The post Lookbook: Praesidus Marks V-J Day with the Victory Watch – A Dress Watch for the Homefront appeared first on Worn & Wound.
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Whether you’re a collector or working in the watch industry, the experience is never just about the watches themselves – it’s about the people you meet along the way and finding a sense of community. Not to sound dramatic, but when you do, it changes everything. There are so many subsets of the watch world, and discovering the people that align with you to nerd out, swap stories, and take wrist shots is what makes this hobby and this work fulfilling and, above all, fun. First off, let’s get a little personal: a lot of people both within the industry and the community may not know I’ve been working in the watch sphere for 13 years. In that time, I’ve experienced firsthand that exclusivity is an inherent and at times more problematic part of horology and that there can be barriers to feeling a part of this incredible watch world, particularly as a woman. For me, getting here – having opportunities for my voice to be heard on influential platforms like Worn & Wound that are vital to this industry and collector community – has been a slow burn. It took time for me to carve out my place in watches as a woman, as a millennial, and as a freelancer. Early on, there were a few people who became the foundation of my watch community – people who didn’t care to measure my value by the number of outlets where you could find my byline or the number of watches in my personal collection. They saw my genuine curiosity and infatuation with timepieces and my abiliti...
![[VIDEO] 3 Great Everyday Watches For Under $500 Each](http://windupwatchshop.com/cdn/shop/articles/Untitled_design_1.jpg?v=1755721202)
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The post [VIDEO] 3 Great Everyday Watches For Under $500 Each appeared first on Worn & Wound.
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“Watches, Stories, and Gear” is a roundup of our favorite content, watch or otherwise, from around the internet. Here, we support other creators, explore interesting content that inspires us, and put a spotlight on causes we believe in. Oh, and any gear we happen to be digging on this week. We love gear. This week’s Watches, Stories and Gear is sponsored by Stirling Timepieces. Check out the new Jarvis Diver GMT and a link to their website below. Notorious EDC and Big Idea Design Create the Jot N Pop Photo courtesy of Dave Svarte These days, collaboration is the name of the game. Whether it’s teaming up with a famous soda brand (looking at you Seiko and Jack Mason), or two EDC powerhouse brands creating something entirely different. When our team was at Blade Show this year, we got a sneak peak of the first Jot N Pop prototype and knew it was going to be something special. According to Tom Medovich, “The Jot N’ Pop is what happens when you mash up Big Idea Design’s Pocket Pro with the Beer Bomb. A titanium pen that’s built to do whatever you throw at it, as long as whatever you throw at it is writing stuff down or opening bottles.” Regardless of how they came up with this idea, we can’t think of a more perfect tool for staying hydrated and taking notes! Built upon the design of the Pocket Pro, the new Jot N Pop is entirely machined from Grade 5 titanium (no plastic parts!), with a pocket clip made from grade 4 Ti for spring tension. Arguably the mos...
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eBay Finds is back! This bi-monthly installment will feature a selection of watches currently listed on eBay that have caught the eye of editor Christoph McNeil (@vintagediver). If you come across any hidden gems on the ‘Bay drop us a note at info@wornandwound.com for potential inclusion. Vintage Waltham Diver Here’s a really sweet, robust vintage Waltham diver. The nice 35mm steel case looks unpolished with sharp chamfers on the lugs. The aluminum elapsed time diver’s bezel is in great shape, with only a tad of wear. The gloss black dial has a cool vertical textured stripe going between 9 o’clock and the date window at 3 o’clock. Large applied steel markers and broad steel hands give it a solid look. The manual wind movement is clean and runs well per the seller. The watch comes on a vintage Tropic rubber strap which is always a great touch. View auction here Vintage Omega Seamaster DeVille Next up is a sleek and stylish vintage Omega Seamaster DeVille. This is a mid-1960’s Seamaster, with simple thin lugs and a thin bezel on the round stainless steel case. The case is unpolished with sharp edges. The Seamaster Hippocampus logo on the back is crisp, and there is a nicely engraved personalization that I just love. Classic Omega silver dial with stick markers and stick hands and a date window at 3 o’clock. The crown is original and correct, and is signed with the Omega logo as it should be. This is a front-loading case, and there are no movement pictures...
