Deployant
Video: Xavier de Roquemaurel talks to us about Czapek and the new releases for 2026
For 2026 Czapek returns to some of their greatest hits, with a new breath of freshness to the Antarctique. Xavier de Roquemaurel explains.
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Deployant
For 2026 Czapek returns to some of their greatest hits, with a new breath of freshness to the Antarctique. Xavier de Roquemaurel explains.
Worn & Wound
From the imposing astronomical clocks of Tudor England to the exquisite pendant watches of Victorian Britain, timekeeping has long been a symbol of power, prestige, and technological marvel within Europe’s royal courts. This new series explores the fascinating evolution of clocks and watches crafted specifically for royalty, tracing how these intricate masterpieces reflected the tastes, ambitions, and innovations of monarchs. Through the lens of craftsmanship, artistry, and historical significance, we reveal how these royal timepieces marked the passage of dynasties and empires. Cosimo I de’ Medici (1519–1574), the first Grand Duke of Tuscany, is remembered as a masterful statesman who unified Florence’s power. Yet behind his political authority lay a profound curiosity for the sciences, especially the study of the heavens and the measurement of time. The Medici family rose to power in Florence primarily through their wealth and strategic use of the Medici Bank, which became the largest and most powerful bank in Europe during the 15th century. They leveraged this financial power to influence Florentine politics, eventually establishing themselves as the de facto rulers of the city, although they maintained the appearance of a republic. They used their wealth and influence to transform Florence into a leading capital of trading and a place for the greatest creators to work and develop incredible scientific instruments, such as the clock in the Cathedral of Santa...
Monochrome
In Cartier‘s current collection, the name Santos refers to the related yet distinct collections. On one side is the Santos-Dumont, a thin, elegant, shaped watch that directly connects to the origins of the name, when Cartier created what was one of the first timepieces for pilots (the emblematic 1904 Santos made for aviator Alberto Santos-Dumont). […]
Hodinkee
The two-time Masters Champion wears a special Omega to celebrate the victory.
SJX Watches
Alongside the launch of the Omega Constellation Observatory, we were among the first members of the public granted access to the Swatch Group’s Laboratoire de Précision (LP), a new independent chronometer testing institute with facilities in Omega’s native Biel/Bienne and Villeret. The new organisation does not redefine chronometer norms, but it has developed a new acoustic certification process that is more automated and provides client brands with a richer performance data set - a unique capability that has implications beyond mere certification. Laboratoire de Précision. Image – Omega Initial thoughts The debut of the Constellation Observatory, the first watch certified by LP and the first-ever two-handed Master Chronometer, was greeted with a mixed feedback from both collectors and the press. Some found the choice to launch a chronometer without a seconds hand heretical, viewing it as a gimmick to promote LP’s new testing process. The Omega Constellation Observatory is the first watch to complete chronometer certification at LP. Regardless of how one feels about the two-handed aspect of the watch - I found the design balanced and appealing, even if the concept is a bit quirky - the launch placed a renewed focus on the way official chronometers are tested and certified. Many were confused by the claimed novelty of acoustic testing, given the universal presence of Witschi machines on watchmakers’ benches. Indeed, the method is not new. What is new is t...
Hodinkee
Zenith's CEO on keeping production at the El Primero maker in line with retail sell-out, and how supplying movements to other LVMH brands will be a growth driver for the 160-year-old manufacturer.
