged hourglass logo as it should. The watch comes on the original Milanese mesh bracelet with a signed buckle. Very elegant and classy look overall. The watch comes with the inner and outer boxes as well as the instruction and warranty booklets. The case is a front-loading type and there are no pictures of the movement, however the watch runs well per the seller. View auction here Vintage Omega Geneve Dynamic Next up is a wild and unique vintage Omega Geneve Dynamic. This watch is about as pure 1970s funk as it gets! The 41mm wide horizontal oval case is superb and unpolished, with sharp edges and the original brushed finish. The crazy original strap doesn’t attach to lugs, instead it has a big hole in the middle that sits up against the case and is held on by the retaining ring on the bac...
Worn & Wound
The Windup Watch Fair is heading back to Dallas, TX and this year, it’s getting even better. After an incredible turnout in 2025, our biggest year ever for Windup Watch Fairs, we’re returning to Dallas for the second year in a row and expanding from a two-day show into a full three-day weekend, March 13–15. Once again, we’ll be taking over the Hickory Street Annex, a beautifully restored 1921 Gulf Oil distribution center whose two-level industrial space blends historic character with modern finishes, creating the perfect backdrop for a celebration of watches and watch culture. Hickory Street Annex 501 S Second Ave #200, Dallas, TX 75226 Friday, March 13: 12PM – 6PM Saturday, March 14: 12PM – 6PM Sunday, March 15: 12PM – 5PM Free and open to everyone No registration necessary This year’s Dallas Fair will feature more than 40 brands, led by our headline sponsors Christopher Ward, Junghans, and Oris. Christopher Ward is known for blending modern British design with Swiss watchmaking precision, delivering high-quality mechanical watches that punch well above their price point. Junghans brings over a century of German watchmaking heritage to the fair, celebrated for its clean Bauhaus-inspired aesthetics and timeless minimalist design. Oris rounds out the trio as one of Switzerland’s leading independent watchmakers, respected for its purpose-driven mechanical watches and strong ties to aviation, diving, and motorsport. Each brand will be showcasing its lates...
Time+Tide
AP might be appearing at Watches & Wonders this year, but isn't holding back with its first big round of new watches for 2026.The post Audemars Piguet’s first 2026 releases: stone, skeletons, and a push toward “liveable” complications appeared first on Time+Tide Watches.
SJX Watches
TAG Heuer is growing its signature line of chronographs literally and figuratively with the Carrera Chronograph “Glassbox” 41 mm. Stylistically similar to its 39 mm counterpart, the new Carrera features a larger “Glassbox” case but is otherwise almost identical, right down to the pump pushers and TH20 automatic movement, though enthusiasts will like the fact that the date display has been eliminated. Initial thoughts The “Glassbox” case is a good starting point, being distinctive but not as unconventional as the Monaco. The Carrera is retro-inspired but of an entirely modern construction, with its bowl-shaped dial, raised flange, and domed crystal. One of my favourite characteristics of the Carrera is the model’s pump-style pushers that give it a distinctive profile. Large and welcoming, the pushers provide the impression of a chronograph built to be used. And the 41 mm has the upside of doing away with the date. While the larger case is arguably not as well suited to the retro case design, it is a good fit for the TH20 that’s a relatively thick calibre. So while bigger, the 41 mm model is better proportioned in some ways. Commercially, the logic of the 41 mm is clear as well, since larger watches do well in many of the markets where TAG Heuer is historically strong, like the United States and Australia. Notably, the 41 mm includes a similarly scaled up version of the versatile seven-link stainless steel bracelet found on the smaller model. It echoes a “b...
