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Three-link semi-circular Rolex bracelet introduced for the 1956 Day-Date; Crownclasp closure.
1970s-80s lacquered colour dials for Rolex Day-Date; red / turquoise / salmon / lavender. Auction range $200k-$1M+.
Every Rolex Day-Date "President": 1803, 18038, 18238, 118238, Day-Date 40 (228xxx), Day-Date 36 (128xxx).
40 mm × 11.85 mm, lug 21 mm, Cal. 3255
WristBuzz
Twelve years on, the watch that introduced chiming complications to Jacob & Co. returns with a transparent red mineral crystal dial and meaningful mechanical updates.
Fratello
What is rarer, a shooting star or two Seiko Astron GPS Solar Dual-Time Chronograph 2026 Limited Editions? That’s an easy question, right? Well, I hate to break it to you, but maybe not. Shooting stars or meteors aren’t rare at all; roughly 25 million visible meteors enter Earth’s atmosphere every day. Unfortunately, artificial lights obscure […] Visit Back In Black: Hands-On With Two New Seiko Astron GPS Solar Dual-Time Chronograph 2026 Limited Editions to read the full article.
SJX Watches
This month Singapore will play host to A. Lange & Söhne’s Challenging Chronographs, a pop-up exhibition exploring Lange’s iconic chronograph movements and the brand’s perennial presence at the automotive world’s most elite “concours” competitions. Taking place at ION Orchard, the exhibition will take visitors through the history of the Datograph collection, from the landmark 1999 original to the Double Split and Triple Split. The event also focusses on Lange’s role as an official partner of the Concorso d’Eleganza Villa d’Este on Lake Como, and related events at Hampton Court Palace and Audrain Newport, events that bestow the most coveted awards in the world of vintage automobiles. The Triple Split in platinum A master watchmaker and a master engraver from Glashütte will be on hand throughout the event to provide insight into the assembly of the brand’s famed chronographs, and demonstrate the process of freehand engraving a balance cock, respectively. This unique 1815 Chronograph was awarded to the winner of the 2022 Concorso d’Eleganza at Villa d’Este Lange CEO Wilhelm Schmid (left) with the best-in-show winner at the Concours of Elegance 2023 Open from 10:00 am-9:00 pm each day, guided tours and demonstrations are available by appointment, though limited slots will be available so early registration is encouraged. Challenging Chronographs will be hosted from October 18-30 at the ION Orchard, Level 1 Atrium at 2 Orchard Turn, Singapore 238801. Re...
Worn & Wound
We’re at an interesting time when it comes to the dialogue in the watch community on vintage inspired watches. Watches that make explicit references to the past are simply less common now than they were a decade ago, or even 4 or 5 years ago. I’ve long believed that a maturing group of collectors who entered the hobby when these watches were all the rage have aged into a point in their collecting journeys when more adventurous and contemporary designs simply have more interest. But this theory really only applies to what most of us refer to as “midcentury” watches. Think about the earliest dive watches from Rolex, Blancpain, and others, the types of dress and everyday watches worn by Don Draper on Mad Men, and extending through to the earliest bits of 60s and 70s funkiness. That’s the vintage inspired wheelhouse for watch brands seeking to tap into the community’s desire to commune with the past, whether through real or imagined nostalgia. Watches from a century ago are an entirely different category. Enter the Hamilton American Classic Cushion Mechanical. This is an entirely new collection from the brand that finds them looking to designs from the 1920s for inspiration. Watches from this period never really had a widespread moment of resurgence like divers from the 1960s, but if you’ve spent some time in the hobby you’ve undoubtedly encountered collectors who are deeply into exactly this kind of thing. There are a number of interesting reasons to colle...
Monochrome
Last Friday, the Patek Philippe Watch Art Grand Exhibition opened its doors in Milan, and at the moment of opening, more than 45,000 people had already registered to visit the exhibition. The Grand Exhibition in Milan is the seventh and by far the biggest of all Grand Exhibitions that Patek Philippe organised. The vast number […]
Monochrome
When you think of IWC and sports, you probably have Formula 1 in mind. And rightfully so… But today, we’ll be talking about golf, a noble sport that’s not often associated with the Schaffhausen-based brand. Yet, for the sixth consecutive year, IWC takes on the mantle of official timing partner for the Alfred Dunhill Links […]
Fratello
Say “Rolex” to most people, and their mental image is fully formed before you finish the sentence — a Submariner, maybe a Datejust on a Jubilee bracelet, something that has been photographed on a thousand wrists. For some enthusiasts, that image is precisely the problem. Rolex has produced plenty of watches that never made it […] Visit Five Rolex Watches For Those Thinking Outside The Box to read the full article.
