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Quill & Pad
The F.P. Journe Octa Perpétuelle was Journe’s first perpetual calendar wristwatch. “First” is a flag that flies forever, and this watch is a potential collection cornerstone on that basis alone.
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A newcomer to the world of watch auctions, Loupe This was founded by a pair of industry veterans and operates in a distinctly 21st century manner: sales are conducted entirely online, with about ten watches on the block at any one time. The offerings on Loupe This are diverse. In December 2021 it sold an example of our Habring2 Erwin “Star” for US$15,400 including fees, while the latest to go under the hammer are two interesting, long-discontinued watches from notable watchmakers based in Geneva – but otherwise radically different. One is the a Rolex Milgauss ref. 1019 – in pristine, “new old stock” condition – and the other, an F.P. Journe Octa Chronographe 38 mm. Rolex Milgauss ref. 1019 Produced from 1960 to 1988, the ref. 1019 was the longest-running reference of the Milgauss, the brand’s famous magnetism-resistant watch conceived for engineers and nuclear scientists. Despite the lengthy production run, the ref. 1019 is relatively rare because the model wasn’t produced in sizeable numbers for the simple reason that it didn’t sell well. In fact, Rolex discontinued the Milgauss altogether in 1988, before reviving it some two decades later. While the rarity certainly boosts its appeal, the ref. 1019 is attractive and unusual for being one of the most fuss-free Rolex “Professional” sports watch. The ref. 1019 is also the simplest version of the Milgauss, doing without the rotating bezel or “lightning” seconds hand found on earlier models. It ...
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As has become tradition, a good part of Phillips’ upcoming New York watch auction is a memorabilia sale of sorts, including watches owned by Marlon Brando, golfer Jack Nicklaus, and astronaut John Glenn, as well as the Urwerk worn by Robert Downey Jr. while playing Iron Man in Avengers: Endgame. The auction also includes a piece of historical horological memorabilia: an F.P. Journe Octa Réserve de Marche prototype. The prototype is largely identical to the later, serially produced version of the watch – the case is platinum and the dial, yellow gold – but is marked as a prototype on the case back, and also bears the various traits unique to early watches made by Francois-Paul Journe. The cal. 1300 Launched in 2002 and discontinued in 2014, the Octa Réserve de Marche was the brand’s first entry-level wristwatch, powered by an automatic movement, the cal. 1300. Originally conceived to have an eight-day power reserve – hence “Octa” – the movement instead has a power reserve of 120 hours, or about five days. Reputedly constructed with a gear train borrowed from a robust and well-known hand-wind movement plus an extra-large mainspring, the cal. 1300 was the base calibre for the entire Octa line. Although a variety of complications were added on top, ranging from the Octa Chronograph to the annual calendar of the Octa Calendrier, all versions of the movement had identical height of 5.7mm regardless of function. The slimness and smart construction did come at th...
Revolution
Hodinkee
When F.P. Journe unveiled his Octa Sports line of watches back in 2011, we (the royal watch collecting "we") could simply not believe how light they were. After all, the F.P. Journe "lineSport" pieces, being the Octa Sport and the Centrigraphe (CTS), were made entirely of aluminum. Yes, aluminum! They were so light, they almost felt fake (seriously). They were not fake, they were just absurdly light, and absurdly cool.
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Hodinkee
After a collector friend called the Octa Quantième Perpétuel "the biggest miss in horological journalism in recent years," we knew it was time to take a closer look at this overlooked F.P. Journe.
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A short-lived model in production for just a few years – it was replaced by the Centigraphe in 2008 – the Octa Chronographe was nevertheless one of F.P. Journe’s most intriguing offerings in technical terms. While based on the standard cal. 1300 found in the simpler Octa models, the chronograph movement utilised a stopwatch mechanism integrated into the base plate under the dial. In other words, the chronograph was integrated but located where a modular setup would typically be. As a result the Chronographe remained the same height as less complex Octa models (though that thinness would cause a variety of problems with the functionality, especially with the date). Its technical details – which vary across generations – are just one aspect of the watch detailed in A Collector’s Guide for the Octa Chronographe by F. P. Journe by Shawn Mehta, founder of independent watchmaking merchant Watch4Moi. (At the same time it’s worth revisiting the guide to the F.P. Journe Tourbillon Remontoir d’Egalite that I wrote in 2016, making it one of the first-ever Journe “guides”.) Octa Chronographe no. 001 that sold at Phillips in November last year Though the first in numerical sequence, it was not actually the first example produced as indicated by its details Unlike many recent “guides” that rely on plagiarisation or secondary sources, Mr Mehta’s article cite facts and figures from F.P. Journe itself. For instance, he tells us that only 35 examples of the Octa Ch...