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After a banner year with successful fairs in Dallas, San Francisco, and Chicago, the Windup Watch Fair is returning home to New York City for the final stop of its 10th anniversary tour. From Friday, October 17th through Sunday, October 19th, we’ll once again take over Center415 in Midtown Manhattan for what promises to be our biggest and best Windup yet. Here are the critical details: Center415 on 5th Avenue Between 37th and 38th Streets (415 Fifth Ave) Friday, October 17: 12PM – 6PM Saturday, October 18: 12PM – 6PM Sunday, October 19: 12PM – 5PM Free and open to the public No registration necessary Last year, more than 10,000 enthusiasts came through the doors, and this year we’re expecting even more. Over 140 brands from around the world will be on hand, showcasing watches, gear, and everyday carry essentials. From fresh independents to established names, there will be something for every collector, enthusiast, and curious passerby to discover. We’re thrilled to welcome back Bulova, Christopher Ward, Oris, and Shinola as returning Lead Sponsors-and equally excited to announce Bremont as the fifth Lead Sponsor, making their Windup debut. Other first timers to any Windup include MB & F’s M.A.D.Editions, Arken, Clemence, CIGA Design, and more. Beyond the show floor, Windup NYC is expanding its experiences like never before. The EDC Expo presented by NOMATIC returns, spotlighting innovative everyday carry alongside the watch brands. Miyota joins as our first...
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Ansel Iisaka is an industrial designer, watch lover, and European car enthusiast. Laid back with a thick beard, and often dressed in 1970s-esque attire, Iisaka doesn’t seem like your average mechanic, nor does he reveal much about his deep knowledge of watches. When asked about his propensity for both, he admits that growing up among the enthusiast cars that his father collected, drove hard, and cycled through may have caused him to feel “desensitized to rare or exotic cars.” Instead, he focused on what he calls, “really well-made, practical cars that I could use every day.” The first of these workhorse vehicles? A Volvo 240, one of the most iconic and reliable European cars ever built. Despite earning ASE certification in automotive service while still in high school, Iisaka chose to pursue the pen-and-paper side of his passion for mechanical artistry, and after completing a degree in industrial design, he found himself drafting concepts for several microbrand watch companies-an area he’d never considered before. While Iisaka states that he can’t reveal those projects due to contractual obligations, he has had a hand in designing field watches and vintage skin divers for a well-known microbrand. “I love all well-built mechanical things, especially those that were designed for longevity and repairability,” he explains. That appreciation for watches wasn’t immediate, though. It took a very special timepiece, handed down to him from his grandfather ...
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I think we can all agree that watch enthusiasm is often intertwined with a bit of cosplaying. James Bond-esque fantasies of tackling adventures in go-anywhere-do-anything watches have a powerful way of convincing office-dwelling collectors such as myself that over-engineered specs are a necessity. While actual practical need for secret agent-level robustness may be minimal for most collectors (I haven’t engaged in hand to hand combat or an aquatic chase all week), the pervasiveness of often repetitive feeling GADA designs can make avoiding rugged tool watches feel like a chore. This is especially true in the microbrand arena where many brands have made the dive watch their bread and butter and seemingly the format for all other complications, including GMTs. While I’m not here to throw shade (OK, maybe just a little) at the ubiquitous and often unimaginative tool watches that clearly reign supreme for many brands and collectors alike, I would be lying if I said the recent prevalence of dress watches in my Instagram feed hasn’t provided some much welcome variety. But even in this evolving landscape as dressier designs are having a moment, as I scroll through my curated collection of microbrand inspired hashtags, most #dresswatches from small independent brands are notably void of complications beyond a date window. Canadian microbrand Héron (known for their modern approach to neo-vintage inspired tool watches since 2021) seems to have recognized this gap between for...