Worn & Wound
Maen’s latest is an update to their well regarded Hudson 38 dive watch, now in a MK 5 version. It’s hard to believe that the first Hudson launched all the way back in 2018. Maen is a very different brand nearly a decade later, and has radically changed not only their image but the overall quality of their watches. This is perhaps most easily understood through their popular Manhattan line of integrated bracelet sports watches, which are uncommonly well engineered for the price. Over these last few years while they’ve built out the Manhattan collection, you could probably levy the critique that they’d become a bit of a one trick pony. But it feels like with the new version of the Hudson, they are applying much of what they’ve learned with the Manhattan into a watch that probably has a bit more mass appeal and is a simpler and more straightforward proposition on its face. The Hudson 38 MK 5 is, according to the brand, the biggest update to the watch yet. The case has been completely reworked and is much more streamlined, with a thinner profile (11mm thick excluding the crystal – pretty good for a 300 meter diver) and a thinner bezel, that gives the whole package a more refined appearance and leans harder into the vintage adjacent aesthetic. This new edition also features a box domed crystal for the first time in the collection, which fundamentally changes the personality of the watch when on the wrist. Other small enhancements include the addition of a lume pip (...
Worn & Wound
If I’m looking back at 2025, it feels like the year I really embraced independent brands across price points. If you’ve listened to the podcast, talked to me at a watch event, or read between the lines of many of the articles I’ve written over the last few years, you’ll know that I’ve become increasingly bored with “big” brands and the new watches they push out to market on predictable release cycles, year in and year out. 2025 was the year that that boredom and frustration really made an impact on the purchases I decided to make. I won’t lie: I went a little overboard on new watches last year. Not having children, owning a car that’s fully paid off, and living in a world where retail therapy is often the most reliable form of comfort will do that to you. In the last year, I picked up new watches from Ming, Otsuka Lotec, Arcanaut, Louis Erard, Selten, Typsim, Christopher Ward, Nomos, and Arken. I’m happy to say that every single one of them is a little weird (Or special? Maybe that’s a better word.) and I’m very pleased to say that in just about every case I have some personal connective tie to the brand or the people behind it. That’s a thing that has become almost essential to me as I consider a new watch: I want to know the people who made it, understand their philosophy, and, if I can, develop an ongoing relationship with them. That’s a goal that’s easier to meet now than ever given the ease with which we all connect on social media, at ...
SJX Watches
Episode 22 of the SJX Podcast looks back at the complicated watches that emerged in 2025, a banner year that saw major brands deliver ambitious and record-setting complications. Several anniversaries, including Vacheron Constantin’s 270th and Audemars Piguet’s 150th, resulted in inspired releases. Big brands delivered big hits, from Lange’s black enamel minute repeater perpetual calendar to Blancpain’s Grande Double Sonnerie, which feature a four-note melody composed by Kiss drummer Eric Singer. For its part, Chopard finally gave its sapphire gongs the platform they always deserved with the Grand Strike, the brand’s first-ever grande sonnerie. And while Audemars Piguet’s big anniversary was headlined by the RD#5, the brand’s crown-operated perpetual calendar was another important addition to the field of complications this year. Listen on Apple Podcasts, Spotify, and Youtube.
Time+Tide
The last LWIW of the year still has plenty of bangers, with a pair of fully gem-set Overseas being the highlight of the week.The post New releases from Vacheron Constantin, Autodromo, Alterum and more appeared first on Time+Tide Watches.
Teddy Baldassarre
Seiko has a well known and understood design language that is expansive in nature. It’s a style that feels just as at home on a humble skin diver as it does in the context of a field watch or chronograph. It always feels comfortable, but never derivative. Like a perfectly well worn-in pair of jeans that you keep coming back to. The Speedtimer name is a perfect example of this originality since it was first used by the brand in 1969, and it largely remains so today. The modern Speedtimer SSC813 within the Prospex collection is not entirely reliant on that history, rather, it presents a contemporary vision of a Seiko chronograph at its most accessible. [toc-section heading="Seiko And Chronographs"] Seiko plays an important role in the history of the chronograph as we experience it today. The Japanese brand’s mechanical timers of the mid ‘60s showed off a modern vision for a highly focused design that would open the door for a new generation of watches. These designs did not use a host of subdials, but rather a single timing hand and a single pusher. This is a focus that would be retained until 1969, when Seiko introduced the reference 6139, one of three automatic chronographs to be revealed that year that would shape the genre for the coming decades. Unlike the other two, the Seiko used just a single subdial which would totalize up to 30 minutes. The 6139 would have a cultural impact just as big as its horological impact, appearing in films and, in the case of the so...