Hodinkee
Watches we love, the second time around.
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Laurent Ferrier’s Sport Traveller is a meaningful addition to its collection of sport watches. While the brand’s convenient push-button dual-time complication is not new, it has never been available in the go-anywhere, do-anything format of the Sport line - where it arguably makes the most sense. It’s also the first time this travel complication has been paired with one of the brand’s lever escapement movements, a change that should provide the resilience against shocks that one expects from a sport watch. Initial thoughts The sport has proven to be one of Laurent Ferrier’s most popular watches, introducing the brand to a wider audience by combining sports watch ruggedness with the high-horology independent watchmaking that the brand has become famous for. In this sense, the Sport Traveller is similar in philosophy to other luxury sport watches. That said, few manage to elevate the concept quite as high as Laurent Ferrier. The A. Lange & Söhne Odysseus and F.P. Journe Octa Sport Titanium are natural peers, as is the Patek Philippe 5164, but only the latter offers a travel time complication. The Sport Traveller is made from grade 5 titanium for a featherweight wrist presence, and debuts in what is likely to be a popular grey-on-grey colourway. Even the Sport Traveller dial text is grey, blending in with the dial to help keep the clutter to a minimum. The cal. LF275.01 continues the monochromatic look with grey-coated bridges and a solid platinum oscillating wei...
Hodinkee
Plus an Audemars Piguet Royal Oak QP and an FP Journe Octa Sport.
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A prominent figure thanks to his Instagram account documenting his impressive collection of independent watchmaking, Mike “Shani” Shanlikian is an American collector who watches that are widely regarded as the most important in the genre, including the Philippe Dufour Simplicity, F.P. Journe Tourbillon Remontoir d’Egalite, and Rexhep Rexhepi Chronometre Contemporain. Mr Shanlikian was recently interviewed by George Mayer, the head of sales at pre-owned watch retailer Watchbox. Himself a watch aficionado (and sporting an F.P. Journe Octa Perpetuelle with matching bracelet), Mr Mayer quizzed Mr Shanlikian on his collection and delved into his motivations for collecting independent watchmaking in the 23-minute video interview. An F.P. Journe tourbillon duo. Image – Mike Shanlikian The Akrivia AK-06 and RRCC I. Image – Mike Shanlikian A few watches from the collection. Image – Mike Shanlikian Watchmaking is a fusion of science and art, according to Mr Shanlikian, who notes in the increasing interest in independent watchmaking was driven by F.P. Journe and comparable brands that rely on traditional methods to create watches. He showcases some favourites from his collection in the video, including the “1 in 30” Chronometer by American watchmaker Keaton Myrick. But the most significant watches are documented in the video are the George Daniels Millennium and Dufour Simplicity, matched by their contemporary counterparts, the Rexhep Rexhepi’s Akrivia AK-06 and Gre...
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Phillips sold US$74.5 million of watches during its recent Geneva auctions, the besting the two-decade old record set by Antiquorum in 2002 for the biggest watch auction ever. Now it the focus shifts to Hong Kong for the fall watch sale in the city. Amongst the top lots in Geneva were important creations by independent watchmakers, including the Philippe Dufour Grande Sonnerie wristwatch that sold for US$5.2 million, as well as an F.P. Journe Resonance Souscription that achieved US$4.3 million (fees included). Fortunately there are fine examples of the genre for far less money at the upcoming Hong Kong auction. We round up some of the most notable – and possibly overlooked – in the sale, including the little-known F.P. Journe Octa “France-China”, the rarely-seen Haldimann H11, and a pair of quirky watches by Vianney Halter (but designed by Pascal Pages). The movement of the H11 The Hong Kong Watch Auction: XIII takes place on November 25 (for lots 801-852) and November 26 (lots 853-1106). The full catalogue and registration for bidding are available on Phillips.com. Lot 841: Harry Winston Opus 3 by Vianney Halter Perhaps the most complicated watch ever conceived by Vianney Halter is the Opus 3, which was originally a collaborative effort between the watchmaker and American jeweller Harry Winston. Entirely digital in its time display, the Opus 3 has no hands, but instead six apertures on its face. The date occupies the two windows in the centre, with the left co...