Worn & Wound
Once again, here I am late to the party as our own Zach Kazan blows my mind with another brand specializing in artistic dials featuring my favorite métiers d’art craft: enameling. You may recall when he first covered the partnership between De Rijke & Co. and the illustrator Guy Allen two years ago. Now the duo is back with another trio of driver’s watches spanning on the previous Amalfi theme, this time with a stronger focus on the automotive angle. While the Dutch watchmaker and the British artist have been teaming up for nearly a decade, the pair took their work to the next level in 2024 by collaborating on their first set of watches, establishing the Amalfi special editions. The initial set of three watches focused on the themes of air, land, and sea with distinct designs and color palettes reflecting each element. Thanks to champlevé enamel, the illustrations come to life with texture and depth. For the uninitiated, the specific technique of champlevé enamel (French for “raised field”) is similar to cloisonné. However, instead of raised sections to hold enamel, reservoirs to hold the material are created by carving directly into the metal base. The newest trio builds on these designs, but now takes the automotive theme more literally on both the enamel dial and the engraved caseback. The names of the models draw from three regions, the Amazon, Sahara, and Turini, and each gets a corresponding vehicle you might drive there. For the Amazon, you get the Landr...
Worn & Wound
One thing that we’ve learned quite clearly over the last decade or so is that there are a lot of different ways to release a limited edition watch, particularly a collaborative limited edition. Our friends over at Monochrome have a particularly interesting way of doing it, with their Montre de Souscription series, which makes limited edition watches available on a “subscription” basis, a throwback to a very old way of selling watches. This is essentially the offer of a pre-order with money down, that allows the watchmakers to begin working on the pieces to be sold later. The concept has evolved and become quite common, but in the early days of watchmaking this was the only way that fine watches could be made and that everyone involved could make a living at it, so the term has come to evoke classical watchmaking in a very real way. For their part, Monochrome has chosen to work with some very esteemed and similarly old-fashioned independent brands since this series launched in 2020, including Habring (twice), Armin Strom, and Czapek. Last week, they debuted the latest MDS series watch, the Montre de Souscription 5 x Angelus Chronographe Tachymètre. This is a new spin on the Chronographe Télémètre, a watch that was among our favorite debuts at Watches & Wonders last year. As you might guess from the name, the new piece made with Monochrome switches out the telemeter scale on the chronograph for a tachymeter. There are other little changes as well, but the mos...
Monochrome
This morning, we all had a very pleasant message when we woke up… all 33 pieces of our fourth collaboration with Habring² were gone. Maybe it didn’t sell as fast as our first MdS, when all 33 pieces sold out in just 17 minutes, but still, we’re super happy and grateful that all 33 pieces […]
Hodinkee
The publication's fourth entry in this collaborative series with independents returns to Austria with a special take on the Habring² Erwin.
Monochrome
We’re thrilled to announce the upcoming launch of our next Montre de Souscription. Following the release of the Montre de Souscription 1, a salmon-toned, sector dial chronograph based on the Habring² Chrono-Felix, the Montre de Souscription 2, a MONOCHROME white interpretation of the Czapek Antarctique, and the Montre de Souscription 3, a discreet and traditional […]
Time+Tide
JLC has opened its second standalone Melbourne location, which is also its first in Australia to feature the brand's new boutique concept.The post Jaeger-LeCoultre opens its first Chadstone boutique, bringing the Vallée de Joux to Melbourne’s emerging luxury shopping capital appeared first on Time+Tide Watches.
Fratello
In January, Ace Jewelers in Amsterdam announced that it became the exclusive authorized dealer for Fears watches in the Netherlands. During the launch party at the boutique, people were surprised that there wasn’t a limited-edition collaboration between the two parties yet. After all, Ace Jewelers is very active when it comes to collaborative watches. It […] Visit Introducing: The Fears × Ace Jewelers Brunswick 38 “De Stijl Edition” to read the full article.
Teddy Baldassarre
The Cartier of today is undeniably a symbol of luxury and has strategically manufactured that imagery. From its quintessential deep red boxes with gold filigree border to its looping cursive script, even before you get to the object itself, whether it be jewelry or a watch, the brand has carefully crafted the entire experience of its product to position it as such. But today, we’re taking a look at an anomaly in the maison’s past, for which Cartier descended from its luxurious heights to extend its hand to the mass market. Les Must de Cartier is representative of a pivotal time in the history of watchmaking, and its contrasting accessibility played a crucial role in the maison’s longevity and its ability to weather shifting market trends. Down below, I’ll be walking you through how Must de Cartier came to be, some significant design codes, how the line has reemerged after its discontinuation, and share some musings and philosophical ponderings about this strange chapter in Cartier’s history. Les Must de Cartier Context From its relatively humble beginnings as a local, artisanal jewelry workshop in 1847, by the turn of the 20th century, Cartier had already established itself as a global luxury powerhouse, operating in London, New York, and Paris by 1909. Each independent branch of Cartier at this time was operated by a trio of Louis-François Cartier’s grandsons, and while they often collaborated, each location developed its own unique flair and catered to ...