Worn & Wound
Editor’s Note: In addition to being a writer and member of the international watch media community, Bhanu Chopra is also the co-founder of Micro Praha, a regional watch fair in Prague, which just celebrated its third year. We asked Bhanu to share his thoughts on the evolution of the event, as well as some photos from this year’s festivities. Regional watch fairs have been around for several years, but their focus remained mostly mainstream brands and few independent brands. I remember visiting Vienna Time and Munich Time in the mid-2000s, and seeing Lange & Sohne and Habring booths in the same hall. Three years ago, Ondrej Vislocky and I, two watch enthusiasts and friends, took the initiative to create a micro brand watch fair for the Central European region. Prague happens to be in the very heart of Central Europe with easy access to Germany, Austria, Slovakia, Poland, Italy, and even the Nordic countries. It also happens to be the city where we live. We are big fans of micro brands, so we wanted to bring our enthusiasm to Micro Praha. The U.K. has a very active micro indie scene with fairs throughout the year. There are watch fairs in Germany, France, Italy, and Poland, but the participation remains very regional. Micro Praha brings together brands from around the globe. This year 82 brands participated, representing 24 countries, including Germany, France, Italy, Poland, the U.S., Canada, Puerto Rico, Finland, Singapore, Taiwan, Sweden, the U.K., and Czech Republic....
Fratello
Oris introduced an update to the ProPilot Date last month. I wrote the introduction article based on the press materials, and now I am back, having had hands-on experience with the new models. So, the big question of the day is: does the refresh make the ProPilot better? Let’s get into it! We’ll cover everything […] Visit Hands-On With The Second-Generation Oris ProPilot Date to read the full article.
Worn & Wound
There’s something strangely fitting about a new Timex collaboration with Toddy Snyder dropping this month in the form of the new Olive Marlin seen here. The Marlin, in its current form, is frequently described as being inspired by the style of the Mad Men era. The AMC series started many menswear trends and the archives of sites like ours and many watch and menswear forums are ripe with stories about Mad Men’s watches, how to achieve the Don Draper look, and so on. Mad Men is on my mind right now though not because of the release of this new piece from Timex, but because of the quite hysterical gaffe made by someone at HBO Max, who inadvertently put up uncut and unedited versions of the show when it made its HBO Max streaming premiere on the first of the month. This was supposed to be a big moment for the debut of the new 4K scans of the show, but instead, everyone is talking about a puke hose. I’m not the biggest Mad Men guy out there, but I like the show well enough, and I watched a few of my favorite episodes over the weekend to test the waters on a full rewatch. Maybe I’ll report back on that, at some point. For now, I can say that the style of the show (not just the clothes, but entire production design) remains just about perfect at evoking a very specific era, and the watches always played a major role in that. The Marlin would have felt right at home on this set. For this new Todd Snyder collaboration, the dial has been given a coat of the designer’s ...
Worn & Wound
Well, dare I say, we’ve moved past the sticker shock of the “new” Bremont. Two and a half years on from Davide Cerrato taking the helm at the British brand, the discourse around direction seems to have died down, and the new vision for the brand - founded by Nick and Giles English and now owned principally by hedge fund manager and activist investor Bill Ackman - is increasingly clear. If I’m being honest, I’m still not sure what to make of this new Bremont, but one thing that’s for sure is that seeing new releases sporting the Bremont “Wayfinder” logo is no longer the jarring experience it was in March of 2024. And it means I can say that Bremont’s latest releases, a pair of 50-piece limited editions unveiled for Dubai Watch Week, each make a tremendous amount of sense in the context of the current Bremont collection. It’s a big step for the brand, which has had to do a tremendous amount of work over the last few years to make the latest interpretation of Bremont make sense. If I’m being wholly honest, I’m still not sure that the new Bremont is really for me (I’m not sure it’s meant to be), but I do know that when I see their new releases, they are unquestionably Bremont watches. What we have today are two reinterpretations of watches initially released earlier this year at Watches & Wonders, each differentiated by notable aesthetic changes. The first of these is a new iteration of the Terra Nova Jumping Hour, introduced for the first time ...