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F.P. Journe’s creation for Only Watch 2021 is an interesting one – the FFC Blue, characterised by a hand on the dial that displays the hours. Like F.P. Journe’s past contributions to Only Watch, the FFC Blue is powered by a prototype movement – rough around the edges and lots of character – and features a case of tantalum, the grey-blue metal synonymous with the bestselling Chronometre Bleu. Named after the initials of Francis Ford Coppola, the film director best known for The Godfather, the FFC Blue originated in a 2012 visit to Mr Coppola’s residence. The director asked Mr Journe a seemingly innocuous question over dinner, wondering whether it was possible to tell the time with a human hand. Mr Journe mulled it over and over several years devised a mechanism with the help of Mr Coppola, who sent sketches of the desired finger positions for each hour. The unveiling of the FFC Blue also marks the 20th anniversary of the F.P. Journe Octa and its automatic cal. 1300 (it’s the second watch to mark the occasion in fact), which is the base movement of the FFC Blue. Initial Impressions At first glance, the FFC Blue is bizarre for F.P. Journe. The hand sculpture on the dial is unlike most of the brand’s other designs, which are mostly conservative and often Breguet-inspired. Upon closer examination, indeed a bizarre watch it is – in a good way. The mechanism is an impressive example of an automaton, a complex answer to a simple question: how can the human hand...
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The final watch auctions of the year take place in New York, and as usual Phillips is staging a thematic sale. Titled Game Changers, the auction is made up of watches owned by game-changing celebrities like Marlon Brando and Jack Nicklaus, or timepieces that were game changers in the horological landscape, like the F.P. Journe Octa Reserve de Marche prototype. Also in the sale is a would-be game changer: the Vacheron Constantin Overseas prototype in titanium, not yet a game changer since it has not been put into production, but being the coolest Overseas to date, it probably will. And also worth a look is the vintage Heuer Monaco with a hand-finished movement that’s being sold for charity. But this article is about a handful of Patek Philippe watches, including the sale’s top lot, a ref. 1518 “pink on pink”, as well as a less expensive but more intriguing skeleton pocket watch with paillonnee enamel decoration. The ref. 899 pocket watch decorated with blue enamel and paillons Lot 38 – Patek Philippe ref. 530 chronograph The ref. 530 is a desirable model because it’s oversized for a vintage watch – the case is 36.5mm in diameter – giving it proportions that are quite modern. And the ref. 530 is rare, although a several examples have come up at recent auctions. They sold for moderate prices, for varying reasons and perhaps a general market softness, so this one might be a chance to land a ref. 530 for a reasonable price. This example is attractive. The dial ...
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An F.P. Journe Octa Calendrier caught my eye at Phillips’ upcoming Geneva auction, not because of the watch itself, but because of the name engraved on the movement: “John R. Asprey”. Now 82, John Rolls Asprey ran his family’s luxury emporium in its heyday, when it was a purveyor of watches, jewels, silverware, fine bookbinding and hunting accessories, with the Sultans of Brunei and Oman as its top clients. Unusually, Asprey was a prominent name in two diverse segments of watchmaking – what are now valuable vintage watches, think “Khanjar” Rolex watches, as well as modern-day independent watchmaking. How it came to be is the remarkable story of the rise and decline of a grand name in British luxury retail. A wondrous emporium Long before luxury brand names had coalesced into conglomerates like LVMH and Richemont, they were independent, family-owned enterprises that were small but globally known – at least by the right clientele. Amongst them were names that are still famous today, including Cartier, Louis Vuitton, and Tiffany & Co., but also one that is less well known now, Asprey of London. Founded in 1781 and having opened in 1847 at 167 New Bond Street – still its premises today, albeit leased – Asprey was once London’s leading luxury merchant. In some ways, it was the ultimate gift shop, where one could buy all manner of exotic and exquisite goods from all over the world, from books to watches to sceptres to crystal. Many of the elaborate objects ...
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Deployant
F.P Journe Octa Lune
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Just as the new Octa Automatique is slated to join the catalogue, F.P. Journe is marking the 20th anniversary of the model with the Octa Automatique 20th Anniversary. The 99-piece limited edition harks back to the original Octa Réserve de Marche of 2001, then the brand’s entry-level watch. Like the 2001 original, the 20th anniversary edition has a grained, yellow gold dial with a silver sub-dial. And more notably, it is powered by the cal. 1300.3 – but with the bridges and main plate in rhodium-plated brass, just as it was on the original. One of the original Octa Reserve prototypes The prototype movement Initial thoughts The Octa Automatique 20th Anniversary is modestly novel, but will appeal strongly given how it revokes the first-generation model. Given the current outsized desirability of F.P. Journe’s early watches with brass movements, this will be a hot watch. Nips and tucks Though seemingly identical to the original model, the new Octa Automatique is subtly different in terms of design, and substantially different in movement construction. The displays have been rearranged and enlarged to suit the predominately larger case sizes offered by F.P. Journe today. While the original was 38 mm, the standard sizes are now 40 mm and 42 mm. As a result, the date display is slightly larger than before, while the hour numerals are also bigger. Because the date has grown in size, the power reserve display now sits marginally lower than where it used to be. A subtle detai...
