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Monochrome
Petermann Bédat is an independent watchmaking brand based in Renens, near Lausanne. The founders, Gaël Petermann and Florian Bédat, first met at the Geneva Watchmaking School. After gaining experience at prestigious houses such as A. Lange & Söhne, Harry Winston and Andersen Genève, or restoring vintage timepieces, they decided to create their own brand. The […]
SJX Watches
Petermann Bédat has just unveiled its third model, the Reference 1825, which arrives two years after the Reference 2941 Split-Seconds Chronograph. The brand’s simplest watch to date, the 1825 is three hands but far from basic. In fact, the 1825 illustrates the cliche that less is more. Founded by duo Gaël Petermann and Florian Bédat, the brand departs from current fashion with the 1825, which has a restrained aesthetic front and back, though the movement incorporates enough subtle flourishes to make it distinctive and distinguished. The proliferation of open-dial time-only watches with overwrought finishing makes the quiet presence of the 1825 stand out. The cal. 233 of the 1825 Initial thoughts The recent enthusiasm for independent watchmaking has tended to focus on time-only watches of a specific sort, with open dials, exposed movements, and lots of finishing techniques. Naturally, independent watchmakers and brands have delivered in response to that demand. In comparison, the 1825 is old school in style and form, almost plain in fact, but I like it precisely because of that. The 1825 is appealing on two levels. One is tangible – it is an appealing watch on the wrist and clearly executed to a high level. The other is philosophical – I applaud Petermann Bédat for not going with current fads. The 1825 isn’t imaginative or radical, it is simply a simple watch of high quality that feels like it was conceived and executed by sincere, competent watchmakers. All ele...
Deployant
Petermann Bedat release their third watch as the next chapter of the maison. This is a return to the basics with a time only model they call the 1825.
Quill & Pad
Independent brand Petermann Bédat launched its second timepiece, the Reference 2941 Split-Seconds Chronograph in 2023 and it took that years GPHG prize for best chronograph. Joshua Munchow takes a deep dive into what makes it so special.
SJX Watches
Having made its debut in 2020 with the 1967 deadbeat seconds, Petermann Bédat recently unveiled its second watch, the Reference 2941 Split-Seconds Chronograph. The 2941 lives up to the benchmark established by its predecessor with a traditionally-styled movement that is decorated to an impressive degree, albeit one that reflects constraints in its development. The brand’s founders, Gaël Petermann and Florian Bédat, are both watchmakers in their early 30s who studied watchmaking in Geneva before a stint at A. Lange & Söhne. The pair also spent time carrying out restorations of vintage watches. Their shared experience is illustrated in the 2941, most notably in the traditional decoration and styling of the movement. Initial thoughts When Petermann Bédat made its debut in 2020 with the 1967, a time-only with deadbeat seconds, independent watchmaking was a much less crowded space. As a result, the 1967 stood out for both its intrinsic qualities, namely excellent finishing and traditional mechanics, but also the fact that it was fairly novel. Now time-only watches with seemingly good finishing seem to be everywhere, most of which are even similar to the Petermann Bédat profile in having founders in the their 30s and 40s. So Petermann Bédat did well in introducing a following up with something more complicated for its second model. The 2941 continues with the aesthetics of the 1967, essentially a modernised “sector” dial, and also the movement finishing. The quality...
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Quill & Pad
Young independent brand Petermann Bédat has launched its second timepiece, the Reference 2941 Split-Seconds Chronograph, after its successful first model, the 1967 Deadbeat Seconds. And in Joshua Munchow's opinion, the brand is getting better with each release.
SJX Watches
Founded by watchmakers Gaël Petermann and Florian Bédat, Petermann Bédat made its debut with the 1967 powered by an elaborately finished movement featuring a deadbeat seconds. Now, the duo has just unveiled their next creation which is a step-up in complexity – the Reference 2941, a mono-pusher split-seconds chronograph. Presented in a 38 mm platinum case and limited to ten pieces, the 2941 follows the design language of the 1967 with a transparent dial and an emphasis on movement finishing. Initial thoughts The 2941 at a glance is a conceptually impressive release that meets the high expectations resulting from its previous release. But perhaps one may ponder over the under-dial execution of the split-seconds mechanism (as opposed to a traditional approach that puts it on the back). Undoubtedly, the finishing remains top notch. The movement sports numerous gracefully formed bridges and a notable emphasis on black-polished components. More broadly, it is uncommon to see a new chronograph movement designed from the ground up, even more so a rattrapante with an instantaneously jumping minute counter. That said, the movement architecture seems paradoxical. Part of the appeal of a finely-finished split-seconds chronograph is the intricate and layered view of the rattrapante mechanism on top of the chronograph seen through a display case back. Thus, Petermann Bedat’s approach of installing the split-seconds under the dial is questionable, particularly considering the n...