Worn & Wound
When Longines reintroduced the Ultra-Chron back in 2022, many enthusiasts and vintage watch lovers were excited by the possibility of the brand exploring one of their key collections with a new lens. To the surprise of many, the watches that have been introduced in the new-look Ultra-Chron lineup have frequently been on the more contemporary side when it comes to design. For a brand that has become known for raiding the archives, the most revered Ultra-Chrons of old haven’t really been a factor with the new pieces. That changes, however, with the introduction of the new Ultra-Chron Classic, which, as the name suggests, is a riff on the original Ultra-Chron, the one often seen by collectors as the most desirable. The Ultra-Chron has always existed as a testament to Longines’ commitment to chronometry. When the collection launched in 1967, it was the first time a watch with a movement based on those used in chronometry competitions had been successfully shifted to a mass produced product. The Ultra-Chron was one of several watches released in the 1960s that effectively threw down the gauntlet in the ongoing chronometry wars among many of the biggest Swiss brands (plus Seiko/Grand Seiko). So it makes sense that Longines would return to the original design of one their most historically important watches. The Ultra-Chron Classic is about as sturdy an example of a clean, midcentury watch design as you’re likely to see. Its circular stainless steel case comes in two si...
Teddy Baldassarre
The Longines Spirit Pilot watch collection was released back in 2020 and I recall going hands-on with the then-new pilot’s watches, which were a blend of contemporary with a dash of vintage styling. Since then, the brand has clearly listened to the response from enthusiasts who have been generally receptive to the collection, but with some consistent points of criticism. Namely, the five stars on the dial were divisive and even though it comes in 37,40, and 42mm case sizes, none felt like they hit that “Goldilocks” zone for a lot of people. Fortunately for those buyers, Longines just dropped two new watches that might be the best in the collection so far: the Longines Spirit 39mm three-hand and the new Flyback in a 39.5mm case. Longines Spirit 39mm Pilot's Watch First, let's look at the Spirit Pilot three-hand watch which comes in a stainless steel case measuring 39mm wide and 11.5mm thick with a lug-to-lug measurement of 47mm. While the gap between 39mm and 40mm doesn’t sound too dramatic, the latter has a lug-to-lug that measures just shy of 50mm which is simply too big for a lot of people. And 37mm is just too small for many of those same people. So, with that established, it’s not hard to see why this 39mm case size is so well received. The rest of the case is simple enough with alternating brushed and polished finishes, a sleek bezel, and a domed sapphire crystal with dual-sided AR coating. Finally, it also offers 100 meters of water resistance. Then there...
Worn & Wound
Longines has announced a pair of new watches in their Spirit collection today, and taken together it feels like a fairly significant shift and update for the five year old line. When the Spirit watches launched in 2020, it represented Longines making an attempt to develop watches that put more of a balance on contemporary vs. vintage inspired divide, having spent years carving out a niche as one of the most tasteful reinterpreters of their own back catalog. The Spirit watches were an entirely new invention but still leaned into the brand’s natural heritage appeal, and impressed from the start with excellent finishing and build quality. As the collection expanded over the years, it’s grown full of under the radar sleepers, but a handful of little issues are always mentioned by admittedly picky enthusiasts when new products drop. At least some of those seem to have been addressed between these new releases, updated versions of the Spirit Pilot and Spirit Pilot Flyback. We’ll look at the Spirit Pilot Flyback first, as it’s a genuinely surprising and unexpected evolution of an ambitious watch that Longines debuted just two years ago. Longines has a long history with chronographs, and flyback chronographs specifically, so the introduction of a new flyback chrono at a competitive price point (at launch it came in under $5,000 in steel) was a big deal. Unfortunately, the case was just enormous, coming in at 42mm in diameter and around 17mm tall. The case height, in part...
Hodinkee
Back for its second year, the show is bigger, better, and brighter (and brought out some great watches).
