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Cartier Studio Comes Nov 11, 2019

The Clash de Cartier Studio Comes to Singapore  

Having made its debut in Paris earlier in the year, the Clash de Cartier pop-up studio is making its first stop in Southeast Asia. Soon to open at the STPI Creative Workshop & Gallery in Singapore, the studio uses displays focused on music, art and literature to showcase the Clash de Cartier jewellery collection. The exhibition is structured around the concept of the Clash de Cartier, a newly launched range of jewellery characterised by contradictions and duality – bold yet delicate, structured yet – for a slightly punk-style look. The journey begins with a questionnaire that will direct visitors to their first room – either the Record Room or Bookstore. In the Record Room, visitors will be invited to listen to a playlist, curated by French sound designer Michel Gaubert, through sound shower speakers installed in the room. The playlist will consist of clashing genres of music from classical to rock. In the same vein, the Bookstore was curated to showcase opposing genres. Visitors will be able to take a short personality test to determine their “alter ego”m which will be then be translated into a haiku by actual poets at the venue. Lastly, guests can convene at the café and enjoy a complimentary pastry and drink inspired by the mix of eastern and western cultures in Singapore. Half of the café will be furnished with local décor, while the other half will be fitted out with contemporary European furniture. Exhibition details Dates: November 15-17, 2019 Time: 11...

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Montblanc Introduces Nov 10, 2019

Montblanc Introduces the Heritage Small Second with a Minerva-Minerva Movement

During a chat with Montblanc watch division chief Davide Cerrato this weekend in Geneva – where the split-seconds chronograph he created for Only Watch sold for a 100,000 Swiss francs – he revealed the company had recently discovered a small number of finished Minerva MB M62.00 movements from the early 2000s. Already decorated and assembled, the hand-wound movements were then paired with a specially designed dial to create a discreet limited edition. The calibres were produced in 2003, during the brief period from 2000-2006 when Minerva was owned by Italian former billionaire Emilio Gnutti who was later convicted of insider trading. Mr Gnutti radically remade Minerva after he took over, elevating it from a producer of competent and honest watches into one focused on ultra high-end timepieces with exceptional movement finishing. But his endeavour was not financially viable and he sold Minerva to Richemont, which integrated the brand into Montblanc. The Minerva-Minerva movement The MB M62.00 in the new Heritage Small Second come from this period, so they have impeccable finishing. But unlike Minerva movements produced after the Montblanc takeover, these movements were wholly finished prior to the Richemont takeover so they are only marked “Minerva” and “Villeret”. Though the MB M62.00 are identical, both in style and finishing, to later movements marked “Montblanc”, aficionados will appreciate the nostalgic Minerva logo. The MB M62.00 movement is derived fr...

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Patek Philippe ref 1463 Nov 10, 2019

Highlights: Phillips Geneva Watch Auction X

With the Double Signed theme auction out of the way, here are a few highlights from Phillips’ Geneva watch auction, including a Lange Zeitwerk that might be a value buy, and a steel Rolex Day-Date prototype. Lot 145 – Lange Zeitwerk in rose gold The Zeitwerk is unquestionably a modern classic – notably, it is probably the most reliable digital display watch on the market – and is relatively good value on the secondary market, selling for a chunk off retail. This example is in rose gold, and is complete with all boxes and paperwork. It was first sold in 2011, and obviously wasn’t worn much sine then. The estimate is just 20,000-40,000 Swiss francs. Lot 179 – Patek Philippe ref. 1463 in steel One of the top lots in the sale, this is a ref. 1463 “Tasti Tondi”, an early water-resistant chronograph by Patek Philippe. But this is in steel, of which only 67 are known, with a two-tone dial, furthering reducing the number known to just 17. The watch is in excellent condition, with a sharply preserved case and original dial, although the dial might have been cleaned in the distant past. The estimate is 300,000-600,000 francs. Lot 209 – Patek Philippe ref. 1518 in yellow gold The ref. 1518 is a landmark, being the first serially produced chronograph with perpetual calendar. This is a good example of the ref. 1518, almost the quintessential version of the model with a yellow gold case. It is clean and in good condition, albeit showing a little bit of age on the dial,...

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Frederique Constant Alpina Nov 10, 2019

Business News: Citizen Sticks with Baselworld for 2020

Shortly after Seiko announced it was pulling out of Baselworld 2020, fellow Japanese watchmaker Citizen announced it was staying put, along with all of its subsidiary brands, save for Arnold & Son. According to a report in Chronos Japan, the decision was made in the summer, after some internal debate as to whether or not to remain in Baselworld, where Citizen has long boasted one of the most avant-garde booths, year after year. The Citizen booth at Baselworld 2019 Citizen – which launched a record-setting quartz watch at Baselworld 2019 – might have moved to the recently announced Watches & Wonders in Geneva, but that did not happen. So the brand, along with its subsidiaries Bulova, Frederique Constant, Alpina, and Miyota, will continue to exhibit at Baselworld. Only Arnold & Son, a relatively high-end Swiss brand also owned by Citizen, will exhibit at Watches & Wonders. According to an industry source, the remaining major Japanese watchmaker, G-Shock maker Casio, will also continue to show at Baselworld. Source: Chronos Japan  

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Patek Philippe Grandmaster Chime Nov 9, 2019