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Buying your first vintage watch is a little like stepping into a time machine. Every case has patina earned over decades, every dial tells a story of design choices made in another era, and every movement keeps time with the stubborn persistence of mechanical ingenuity. For three days this August, the Windup Watch Shop showroom in Brooklyn will become exactly that kind of space-an immersive experience curated by The Watch Preserve. Buying your first vintage watch is a little like stepping into a time machine. Every case has patina earned over decades, every dial tells a story of design choices made in another era, and every movement keeps time with the stubborn persistence of mechanical ingenuity. For three days this August, the Windup Watch Shop showroom in Brooklyn will become exactly that kind of space-an immersive experience curated by The Watch Preserve. The post The Watch Preserve Brings Vintage to the Windup Watch Shop Brooklyn Showroom Aug 28, 29 & 30 appeared first on Worn & Wound.
![[VIDEO] Christopher Ward Goes Ultra-Thin with The Twelve 660](https://wornandwound.com/library/uploads/2025/08/CWARD_12_660_14.jpg)
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When Christopher Ward’s The Twelve debuted a few years ago, I have to admit I was a little skeptical at first. At the time, every brand under the sun was trying to get into the integrated bracelet sports watch game, and on paper The Twelve seemed a little derivative (there were many, many comments about its resemblance to a certain integrated bracelet sports watch from a much loved indie brand). Those first watches were…exactly fine. I appreciated the execution and the price point, but they weren’t really for me – I think it was the logo inspired dial texture that didn’t quite work to my eye. But over a relatively short time, The Twelve has evolved. Lots of new colors, sizes, and dial treatments means that there’s basically a Twelve for anyone, and the watch has become an effective platform for some of Christopher Ward’s most adventurous watchmaking. Indeed, their marquee release for 2025, the C12 Loco, is based on the architecture of The Twelve. And you know what? After being around these watches at Windups and other enthusiast events, I’ve even warmed up to that dial texture. Tastes change, what can I say? All of this is to say that The Twelve is maturing, and has been around long enough at this point to win people over who might not have been on board at the start. And that’s the environment into which Christopher Ward is releasing what seems to be to be among the most exciting watches in The Twelve collection yet, the new The Twelve 660. The name ...
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About a year ago, we got our first peek at the M.A.D.1S, a slimmer and far more wearable version of the original M.A.D.1. This week, we got the first new variant of that watch, a collaboration between the crew at M.A.D. and Yinka Ilori, a British artist and designer known for infusing public spaces with bright colors. The new M.A.D.1S “Grow Your Dreams” collection adds a healthy dose of Ilori’s aesthetic to the M.A.D.1 and gives us a look at how future limited editions and variants of M.A.D. Editions pieces might take shape as the brand grows. At the outset, I think it’s important to acknowledge that M.A.D. Editions is indeed a brand unto itself at this point. What started as a one off project to reward longtime MB&F; collaborators with a cool watch to own in the same spirit of the high horology creations with a much lower price tag has morphed into what could really be called one of the most interesting microbrands going at the moment. I’m not sure if the team at M.A.D. Editions would necessarily self-identify as a microbrand, but of course in these pages it’s a compliment, and reflects a certain amount of ingenuity and creativity while remaining within certain guardrails and parameters around pricing and accessibility. The “Grow Your Dreams” collection consists of three watches, each taking on a different theme derived from the natural world: Sun, Water, and Nature. All include pretty wild color combinations – there’s no watch here that could be du...
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Albishorn has accomplished quite a bit in its first year. It was around this time in 2024 that we were introduced to the brand through a collaboration with Wiiliam Massena. The Maxigraph introduced the tantalizing concept of the brand in an easily digestible way: these would be “imaginary vintage” watches inspired by alternate versions of watch history. It’s a clever spin on the well understood and perhaps overused idea of the “vintage inspired” watch that allows for a great deal more creativity and whimsy. Zach Weiss recently reviewed the Albishorn Type 10 and was impressed with both the execution and concept behind the piece. The new Marinagraph, available in two versions, is the next iteration of the Albishorn project. On its surface, this is a chronograph inspired by the classic regatta timer. And, in some ways, it’s exactly that. But of course Albishorn has crafted a much more interesting story behind the Marinagraph, which is based on telling the “untold chapter in the evolution of the skin diver chronograph.” Albishorn says that the Marinagraph story starts with the 1958 running of the America’s Cup, the sailing competition that was first contested in 1851. The 1958 race was the first one after a period of dormancy, and introduced 12-Meter class yachts to the competition, which represented a significant advancement in technology to the sport, carrying sailing into a new, modern era. The Marinagraph is a watch that might have accompanied the cre...