Worn & Wound
Timex is continuing its experiment with higher-end horology with its latest release, the Timex Atelier Marine M1a, which the brand describes as a spiritual successor to the Giorgio Galli series and the first watch in the new Timex Atelier line. The Galli series garnered attention for being “luxury Timex,” with minimalist design, higher-grade cases - like the titanium Giorgio Galli S2Ti - and, biggest of all, that prestigious “Swiss-made” label. Timex says the Marine M1a is the “next chapter” in the brand’s history as it continues to build watches in Switzerland with higher-end materials and movements than typical Timex watches. In the case of the Marine M1a, that means a 41mm skeletonized stainless-steel case with an iron-plating coated midcase, a brushed-steel bracelet, a ceramic bezel, Superlominva-filled indices, and an enamel dial. The watch is powered by a Catena SA100 automatic movement finished with Geneva stripes and perlage that you can get an easy look at through the watch’s exhibition caseback. It’s a bit more conservative in design than the retro-minimalism of the Galli watches, and, in the words of Timex’s chief creative director, Giorgio Galli himself, was “not designed to impress at a glance,” but to “be discovered, slowly, over time.” There are many details to discover over time. A signed crown, silver-applied indices, a movement rotor engraved with “Timex Atelier.” But the watch isn’t just aesthetic-oriented - with a...
Worn & Wound
One of the real highlights of being involved in our Windup events year to year is getting to know brand owners and founders, and periodically getting a little peek at what’s to come. More and more often, brands come to our events not just with watches in their current catalog, but with early samples of watches they’re planning for the future to show prospective customers, members of the media, and the Worn & Wound team. I won’t lie: it’s a nice perk of being on the inside. A few months ago during the Chicago show, the team at echo/neutra pulled some really exciting stuff out of a bag that was not quite ready for prying eyes. The new Averau42 collection, which at launch consists of a pair of watches combining titanium and ceramic construction, is an exciting next step for a brand that we’ve been interested in for some time. The heart of these watches is what echo/neutra calls the TiFrame construction. This is an idea we’ve seen a handful of times from other brands, usually bigger brands, in the recent past. These watches are made with an internal titanium case, or frame, that protects the movement and offers tensile strength that ceramic and other alternative materials lack. The outer layer is black ceramic, which provides a virtually scratch proof surface and a moody aesthetic vibe for these watches that fits in nicely with the design codes the brand has established over the past several years. This type of construction, in addition to making the most of the ...
SJX Watches
The reborn Gérald Genta has just unveils a simply-titled complicated watch, the Minute Repeater. Although a new design, the striking timepiece harks back to Gérald Genta’s golden age in the late 20th century, in both style and quality of execution. The case takes a clean, cushion-shaped form, while the dial is glossy black onyx. And inside ticks the GG-002, a hand-wind movement derived from the longstanding repeater movement made by Louis Vuitton La Fabrique du Temps (LFT), the parent of Gérald Genta. Though not a limited edition, the yearly output will be limited to 10 pieces. Initial thoughts Big-name brand revivals are not always successful endeavours, since it is often difficult for new patrons to recapture the spirit and style of the original, while also making it financially viable. Gérald Genta is clearly an exception. It was relaunched in 2023 by Louis Vuitton, allowing it to lean more towards genuine quality rather than a flash in the pan. The Minute Repeater is a welcome and original addition to the brand’s collection, embodying the late Genta’s instinctive design flair and aesthetic sensibilities, while being a new(ish) design. An especially pleasant surprise is the original case shape that certainly looks very Gérald Genta, but wasn’t previously in the catalogue, though Genta did pen similar cases in the past. In other words, this is not a remake. The shape sits between an ellipse and a rounded rectangle, capturing the gist of the 1970s design we...
Fratello
Another Friday, another list! This time, we’re focusing on the brands that will be present at Geneva Watch Days 2025 next week. The event grows every year, and we have seen an increase in the number of participating brands. It’s a mixed bag of small and big ones that are active at every price level, […] Visit Fratello’s Top 5 Brands To Look Out For During Geneva Watch Days 2025 to read the full article.
