Latest watch news · Page 461

Jump-hour watches are a fascinating branch within the world of horology. They often only show you the exact information you need when you look at your watch - the hours, the minutes, and sometimes the seconds. In 2009, Louis Vuitton, with the help of master watchmakers Michel Navas and Enrico Barbasini, introduced the Spin Time, […] Visit Introducing: The New Louis Vuitton Tambour Taiko Spin Time Collection to read the full article.

Some watches are so perfectly on-brand that you have to look twice to see if they’re actually new. I had this experience with this Zenith Defy Skyline Chronograph Skeleton. Between the regular Defy Skyline Chronograph and several Defy Extreme and Defy skeleton versions, this looks comfortably familiar. Still, this watch is indeed new. So let’s […] Visit Introducing: The Zenith Defy Skyline Chronograph Skeleton to read the full article.

Arguably TAG Heuer’s most interesting affordable chronograph, the Carrera Chronosprint features a unique variable-speed chronograph seconds that accelerates for the first 15 seconds of every elapsed minute, before slowing to complete the remainder of the 60 seconds. Now TAG Heuer has introduced a new pair of variants in partnership with Porsche: the Carrera Chronosprint x Porsche Rallye that’s available in either steel or yellow gold. The new model sports a black dial modelled on the dash of the 1965 Porsche 911 that bears the traditional “Carrera” emblem at 12 o’clock. Initial thoughts The Carrera Chronosprint x Porsche Rallye demonstrates TAG Heuer’s strength in affordable chronographs. In technical terms, it’s the brand’s best chronograph in this price segment. The case is little large for my preference, but that’s typical of the current Carrera due to the thickness of the TH20 in-house movement. Although I am typically indifferent to brand partnerships - they are more often than not simply for marketing buzz - this particular collaboration makes sense given TAG Heuer’s historical presence in motorsports, which it has just returned to starting with the 2025 Formula 1 season. Retailing at US$10,250 in steel and US$24,600 in yellow gold, the Carrera Chronosprint x Porsche Rallye is pricier than the base-model Carrera “Glassbox” by a margin of about 50%. While that might seem a lot, the uncharge US$3,000 or so is worth it given the TH20-08 “...

Gérald Genta distinctive, punkish “urchin” wristwatch gains a striking new look with the Gentissima Oursin Fire Opal. Each of the 137 studs on the case carries a fire opal, while the dial is in orange carnelian that echoes the gemstones’ hue. Mined from Mexico’s volcanic regions, fire opals stones derive their characteristic yellow, orange, or red pigmentation from water trapped in cooling lava. Initial thoughts Although the Gérald Genta brand was revived in 2023, well after the iconic designer’s passing in 2011, the brand has stuck closely to his original vision and style. The modern-day Oursin is a faithful remake of the 1994 original, a little larger in size but retaining all of the original’s quirky details, including the facetted crystal. Unlike the fairly muted models unveiled last year, the new Oursin is bright and bold. While it incorporates gemstones and colours that found on the original (which was also fairly muted), the orange hue feels perfectly appropriate for the design. It is an apt evolution of the original, and the late Genta would have approved. Fire opals While the new Oursin differs from Genta’s original with its fire opals and carnelian, the core design elements remain faithful to his blueprint. Crafted from 18k yellow gold, the case measures 36.5 mm in diameter and 9.64 mm in thickness, making it slightly larger than the original. The case is studded with 137 fire opals, each individually secured with 18k yellow gold pins. An orange...