The Most Expensive Watch Ever - Patek Philippe Grandmaster Chime in Steel for CHF31m

The Patek Philippe Grandmaster Chime ref. 6300A made for Only Watch 2019 has just made history by selling for 31m Swiss francs – selling to a new face at watch auctions – topping the 23m francs achieved by the Henry Graves Supercomplication and the 17m francs of Paul Newman’s “Paul Newman” Daytona. Before the Grandmaster Chime sold for the record-setting sum, I wrote: A major, outsized finish of 12m or 15m francs, or even more, is possible but only likely if an unexpected, deep-pocketed bidder buys the watch, or manages to push the winner further than expected. I was way off the mark value-wise, but at least half right. The bidding opened with room bids, first a 5m franc bid from gem dealer and auction veteran Claude Sfeir, followed by 10m francs from a prominent SE Asian collector. But the action swiftly moved to phone bidders, all bidding via Christie’s representatives, including Stéphane Von Bueren of the watch department in Geneva. It was a prolonged tussle – with bidding rising in 500,000 franc increments – between Mr Von Bueren’s client and another represented by Wei-Ting Jud of Christie’s London. Once bidding hit 17m francs, there was brief applause as the watch topped the record of Paul Newman’s Rolex Daytona. At 22.5m francs, a new bidder jumped in, represented by Max Fawcett of Christie’s Geneva. From there it was Mr Fawcett against Ms Jud – and another round of applause when the watch surpassed the record set by the Graves Supercompli...

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Zenith Introduces Nov 8, 2019

Zenith Introduces the El Primero A386 Phillips Limited Edition

In a first for watchmaking, an establishment watchmaker has collaborated with an auctioneer in creating a pair of limited edition wristwatches, resulting in the El Primero A386 designed by Phillips. The tie-up has resulted in a pair of watches, one in steel with a “tropical” dial, and the other in striking black and gold – with the total number made being just 69, a nod to the year of the El Primero’s launch. The two watches are actually part of the same creative process that spawned the platinum El Primero A386 One-Off that will soon be sold for charity. Aurel Bacs and Alex Ghotbi of Phillips were responsible for conceiving the look of both watches. According to Phillips, the duo imagined being designers of the brand-new El Primero in 1969, rather than looking back from today and creating a modern remake. The yellow gold El Primero is consequently a combination that was common back in the day – think Rolex Daytona “John Player Special” though never produced by Zenith. And the steel version is not actually a “tropical” dial, rather it is a reference to the brown colours fashionable in design and apparel during the 1960s. Hence it has its sub-dials in three shades of brown, a riff on the “tricolour” registers of the original A386. And the steel watch comes with a bonus: a steel “ladder” bracelet with straight end links that’s a replica of the same found on the original A386. Key facts and price El Primero A386 Phillips Limited Edition Ref. 30.P38...

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Vacheron Constantin clinched Nov 8, 2019

Introducing the Winners of the 2019 Grand Prix d’Horlogerie de Genève

This year’s GPHG saw a total of no less than 196 watches entered into the running for one of the night’s awards. The jury, presided over by Aurel Bacs, then pre-selected 84 models, divided into 14 categories. The latter included four new awards – the Iconic Watch, Diver’s Watch, Calendar and Astronomy and Horological Revelation. The outcome is similar to last year’s, with a strong ratio of independents among the winners. Out of 18 watch awards, eight were awarded to independents including Kudoke (Petite Aiguille), Ming (Horological Revelation) and newcomer Genus, (Mechanical Exception), while virtuoso watchmaker Voutilainen scooped two awards (Men’s Watch and Artistic Crafts). The biggest winner of the evening was Audemars Piguet who took home three awards including the top prize – the Aiguille d’Or – for its Royal Oak Perpetual Calendar Ultra-Thin. The watch is the world’s thinnest automatic perpetual calendar at just 6.3mm in height, achieved primarily by using a modified ultra-thin cal. 2120 as a base with a smartly designed perpetual calendar module on top that has an integrated end-of-month cam on the date wheel and a 48-month wheel with a novel geometry. Elsewhere, having lost to Genus in the Mechanical Exception category, Vacheron Constantin clinched the Innovation award with its Traditionnelle Twin Beat Perpetual Calendar. The watch addresses the problem of having to reset a perpetual calendar that has lain dormant. It utilises two balances osci...

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Vacheron Constantin as enjoying Nov 8, 2019

Business News: Richemont Reports Flat Watch Sales and Losses Online

Having just announced its six-month results to the end of September, luxury conglomerate Richemont eked out a rise in sales driven by its jewellery division, with its online business staying in the red and watchmakers showing no growth. Sales rose 9% increase to €7.397 billion, with a stable net profit of €869 million, based on actual exchange rates. The group reported double-digit sales growth in China, Korea, Japan, the US and the United Kingdom. But overall sales in Asia Pacific, which accounts for 37% of the group’s sales, has been subdued, mostly due to the political unrest in Hong Kong, which accounts for around 10% of the group’s revenue. The city saw sales drop by double digits. Richemont’s jewellery brands, namely Cartier and Van Cleef & Arpels, though it just added Buccellati to its portfolio, reported an 8% rise in sales. Notably, it was led by a higher increase in watch sales than jewellery. Prospects for the group’s watch brands, which include IWC and Panerai, have been muted due to the slump in its biggest market, Hong Kong. Richemont singled out Panerai, A. Lange & Söhne and Vacheron Constantin as enjoying the highest growth within the watch division, which is notable for the fact that these brands are not usually the drivers of growth, at least in recent years. The A. Lange & Söhne Odysseus, launched too late to help sales but its maker did well anyway In terms of sales channels, retail sales at Richemont’s own stores were up by 4%, but who...