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One of the most satisfying experiences you can have when you write about watches is when a new piece completely meets or exceeds all of your expectations. This is a somewhat rare occurrence. When you see as many watches as we do, we notice all the little imperfections, compromises, and, sometimes, flat out mistakes. It means that even when we like a watch a lot our minds naturally go right to the idiosyncrasies that make it less than perfect. Because, after all, no watch is perfect. There are always small things that will bother you or that you wish had been handled in a slightly different way. But then, sometimes, a watch comes along that legitimately stuns you. Even better when it’s from a brand that you’ve been waiting literally years to see if they could live up to the lofty ambitions they set for themselves, that they told you about over coffee in Geneva at an impromptu meeting with a table spread with rather rough prototypes. Holthinrichs is a brand that’s been on my radar for just about as long as the brand has existed. Their design language, inspired by architecture, the elegant lines of classic sports cars, and their home city of Delft, is infused with a uniquely Dutch sensibility, and has always grabbed me. Brand founder Michiel Holthinrichs has emerged as one of contemporary indie watchmaking’s great characters. I hope he’d take it as a compliment if I described him as Biver-esque, but there’s some connective tissue there for sure in the way Mich...
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If you’ve attended the Windup Watch Fair, British Watchmakers’ Day, or any other watch event in the last few years where Isotope and brand founder Jose Miranda have been in attendance, chances are you got an early look at the OVNI, their long in the works watch with a jumping hour complication. Like the Moonshot before it, the OVNI Jumping Hour represents Isotope at their most ambitious, creating a watch with a design that seems to be dropped from another world entirely, and with a unique interpretation of a classic complication. Lots of enthusiasts have been waiting for the OVNI to land, and its general release is a big milestone for the brand, which happens to coincide with Isotope’s tenth anniversary. Like other watches in Isotope’s collection, the OVNI borrows heavily from science fiction in its design language, most notably with the saucer shaped case, which the brand proudly admits was inspired by UFOs (the name of the watch, OVNI, comes from the Iberian/French abbreviation for “UFO”). It’s crafted from 904L steel and measures 40mm across and 13.6mm tall. Virtually every surface is either brushed (the body of the case) or sandblasted (the crown) for a look that is unmistakably industrial. The crown at 12:00 is mirrored by an Isotope badge on the 6:00 side of the case (wisely, there’s no branding on the dial). The sci-fi vibes are perhaps even stronger on the dial, which is where Isotope reinterprets the jumping hour concept in their own way. It’...
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Before there was MB&F;, before there was Richard Mille or Greubel Forsey or De Bethune, there was Vianney Halter. Alongside brands like Urwerk, Vianney Halter helped to reimagine what watches could look and feel like coming into the 21st century. Writing in 2025, it’s hard to think of a time when the weird and wonderful wasn’t a core part of watch collecting, and Vianney Halter deserves no small amount of praise for his role in bridging the gap between a more traditional interpretation of independent watchmaking and the wide-open world of watch design we now get to enjoy. Still, nearly three decades on from the release of his first watch in 1998 (the inimitable Antiqua Perpetual Calendar), Vianney Halter is still working, and his latest release, the Old Soul - designed and executed in collaboration with William Massena and Massena LAB - is a sterling reminder that the old master isn’t out of tricks just yet. Like Halter’s last collaboration, the Louis Erard x Vianney Halter Regulator, which was released around Thanksgiving last year, the Old Soul leans into Halter’s Steampunk sensibilities, but blends the unique aesthetic with Massena’s signature eye towards historic watch design. The resulting piece is something both classically beautiful and wholly contemporary. Cased in a sedate and handsome 42mm, 12mm thick steel case, the Old School by Vianney Halter and Massena LAB is powered by the Minerva calibre 17’22, a vintage pocket watch movement first introdu...