SJX Watches
Watchmakers regularly turn familiar design cues into accessories, but Audemars Piguet and Konstantin Chaykin have taken notably different approaches to the genre with their latest offerings. The Audemars Piguet Royal Oak Joaillerie Collection recasts the Royal Oak as an extensive range of elaborate jewellery, while Konstantin Chaykin’s Master of Days cufflinks incorporate a tiny mechanical calibre that provides a day-of-the-week display. Both draw on the design and manufacturing specialties of their makers, but at vastly different price points and with different audiences in mind. Both approaches, however, lend themselves to gift-giving, which might explain the timing of the releases in the lead up to the holiday season. Initial thoughts Some of the biggest names in series watchmaking dabble in accessories on the side. The most obvious is probably Rolex, which made headlines when it formally launched a line of cufflinks — and a desk clock — late last year. Patek Philippe, too, has a long history of making jewellery and accessories. Today the brand offers cufflinks that match the Golden Ellipse, Nautilus, and Cubitus, and jewellery that takes after the Aquanaut and the Twenty-4. Even smaller-scale independent watchmakers evidently see value in the category. F.P. Journe offers a set of cufflinks in a choice of platinum or 18 pink gold — to match the brand’s watches — as does Biver. Franck Muller goes even further, with a full collection of Crazy Hours-inspired ne...
Hodinkee
It's funny the way a brand can sneak up on you. Maybe you hear the name on a podcast, and then, a few months later, you run into the brand at a watch fair, or on a friend's wrist. Still, despite repeated encounters, it's remarkable how a brand can continue to exist entirely outside your awareness. Until it doesn't. Until you somehow find a brand, or a watch, completely inescapable, unavoidable, inevitable. 18 months ago, I'm not sure I'd ever given an independent thought to Traska; today, that couldn't be further from the truth, and the brand's Chronograph (aptly named, the Chronograph) is the perfect example of why. If you don't yet know Traska, I don't blame you. Traska is just one of many small brands that have popped up over the last decade, and they've broadly followed a familiar formula: Kickstarter launch, followed by a slowly expanding stable of somewhat conservatively designed, three-handed sports and dive watches, all powered by reliable but unassuming Japanese movements, and all drawing a heavy dose of inspiration from well-known (but far less accessible) watch brands. So, if the broad strokes are familiar, where Traska has separated itself from the pack is in the details. For one thing, unlike so many other Kickstarter brands with similar stories who have come and gone with barely a whisper, Traska has stuck around and, each year, their watches have gotten better. I finally reached my tipping point with Traska last year, when I picked up a second-hand Venturer ...
WristBuzz
A deep blue limited edition exclusive to Thong Sia Group, inspired by bioluminescent waters
WristBuzz
Patek revives the Ladies First name with an ergonomic Gondolo case, quartz movement, and a diamond ladder that goes as far as you're willing to climb.
Monochrome
Few cars have the timeless demeanour the Jensen Interceptor has. It is considered one of the coolest and most unique British GT cars ever made, with V8 power from Chrysler and a unique shape penned by Carrozzeria Touring. Production spanned a full decade, and even today, the Interceptor is considered a true classic with a […]
Hodinkee
What We Know This week, Hamilton dropped the latest in their series of vintage-inspired watches. But where most brands lean hard on their mid-century offerings for their re-editions, here Hamilton takes a different tack, reaching deep into their archive to resurrect watches so old, they'd be better described as antique rather than vintage. So, it is with the Hamilton American Classic Cushion, which breathes new life into a century-old design. And before you ask, these aren't quartz fashion watches dressed up in vintage clothing; these are tried-and-true hand-wound mechanical watches. The new collection — and it really is a collection, with six models split across two case sizes — is directly inspired by cushion-case watches made by Hamilton in the 1920s. If they seem eerily familiar for watches designed 100 years ago, it may be because Cillian Murphy wore an antique Hamilton cushion watch in Oppenheimer. Here, those watches have been quite respectfully updated for 2026, and though absolute fidelity was not the goal here, these remain easily among the most faithful-feeling reissues we've seen from Hamilton recently. As I mentioned earlier, a big part of the appeal of these watches comes down to the choice to use a hand-winding mechanical movement in these watches, rather than the quartz movements so often used in these small-size vintage reissues. Here, Hamilton is using the H-42, a manual-wind caliber that is, in essence, Hamilton's branded version of the ETA 7001. It'...