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Richard Mille MB&F; Nov 8, 2019

Hands-On: Chanel J12 The Inseparables “Only Watch”

To mark the 20th anniversary of the J12 this year, Chanel gave its signature timepiece a microscopic yet significant makeover, both inside and out, while preserving the distinct identity that has contributed to the watch’s two-decade success. For Only Watch 2019, the brand created J12 The Inseparables – the very first examples of the new-generation J12 to roll off the line, distinguished by a unique case and bracelet finish. And the pair also happen to be one of the most affordable lots in the auction. The brand has approached these unique iterations in the same manner it approached the revamp – with subtlety and restraint. The pair of watches are both rendered in smooth, matte ceramic, with a tone-on-tone dial. And both are equipped with a special black-coated execution of the new Caliber 12.1 produced by Kenissi, the movement maker that is part owned by Chanel. Matte finish The most apparent difference between the Only Watch pair and the standard version is the matte finish of the ceramic case and bracelet; the standard models have a glossy, polished finish. While the J12 is primarily a women’s watch, especially in this smallish size, the finish of the Only Watch editions come across as more masculine – and also more refined and discreet. And as it always has been, the case measures 38mm. It is made entirely in-house by the brand, thanks to its ownership of G&F; Chatelain, a reputed case and buckle manufacture, whose clients include Richard Mille, MB&F; and Bel...

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Audemars Piguet Gobbi” chronograph Nov 7, 2019

Highlights: Phillips ‘Double Signed’ Geneva Auction Part II

Here’s part II of highlights at Phillips’ Double Signed auction – you’ll find the first part here – including a lovely Audemars Piguet “Gobbi” chronograph with a green gold dial, as well as a gorgeous Patek Philippe Ref. 1463 “pink on pink” that’s more affordable than usual, for a reason. Lot 35 – Patek Philippe ref. 2499 in pink gold “Trucchi” The most valuable lot in the sale, with an estimate over 1.2m francs, is the Patek Philippe ref. 2499 third series in pink gold. It’s one of only six pink gold third series watches known; in fact, the total number of ref. 2499s in pink gold across all four series totals just 23. And this is the only one with the “Trucchi” signature on the dial, having been sold by the retailer in Naples that’s still in operation today. According to Phillips, it was sold by Trucchi to an Italian-American doctor in 1972, who then sold it to the consignor who sold the watch at auction in 1999 at Antiquorum in Geneva. It sold for almost 700,000 francs then, making it one of the most expensive watches in the world at the time. The watch is in exemplary condition, albeit with one quirk: the crystal is sapphire instead of PlexiGlas as is standard for the third series. Found only on fourth series ref. 2499s, the sapphire crystal and accompanying bezel was presumable installed by Patek Philippe in the 1980s according to Phillips, since the watch already had a sapphire crystal when it was sold in 1999. Lot 50 – Patek Phili...

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Vacheron Constantin tourbillon pocket watch ref Nov 7, 2019

Highlights: Phillips ‘Double Signed’ Geneva Auction Part I

Phillips’ thematic auction this season is titled Double Signed: A Celebration of the Finest Partnerships Between Manufacturers and Retailers, with a catalogue composed of watches with retailer signatures mostly on the dial, but occasionally on the case back. Though a retailer signature in itself does not make a great watch, many watches in the sale are already superb watches, but made even more special by the retailer’s mark, like the Rolex GMT-Master ref. 6542 below. More broadly, Double Signed is more historically evocative than most other thematic auctions, because many of the retailers cited within represent a particular time and place that is long gone, even if the retailer remains in business. Examples include Serpico y Laino of Caracas, which no doubt prospered during Venezuela’s good times that are now long forgotten, or Le Palais Royal of Havana that was the island’s premiere retailer before the Communist revolution. Here’s part one of the roundup of highlights from the sale. (And part II is here.) Lot 11 – Vacheron Constantin tourbillon pocket watch ref. 92244 “Asprey” One of the most proper examples of haute horlogerie in the sale is this Vacheron Constantin pocket watch that contains an observatory-certified tourbillon movement from the 1940s, though the watch was only finished and sold in 1992. It’s believed that in the 1990s, Vacheron Constantin discovered a small number of tourbillon movements that had been tested and certified as chronomet...