Zenith’s latest release is an evolutionary take on its popular sports chronograph with an integrated bracelet: the Defy Skyline Chronograph Skeleton builds upon the original version by open working the dial and main plate of the El Primero calibre. The dial is skeletonised to form a star, Zenith’s longtime emblem and a recurring theme of its skeleton watches. Apart from the open-worked dial, the new Defy remains essentially unchanged from the standard model, keeping the same 42 mm octagonal case topped by a 12-sided bezel. Initial thoughts Zenith’s El Primero was a milestone as one of the first automatic chronograph calibres. The new Defy is equipped with the second-generation El Primero, the cal. 3600, which is one of the biggest strengths of the watch. Notably, the movement has a lightning chronograph seconds completing a full revolution every 10 seconds, allowing the chronograph to measure up to 1/10th of a second (if your fingers work the pushers fast enough). That said, the watch does feel a little derivative in terms of design. While the look is not particularly creative or original, it nonetheless presents a visually striking aesthetic. The combination of satin-brushed and polished surfaces on the case and bracelet are done well. Compared to other watches it resembles (from the likes of Audemars Piguet and Hublot), the Defy is arguably better value. Priced at US$15,500, the Defy Skyline Chronograph Skeleton is one of Zenith’s pricier offerings, but arguably...

Louis Vuitton starts 2025 with a surprise, the Tambour Convergence. Modelled on traditional “digital” pocket watches, the Convergence indicates the time with discs visible in a pair of small windows at the top of the face. The unusual design, coupled with the compact, 37 mm case gives the Convergence an elegant, vintage-inspired aesthetic atypical of Louis Vuitton. Equally notable is the newly-developed in-house calibre inside, the LFT MA01.01. The movement is of a family of movements that will underpin Louis Vuitton’s timepieces going forward; variants of the movement are also found in the new Tambour Taiko Spin Time. Initial thoughts The Convergence is unexpected because it isn’t typical of Louis Vuitton. The vintage-inspired styling and proportions are almost antithesis of the brand’s conventional look, which was historically colourful and modern. Even though such territory is relatively new to Louis Vuitton, the Convergence is executed well. The design has intrinsic appeal, and shows off good proportions and details. The Convergence demonstrates the refined style of the redesigned Tambour case, which barely resembles the chunky original that was often thick and paired with narrow lugs. While I myself liked the quirk look of the original Tambour, the revamped model is undoubtedly more elegant and consequently will have a wider appeal. The Convergence debuts in pink gold The Convergence does well in almost all respects – fit, finish, design, and dimensions ...

Continuing with its revival, Daniel Roth debuts its second modern-day timepiece, the Extra Plat Souscription. Hewing to the formula established by the Tourbillon Souscription, the Extra Plat Souscription stays faithful to the 1990s original in size and style, but is equipped with an all-new calibre developed from the ground up. Like the Tourbillon Souscription, the Extra Plat Souscription debuts as a 20-piece limited edition in 18k yellow gold, matched with a guilloche dial in solid 18k yellow gold. Initial thoughts As with the Tourbillon before it, the Extra Plat Souscription looks and feels like the original at a distance, but reveals a higher degree of refinement up close. This is especially evident on the dial that is covered in finely grained guilloche, done with a hand-operated straight-line engine. In fact, the Extra Plat is arguably more sophisticated than the equivalent original, more so than the Tourbillon. The 1990s-era model was fitted with Frederic Piguet movements, either manual-wind or automatic depending on the variant, which were fine calibres but relatively industrial and widely used by higher-end brands like Blancpain. The DR002 in the new Extra Plat, on the other hand, is a new construction with the refinements expected in a watch of this calibre (and price). It’s shame that the movement is concealed behind a solid back, but that will become an open back with the subsequent, regular-production version. While the new Extra Plat is a beautiful homage th...

Three watches a year. Nearly 100% handmade. Top tier finishing. It's a special watch.

The Greubel Forsey Hand Made 2 embodies the ultimate pursuit of hand watchmaking. Every component, whether visible or hidden, is created, finished, and assembled by hand with unprecedented rigor.

While most watches made by Greubel Forsey are known to be some of the most impressive on the market regarding execution and finishing, today we’re looking at something even more special. Back in 2019, the independent watchmaker released Hand Made 1, a highly classical watch (at least compared to other, bolder creations) with a focus […]

Greubel Forsey pushes their hand made philosophy once again with the release of the second in the series. The Hand Made 2.