Two Broke Watch Snobs
Casio’s $80,000 G-Shock MRG-D5000 costs nearly as much as a platinum Rolex Daytona. Here’s what makes this 20-piece release so unusual.
Fratello
Another Friday, another list! Now that October is here, it’s time for an overview of the best releases from September. Last month, after a much-deserved summer break, the watch industry came back to life at full speed with Geneva Watch Days. We saw an avalanche of wonderful releases during the event that kick-started the end […] Visit The Top 5 Watches Released In September 2026 to read the full article.
SJX Watches
Steve McQueen is closely associated with Heuer and Rolex, but his personal watches also included the less conspicuous Hanhart 417 ES. The Hanhart 417 ES Steve McQueen Limited Edition No. 1 commemorates that connection with a discreet dial signature and a strap modelled on his own, developed with input from his grandchildren. Initial thoughts Steve McQueen is inextricably linked to Hollywood, but also the objects he surrounded himself with — cars, clothing, sunglasses and watches. Though when it comes to the latter, he’s often mislabeled. The Rolex Explorer II ref. 1655 is often erroneously nicknamed the ‘Steve McQueen’ despite the fact he never wore one (it was a Submariner ref. 5513). But before the Rolex and Heuer Monaco years came the Hanhart 417 ES, which McQueen was rarely seen without as it accompanied him through everyday activities for many of his early years in Hollywood. McQueen’s loyalty to the comparatively low-key Hanhart 417 may have been function-led. An avid racer, sportsman and marksman, the flyback chronograph with ample shock resistance and a useful rotating bezel likely hit the mark for what he wanted from a tool watch. Hanhart has kept the tribute restrained. The actor’s signature replaces the text above six o’clock on the standard 417 ES 1954 Heritage Flyback, but is small enough not to overwhelm the dial. The watch can stand on its own, even for someone with little interest in McQueen. It’s a good story for a watch priced at €2,890....
Fratello
At some point, everyone into vintage watches comes across certain iconic photos. They’ll see Paul Newman wearing cool Carrera-style sunglasses and his Daytona, Nina Rindt holding a “Großer Preis von Österreich” (Austrian Grand Prix) pamphlet with the UG chrono on her wrist, and Steve McQueen sitting on his couch, playing with his revolver, and wearing […] Visit Steve McQueen Finally Gets A Dedicated Hanhart 417 ES to read the full article.
Time+Tide
A record breaking Rolex Daytona auction, Russell takes us to the Nomos Forum, plus much more in this week's Friday Wind Down
Worn & Wound
Favre Leuba is a slightly curious brand. Despite being able to trace its origins back to 1737 (beaten only by Blancpain), the brand has undergone a succession of relaunches in recent decades as it attempts to re-forge its identity. As a result, it doesn’t perhaps register on the radar of many watch enthusiasts in the same way as other storied names. On their website, Favre Leuba are rightly proud to present a timeline of important events in their history, and it’s worth checking out, but the abridged version begins as follows: Abraham Favre begins making watches in Le Locle in 1737. The family business becomes A. Favre & Fils in 1792 under the stewardship of Abraham’s son and two grandsons. By 1815, the next (fourth) generation of the Favre family joins forces with August Leuba, and the Favre-Leuba name is seen for the first time. Many important developments are scattered through the next century and a half, including single-button chronographs, altimeters and barometers, and collaboration with Jaeger-LeCoultre. As was the case with many Swiss watch brands, the Quartz Crisis had a severe impact on Favre Leuba. The Favre family’s eighth generation was the last to be involved in the business before ownership was first transferred to Benedom SA, then LVMH, and Valentin SA. In 2011 the Titan Company Limited took ownership, and it was under their stewardship that the watch I’m writing about today was made. The Raider series of watches was influenced by cushion cased w...