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Citizen has been relegated Nov 7, 2019

Breaking News: Seiko Exits Baselworld 2020

Switzerland’s biggest watch and jewellery fair will see one of its biggest exhibitors, Seiko, depart next year reports Yasuhito Shibuya of Chronos Japan. A Baselworld exhibitor since 1986, the Japanese watchmaker joins the stream of brands that have been departing the event since industry giant Swatch Group’s shock exit last year. According to Mr Shibuya, Seiko’s official reason for leaving is “because the opening time of Baselworld in 2020 is later than usual”, happening in May instead of the traditional March. Mr Shibuya also adds: “The fair happens a month later, coinciding with the Golden Week in Japan – a period with four consecutive national holidays within seven days. This is a particularly disappointing time for Japanese watchmakers.” “From the location of the booth to the floor plan of the fair [with Seiko’s booth on the second level], I do not think that Seiko has received equal treatment [as compared to Swiss brands]” noted Mr Shibuya. Despite its importance, both commercially and culturally, Seiko, along with fellow Japanese brands Casio and Citizen, has been relegated to the upper floor of the main exhibition hall since the venue’s lavish redesign in 2013. The loss of Seiko is no doubt a major blow to Baselworld, which has historically been a cash cow for exhibition organiser MCH Group, which also owns the Art Basel franchise. Instead of Baselworld, Seiko will launch its new products earlier in the year. However, according to a Seiko...

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Audemars Piguet Code 11.59 Tourbillon Openworked Nov 7, 2019

Hands-On: Audemars Piguet Code 11.59 Tourbillon Openworked “Only Watch”

At Only Watch 2017, Audemars Piguet’s Royal Oak Perpetual Calendar in black ceramic – but with a one-off blue dial – sold for a whopping 800,000 Swiss francs, with two phone bidders driving it to nearly seven times the high estimate. It was the third most expensive watch in the sale. This year’s contribution is no Royal Oak – far from it – but it’s surprisingly worthy of a second look. In fact, it’s probably the best-looking watch to emerge from the brand’s often criticised Code 11.59 line. Amidst the flak heaped upon it, the Code 11.59 range had a couple of standouts, including the Tourbillon Openworked. And that’s where AP started for Only Watch 2019. The Tourbillon Openworked Only Watch retains the slim, beautifully finished skeleton movement, eschewing the contentious Code 11.59 dial altogether. And the movement has a two-tone finish that smartly highlights the most important mechanical components. To match the movement, the Only Watch edition features a two-tone case that does justice to the Code 11.59 construction in a way the uniform colour of the standard models simply couldn’t. Superbly constructed In terms of size, the case is identical to the standard model – 41mm by 10.7mm. Beyond immediate impressions, the case is wonderfully constructed with a subtle and intriguing mix of shapes and finishing made obvious by the two-tone materials. The octagonal case middle is pink gold, while the rest of the case, including the lugs, are white gold,...

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Montblanc 1858 chronograph which develops Nov 6, 2019

Hands-On: Longines Avigation Type A-7 “The Hour Glass” in Bronze

Following the launch of the Sinn 356 Pilot Chronograph limited edition to mark the 40th anniversary of The Hour Glass, the retailer has just announced yet another pilot’s chronograph, but this time, one that is more unusual and striking, the Longines Avigation Type A-7 1935 in bronze. Characterised by an askew dial and movement, the Type A-7 “The Hour Glass” is based on the second-generation, 2016 reissue of the chronograph Longines supplied to the US Army Air Corps in the 1930s that was known as the “Type A-7”. Striking colourways Though the distinctive case style is retained, the commemorative edition is made even more unusual by an attractive material and colour combination. The case is bronze and paired with either a blue or champagne dial finished with a metallic, sun ray-brushed finish. While bronze might seem a bit too fashionable, especially in this price segment, it’s surprisingly uncommon for Longines. In fact, the new Type A-7 is only the second Longines watch to have a bronze case; the first was the Heritage Military Kuwait limited edition. The case is made of phosphor bronze (CuSn8), an alloy that is 92% copper and 8% tin. In contrast to the aluminium-bronze alloys, used in watches like the Tudor Black Bay Bronze or Montblanc 1858 chronograph, which develops a brownish patina, phosphor bronze has a more reddish tone and develops a blue-green, sunken-treasure oxidisation over time. While the vintage Type A-7 was a 51mm diameter cockpit instrumen...

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H. Moser & Cie Introduces Nov 6, 2019

H. Moser & Cie. Introduces the Endeavour Perpetual Moon Concept Aventurine

Introduced almost a decade ago in 2010, the H. Moser & Cie. Perpetual Moon is among the most accurate moon phase watches on the market, deviating by a day after 1027.3 years. A complex mathematical feat, the moon phase mechanism was originally conceived by none other than independent watchmaker Andreas Strehler, who himself holds the record for the most precise moon phase display in the world – accurate to a day in 2.045 million years. Having unveiled the watch with a blacker-than-black Vantablack dial a year ago, H. Moser & Cie. has now introduced the Endeavour Perpetual Moon Concept Aventurine that has a sparkly aventurine glass dial evoking a night sky. Full of stars Like many of Moser’s watches, the case of the Endeavour Perpetual Moon Concept is relatively large at 42mm wide and 13.1mm high due to the movement inside. It is available in both a red gold or a stainless-steel case that are characterised by a generously sloping bezel and brushed case band punctuated with polished concave flanks. The dial is made of aventurine glass, also known as goldstone, a man-made material produced by mixing fine metal particles into blue glass. Aventurine glass is often used in watchmaking, specifically for moon phases and calendar displays, for its striking, iridescent reflections that create the impression of a starry sky. According to legend, aventurine glass was discovered by accident on the Venetian island of Murano in the 16th century when copper filings fell into a vat o...

