Worn & Wound
Duke Ellington, the Cartier Tank à Guichets, and the Year of the Jump Hour
I’ve never bought a watch because it was worn by a celebrity. I generally don’t think that’s a wise reason to own a watch, and kind of goes against my general philosophy of collecting as an act of individual expression. Still, there are some watches where the association with a particular person either looms so incredibly large it’s impossible to ignore (the Paul Newman Daytona, I think, falls into this category), and others where the association may not be at the level of a household name, but is nonetheless fascinating and interesting. Duke Ellington and his preference for the Cartier Tank à Guichets falls into this category for me. This is probably not the appropriate forum for an extended discourse on the importance of Duke Ellington to American music and culture, so we’ll do a short version. Ellington is universally regarded as one of the great American artists – he’s responsible for over 1,000 jazz compositions and was active over a 60 year period. Critics and experts in jazz and American music often mention him in the same breath as people like Mozart, which seems like a good place to be. Duke Ellington, wearing a Tank a Guichets So, he’s one of the singular genius artists of his or any era. And, I dunno, it kinda seems like wearing the same watch as that guy would be pretty cool. From the time I started noticing watches on the wrists of notable people, the idea that the Tank à Guichets was Ellington’s choice has been a point of fascination. ...