Deployant
New from F. P. Journe: two watches in a brilliant yellow dial. Titanium case with titanium and ceramic bezel. The new Centigraphe Sport and Octa Sport.
Monochrome
François-Paul Journe, a talented watchmaker and the founder of the brand F.P. Journe, is mostly known for his Tourbillon Remontoire d’Egalité – it was his first watch – and his take on the resonance phenomenon. We can also mention the Octa, his automatic watch introduced in 2001, and, of course, the fantastic Chronomètre Bleu. But […]
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Although Francois-Paul Journe is best known for his inventions like the Tourbillon Remontoir d’Egalite and Resonance, not to mention the whole suite of Octa models, the Chronomètre Souverain was also arguably one of his brand’s foundational models. This year F.P. Journe is marking two decades of the watch with the Chronomètre Souverain 20th Anniversary, which is essentially the original in new dress – the dial is now dark blue with applied gold numerals. Initial thoughts When the Chronomètre Souverain debuted in 2005 – the same year as the Breguet Tradition that was recently revived – it was novel and exciting; I remember the buzz amongst enthusiasts then. The F.P. Journe brand was barely six years old. The Chronomètre Souverain was then one of the rare few time-only watches from an independent watchmaker, and it had an all-new movement to boot. Today it is less exciting for sure, but the movement remains surprising novel for a basic calibre. As an entry-level watch, the Chronomètre Souverain remains excellent (even if availability is an obstacle). Although the Chronomètre Souverain is the simplest mechanical F.P. Journe watch, the cal. 1304 inside still retains the technical hallmarks of the brand, namely elegant, concise engineering and symmetry. Clever touches include the “invisible” gear train; only the regulator and barrels are visible on the main plate. From its conception, the cal. 1304 was conceived for chronometry. The utility and strength of t...
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0:12-1:38 - Why is Longines doing so WELL and OMEGA so BAD?
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Shin Ohno is the winner of the 12th F.P. Journe Young Talent Competition. The young Japanese watchmaker clinched the prize with the Fuyu-Geshiki, a small grande et petite sonnerie tourbillon clock inspired by the winter landscape of Nagano, a northern prefecture of Japan. Made by one man with a watchmaker’s lathe, desktop CNC mill, and not a lot of sleep, the ebony-cased timepiece is one of the most impressive works produced by the competition yet. From Nagano Mr Ohno describes Nagano as “defined by the purity of its air, by the flow of spring water, and by melting snow”. It is also the heart of Japan’s watch industry, boasting the country’s largest movement assembly plant (Citizen’s Saku plant) and is home to Mr Ohno’s employer — Seiko Epson. Specifically, Mr Ohno works as an engineer within the company’s watch division, but it should be noted that this timepiece is entirely unrelated to the (now discontinued) Credor Spring Drive Sonnerie and Credor Minute Repeater. Mr Ohno designed the movement from the ground up, citing the creative works of past winner Norifumi Seki and Masahiro Kikuno as key inspirations. A closer look at the tourbillon cage. The teeth are polished to catch the light like slick stones. While he learned how to design watch parts at his day job, it was someone else’s job to manufacture them. With the Fuyu-Geshiki, Mr Ohno had to master production as well as design. He cites his colleague, master watchmaker Ikukiyo Komatsu, as a mento...
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The Répétition Souveraine is one of the more unusual minute repeaters on the market, combining classical inspiration with an idiosyncratic technical approach that is unmistakably F.P. Journe. Based on the familiar architecture of the Chronomètre Souverain yet fundamentally reworked to accommodate a striking mechanism, it is neither a conventional integrated repeater nor a simple modular add-on. Launched in 2008 with a conventional dial and briefly the thinnest contemporary minute repeater on the market, the latest iteration of the Répétition Souveraine reveals its workings through a smoked sapphire dial, offering a direct view of its flat gongs and strike train while underscoring François-Paul Journe’s distinctive philosophy of clarity, compactness, and mechanical logic. This is our third encounter with the Répétition Souveraine, having already covered the silver-dial variant and the elusive “Black Label” edition. Almost modular Most independents – and many large brands – rely on a handful of external specialists like Le Cercle des Horlogers or decades-old ebauche stocks for their repeaters. As a result, most repeaters take the same, time-tested, approach with only a few exceptions. Most are integrated designs that put the repeater train, hammers, and gongs on the same level as the rest of the movement. The rejuvenation of mechanical matchmaking during the 1980s and 1990s brought with it demand for systems that brands could add to existing movements. Amo...