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Patek Philippe Ref 3652 Minute Repeater Nov 5, 2019

Up Close: Patek Philippe Ref. 3652 Minute Repeater “Golay Fils & Stahl”

The most intriguing watch in Phillips’ upcoming Double Signed auction is by far the smallest watch in the sale – it’s the Patek Philippe ref. 3652 that’s just 31mm in diameter. In fact, the ref. 3652 is a dead ringer for a Calatrava ref. 96 from the 1930s. But – the ref. 3652 is a unique reference produced during a brief period when Patek Philippe is known to have made a handful of remarkably interesting, one-off timepieces. All were powered by vintage movements, and some were vintage watches freshly re-cased. One example is the ref. 3651, a chronograph re-cased in the late 1980s of which only a handful are known. Most of these watches are now in its museum; some of them were made for Philippe Stern himself, who was then running the company alongside his father, Henri. The ref. 3652 was one such reference, created as a custom watch for a client. It’s a minute repeater made in 1985, but powered with a ladies’ watch movement from the early 20th century. And it has a fired enamel dial signed “Golay Fils & Stahl” – which was a watchmaker itself a century before. At 31mm, the watch is tiny by any standard. That’s compounded by the fact that the lugs are set widely apart, making the case seem even smaller. If not for the slide on the case, it would easily pass as a ref. 96, the quintessential Calatrava model that Patek Philippe produced for some four decades until 1973. But the ref. 3652 is neither a ref. 96 nor a vintage watch, which is why it’s inte...

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Audemars Piguet where he started his Nov 5, 2019

Highlights from Jean-Claude Biver’s Collection on Show in Geneva

Now the non-executive chairman of the watch division at LVMH, Jean-Claude Biver has enjoyed a remarkable career in the watch industry that has spanned some 45 years. That success has enabled him to build a timepiece collection that is both magnificent and diverse, ranging from vintage Patek Philippe to modern independent watchmaking. Now the entire collection will be on display for the first time at Phillips in Geneva, after which it will embark on a world tour. Bookends of Mr Biver’s career so far: a Royal Oak ref. 5402 ST by Audemars Piguet, where he started his career And a Hublot Big Bang Tourbillon Chronograph Titled Jean-Claude Biver: A Retrospective. Share, Respect, Forgive, the exhibition includes two dozen watches – including some lovely Patek Philippe pocket watches – that are amongst the best examples of 20th century watchmaking. Notably, the collection also includes several watches by prominent independent watchmakers, many of which were relatively recent purchases. They include a Philippe Dufour Simplicity in rose gold – the exact watch we featured several weeks ago in fact – and a fresh-off-the-press Akrivia Chronometre Contemporain in platinum. According to an inside source, Mr Biver’s late-in-life interest in independent watchmaking, and also the Rolex Daytona “Zenith”, is the result of counsel from his son, Pierre, who is a specialist at Phillips’ London office, showing that the love of watches can be hereditary. A Patek Philippe Ref. 15...

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Konstantin Chaykin Joker Selfie Nov 5, 2019

Up Close: Konstantin Chaykin Joker Selfie for Only Watch 2019

Though the Konstantin Chaykin Joker Selfie was already explained in great detail by Bjorn Meijer a couple of weeks ago, it’s compelling enough for a second, quick look, since I just received a new set of photos. Konstantin’s standard Joker (or Clown) wristwatch is well known, while also being fairly straight forward mechanically. The one-off Joker Selfie he created for the upcoming Only Watch charity auction is fundamentally and dramatically different, although the shares the familiar funny face. To start with the case is made of bulat, a high carbon steel alloy better known as Wootz steel. Sometimes incorrectly known as Damascus steel, bulat is an alloy with a patterned surface that’s a result of the metals mixed within. The irregular structure of the alloy, combined with its hardness, means it was a challenge to make the Joker Selfie case. Konstantin only completed the case after two discarded cases due to structural problems that emerged after machining. The Joker Selfie tells the time like the standard Joker, with the pupils in each eye pointing to the time, with a moon phase display incorporated into the mouth of the clown. And it has the day of the week, indicated with emoticons, much like Alain Silberstein’s trademark “smileday”, at 12 o’clock. But it also has an additional “secret” display, with a swivelling lever under the dial that covers either the hours or the day of the week display. It’s a gravity-activated mechanism that shows the hours ...

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A. Lange & Sohne Nov 4, 2019

Interview: Wilhelm Schmid of A. Lange & Söhne on the Odysseus

Shortly before A. Lange & Söhne launched the Odysseus Datomatic, its chief executive Wilhelm Schmid was in Singapore to officially reopen its revamped boutique. But perhaps more importantly, he was available to discuss the Odysseus, which I did. In the articulate and frank manner that is his style, Mr Schmid outlined the rationale behind the Odysseus, how it came to be, and drops a few hints as to where it’s going. Read what he had to say below. The interview was edited for clarity and length. You have established Lange’s reputation for watches of high quality; quality that no one disputes. Now you’re taking the next step into a different segment. What’s the rationale behind this? We have not changed our fine watchmaking, [but we had to decide:] do we answer the question that has been raised by many customers over many years? If you do something like that, you have to be unique, you have to be different, and it has to be of some interest for the customer. We rather not provide an answer than provide the wrong answer. So it took us a long time to find the face and find the design. And then after we created the idea, [we had to create] something which will be recognisable within this sort of design, [with] the push buttons, the day-date complications. Then, how can we use that to create a family? It’s always easy to come up with one watch. It’s often more difficult if you want to have a recognisable face that can have different iterations and complications lat...