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Since its inception in 2016, the AIKON line has been Swiss watchmaker Maurice Lacroix’s bestselling collection. Nine years later, the brand is ready to kick it up a notch. The new aptly-named AIKONIC series packs updated mechanics and new materials into an upgraded case design with pops of color, promising innovation in the urban watch space while maintaining the original watch’s flavor. Does it land? Let’s take a look. The first new aspect of note for the AIKONIC collection is the 43mm case; while it retains the familiar six double-wide “arms” around the bezel, a tactile grip cover is added to the crown. Both the bezel and the crown cover are composed of matt ceramic, which promises scratch-free usage for years to come. And while the case remains steel, it features both brushed and polished surfaces for visual and tactile complexity. The carbon dial, too, is all-new on the AIKONIC. With carbon fiber strands running north to south in one direction as opposed to interwoven, each dial is slightly distinct from the next. Maurice Lacroix collaborated with a Swiss partner to create the dials, resulting in a construction that is fresh both structurally and aesthetically. The noth-south carbon pattern indeed gives each dial a vertical wave pattern, diversifying the design from both a textural and visual standpoint. Atop the dial sits silver text details, rhodium indices and second hand, and rhodium-facetted hour and minute hands. A sapphire crystal with anti-reflect...
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It comes up, somehow, in almost every article you read about Ming: they have an incredibly distinct design language all their own. How many times have you read something like, “you can spot a Ming from across the room!” I admit, we’re as guilty as anyone. But it’s undeniable that the look of these watches defines them, and that they’ve landed on something with that flying blade lug design that is both easily identifiable and well suited to building a supremely comfortable case. It’s something that’s always been there, but has slowly evolved over the course of Ming’s still relatively short history. Today, the brand announces the new 57.04 Iris, the first watch in what the brand terms as their fifth generation design. It’s at once both a radical departure from previous Ming designs, and very much related to all that’s come before. The new 57.04 is influenced rather unapologetically by Art Deco design cues, particularly the dramatic stepped lugs, still with the same flared design. Ming says that the lugs make use of nine separate pieces in what has to be one of the most complex case designs the brand has attempted to date. The top of each step is polished and sides (which have very small surface areas by design) are brushed. It’s a bold design for sure, and makes an immediate impression, and strikes me as being quite a bit more ornate than the inherently minimalistic case designs Ming has produced in the past. Still, the shape is unmistakably Ming. T...
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“Watches, Stories, and Gear” is a roundup of our favorite content, watch or otherwise, from around the internet. Here, we support other creators, explore interesting content that inspires us, and put a spotlight on causes we believe in. Oh, and any gear we happen to be digging on this week. We love gear. Lancaster Watch Weekend Lancaster Watch Weekend is almost here, and it’s an event that you should absolutely have marked on your calendar if you’re a fan of American watchmaking, and watchmaking history more broadly. Lancaster, PA is home, of course, to the original Hamilton factory and company headquarters, and the small Pennsylvania city remains a haven for watch lovers even decades after the brand moved to Switzerland. That’s largely thanks to the work of the NAWCC, whose museum resides in nearby Columbia, and will be hosting guests and special presentations throughout the weekend. You can also check out an open house at RGM Watch Co.’s headquarters in Mt. Joy (about a half hour from Lancaster) and hit up events at Lancaster’s Hamilton boutique over the course of the weekend. Lancaster Watch Weekend will run from September 26-28, in and around Lancaster. A full schedule of events can be found here. The MDR Dasher: An Innie’s Keyboard, for Your Outie In the midst of searching for retrofuturistic technology that would eventually be featured in Apple TV’s “Severance”, the product team rediscovered a 1970’s keyboard from Data General called ...