Fratello
When Hermès introduced the Cut at Watches and Wonders Geneva 2024, we said it arrived fashionably late to the integrated-bracelet party. However, the quirky 36mm pebble-like cushion case, in combination with the playful numerals, brought something exciting to the popular and overcrowded genre. At Watches and Wonders this year, the Parisian maison didn’t introduce any […] Visit Hands-On With The Hermès Cut Le Temps Suspendu And The Arceau Rocabar De Rire to read the full article.
Hodinkee
After years of not getting Cartier's "sports watch," it's finally making sense to me.
Worn & Wound
In the ever-growing sea of impressive microbrands, Swiss upstarts Furlan Marri have carved out a niche of dressy watches with vintage flair. That’s not giving them full credit, of course-they’ve also managed to create a wholly recognizable visual style within a few short years, to the point where “Furlan Marri-esque” is a perfectly reasonable compound adjective to sling around. Continuing their current theme of circular motifs, the brand is expanding their Cornes de Vache (“cow horns” in French, referring to long, curved lugs) collection of automatic watches with the Blue Sector joining the lineup, bringing a classically upscale blue and silver colorway to a collection already bursting with color. Like the other Cornes de Vache models already available, the Blue Sector is housed in a circular 37.5mm polished stainless steel case with cow-horn lugs, connected by a bridge at the 6 and 12 o’clock positions. Lug-to-lug, the case measures in at 46mm, with a 10.5mm thickness, placing it on the small-to-medium side of the dress watch spectrum. The sector dial from which the reference pulls its name features the same layout as the other Sector models, with double-stamped indications and applied Breguet-style indexes. The dark blue of the dial is further diversified by the textured center circle, split into four. The 12, 3, 6, and 9 numerals echo the quartering theme, and feature an elegant, vintage script. These numerals, along with the hands, indexes, and other ...
Monochrome
The name Santos at Cartier carries a lot of weight. One of Cartier’s oldest collections, named after Brazilian aviator Alberto Santos-Dumont, who commissioned a watch from his friend Louis Cartier in 1904 to be worn while piloting his flying machines, it took on a slightly different vocation in recent years, becoming the brand’s vision of […]
Worn & Wound
Québec City carries its history on every corner-stone walls, cobblestones, cafés spilling into narrow streets. For a few days in September, it also carried the buzz of race bikes and the weight of a UCI WorldTour peloton. Tudor brought us here to see their Pro Cycling team take on the Grand Prix Cycliste de Québec. The race is unusual compared to most on the calendar. Instead of rolling through countryside, the riders loop through Old Québec, climbing and descending the same punishing circuit until it breaks them. Crowds lean over barricades, the sound of cheers bouncing off limestone walls as the peloton flashes past again and again. Our trip began with a chance to meet the Tudor Pro Cycling riders. They rolled in straight from training, relaxed but sharp, already thinking about the course. Later, in the subterranean car park beneath Hotel 71, we were shown the workshop: rows of bikes worth thousands apiece, mechanics tuning, polishing, preparing. A hidden paddock carved out of concrete, the quiet backbone of the sport. Dinner that evening was with Tudor and a handful of other journalists at Laurie Raphaël. It was polished dining, but the conversation stayed grounded-how a team operates at this level, what it means to link a watch brand with a sport that demands grit and repetition. FXD watches at the table looked at home: tough, precise, made for use. Race day carried a nervous hum. The morning was cool, the sun cutting through by midday. From Tudor’s hospital...