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Omega Nov 3, 2019

Hands-On: George Daniels Anniversary Watch in White Gold

Though extremely rare, the George Daniels Anniversary Watch is a familiar timepiece because it has been widely covered and is arguably the signature George Daniels wristwatch. Though the Daniels Millennium was made in larger numbers, it was powered by a modified Omega (and by extension, ETA) movement. In contrast, the Anniversary relies on a proprietary movement designed by Daniels and his protege Roger W. Smith – and it’s almost a visual twin of the one-off Daniels chronograph wristwatch. But the basic architecture of the Anniversary movement comes from the movement in Series 2, the trademark Roger W. Smith timepiece, which was launched in 2006, three years before the Anniversary. The white gold Anniversary next to the owner’s other example in yellow gold The quintessential Daniels Anniversary is in yellow gold, of which 35 were made. But when first launched in 2009, the Anniversary series was also meant to encompass four box sets of four watches each, made up of one watch in each colour of gold and another in platinum. The sets were never produced, however, individual watches originally destined to be part of the sets were. Owned by a noted collector who acquired it direct from the George Daniels trust, this Anniversary in white gold is one of them. And it is the only Anniversary ever made in white gold so far. On the wrist of the owner Though identical in design to the yellow gold Anniversary, the white gold watch looks more contemporary by virtue of its colour. ...

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Minase Nov 2, 2019

Minase Introduces the Divido with Dégradé Dial

Having been established by Kyowa Co., Ltd, a precision toolmaker that also produces watch cases and bracelets, Minase is a brand that excels in, well, cases and bracelets. Its specialty is the high degree of surface finishing of the case and bracelet using the Zaratsu, or Sallaz, polishing technique that creates a remarkably flat, mirrored surface. Minase just gave its flagship Divido a new dégradé dial, which has a dark grey finish that darkens to black around the edges. Though similar looking dials are offered by Swiss watchmakers, and sometimes known as fumè or smoked dials, the new Divido dial is distinctly Japanese. Inspired by Japanese sumi-e paintings – that rely on different concentrations of black ink for shading and depth – the dégradé dial starts as a copper disc that is the hand-painted with several layers of black Japanese lacquer, each layer with a different concentration of black, creating the graduated finish and leaving each dial unique. The dégradé lacquer dial costs about 10% more than the standard model, which is reasonable. The rest of the watch is identical to the standard Divido, which is to say extremely sharply finished. All components of the case and bracelet are produced and finished in house. Every surface of the case is finished, with contrasting brushed and polished surfaces employed throughout. Even the folding clasp sports with a mix of surfaces finishes. The polished surfaces are finished with the Zaratsu technique – that...

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De Bethune Moon Satellite Nov 1, 2019

Hands-On: Urwerk x De Bethune Moon Satellite for Only Watch 2019

The collaboration between Urwerk and De Bethune for the upcoming Only Watch is pretty straightforward: an Urwerk wandering hours time display module mounted on a De Bethune base movement, and housed in a De Bethune case. But it works, and the Moon Satellite is one of the coolest watches of the charity auction. Conceptually the Moon Satellite is similar to the Arpal One made for the last Only Watch. Long and sleek, the Arpal One was a collaboration between Urwerk and Laurent Ferrier that looked good, but with an enormous case – it was 60.8m long – that was much too large. The Moon Satellite, on the other hand, is just right. That’s because the case is derived from De Bethune DB28, which is a large watch but one with a smallish footprint and sprung, pivoted lugs that allow it to hug the wrist. The Moon Satellite is slightly larger than a DB28, but almost the same on the wrist. Entirely in mirror polished titanium, the case looks like a helmet for a warrior robot. Its shape is asymmetric – angular on the lower half and rounded at the top – in order to accommodate the time display. It’s reminiscent of a helmet, but instantly recognisable as coming from Urwerk, having the U-shaped crystal first found on the Urwerk UR-103 and now on the UR-105. Coincidentally, both Urwerk and De Bethune position the crowns on most of their watches at 12 o’clock, and so there it is. Though it has a similar shape to the standard Urwerk crown, the Moon Satellite crown is flat, so tha...

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Montblanc Introduces Nov 1, 2019

Montblanc Introduces the 1858 Split Second Chronograph with a Jade Dial

Following the launch of the one-of-a-kind 1858 Split Second Chronograph with a blue agate dial for the upcoming Only Watch charity auction, Montblanc has unveiled a limited edition in bronze with a nephrite jade dial. The eight-piece edition was created for Salón Internacional Alta Relojería (SIAR), a big watch fair in Mexico City attended by most major brands, explaining the green dial with red accents – a nod to the Mexican flag. Though the bronze-and-green livery has been applied to multiple models in the 1858 range, the new SIAR edition adds a fascinating point of departure, with the dial being a semiprecious stone rather than the usual lacquered brass. The dial is essentially a thin slice of nephrite, a mineral better known as jade. It’s usually dark green, but sometimes also yellow or white; white nephrite is known as “mutton fat” jade in China and highly prized. The other mineral also known as jade is jadeite, but it’s harder, denser and often found in brighter colours. Mechanically and aesthetically, the watch is as retro as it gets. The design of the dial was inspired by a pilot’s chronograph produced by Minerva in the 1930s. It has a double chronograph scales – a telemeter on the outer rim and a snail-shaped tachymeter in the centre. The rose-gold plated cathedral hands and Arabic numerals are coated with faux-aged lume, as on the regular production model. The red seconds numerals and hand adds a rich contrast against the pleasingly busy dial, ...