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There are two kinds of tool watches out there. There are the tool watches we typically think of: sporty, rugged types, often divers or field watches, that can take a beating. And then there is the other type of tool watches, which are simply watches that resemble tools. No, not in the human sense, but rather technical items like gauges and other instruments. Germany’s LÖBNER’s current watches firmly fit in the latter category, though they are not unwelcome in the former. Founded in 1862, LÖBNER specialized in precision timing equipment, such as stopwatches that could time to 1/100th of a second, as well as military chronoscopes that went all the way to 1/1000th of a second. They were a timekeeper at the Olympic Games, and worked closely with motorsports. The brand ceased operation in 1944 and was revived in 2023 with the launch of both three-hand and chronograph models. Designed by Emmanuel Dietrich, also of the eponymous brand Dietrich, for its relaunch, LÖBNER set out to create luxury timepieces that speak to this heritage while pursuing a distinct personality through a strict design language and novel functionality. The resulting models, a three-hander with an internal bezel called Sledge and a chronograph called Steelracer, feature angular integrated bracelet designs and dials with a graphic sensibility. LÖBNER was kind enough to send both over to check out, though for the sake of brevity, this review focuses on the Steelracer chronograph. Featuring an integrat...
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Of all the artisanal specialities in watchmaking, case engraving has to be among the most obscure and unheralded. I think there are a few reasons for this. One, the dial is where the action is on most watches, and applying a time consuming artistic craft on the case might be seen by some watchmakers as a waste of valuable time. Another factor is that to a large extent, we’ve all been trained to appreciate a particular type of case finishing. We see crisp transitions between brushed and polished surfaces, and that registers as being of a certain level of quality that we expect in a luxury watch. If those elements aren’t there, even if they’re substituted by something that might be visually striking, our reptile brains feel like there’s something missing. The latest in Louis Erard’s ongoing Métiers d’Art series, however, is a good opportunity to appreciate complex case engraving in a new way. The whole idea behind how Louis Erard approaches Métiers d’Art, and to a certain extent the brand’s focus more generally, is to make craft accessible. The new Gravée Main is perhaps their most ambitious attempt in this area to date. Virtually every steel surface (the case, bezel, lugs, crown, and buckle) is hand engraved. According to the brand, each watch takes upwards of 50 hours to engrave by hand, and only 99 will be made. Engraving is one of those things that really comes alive when you look at it closely and imagine that painstaking work that went into creat...
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Earlier this year at the Windup Watch Fair in San Francisco, I heard some buzz that a member of the Paulin team was wearing the watch they’d be debuting at the end of the summer, and that it was a diver. At the time, it seemed almost illogical. Paulin, in my mind, is the definition of a design oriented brand. I own a Paulin Modul, and love the visual impression of the case and dial, and the ingenuity behind the concept of a case built from the ground up to enable the swapping of movements. Dive watches have been made and remade over and over again, and I tend to have the feeling that there’s nothing new under the sun when it comes to tool oriented watches aimed at the enthusiast. Obviously I should have had a little more confidence in Paulin to subvert expectations and create something with their own unique stamp on it. The Mara, the brand’s new diver, is finally unveiled to the public today, and it still impresses me just as much at launch as it did when I got a short sneak peek in San Francisco. What we have here is a 300 meter diver in stainless steel measuring 39.7mm in diameter. The case is styled as a more robust version of the Modul, and indeed it does have similar lines, particularly in the way the lugs angle inwards toward the center of the case if you view the watch from the front. Everything is just a little more rounded, though, which feels like a small tribute to traditional dive watch design. The most impressive design cue here in my opinion however...