SJX Watches
With a swivelling case and unadorned back, the Jaeger-LeCoultre Reverso has long served as a canvas for miniature enamelling (or double-faced complications). The Reverso Tribute Enamel “Shahnameh” is a fine example of the art, which is almost synonymous with Jaeger-LeCoultre (JLC), one of the first brands to set up an in-house enamel workshop. Originally invented as a watch for polo players – the reversible case is meant to protect the crystal – the Reverso goes back to the historical origins of the game with this set. The quartet is inspired by scenes from Shahnameh, an epic poem written one thousand years ago that recounts the origins of the Persian Empire, and also depicts the ancient game invented by Persians that is today known as polo. Specifically, the four watches reproduce illustrations from the Shahnameh commissioned by Shah Tahmasp, the second ruler of the Safavid dynasty, in the early 16th century. The four piece set comprised of (from left) ‘Siyavush Plays Polo before Afrasiyab’; ‘Faridun Tests His Sons’; ‘Saam Comes to Mount Alburz’; and ‘Rustam Pursues Akvan’. Image – Jaeger-LeCoultre Initial thoughts JLC has long reproduced historical art on the Reverso – including Monet’s Venice series of paintings last year – but the artwork was often Western or East Asian, perhaps reflecting the watchmaker’s biggest markets. The “Shahnameh” set, on the other hand, reproduces scenes from a piece of art that might be less well known in...
SJX Watches
The Piaget Altiplano Ultimate Concept Tourbillon was the world’s thinnest tourbillon wristwatch at launch last year. Though it’s no longer the record holder, the Altiplano Ultimate Concept (AUC) Tourbillon remains as interesting and gossamer as ever – and more wearable than its ultra-thin rivals. Now the AUC Tourbillon returns in khaki green and gold livery, but Piaget understands it is not easy being green and will tailor the AUC Tourbillon to taste with its customisation program. The new AUC Tourbillon makes its debut with the matching Altiplano 910P Khaki Green that’s dressed in a darker shade of the colour, while being more affordable by multiples. Initial Thoughts Until a few months ago, the AUC Tourbillon was the thinnest tourbillon ever. While Octo Finissimo Ultra Tourbillon from Bulgari may have edged it out by 0.15 mm earlier this year, that’s probably a distinction without a difference as the two are equally ethereal in person. The AUC Tourbillon is incredibly interesting in technical terms, and the movement hides little from view. Even the balance is flying, without an upper bridge and instead supported by ball-bearings. And the watch looks and feels like a watch, and not a credit card or bangle. Yet, and this is important, it remains durable enough to actually wear on an everyday basis, historically not always the case with extraordinarily flat watches, and even marginally water resistant. To me, the AUC Tourbillon joining Piaget’s Infinitely Person...
SJX Watches
Roger Dubuis is celebrating 30 years by looking back on its days as a trend-setting independent. The Excalibur Biretrograde Calendar deftly balances the spirit of Genevan watchmaking from the brand’s early years in the 1990s with the boisterous designs of the 2000s in a manageable size, but less manageable price. While the style is reminiscent of the oversized Excalibur models that were far from ergonomic, the Biretrograde Calendar has been redesigned for wearability. The retrograde calendar mechanism on the front is an in-house construction, built on top of the brand’s own automatic movement that is unexpectedly sophisticated and classical. Initial Thoughts Roger Dubuis is a marque built on calendars, so the new Excalibur has historical resonance. The late Roger Dubuis was a Patek Philippe alumni who caught his big break working with Jean-Marc Wiederrecht, who would go on to found Agenhor, on a double retrograde perpetual calendar developed for New York jeweller Harry Winston. It was during the project that Dubuis met his future business partner, Carlos Dias, an entrepreneur who would help establish the Roger Dubuis brand and transform it into a hit maker in the 2000s. The same double retrograde perpetual calendar mechanism would accompany the first Roger Dubuis model the brand’s debut in 1995. And the retrograde calendar also has a historical connection to Geneva, as a local watchmaker named Marius LeCoultre created the most prolific retrograde perpetual design of ...