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Louis Vuitton Oct 31, 2019

The Rise and Fall of Asprey of London (and a Personalised F.P. Journe Wristwatch)

An F.P. Journe Octa Calendrier caught my eye at Phillips’ upcoming Geneva auction, not because of the watch itself, but because of the name engraved on the movement: “John R. Asprey”. Now 82, John Rolls Asprey ran his family’s luxury emporium in its heyday, when it was a purveyor of watches, jewels, silverware, fine bookbinding and hunting accessories, with the Sultans of Brunei and Oman as its top clients. Unusually, Asprey was a prominent name in two diverse segments of watchmaking – what are now valuable vintage watches, think “Khanjar” Rolex watches, as well as modern-day independent watchmaking. How it came to be is the remarkable story of the rise and decline of a grand name in British luxury retail. A wondrous emporium Long before luxury brand names had coalesced into conglomerates like LVMH and Richemont, they were independent, family-owned enterprises that were small but globally known – at least by the right clientele. Amongst them were names that are still famous today, including Cartier, Louis Vuitton, and Tiffany & Co., but also one that is less well known now, Asprey of London. Founded in 1781 and having opened in 1847 at 167 New Bond Street – still its premises today, albeit leased – Asprey was once London’s leading luxury merchant. In some ways, it was the ultimate gift shop, where one could buy all manner of exotic and exquisite goods from all over the world, from books to watches to sceptres to crystal. Many of the elaborate objects ...

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Ulysse Nardin Oct 31, 2019

Hands-On: Sinn 356 Pilot Chronograph “The Hour Glass”

Continuing with its series of limited editions to mark its 40th anniversary, retailer The Hour Glass has just announced a special variant of the Sinn 356 Pilot Chronograph. A no-frills aviator’s watch, the 100-piece edition is the retailer’s most affordable commemorative model to date, priced at 3,850 Singapore dollars, or about US$2,800. In keeping with the series’ recurring theme of dial colours inspired by vintage watches – ranging from salmon on a Nomos to champagne on a Ulysse Nardin, the dial of the Sinn has a variegated, aged finish. Ideal dimensions The Sinn 356 is a simpler version of the Sinn 256 made for the Japanese market – itself the smaller version of the Sinn 156 conceived as a military chronograph for the German military. It’s a no-nonsense fliegerchronograph, or aviator’s chronograph, with just the essentials – a fixed bezel, large hour numerals, and syringe hands. It does also have the somewhat pointless date and day, but a consequence of the fact that the original 356 used the Valjoux 7750. It has the calendar as a standard feature, and was the de facto movement for most chronographs at the time. The stock 356 Dial aside, the commemorative edition is identical to the standard model. The stainless-steel case measures 38.5mm, making it one of the smallest pilot’s chronographs on the market. However, it is still considerably thick, a little bit too thick at 15.5mm, due to the height of the movement inside. As a result it sits high on th...

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Citizen introduced Oct 31, 2019

Seiko Marks 50 Years of the Watch that Started the Quartz Crisis

Seiko changed watchmaking when it introduced the Quartz Astron in December 1969. Though it cost as much as a small car, it was the first commercially available quartz watch. Technology and economies of scale would rapidly reduce the cost of the quartz watch, enough that by the late 1970s the Swiss watch industry was in full blown meltdown – the Quartz Crisis. To mark the 50th anniversary of that landmark watch, Seiko has just introduced the 1969 Quartz Astron 50th Anniversary Limited Edition. Though powered by a latest generation, solar-powered and GPS-enabled quartz movement, the Astron anniversary edition is visually a remake of the original – and it still costs as much as a small car, or about US$35,000. Notably, the Astron anniversary comes a couple months after Citizen introduced its own an ultra-high end quartz watch, also with a solid gold case, but with a different approach to technology. The case of the Astron anniversary is 18k yellow gold and cushion-shaped like the original, but slightly larger at 40.9mm in diameter. The top surface of the case is “hand carved” with a fine, grain-like motif echoing the textured finish of the vintage Quartz Astron. And the pattern on the remake is a reference to itself: the carved grain motif is executed in a circular manner around the bezel, a nod to the fact that Seiko has come full circle in reproducing the 1969 design. Similarly, the dial on the new watch has a vertical, linear graining, also inspired by the finish...