Hodinkee
When it comes to collecting vintage watches, all roads lead back to Rome. Literally. Well, Rome’s home country, at least, where the passion for horology (and vintage Patek Philippe) permeates the culture, and has done so for decades, in a way that you really can’t find anywhere else. Add to that Milan’s status as fashion capital of the world, and it makes sense that Patek Philippe would host the seventh Watch Art Grand Exhibition in Milan. The free exhibition (with reserved tickets) is meant to celebrate the art of watchmaking viewed through the lens of the craftsmanship (both technically and artistically) of Patek past and future. It opens tomorrow, October 2, and runs until October 18. As is tradition, the brand has launched new watches to celebrate the moment—7 new limited editions and 25 Rare Handcrafts models using various métiers d’art. Ben wrote about the big news of a new manual-wind perpetual calendar chronograph (limited to 120 pieces) here. We'll also be sharing all the Rare Handcrafts pieces soon in a Photo Report from Milan. But while they're not all new references, the new treatments of a few pretty outstanding watches deserve their own story. First things first, all of these watches are ostensibly for the Italian market. But hey, better to have loved and lost (...out on a chance to buy them) than to never know they existed. As of launch, Patek has not released pricing for this model. We will update the article when more information becomes avail...
Deployant
Today we observe 25 years since the passing of one of the horological world's most iconic and visionary leaders - Günter Blümlein.
SJX Watches
In just a couple of weeks, Rolex and Phillips pulled off the near-impossible: a record-setting auction where the unique Daytona “Four Seasons” set sold for £37.3 million, equivalent to US$49.5 million. The sum is the largest tally ever for a charity watch auction of any sort, and also surpasses the US$31 million achieved by the Patek Philippe Grandmaster Chime ref. 6300A in 2019 – which was admittedly a single watch. All of the proceeds from the sale of the “Four Seasons” go to charities founded by Roger Federer and Leonardo DiCaprio, global celebrities and Rolex “Testimonees” who lent star power to the evening, which took place on September 28, the day after the Laver Cup that Mr Federer attended. The venue was the Raffles London, perhaps the latest and greatest hotel in the British capital, a city with no shortage of grand hotels. Reputedly the most expensive hotel project in the city’s history, having cost some £1.5 billion, the colonial building was once home to the British Ministry of Defence. The four Daytonas were on display in a room that appeared to be a basement bunker. The lavishly rebuilt interiors of the “Old War Office” were a fitting venue for the record-breaking evening, which was populated by a mix of celebrities, including Mick Jagger and Jon Bon Jovi, as well as many anonymous but well-heeled watch collectors who are clients of Phillips. Some of the world’s most significant watch collectors were in the room. Despite the short time...
Worn & Wound
Breguet has long been a brand with a deep reverence to its history spanning over 250 years. In this tradition, Breguet’s designs have remained consistent and timeless. The brand’s Marine collection is a core part of this lineage, with roots that trace back to 1815 when Abraham-Louis Breguet was appointed watchmaker to the French Royal Navy by King Louis XVIII. At the time, these marine chronometers were crucial scientific instruments, but as years passed and needs changed, the collection later evolved throughout the 20th and 21st centuries. On the coattails of Breguet’s 250th anniversary last year, we’re really seeing the brand’s offerings come into the modern era with new design updates. The latest comes to the Marine collection, which the brand has revamped with a new aesthetic that aligns with its latest stylistic codes.Two references anchor the contemporary Marine line: the 5517, a classic time and date version, and the 5527, a chronograph. For the first time, both the Marine 5517 and 5527 will feature Breguet numerals and the “Quai de l’Horloge” guilloche pattern that was unveiled to mark the 250th anniversary. This motif takes its name from the address on the Ile de la Cite where Abraham-Louis Breguet established his workshop and where his early marine chronometers were produced. Its design draws inspiration from two sources: first, the contours of the Ile de la Cite and Ile Saint-Louis as well as the repetitive movement of ocean waves. Several other ...