Worn & Wound
I’ve reached the age where I regularly feel the temptation to say things along the lines of “back in the day…” This applies to various things, such as life without smartphones, dial-up modems, and Napster, among others, but occasionally, it also applies to watches. You see, it wasn’t that long ago that things were quite different. Dive watches were all north of 40mm, in-house movements were rare under $5k, microbrands were dismissed as a passing trend, and, most relevantly to this review, mechanical chronographs under a certain price were primarily powered by Valjoux 7750s or a close variant. With sub-dials at 12, 6, and 9, day-dates at three, two-pushers, cam-actuated, and always automatic, approachably priced mechanical chronographs were limited in their design options. Even 3, 6, 9 layouts were rare, powered by 7753s or ETA 2894s, and often limited to Swatch group brands. The point is that in 2025, it’s almost hard to imagine a world of such limited chronograph options. Today, thanks largely to Sellitta, 3, 9, and 3, 6, 9 layouts are typical (I actually miss 12, 6, 9 now), monopushers are no big deal, manual winding is an option, flybacks, GMTs, and even column-wheels are on the table. Simply put, it’s a good time to be a chronograph fan. Yet, even in this golden-age of chronographs (ok, that might be a stretch), there is room to stand out. Enter Albishorn, which launched in 2024 with a series of chronographs powered by a bespoke movement, based on a fun r...
Worn & Wound
It’s been a minute, but Watch Scrolling, our occasional series where we highlight watch and gear related Instagram accounts we think are worth visiting, is back. Now more than ever, as the algorithm increasingly wants to show us things we might not actually want to see, it’s important to highlight the collectors, enthusiasts, and creators that are really worth a follow. We’ll try to bring you a ton of variety in Watch Scrolling, both big accounts with lots of followers you might be missing, and newer, smaller accounts that are still pretty niche. We’d love to hear your suggestions for Instagram accounts to feature in this series. Drop them in the comments below, or head over to our Worn & Wound+ Slack channel and join the conversation there. @justin_sowders_art Justin recently made his Worn & Wound podcast debut at the Windup Watch Fair in Chicago. He was there to talk about the Citizen Aqualand, but as an artist he’s inspired by a variety of watches, and his IG is definitely worth a follow if you’re at all interested in seeing where abstract art and watches meet. His oil paintings of watches are incredibly evocative and have a very real sense of physical depth. They’re colorful, complex, and will almost certainly make you think of the visual impact of a watch in a new light. @watchopinions Historically, I’ve been a bit allergic to anonymous bomb throwers on the internet. I love a hot-take and think people should proudly stand behind them! But there...
Worn & Wound
The Windup Watch Fair is heading back to the Windy City for what promises to be our biggest and boldest Chicago event yet-and this time, we’re celebrating a major milestone: 10 years of Windup. From July 11–13, Windup returns to Venue West for three full days of hands-on watch experiences, exclusive launches, engaging panels, and some unexpected surprises. This year’s show features over 40 exhibiting brands, including exciting first-time participants like Tudor, DOXA, Celeste, and Watch Craft. There will also be raffles, giveaways, a Scotch tasting bar, and much more. The event is completely free and open to the public, so whether you’re a seasoned collector, a curious newcomer, or somewhere in between, there’s a place for you at Windup. Windup Watch Fair Chicago Friday, July 11 – Sunday, July 13, 2024 Venue West 221 N Paulina St Chicago, IL 60612 Free and open to the public. Thanks to Our Lead Sponsors We’re thrilled to welcome back our Lead Sponsors, each bringing something exciting to the table-some quite literally. Atelier Wen returns with the Perception, a stunning example of East-meets-West horology. The watch’s intricate guilloché dial, crafted by hand in China, is a modern feat of mechanical art. Casio is showing off their G-SHOCK MTGB4000, a robust, high-tech statement piece loaded with both analog soul and digital brains. Even more exciting? We have it on good authority that Casio will be launching something completely new on day one of the ...
Fratello
Welcome back to another episode of Fratello On Air! This week, we aim to debunk some of the most prevalent myths surrounding our beloved watch-collecting hobby. Some will be obvious, but some require some discussion. Enjoy the show! This podcast player is blocked because you did not accept marketing cookies. Change cookie settings Misconceptions within […] Visit Fratello On Air: The Biggest Myths And Misconceptions Of Watch Collecting to read the full article.
Quill & Pad
Ian Skellern has been a Greubel Forsey fan boy since the brand launched back in 2004, but his appreciation for the brand’s beautifully executed complications was always purely platonic. It wasn't just the price, their watches were too big for him. The sub-40 mm Balancier Contemporain changed that and this blue stainless steel final edition looks sensational!
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