Deployant
Petermann Bédat releases a second series to their jumping seconds 1967 with the new series in ti case and a blue dial. We go hands on with live photographs.
Deployant
We managed to get our hands on with a sample of the Petermann Bedat 1967 Chapter 1 Jumping Seconds watch in pink gold recently. Here is the Watchscapes.
SJX Watches
Formed only recently by two young watchmakers, Petermann Bédat’s very first timepiece is the 1967, a time-only wristwatch featuring an elaborate deadbeat seconds mechanism. Unusually, the brand made its debut in a gradual manner, having shown its first prototype in 2018 before launching the final version of its debut watch earlier this year. Even more unusually, the successive iterations of the 1967 progressively improved, in both style and finish, to a point where the production version of the watch is simply marvellous. Initial thoughts When I saw a prototype of the 1967 last year, I didn’t think much of the design, but the movement was clearly well done, even in as a half-finished prototype. Rather than massaging the earlier design into better shape, Petermann Bedat ditched it in favour of what you see here. Best described as a modern take on the fashionably retro “sector” dial, the dial looks good and also shows off the brilliant finishing. The decoration visible on the front hints at the quality of work, and the movement visible from the back confirms it. In the smallest details the greatest finesse is visible, in the sharp points of the deadbeat seconds anchor or the escape wheel bridge below the balance. Crucially, the watch pictured is a prototype – amongst other things, the hands are incorrect and the wheels for the deadbeat seconds mechanism are not perfectly finished – yet it is obvious the quality of execution is excellent. Beyond its tangible qua...
Video
Quill & Pad
Petermann Bédat is a young company comprising a youthful duo of independent watchmakers by the names of Gaël Petermann and Florian Bédat. Their first watch features a deadbeat style of seconds created with the help of grand master Dominique Renaud. Our friends at The Watches TV hosted Gaël Petermann and Florian Bédat in their Geneva studio to find out more. Watch their talk here!
Deployant
We go hands on and detailed on the newly released Petermann Bedat 1967 Chapter 1 Seconde Morte watch, by a dynamic and young independent watchmakers..
SJX Watches
First revealed a year ago as a prototype with a dial that was a work in progress, the Petermann Bédat 1967 wristwatch with an unusual deadbeat seconds mechanism has just been launched in its final form. Mechanically identical to the prototype – it’s equipped a secondary escapement for the jumping seconds – the refined 1967 now has a partially-open dial that shows off the finely-finished keyless works. Initial thoughts The prototype 1967 deadbeat seconds was let down by an uninspiring faux-classical dial, which was a shame, because the movement was executed to an impressively high level. Fortunately, Messrs Petermann and Bedat embarked on a total redesign of the dial. Independent watchmakers don’t often make drastic changes to designs in response to criticism, but the two did so, and the result is a success. The new 1967 is a handsome watch that manages to look modern while evoking classical dial design. In fact, the new dial is essentially a “sector” dial with a sapphire chapter ring, a novel combination that has not been done before. And it is matched with Petermann Bédat’s take on classical lance-shaped hands, which complete the contemporary feel. The new 1967 in rose gold. Photo – Petermann Bédat Dial aside, the rest of the watch is largely identical to the prototype. The movement was already excellent and will be almost unchanged in the production versions, although Mr Petermann says that the engraved lettering on the three-quarter plate will be im...
Deployant
We were at the Lausanne area and decided to visit the Petermann Bédat atelier in the neighbourhood of Renes. Here is a quick look at their atelier.
Hodinkee
The young duo has created a brand new caliber and expanded their design language, which is likely to grab new customers.
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Revolution
Revolution
Hodinkee
With their Reference 2941 Split Seconds Monopusher, the young independent watchmakers continue to pursue their unique perspective on watchmaking.
Revolution
Deployant
New in JeweLuxe this year is the duo of Gaël Petermann and Florian Bédat, presenting a jumping second watch of their own development with Dominique Renaud.
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SJX Watches
Independent watchmaking presented relatively few genuinely new releases in 2025. Many watchmakers instead reintroduced familiar models in new configurations or colourways - an approach typically associated with larger brands. The strongest releases were excellent, but they were few and far between. Our highlights reflect that: Urban Jürgensen’s relaunch stood out for its confidence and momentum, while Petermann Bédat and Raúl Pagès showed there is still room to say something new within the time-only format. Urban Jürgensen UJ-1 Tourbillon – SJX When I first heard about Urban Jürgensen being revived, I was sceptical. Could an investor halfway across the world and a watchmaker busy with his own brand pull it off? As it turned out, they could. The Rosenfields, Andy and Alex, father and son, and Kari Voutilainen, managed to put together a collection of three watches – all impressively conceived and executed – and then deliver a good number of watches in the months since the launch in mid-2025. The flagship of the Urban Jürgensen line-up and clearly its best creation to date is the UJ-1. A tourbillon with remontoir, the UJ-1 is modelled on the Oval pocket watch that was made by Derek Pratt for Urban Jürgensen. The movement instantly feels like it was descended from the Oval, which is a feat considering the disparity in scale. Mr Voutilainen managed to translate many of the key elements of the Oval into wristwatch format, including the “floating” barrel and...