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I have a confession to make: I (politely) turn down 90% of press junkets offered to me. So, when Casio reached out to me earlier this year with the opportunity to visit their Yamagata factory and the Tokyo headquarters, I was not too sure. I thought about it for three days on how this would be different from any other watch factory visit, and how I would narrate my visit without the usual “Maison’s” PR team influencing my writing. There were two reasons I accepted Casio’s invitation. First, Casio is unlike any other watch company, so it will make for an interesting visit and observations. And second, Casio culture is different from other watch companies, including their PR and marketing folks. They are transparent about everything; they allowed me to ask the tough questions and did not influence my story. I will touch on both points further in this article. The original G-SHOCK There were three journalists on this trip including me, so it was a small group for this visit. We visited Casio’s Yamagata factory the first day, their museum in Tokyo the following day, and on the final day we visited the headquarters to meet and interview executives overseeing the watch division. All three visits were so different from each other – the first was so technical, the second was all about design and history, and the final visit was about strategy. For our visit to the Yamagata factory, we woke up early to take the Shinkansen (bullet train) to Higashine city, in Yamagata ...
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It’s hard to believe, but with Labor Day just over the horizon, the first days of tolerable weather breaking into the mix, and the whole world picking up pace, there’s no denying that we’re fast approaching the end of summer. For many, the end of summer also marks the end of dive watch season, but we at Worn & Wound aren’t quite ready to pack up one of our favorite styles of watch for the year, and neither is one of our favorite brands, H. Moser & Cie. In fact, they’re doubling down with the release of what just may be the best collab dive watch of 2025, in partnership with anime-inspired digital art collective, Azuki. Their latest collection - which Moser and Azuki have dubbed the “Elements of Time” - draws from Azuki’s Elementals NFT Collection, with four new dial designs inspired by the elements of Azuki’s Element Universe: Fire, Earth, Water, and Lightning. Playing host to these elemental dials - each of which boasts a unique blend of guillochage and fumé finishing - is the Pioneer Centre Seconds Rotating Bezel, a dive watch–esque sports watch that has long been one of Moser’s great under-the-radar offerings. Though not technically a dive watch by the strictest ISO definitions, the Pioneer Centre Seconds Rotating Bezel certainly plays all the dive watch hits, and plays them well. First introduced as a stainless steel 42mm watch in 2019, the Centre Seconds RB has been subject to several reinterpretations over the years, including in collab...
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Just a few months ago, Dennison launched their first ever collaboration with Collectability, John Reardon’s Patek Philippe focused retail operation. That watch was an exercise in subtlety, and all about shape. It evoked classic Patek references without hitting you over the head with obvious historical nods, and felt like a true reflection of Reardon’s taste. This week, they’ve announced their second collaborative watch, a time limited edition with Time+Tide, and this one is equally impressive while being anything but subtle, featuring an impressive execution of a rarely seen mother of pearl marquetry technique. This feels like it might be the second week in a row where a mother of pearl limited edition takes over our social media feeds. It was just days ago that Selten premiered their own engraved MOP dial in partnership with Watch Ho & Co. Like the Selten, this new Dennison doesn’t stop at a simple slab of mother of pearl, but seeks to transform the material into something unexpected. That’s where designer Emmanual Gueit comes in. He’s created a dial featuring a repeating motif of unique, rectangular, mother of pearl filaments. The result is an irregular surface that shimmers like a traditional MOP dial, but in unexpected ways through a geometric pattern. This type of dial making is far more labor intensive than using a single piece of mother of pearl, as each filament had to be precisely inlaid by hand. Time+Tide has released a number of limited edition...
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We live in a golden age of watch knowledge. Never before have so many people known so much about watches, or cared about them so deeply, and it’s genuinely remarkable. Have a specific question about a rare Rolex from 40 or 50 years ago? The answer is probably just a Google search away. Need to check that the watch you’re looking to buy was made in exactly the spec you’re seeing on eBay? There’s almost certainly a forum post somewhere breaking it down for you - no subject is too esoteric, no prompt too singular. There’s enough watch knowledge out there to fill a lifetime, and probably more, if you go looking for it. Then there’s the other… stuff. Open up Instagram and you’ll immediately be inundated by accounts professing to represent ‘watch experts’ peddling surface-level observations as hard-earned insights. Start to absorb enough of this, and it’s easy to convince yourself you should count among them, that you’ve done the real work required to achieve expertise. It’s a trap, and an easy one to fall into at that. Because unless someone in your life brought you into this world, you’re probably the foremost watch expert in your life. You’re almost certainly the one your friends and family come to when (cough, cough… if) they have questions about watches. Just being able to tell the difference between a quartz and a mechanical watch probably puts you in the top quartile of watch knowledge. And if you’re reading articles like this on sites ...