Time+Tide
For a brand only recently brought back to life, Monceau seems to have found its feet pretty quickly. The recently revived Monceau only returned in 2025 with the Model 01, and its second release already feels like a meaningful evolution rather than a simple colour update. The Model 01 GTS keeps the same underlying case … Continued
Teddy Baldassarre Videos
So, what is the charm of a dive watch in modern watchmaking? You probably aren’t taking your watch 200 meters underwater, but knowing it could handle it gives you a certain peace of mind, and that robustness makes dive watches incredibly compelling everyday watches. The problem is that not every dive watch works everyw
WristBuzz
The fan-favorite worldtimer goes full dark mode, and it works better than you'd expect
SJX Watches
Manufacture La Joux-Perret (MLJP) has become an increasingly important supplier to the growing ranks of micro-brands and independent watchmakers, offering capable Swiss movements at accessible prices. Though a fraction of the size of its neighbour Sellita, the manufacture has expanded through a pragmatic combination of selective automation, a more focused movement catalogue, and careful investments in production. Its approach offers an instructive look at how Swiss watchmaking can remain competitive while retaining the skills needed to produce everything from solar quartz movements to hand-finished tourbillons under one roof. To find out more about MLJP, we visited the manufacture in La Chaux-de-Fonds, one of the historical centres of watchmaking in the Swiss Jura. A primer on MLJP The history of MLJP can be traced to the revival of complicated watchmaking in the early 1990s. Established by Jean-Pierre Jaquet in 1990 under his own name, the firm supplied specialised movements, including shaped calibres and complications, to the growing fine watchmaking segment. Among its best-known offerings of that era was a monopusher chronograph designed by François-Paul Journe and produced for clients like Franck Muller and Girard-Perregaux. Loosely related to the cal. 045MC that Techniques Horlogères Appliquées (THA) developed previously for Cartier, the platform remains in production today as the cal. A5000, one of the manufacture’s more upmarket movements. The cal. A5000 in an ...
Worn & Wound
From the imposing astronomical clocks of Tudor England to the exquisite pendant watches of Victorian Britain, timekeeping has long been a symbol of power, prestige, and technological marvel within Europe’s royal courts. This new series explores the fascinating evolution of clocks and watches crafted specifically for royalty, tracing how these intricate masterpieces reflected the tastes, ambitions, and innovations of monarchs. Through the lens of craftsmanship, artistry, and historical significance, we reveal how these royal timepieces marked the passage of dynasties and empires. Victoria (1819-1901) was the queen of the United Kingdom of Great Britain and Ireland between 1837 and 1901 and empress of India from 1876 to 1901. She was the last monarch of the House of Hanover and a queen whose reign defined an age known as the Victorian Era. It was a period of immense change and expansion that shaped Britain and the modern world. Under her rule, the monarchy evolved into the symbolic, ceremonial institution it is today. Victorian Britain was the workshop of the world, a place where science, engineering and artistry converged to define a new age of progress. From railways and telegraphs to the marvels of the Great Exhibition, innovation pulsed at the heart of empire. In horology, too, Britain played a commanding role with its precision chronometers keeping the navy supreme, while its watchmakers and clockmakers set standards of craftsmanship that resonated across Europe. In...
WristBuzz
The watch built for Greece's elite Underwater Demolition Command now has a civilian sibling, and it's worth paying attention to
WatchAdvice
Bvlgari shrunk the Octo Finissimo down, and let’s just say it ticks a lot of boxes! And to see how many, we’ve gone hands-on with both the Titanium and the 18k Gold models. What We Love The 37mm case wears closer to a 40mm while being more comfortable on the wrist. The titanium model is exceptionally light and easy to wear all day The Octo Finissimo still stands out from the usual integrated-bracelet sports watches What We Don’t The titanium takes some getting used to The Octo Finissimo is a unique design that will not appeal to all people The full 18k yellow-gold construction makes it far less discreet, which may not be for everyone Overall Rating: 8.75 / 10 Value for Money: 8.5/10 Wearability: 9/10 Design: 8.5/10 Build Quality: 9/10 When Bvlgari first announced it was getting a 37mm Octo Finissimo, I feel there was a lot of the watch community that was quietly optimistic about what this would mean for the Octo Finissimo collection. I first heard about these back at LVMH Watch Week at the start of the year, where we were given a bit of a teaser on the new collection. And having reviewed the larger 40mm model last year, I was one of those who were quietly anticipating what the new Octo Finissimo 37mm range could mean for the brand. Then, back in April, walking into the Bvlgari booth at Watches and Wonders and being able to slip these on my wrists for the first time, it wasn’t long before I was sold that this new size was a perfect sweet spot for the Roman brand...
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