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Francis Ford Coppola’s personal F.P. Journe FFC prototype shattered expectations at Phillips’ New York watch auction today when it achieved price of US$10.8 million including fees. One of the most talked-about lots this auction season, FFC’s FFC is the most expensive watch sold in 2025, and now the most valuable example of independent watchmaking by some margin. Big result in the Big Apple Despite chilly weather in New York, the action in the saleroom quickly turned hot. Auctioneer Aurel Bacs opened at US$1 million, but the bid instantly jumped to US$2 million. Several bidders then piled on, but the contest condensed to just four phone bidders past the US$4 million mark, including bidders represented by Tadzio Nuno and Paul Boutros, of Phillips’ Geneva and New York offices respectively. The action then settled into a head-to-head between bidders represented by Alex Ghotbi and Isabella Proia, once again of Geneva and New York respectively. Mr Ghotbi emerged the winner with a US$9 million bid, which brought the total to US$10.755 million with fees. The bidding was notable for being entirely on the phone – though one bidder was in the room but bidding on the phone – and also for being driven by clients outside of Asia. A record The result makes Mr Coppola’s prototype - one of only two made, and the only one in private hands - the most valuable wristwatch from an independent watchmaker ever sold at auction, exceeding the US$8.36 million achieved by the landm...
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Acclaimed director Francis Ford Coppola, best known for films like The Godfather and Apocalypse Now, is selling the watch that bears his name, the F.P. Journe FFC – it is FFC’s FFC. Mr Coppola’s personal FFC prototype is expected to be the top lot at Phillips’ New York auction taking place in December. The timing of the auction is opportune for Mr Coppola, who funded his latest – and arguably most ambitious – film, Megalopolis by selling a vineyard and then borrowing against his other holdings in the California wine industry. Against a US$120 million budget, Megalopolis grossed only $15 million, and now the legendary director is auctioning off much of his prized watch collection. Initial thoughts Positioned at the top of the F.P. Journe collection alongside the Sonnerie Souveraine and Astronomic Souveraine, each FFC is engraved with the customer’s name. In this case, that name is Francis Ford Coppola. That makes it arguably the FFC to own, even surpassing the unique tantalum example made for Only Watch 2021, which sold for CHF4.5 million. In this context, the estimate of over US$1 million seems conservative. The unique FFC made for Only Watch in 2021. F.P. Journe rarely sells prototypes. Only a handful of the brand’s prototypes have ever emerged for sale publicly, and all of those were originally sold by Mr Journe well before the firm achieved the success it does today. F.P. Journe simply doesn’t need to sell prototypes anymore. The FFC, and Mr Coppola...
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In a surprising turn of events, the Breguet Sympathique no. 1 has been acquired by its primary creator, Francois-Paul Journe, for the princely sum of CHF5.51 million including fees (equivalent to US$6.61 million). Notably, Sympathique no. 1 sold for almost as much as the Sympathique made for the Duc d’Orléans. Completed in 1991 for the Art of Breguet thematic auction, the clock was completed in 1991 by Techniques Horlogères Appliquées (THA), a complications workshop founded by Mr Journe, who also recruited Denis Flageollet and clockmaker Dominic Mouret. And now it will soon become one of the key exhibits in the upcoming F.P. Journe Museum, which will be located near its manufacture in downtown Geneva. Determined bidding The impressive result for the clock exceeded most expectations, including mine. I had expected a result in the region of CHF2.5 million. And in a bit of intrigue before the auction, F.P. Journe sent out an announcement to its clients before the auction stating that it would not repair or service Sympathique no. 1; the buyer of the clock would have to go to Breguet. Getting to the hammer price was not difficult, illustrating the strength of the F.P. Journe name today. While there were a handful of bidders under the million-franc mark, it was eventually down to a gentleman in the room and Mr Journe himself. Past the CHF2 million mark it then turned into a contest between a phone bidder represented by Alex Ghotbi and Mr Journe. Bidding proceeded at a stea...
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