In a fortuitous turn of events, Mark Zuckerberg was spotted with the Greubel Forsey Hand Made 1 just a week ago – just in time for the debut of the Hand Made 2. Unlike its predecessor that was equipped with a tourbillon, the Hand Made 2 is “merely” a three-hander with a power reserve indicator, presented in a more compact case that’s just under 41 mm. But like the first model, the Hand Made 2 is mostly made with traditional, hand-operated tools – specifically, 96% of the watch is made this way, an endeavour that requires 5,000 hours of work according to Greubel Forsey. (NB: The watch pictured is a prototype and is not perfectly clean.) Initial thoughts The Hand Made 2 is essentially the Hand Made 1 scaled down in every respect – dimensions, complexity, and price – except for the manual production methods and fine finishing, which remain impressive and outstanding. Even at arm’s length the quality of the Hand Made 2 is obvious. Up close, it is evident all of the details have been properly taken care of. As it was with the Hand Made 1, the second edition is also impressive for what cannot be seen – tolerances and precision that are equivalent to Greubel Forsey’s serial-production watches made with automated equipment. Achieving that with manual equipment is impressive and no doubt explains a good deal of the price. Surprisingly, the Hand Made 2 looks more complicated than its predecessor, despite doing away with the tourbillon. That’s because the archit...

Stainless steel and sapphire may be modern miracles for their inherent properties, but are they really luxury materials?The post Luxury watch materials that are more common than you think appeared first on Time+Tide Watches.

Rado began experimenting with innovative materials in the early 1960s, resulting in the Diastar and its futuristic helmet-like case made from scratch-resistant carbide tungsten. Since 1986, Rado has employed high-tech ceramic in its creations, obtaining a broader palette of colours and finishes over the years. The True Square, a collection launched in 2020, perpetuates Rado’s […]

Welcome to another episode of Fratello On Air. This week, we discuss our favorite divers from the ’60s, ’70s, and ’80s. We also offer more affordable alternatives. Enjoy this lengthy episode! For our listeners, the watch content begins after 27 minutes. This podcast player is blocked because you did not accept marketing cookies. Change cookie […] Visit Fratello On Air: Our Favorite Divers From The ’60s, ’70s, And ’80s to read the full article.

Wristwatch Check is back for round two, with more watches and cars.The post Wristwatch Check is back in Melbourne for the second year running, with extra charitable intention appeared first on Time+Tide Watches.

One of the best elements of wearing watches is forging memories with them. Sometimes, though, those memories can be a bit traumatic and leave true battle scars on the watch! Today, I’ll share how my Tudor Heritage Ranger survived a serious motorcycle accident and came away with some scars. When we think of watches showing […] Visit Scarring Up Our Watches: Hitting A Kangaroo On A Motorbike With My Tudor Heritage Ranger to read the full article.

The next chapter in the non-conformist horological creativity of Jiro Katayama.

What is one supposed to make of H. Moser & Cie.? Ask a room full of collectors to describe the brand, and there are a handful of responses you’re sure to get: exciting, modern, and fun being foremost among them. Moser, under the watchful eyes of the Meylan family, has cultivated a unique offering, one characterized by a contemporary, streamlined (pun regrettably intended) catalog and an eye toward collaboration. Whether you’re wondering at one of the brand’s latest high-complication pieces or throwing on any of their impeccable time-only sports watches, it’s hard to deny that few brands manage to balance an appetite for solid, wearable, everyday watches with elegantly implemented complications, so nimbly as Moser. Even fewer manage to accomplish this while navigating the self-serious world of watches with the same sense of humor and energy that H. Moser & Cie. has under the stewardship of the Meylan family.  I was lucky enough to spend an hour with Edouard Meylan, the CEO of H. Moser & Cie., to talk about everything Moser, and right off the bat, he acknowledged this tightrope. “I think we went further into this idea of bringing those two worlds together [the traditional and the modern]. Staying very traditional, like the movements and those kinds of things,” he explained, “but at the same time bringing a touch of more modern, more us. I couldn’t picture it back then I knew I wanted to bring that.” “I remember the first Baselworld, it was like the first...