Time+Tide
Jaeger-LeCoultre has opened an exclusive alpine retreat in a beautifully restored 19th-century farmhouse, close to their manufacture.The post Jaeger-LeCoultre unveils Le Chalet, a luxury rural retreat in the Vallée de Joux, for guests of the brand appeared first on Time+Tide Watches.
Fratello
Gerald Charles has rolled out a steady slate of releases in support of its 25th anniversary. Among these debuts are new versions of the Maestro 3.0 Chronograph, which feature métiers d’art in the form of tapisserie Clous de Paris dials. The releases also include two case materials. I spent time at the Gerald Charles booth […] Visit Introducing: The Gerald Charles Maestro 3.0 Chronograph Mini Tapisserie Clous De Paris to read the full article.
Worn & Wound
Over the last year or two, I’ve been traveling more and more for work. More often than not, I’ve found the experience impersonal at best. Thanks to the new invention of “contactless check-in”, I am usually greeted by a row of iPads, making it feel more like I’ve made a 4-day reservation at a Genius Bar versus a holiday in Malibu. You see, like glass-blowing or macrame, hospitality is a dying art. The ability to make one feel welcomed isn’t as simple as having a few brochures at the front desk; but, instead, it’s an immeasurable talent that turns a two-night stay into an experience. Luckily, there are a few good men fighting the good fight. An entire network of them, actually, called Les Clefs d’Or. Since 1952, this international organization has dedicated itself to the art of hospitality through its 4,000 members, making it one of the largest organizations of its kind. While many hotels now have a new-hire sit at a podium labeled CONCIERGE to hand out brochures of local attractions, the members of Les Clefs d’Or understands that a concierge is an untapped resource, giving you tips on where to eat, what to do, and he may pull a few strings to get you that hard-to-come-by table at the local Michelin-starred joint down the block. Now, of course for me, the imagination starts running when I think of a private organization of hotel professionals who are maintaining the old guard of hospitality. One might even be reminded of The Society of the Crossed Keys ...
Fratello
Every year, in the months before Watches and Wonders, we receive a lot of press releases and watches up front. That way, we’re well prepared when the fair finally opens its doors. This time, we also asked Hermès whether it would be possible to get a preview of what the brand was working on. However, […] Visit Introducing: The Hermès Arceau And Cut Le Temps Suspendu Along With The Arceau Rocabar De Rire to read the full article.
Fratello
There is no time to waste. The watch department at Hermès has been very busy - busy enough to release no fewer than six new watches ahead of next month’s Watches and Wonders. The novelties include a 12-set limited edition of three Hermès Arceau L’Heure de la Lune watches in surprising colors plus two new […] Visit Introducing: A 12-Set Limited Edition Of Three Hermès Arceau L’Heure De La Lune Watches In Remarkable Colors to read the full article.
Monochrome
Hermès has a knack for interpreting time in a unique, highly poetical manner. Who can forget the wonderful Arceau Temps Suspendu, with its complication allowing you to suspend time on demand? Just ahead of Watches & Wonders 2025, Hermès releases new versions of two Arceau models: the Arceau L’Heure de la Lune, which tracks the […]
Worn & Wound
I don’t know what it is exactly, but there’s something thrilling about air shows. In fact, every summer in my hometown, people will pull their deck chairs onto the road to catch a glimpse of the U.S. Air Force demonstrating an F-35A. And even I, as jaded as I am, do get a slight buzz when they zoom across the sky, doing loop-de-loops while I commute home. And that’s just in rural Pennsylvania – imagine if I was commuting to my maison in France while the Patrouille de France whizzed by with their signature red, white, and blue smoke trailing behind. Quel spectacle! While I have no plans to move to France anytime soon, I can say that Bell & Ross’ latest addition to their continued collaboration with the aerobatics demonstration unit of the French Air and Space Force, the BR-05 Chrono Patrouille de France, does add a little je ne sais quoi to one’s wrist, n’est-ce pas? (Okay, last time I speak French here, I promise). As with previous iterations of this collaboration, Bell & Ross seamlessly incorporates aeronautical motifs within the framework of the brand’s design ethos. Keeping with their “circle within a square” design, the BR-05 Chrono has presence on the wrist, clocking in at 42mm. But it’s the little elements that show the true partnership with the Patrouille de France. Details like the light blue sunburst dial, echoing the pilots’ flight suits, and the dark blue rehaut and subdials, referencing the aircraft’s fuselage, make the design stand ou...