SJX Watches
On Episode 15 of the SJX Podcast, Brandon shares insights picked up at Citizen’s Super Titanium event in Paris, where he had the opportunity to speak with the brand’s materials engineer. Still on the theme of titanium, SJX shares his views on the new Cartier Santos in the lightweight metal, and the different strategies of these brands which are playing to their respective strengths. Another big story from this week is the launch of the new Petermann Bédat Reference 1825. Though it’s not made of titanium, it’s a strong third act (and a hint of what’s next) for the brand. Is there still white space in the market for highly finished time-only watches? Listen on Apple Podcasts, Spotify, and Youtube.
SJX Watches
In its first year, the Louis Vuitton Watch Prize for Independent Creatives has been awarded to Raúl Pagès and his RP1 Régulateur à Détente. Selected by a five-person jury, the RP1 triumphed over five finalists, including Andreas Strehler with his Tischkalender Sympathique and Petermann Bedat and its Reference 2941 split-seconds chronograph. A watchmaker, restorer, and automaton maker, Mr Pagès’ winning entry is a time-only wristwatch with a regulator-style display, and more importantly, a movement of his own design with a detent escapement. Historically found in precision marine chronometers, detent escapements are highly accurate but typically not shock resistant, a problem Mr Pagès solved by taking inspiration from a 19th century escapement design. As a result, his escapement is shock resistant enough for everyday use in a wristwatch. Besides technical features, the RP1 movement also boasts a high level of decoration that is artisanal in nature and accomplished by hand. The finishing, architecture, and construction are all classical in style, reflecting Mr Pagès experience as a restorer, most notably at Parmigiani, perhaps the most respected restoration workshop in Switzerland. A drawing a traditional detent escapement (left), and the RP1 detent escapement Tearing up as he gave his acceptance speech, Mr Pagès’ win is a milestone in a career that actually started over a decade ago. His skill and dedication were recognised by the jury, made up of Carole Forest...
SJX Watches
Independent watchmaking got hot in 2021, a phenomenon that accelerated into 2022 and continued in 2023. Perhaps because of that, the number of notable, impressive, or truly interesting debuts from independent watchmakers were few. Still, some of the 2023 debuts stood out for us. We rounded up our team’s favourites of the year, which range from Louis Vuitton and Rexhepi Rexhepi to Marco Lang’s open-source construction to an accessibly-priced Habring². Richard Lee Technical Editor The Marco Lang Zweigeischt-1 is an impressively executed three-hand watch with the option of a novel shock-recording complication. However, it was released in 2020. Its inclusion in the 2023 list is because of the open-source technical plans for the entire watch, all of which were made public this year on Mr Lang’s website. Mr Lang’s generosity in sharing his know-how is uncommon and to be applauded. The importance of this initiative can’t be understated. For one, it ensures the longevity of the Zweigeischt-1, since any competent watchmaker will have access to the design and construction, making servicing and repairs easier. Additionally, the accessibility of this information serves as a guidance and inspiration for new watchmakers who are attempting to create their own timepieces. Garnering much attention this year, the Petermann Bedat Reference 2941 was lauded for being an original split-seconds chronograph design with an excellent level of movement finishing. The visible components ar...
Worn & Wound
If you frequent certain corners of Watch Instagram, you likely came across a new and somewhat mysterious project last week called Kollokium. They appeared almost out of nowhere with minimal teasing, and presented a watch that you can’t yet buy that is certainly unique. The real story, though, is in the ethos of the brand itself. Part of that ethos is that they don’t actually consider themselves a brand at all, but a “project based platform” that exists to explore alternatives to traditional watchmaking. It might help to start with the people behind the platform. Kollokium was founded in 2020 by three watch industry veterans: Manuel Emch, Barth Nussbaumer, and Amr Sindi. Emch is perhaps the most well known of the three, and has been leading Louis Erard since 2020, overseeing the brand’s incredible turnaround from through the smart execution of desirable limited editions with interesting collaborators. Nussbaumer is a watch designer who over the years has worked with Louis Erard, Petermann Bedat, and other brands (you can follow him on Instagram here). And Amr Sindi will be more familiar by his Instagram handle, @thehorophile. You might recall that Sindi collaborated on a limited edition release with Louis Erard earlier this year, and you’ll begin to see how these three individuals are all tied together, and the collaboration begins to make a bit more sense as a creative outlet that can exist apart from their respective day jobs. OK, so, the watch itself. The...
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