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Breguet Type 20 Oct 29, 2019

Hands-On: Breguet Type 20 for Only Watch 2019

Breguet’s contribution to the most recent Only Watch auction in 2017 was a unique, enlarged version of its inventive in-line perpetual calendar that had the calendar indications arranged in a column vertically across the dial. Though clever and unusual, the watch was probably too esoteric and classical for current tastes, and it sold for 110,000 Swiss francs, just 10% above the high estimate, reputedly to a discerning collector in Australia. This year’s upcoming Only Watch, however, includes a very different Breguet that should sell for a multiple of its estimate. The Type 20 for Only Watch 2019 is essentially a spot-on replica of the two-register aviator’s chronograph Breguet supplied to the French military from the mid 1950s – exactly the type of watch that is desirable now. Specifically, it’s a remake of the first generation Type 20, which was marked “5101/54” on the case back, denoting the order number, “5101”, and the year of 1954. More specifically, it’s based on the Type 20 made for the French air force, distinguished by equal-sized sub-dials; watches for the naval air arm had oversized minute counters. Named after the French military specification for pilot’s chronographs, itself derived from the Second World War German air force chronograph design, the original Type 20s were produced by a variety of watchmakers, including Vixa, Dodane, and Auricoste. Breguet examples, however, are the most valuable. Note that “Type XX” refers to the same...

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De Bethune DB28 Yellow Tones Even Oct 29, 2019

Hands-On: De Bethune DB28 Yellow Tones

Even amongst avant-garde watchmakers, De Bethune stands out for its substance – aesthetic and material innovation matched by technical ingenuity. At its core, the brand has reimagined the most fundamental aspects of mechanical timekeeping, from the barrel to the hairspring, while pushing the boundaries of traditional complications, be it the moon phase, tourbillon or chronograph. But arguably its most distinctive innovation is an aesthetic one, which has come to define the brand no less – heat-blued titanium. The brand has used the alloy for more than 15 years across various parts of the watch, even making almost a whole watch out of it. But now De Bethune has a twist on the theme, resulting in the DB28 Yellow Tones in brilliant golden titanium. Fiery yellow Though the colour of the new DB28 is striking, it is by no means loud, as the amber shade of yellow isn’t the same as yellow gold and doesn’t pass off as such. In fact, it looks more like fresh brass than gold. The colour was achieved through thermal oxidisation of the surface, essentially the same process as that used for blued titanium (and also the same for blued steel). The yellow surface, just like the blue, is the result of an oxide that forms on the surface of titanium when it is heated to a certain temperature. But amber yellow tone in this case was created by heating it at a lower temperature than used for blued titanium. Titanium undergoes different stages of oxidation when heated, and yellow is o...

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Patek Philippe Grandmaster Chime ‘Only Watch’ Oct 28, 2019

Up Close: Patek Philippe Grandmaster Chime ‘Only Watch’ ref. 6300A in Stainless Steel

Long the record holder for the most valuable watch at the biennial Only Watch charity auction, Patek Philippe has probably outdone itself this year. For Only Watch 2019, it’s put together a unique version of the most complicated wristwatch it’s ever made, the Grandmaster Chime ‘Only Watch’ ref. 6300A-010 in stainless steel. Now in its 14th year, Only Watch is an auction of one-off timepieces donated by brands, with proceeds going to support medical research. Patek Philippe has claimed the title of the top lot in nearly all Only Watch auctions, including the most recent in 2017 that saw a Patek Philippe ref. 5208T in titanium sell for 6.2 Swiss francs. And in the auction before that, in 2015, the Patek Philippe ref. 5016A in steel sold for 7.3m Swiss francs. But the steel Grandmaster Chime for Only Watch this year will probably exceed those results, albeit by a margin that’s hard to predict. The buyer of “The Only One” will be the special one By most metrics it’s the ultimate watch – not only is it the most complicated wristwatch ever made by Patek Philippe, it is also the most expensive timepiece in the current Patek Philippe catalogue. And then there’s the style of the watch, which is catered exactly to current tastes. In fact, the elements of the watch are so perfectly suited to today’s fads in watch collecting that it might be a clever and discreet in-joke – a bit of humour from the serious Geneva watchmaker. The size and complexity of the Gr...

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TAG Heuer Unveils Unique Hand-Finished Monaco Oct 28, 2019

TAG Heuer Unveils Unique, Hand-Finished Monaco “Steve McQueen”

The upcoming Phillips New York auction includes an unusual watch: the Monaco Piece d’Art, a one-off vintage watch restored and hand-finished by TAG Heuer that’s being sold to benefit a charity in the city. Created to mark the 50th anniversary of the iconic square-case chronograph, the Monaco Piece d’Art started out as a ordinary example of the Monaco ref. 1133B – also known as the “Steve McQueen” after the actor wore one in the 1971 film Le Mans – one of several specimens in TAG Heuer’s own museum. Hand-decorated and upgraded The Monaco ref. 1133B was powered by the Calibre 11 Chronomatic, one of the first automatic chronograph movements ever launched; the Chronomatic made its debut in 1969, the same year as the Zenith Primero and Seiko cal. 6139. Though important in the history of watchmaking, the Chronomatic movement was functional and fuss-free. So TAG Heuer decided to change that. The movement inside the Monaco Piece d’Art was taken apart and then carefully decorated, part by part, by a four-person team of watchmakers over three months. The steel levers and springs of the chronograph mechanism were straight grained and bevelled, screws heads were flat polished, gears were given circular graining, and so on. Even the countersinks for the jewels and screws were polished. The refinished movement inside the Monaco Piece d’Art (left), with an original Calibre 11 Chronomatic But the reworking of the movement was not merely aesthetic. The jewel count was...

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