Teddy Baldassarre
Angelus is a watchmaker that many younger enthusiasts likely regard as a newcomer to the scene but actually brings to the table a rich heritage going all the way back to 1891 — as a maker of watches as well as some of the industry’s most legendary movements. Angelus calibers were used, for example, in the earliest Panerai Radiomir watches from the 1940s. Based in Le Locle, Switzerland, the firm was one of the first watchmakers to adopt the two-pusher chronograph design that had first been explored by Breitling. Its ChronoDato model, launched in 1942, and its successor in 1948, the ChronoDatoLuxe, remain among the most legendary grails for vintage chronograph collectors. When Angelus resurfaced in 2015 — now owned by the prolific Swiss movement-maker La Joux-Perret, which is part of Japan’s Citizen Watch Group — the timepieces it chose to re-establish itself in the 21st-Century marketplace proved perplexing to many longtime collectors and armchair brand historians. Watches like the somewhat bizarre-looking, sci-fi-influenced U10 Tourbillon and the huge, skeletonized U50 Diver Tourbillon seemed to indicate that the revived Angelus brand was jettisoning much of its vintage appeal to explore more avant-garde frontiers. Starting in 2022, however, with the much-praised release of the ChronoDate models, heavily inspired by the 1942 ChronoDato, Angelus has signaled a renewed interest in mining its mid-century archives, particularly in its chronograph sweet spot. The ...
Fratello
At the beginning of this year, Piaget already spoiled us with its re-edition of Yves Piaget’s Polo Watch. But when your brand turns 150 years old, you don’t limit yourself to just one celebration. That’s why Piaget proudly presents another re-edition based on one of its biggest icons, the cushion-shaped Black Tie. For the occasion, […] Visit Piaget Presents The Andy Warhol Clou De Paris With A Blue Meteorite Dial to read the full article.
Worn & Wound
Tennis is having a bit of a moment. From the tennis-core revival Zendaya seems to have inspired to the hordes of people (and celebrities, who we all know aren’t people) who descended on Flushing Meadows earlier this fall for what turned out to be the most attended tennis tournament ever, tennis has taken center stage in a way few might have expected even a few years ago. And for all those looking to lean into the undeniably great looks of the tennis world, Maurice de Mauriac has you covered with the latest iteration of their Rallymaster tennis watch, produced in collaboration with Racquet Magazine. Historically, tennis players don’t wear watches and, yet, tennis and watches have long been visibly connected. Pretty much every top-flight player on the WTA at ATP tours has some sort of watch deal, and post-match pressers have become ripe material for watch-spotting. Despite this link, the concept of a ‘tennis watch’ remains somewhat nebulous. Tennis-themed watches have been around for a while (Timex made tennis-themed Snoopy watches as far back as the early ‘70s, or even late ‘60s), but the idea of the on-court tennis watch - like the highly technical pieces worn by players like Rafa Nadal or Jess Pegula - is relatively new. In the context of the Maurice de Mauriac Rallymaster series, what we have is a tennis watch in the more traditional sense. By this, I mean to say that the Rallymaster line falls more in line with the Snoopy tennis watches of old (or of ear...
Time+Tide
Bringing an iconic jumper worn by Princess Diana to the wrist, the Black Sheep is all about individuality and standing out.The post Maurice de Mauriac channels Lady Di with its latest collaboration appeared first on Time+Tide Watches.
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