![[VIDEO] 4 Great Dive Watches Under $500 from Least to Most Expensive](http://windupwatchshop.com/cdn/shop/articles/Untitled_design_82.jpg?v=1755032860)
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It’s perhaps a little surprising that it’s taken this long for Farer to enter the integrated bracelet sports watch scene. Not because the brand seems like a particularly likely prism through which to interpret the genre, but because the integrated bracelet sports watch has simply become a category unto itself over these last few years, and a brand that commits to variety of any kind needs to have one in their catalog, just as they need to have a diver, a dress watch, and so forth. The fact that so many small brands have carved out space in their collections for what was once a fairly niche and, if we’re being honest, not even very desirable style of watch says a lot about the state of the watch industry, more in fact than the purview of this article, which is to introduce the new Farer Integra lineup. The Integra is what Farer calls their “urban sports watch,” a characterization that has always confused me when used by other brands, and is even a bit stranger when you realize one of these watches has a malachite dial, and another in mother of pearl. Farer is a brand whose aesthetic is borrowed from nautical themes, car culture, vintage watch design, and other sources, so their take on “urban” was always going to be filtered through a very particular sensibility. In any case, it makes me wonder why any brand feels they need to fill these invented micro-niches. Can’t we just call it an integrated bracelet sports watch? Or a sports watch? We all kind of know w...
Worn & Wound
There is something you must know about me: I am not a photographer. I have no idea what an aperture is and I will undoubtedly equate everything you tell me about a specific camera to what my iPhone can do. This is just how it is. But earlier this summer, while in Germany to celebrate the centenary of the Leica I, I found myself equal parts humbled and educated on the sheer passion photographers have for their craft. In some ways, my invitation to Leica’s HQ was a bit like Willy Wonka’s Golden Ticket. In the U.S., only four journalists attended the events - myself being one of them. And while you may be confused why the hell I got the invite…don’t worry, dear Reader, I was, too. Sure, I’ve always liked the idea of photography and I’m drawn to the analogue world that a point-and-shoot camera can draw up. I have a few Slim Aarons prints in my writing studio and a pile of photography books I’ve never flipped through in my life, but I like knowing I could, if the mood were to strike. So when I accepted my invitation, I was under the (very mistaken) pretense that I could walk the walk as much as I’ve talked the talk now and then. Photo courtesy Leica But when you find yourself surrounded by 800 professional photographers, everything is a little clearer. I was out of my element, out of my league, and tried desperately to get an education on Leicas - and fast. It’s one thing to feel like a fraud, but it’s another thing entirely to let others in on my litt...
Worn & Wound
John Scott Haldane had a problem. Britain’s Royal Navy had commissioned the Scottish physiologist to find a solution for a unique problem facing their divers: decompression. Known since the mid-19th century, decompression sickness (DCS) posed a serious risk for divers and laborers working in pressurized environments, such as caissons. It was his job to develop a set of decompression tables for safe diving operations. It boils down to how gases act under pressure. When breathing a gas mixture at depth - for the sake of simplicity, we will say compressed air, or approximately 78% nitrogen and 21% oxygen, with the rest being inert gases - the oxygen is used up by the body, and the nitrogen is absorbed into the bloodstream. This build-up will dissolve as it is effectively off-gassed, as it does when each of us breathes here on the surface. Enter pressure. Should a diver undergo a rapid change in pressure, such as by ascending too quickly, the nitrogen will separate from the blood and form bubbles in the tissues and joints. The resulting pain has a habit of contorting its victims, giving DCS its more readily-known nickname of “the bends.” John Scott Haldane had a problem. Britain’s Royal Navy had commissioned the Scottish physiologist to find a solution for a unique problem facing their divers: decompression. Known since the mid-19th century, decompression sickness (DCS) posed a serious risk for divers and laborers working in pressurized environments, such as caisso...
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